From 8f978e7c7cd162acabd7f8bc9b9f883f6e4c3418 Mon Sep 17 00:00:00 2001 From: Graham Percival Date: Mon, 8 Oct 2007 15:28:14 -0700 Subject: [PATCH] Kurt's first real music glossary changes; thanks! --- Documentation/user/music-glossary.tely | 193 ++++++++++++++----------- 1 file changed, 110 insertions(+), 83 deletions(-) diff --git a/Documentation/user/music-glossary.tely b/Documentation/user/music-glossary.tely index 82f903033e..9fe74697f8 100644 --- a/Documentation/user/music-glossary.tely +++ b/Documentation/user/music-glossary.tely @@ -208,6 +208,7 @@ Languages in this order. * diatonic scale:: * diminished interval:: * diminuendo:: +* direct:: * disjunct movement:: * dissonance:: * dissonant interval:: @@ -258,6 +259,7 @@ Languages in this order. * grand staff:: * grave:: * gruppetto:: +* H:: * half note:: * half rest:: * harmonic cadence:: @@ -423,6 +425,8 @@ DK: a, S: a, FI: A, a. +@aref{Pitch names} + @node accent @section accent @@ -641,10 +645,11 @@ S: förslag, FI: appoggiatura, etuhele. Ornamental note, usually a second, that is melodically connected with the -main note following it. In music before the 19th century a.@: were usually -performed on the beat, after that mostly before the beat. While the short -a.@: is performed as a short note regardless of the duration of the main note -the duration of the long a.@: is proportional to that of the main note. +main note following it. In music before the 19th century appoggiature were +usually performed on the beat, after that mostly before the beat. While the +short appoggiatura is performed as a short note regardless of the duration of +the main note the duration of the long appoggiatura is proportional to that of +the main note. @lilypond[line-width=13.0\cm] \context Voice \relative c'' { @@ -722,12 +727,19 @@ FI: arpeggio, murtosointu. @node articulation @section articulation -@c TODO: add languages for articulation. +ES: articulación, +I: articulazione, +F: articulation, +D: Artikulation, +NL: articulatie, +DK: ?, +S: ?, +FI: ?. + Articulation refers to notation which indicates how a note or notes should be played. Slurs, accents, staccato, and legato are all examples of articulartion. - @node ascending interval @section ascending interval @@ -786,6 +798,8 @@ DK: h, S: h, FI: H, h. +@aref{Pitch names} + @node backfall @section backfall @@ -845,7 +859,7 @@ C or F clef setting middle C on the upper staff line. ES: clave de fa en cuarta, I: chiave di basso, -F: clé de fa quatrième ligne, +F: clef de fa quatrième ligne, D: Bassschlüssel, NL: bassleutel, DK: basnøgle, @@ -1016,12 +1030,14 @@ DK: c, S: c, FI: C, c. +@aref{Pitch names} + @node C clef @section C clef ES: clave de do, I: chiave di do, -F: clé d'ut, +F: clef d'ut, D: C-Schlüssel, NL: C-sleutel, DK: c-nøgle, @@ -1400,7 +1416,7 @@ lines have been selected: } % End score @end lilypond -Note the @qq{curl} of the G clef in centered on the +The @qq{curl} of the G clef in centered on the line which represents the pitch G. In the same way, the bass or F clef indicates that @@ -1721,7 +1737,7 @@ abbreviation @q{cresc.}. ES: notas guía, I: notine, -F: petites notes précédent l'entrée d'in instrument, réplique, +F: petites notes précédent l'entrée d'un instrument, réplique, D: Stichnoten, NL: stichnoten, DK: stiknoder, @@ -1781,6 +1797,8 @@ DK: d, S: d, FI: D, d. +@aref{Pitch names} + @node da capo @section da capo @@ -2056,6 +2074,20 @@ FI: diminuendo, hiljentyen. @aref{decrescendo}. +@node direct +@section direct + +ES: ?, +I: ?, +F: ?, +D: ?, +NL: ?, +DK: ?, +S: ?, +FI: ?. + +@aref{custos}. + @node disjunct movement @section disjunct movement @@ -2168,6 +2200,8 @@ DK: punkt, S: punkt, FI: piste. +@c TODO: fix double redirect -- to "dotted note", and thence to "note value"? + @aref{dotted note}. @node dotted note @@ -2327,6 +2361,8 @@ DK: e, S: e, FI: E, e. +@aref{Pitch names} + @node ecclesiastical mode @section ecclesiastical mode @@ -2474,13 +2510,14 @@ Used in many contexts, for example: @itemize @item -In vocal music to indicate a single syllable to be sung for a -@aref{melisma} +In vocal music to indicate a single syllable to be sung for a melisma. Called +extension the the Dolmetsch Online Music Dictionary. @item -In figured bass (or @aref{thorough bass}) to indicate that: +In figured (or thorough) bass to indicate that: @itemize + @item The extended note should be held through a change in harmony, when applied to one figure --OR-- @@ -2491,14 +2528,21 @@ In figured bass (or @aref{thorough bass}) to indicate that: composers used a single extender line to indicate the latter case. - @item For more information see "Thorough bass" - @end itemize -@item In string music, see "String indicator" +@item +In string music to indicate that all notes thus indicated should be played on +the same string. On the violin, for example, a series of notes to be played on +the G string would be indicated @q{sul G}, another series to be played on the +D string would be indicated @q{sul D}, and so on. @end itemize +@aref{melisma}, @aref{thorough bass} + +Sul G, Sul D, Sul A, Sul E + + @node F @section F @@ -2511,12 +2555,14 @@ DK: f, S: f, FI: F, f. +@aref{Pitch names} + @node F clef @section F clef ES: clave de fa, I: chiave di fa, -F: clé de fa, +F: clef de fa, D: F-Schlüssel, NL: F-sleutel, DK: F-nøgle, @@ -2526,8 +2572,8 @@ FI: F-avain. The position between the dots of the key symbol is the line of the F below central@w{ }C. Used on the third, fourth and fifth note line. A digit@w{ }8 above the clef symbol indicates that the notes must be played -an octave higher (for example bass recorder) while 8@w{ }below the clef -symbol indicates playing an octave lower (for example on double bass +an octave higher (for example, bass recorder) while 8@w{ }below the clef +symbol indicates playing an octave lower (for example, on double bass @aref{strings}). @lilypond[fragment,notime,line-width=13.0\cm] @@ -2547,7 +2593,7 @@ symbol indicates playing an octave lower (for example on double bass f1 } \lyrics { - "baritone " + "varbaritone " "bass " "sub-bass " "octaved up " @@ -2556,6 +2602,8 @@ symbol indicates playing an octave lower (for example on double bass >> @end lilypond +@aref{baritone clef} + @c F: 'point d'orgue' on a note, 'point d'arret' on a rest. @node fermata @@ -2742,12 +2790,14 @@ DK: g, S: g, FI: G, g. +@aref{Pitch names} + @node G clef @section G clef ES: clave de sol, I: chiave di sol, -F: clé de sol, +F: clef de sol, D: G-Schlüssel, Violinschlüssel, NL: G-sleutel, DK: g-nøgle, @@ -2850,6 +2900,23 @@ Slow, solemn. @aref{turn}. +@node H +@section H + +ES: si, +I: si, +F: si, +D: H, h, +NL: b, +DK: h, +S: h, +FI: H, h. + +Letter name used for @q{B natural} in German and Scandinavian usage. In the +standard usage of these countries, @q{B} means @q{B flat}. + +@aref{Pitch names}, @aref{B} + @node half note @section half note @@ -3813,7 +3880,7 @@ half. Another dot adds yet a fourth of the duration. Alternatively note values may be subdivided by other ratios. Most common is subdivision by@w{ }3 (@emph{triplets}) and@w{ }5 (@emph{quintuplets}). -Subdivisions by@w{ }2 (@emph{tuplets}) or@w{ }4 (@emph{quadruplets}) of +Subdivisions by@w{ }2 (@emph{duplets}) or@w{ }4 (@emph{quadruplets}) of dotted notes are also frequently used. @lilypond[fragment,line-width=13.0\cm] @@ -3947,7 +4014,7 @@ melodic line of the contrapunctal web. @node pause @section pause -@ref{fermata}. +@aref{fermata}. @node pennant @section pennant @@ -4193,8 +4260,7 @@ DK: paralleltoneart, S: parallelltonart, FI: rinnakkaissävellaji. -@aref{major} and @aref{minor} @aref{key} -with the same @aref{key signature}. +@aref{major} and @aref{minor} @aref{key}s with the same @aref{key signature}. @lilypond[fragment,notime,line-width=13.0\cm] \set Score.automaticBars = ##f @@ -5144,7 +5210,7 @@ relative pitches. ES: clave de sol, I: chiave di violino, -F: clé de sol, +F: clef de sol, D: Violinschlüssel, Sopranschlüssel, NL: viool sleutel, DK:@w{ }diskantnøgle, @@ -5434,7 +5500,7 @@ symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon. @tab @strong{FI} @tab @strong{ES} -@item +@c extra @items make this table harder to read, so I removed them. @item @strong{longa} @tab longa @@ -5449,8 +5515,6 @@ symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon. @tab longa @tab longa -@item - @item @strong{breve} @tab breve @tab breve @@ -5464,8 +5528,6 @@ symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon. @tab brevis @tab cuadrada -@item - @item @strong{whole} @tab semi@-breve @tab semi@-breve @@ -5479,8 +5541,6 @@ symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon. @tab koko@-nuotti/@w{-tauko} @tab redonda -@item - @item @strong{half} @tab minim @tab minima @@ -5494,8 +5554,6 @@ symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon. @tab puoli@-nuotti/@w{-tauko} @tab blanca -@item - @item @strong{quarter} @tab crotchet @tab semiminima @@ -5509,8 +5567,6 @@ symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon. @tab neljännesosa@-nuotti/@w{-tauko} @tab negra -@item - @item @strong{eighth} @tab quaver @tab croma @@ -5524,8 +5580,6 @@ symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon. @tab kahdeksasosa@-nuotti/@w{-tauko} @tab corchea -@item - @item @strong{sixteenth} @tab semiquaver @tab semicroma @@ -5539,8 +5593,6 @@ symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon. @tab kuudestoistaosa@-nuotti/@w{-tauko} @tab semicorchea -@item - @item @strong{thirty-second} @tab demisemiquaver @tab biscroma @@ -5554,8 +5606,6 @@ symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon. @tab kolmaskymme@-neskahdesosa@-nuotti/@w{-tauko} @tab fusa -@item - @item @strong{sixty-fourth} @tab hemidemisemiquaver @tab semibiscroma @@ -5570,7 +5620,6 @@ symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon. @tab semifusa @end multitable -@c @item @tab @tab @tab @tab @tab @tab @tab @tab @tab @node Pitch names @chapter Pitch names @@ -5580,67 +5629,45 @@ symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon. @end table @c @multitable @columnfractions .105 .145 .125 .125 .125 .125 .125 .125 +@c the extra @item's between each row makes the table hard to read ... so I removed them + @multitable @columnfractions .11 .14 .14 .11 .1 .1 .1 .1 .1 +@c TODO -- figure out how to make _real_ table headers in TeXinfo + @item @tab @strong{ES} @tab @strong{I} @tab @strong{F} @tab @strong{D} @tab @strong{NL} @tab @strong{DK} @tab @strong{S} @tab @strong{FI} -@item - @item @strong{c} @tab do @tab do @tab ut @tab C @tab c @tab c @tab c @tab c -@item - -@item @strong{c-sharp} @tab do sostenido @tab do diesis @tab ut dièse @tab -Cis @tab cis @tab -cis @tab cis @tab cis - -@item - -@item @strong{d-flat} @tab re bemol @tab re bemolle @tab ré bémol @tab -Des @tab des @tab -des @tab des @tab des - -@item +@item @strong{c-sharp} @tab do sostenido @tab do diesis @tab ut dièse +@tab Cis @tab cis @tab cis @tab cis @tab cis -@item @strong{d} @tab re @tab re @tab ré @tab D @tab d @tab d @tab d @tab d +@item @strong{d-flat} @tab re bemol @tab re bemolle @tab ré bémol @tab Des +@tab des @tab des @tab des @tab des -@item +@item @strong{d} @tab re @tab re @tab ré @tab D @tab d @tab d @tab d @tab d -@item @strong{e} @tab mi @tab mi @tab mi @tab E @tab e @tab e @tab e @tab e +@item @strong{e-flat} @tab mi bemol @tab mi bemolle @tab mi bémol @tab Es +@tab es @tab es @tab es @tab es -@item +@item @strong{e} @tab mi @tab mi @tab mi @tab E @tab e @tab e @tab e @tab e @item @strong{f} @tab fa @tab fa @tab fa @tab F @tab f @tab f @tab f @tab f -@item - @item @strong{g} @tab sol @tab sol @tab sol @tab G @tab g @tab g @tab g @tab g -@item - @item @strong{a-flat} @tab la bemol @tab la bemolle @tab la bémol @tab As -@tab as @tab as -@tab as @tab as - -@item +@tab as @tab as @tab as @tab as @item @strong{a} @tab la @tab la @tab la @tab A @tab a @tab a @tab a @tab a -@item - -@item @strong{a-sharp} @tab la sostenido @tab la diesis @tab la dièse @tab -Ais @tab ais @tab -ais @tab ais @tab ais - -@item +@item @strong{a-sharp} @tab la sostenido @tab la diesis @tab la dièse +@tab Ais @tab ais @tab ais @tab ais @tab ais -@item @strong{b-flat} @tab si bemol @tab si bemolle @tab si bémol @tab B -@tab bes @tab b -@tab b @tab b - -@item +@item @strong{b-flat} @tab si bemol @tab si bemolle @tab si bémol @tab B +@tab bes @tab b @tab b @tab b @item @strong{b} @tab si @tab si @tab si @tab H @tab b @tab h @tab h @tab h -- 2.39.5