From 86e4b75f2625d86b652f870186f99d2befc16240 Mon Sep 17 00:00:00 2001 From: fred Date: Tue, 26 Mar 2002 23:26:20 +0000 Subject: [PATCH] lilypond-1.3.28 --- Documentation/user/glossary.itexi | 2068 ----------------- mutopia/W.A.Mozart/GNUmakefile | 11 - .../W.A.Mozart/horn-concerto-3/GNUmakefile | 9 - mutopia/W.A.Mozart/horn-concerto-3/allegro.ly | 143 -- mutopia/W.A.Mozart/horn-concerto-3/cadenza.ly | 82 - .../horn-concerto-3/horn-concerto-3.ly | 84 - mutopia/W.A.Mozart/horn-concerto-3/romanze.ly | 73 - mutopia/W.A.Mozart/horn-concerto-3/rondo.ly | 160 -- 8 files changed, 2630 deletions(-) delete mode 100644 Documentation/user/glossary.itexi delete mode 100644 mutopia/W.A.Mozart/GNUmakefile delete mode 100644 mutopia/W.A.Mozart/horn-concerto-3/GNUmakefile delete mode 100644 mutopia/W.A.Mozart/horn-concerto-3/allegro.ly delete mode 100644 mutopia/W.A.Mozart/horn-concerto-3/cadenza.ly delete mode 100644 mutopia/W.A.Mozart/horn-concerto-3/horn-concerto-3.ly delete mode 100644 mutopia/W.A.Mozart/horn-concerto-3/romanze.ly delete mode 100644 mutopia/W.A.Mozart/horn-concerto-3/rondo.ly diff --git a/Documentation/user/glossary.itexi b/Documentation/user/glossary.itexi deleted file mode 100644 index fca076a4ab..0000000000 --- a/Documentation/user/glossary.itexi +++ /dev/null @@ -1,2068 +0,0 @@ -@node Glossary, , , Top -@chapter Glossary - -This is a list of musical terms, along with explanations and -translations. It is not complete, so additions are welcome. -Languages are marked thusly: - -@itemize -@item NL - Nederlands -@item UK - British English -@item F - French -@item I - Italian -@end itemize - -@table @strong - -@item Enharmonic Comma - -F: comma enharmonique - - -@ignore - -F: doigté de pédale - -F: doigté, D: Fingersatz - -F: indication de pédale - -F: pointillés. - -@end ignore - -@item A -F: la, D: a. - - - - -@item accent -F: accent, D: Akzent NL: accent I: accento. - - - -@item accidental -F: altération accidentelle, D: Vorzeichen, Versetzungszeichen, Akzidenz NL: toevallig teken, I: accidento. - - - -@item adjacent keys -F: tons voisins. - - - -@item alto -F: alto, D: Alt, NL: alt. - - - -@item ancient form??? (diatonic minor scale) -F: forme du mode mineur ancien. - - - -@item appoggiatura -F: appogiature, ports de voix, notes d'agrèment, D: langer Vorschlag, NL: lange voorslag, I: appogiature. - - - -@item arbitrary number of bars' rest -F: bâton de pause, NL: meermaats rust. - - - -@item arpeggio -F: arpège, arpègement, D: Arpeggio, Brechungen, NL: gebroken akoord, I: arpeggio. - - - -@item artificial measure -F: mesure artificielle. - - - -@item artificial rest -F: respiration. - - - -@item ascending interval - -F: intervalle ascendant, NL: stijgend interval. - - -@item augmented (interval) - -F: augmenté (intervalle), D: übermäßig (Intervall), NL: overmatig interval. - - -@item autograph - -1. A manuscript in the composer's own hand. 2. Music prepared for -photoreproduction by freehand drawing, with only the aid of a -straightedge ruler and T-square, which attempts to emulate -engraving. This required more skill than engraving. - -@item B - -F: si, D: h. - - - - - -@item backfall; forefall - -F: accent, chute, port de voix, D: Vorschlag, NL: korte voorslag, I: appogiature. - - - - - -@item bar line - -F: barre (de mesure), D: Taktstrich, NL: maatstreep, I: stanghetta. - - - - - -@item bar; measure - -F: mesure, D: Takt, NL: maat, maatstreep. - - - - - -@item baritone - -F: bariton, D: Bariton, NL: bariton. - - - -@item F clef - -D: F-Schlüssel, NL: F sleutel. - -A clef shaped as a curl with two dots. The position between the dots is the line of the F below central C. - - - - -@item bass clef - -F: clé de fa, D: Bass-Schlüssel, NL: bas sleutel, I: chiave di basso. - -A clef setting with central C on the first top ledger line. - - - - -@item bass - -F: basse, D: Bass, NL: bas. - - - - - -@item beam - -F: barre, D: Balken, NL: waardestreep/balk, I: barra. - - - - - -@item beat - -F: temps, D: Takt(-schlag), NL: tel. - - - - - -@item brace - -F: accolade, D: Klammer, NL: accolade, haak, I: accolada. - -Symbol at the start of a system that connects staffs. - - - - -@item brass - - D: Blechbläser, NL: koper (blazers). - - - - - -@item alto clef - -F: clé d'ut, D: Altschlüssel, NL: alt sleutel, I: chiave di tenore. - -Clef setting that has central C on the middle staff line. - - - - -@item C clef - - NL: C sleutel. . - -A clef symbol that looks like a horizontally mirrored 3. It indicates the position of the central C. Used in different positions. - - - - -@item C - -F: do, D: c, NL: C. - - - - - -@item C - -F: ut, D: c. - - - - - -@item cadence - -F: cadence, D: Kadenz, NL: cadens. - - - - - -@item cadenza - -F: fioriture, D: Kadenz, NL: cadens, I: cadenza. - - - - - -@item cent - - D: Cent, NL: cent. - -1/1200 of an octave (1/100 of an equally tempered semitone) - - - - -@item chain of trills - -F: chaîne de trilles, NL: triller. - - - - - -@item character - -F: caractère. - - - - - -@item chevron - -F: chevron. - - - - - -@item chord - -F: accord, D: Akkord, NL: akkoord. - - - - - -@item chromatic scale - -F: gamme chromatique, D: Chromatische Tonleiter, NL: chromatische toonladder. - - - - - -@item chromatic semitone - -F: demi-ton chromatique, NL: chromatische halve toon. - - - - - -@item chromatic transposition - -F: transposition chromatique. - - - - - -@item chromatic type - -F: genre chromatique. - - - - - -@item church mode; ecclesiastical mode - -F: mode ecclésiastique, D: Kirchentonart, NL: kerk toonladder. - - - - - -@item clef - -F: clé, D: Notenschlüssel, NL: sleutel, I: la chiave (pl. le chiavi). - - - - - -@item comma - -F: comma, D: Komma, NL: komma. - -Difference in pitch of a note when the note is derived from a different tuning system. - - - - -@item compound interval - -F: intervalle composé, D: Komplementärintervall. - - - - - -@item compound measure - -F: mesure composée, NL: samengestelde maat. - - - - - -@item conjunct movement - -F: mouvement conjoint. - - - - - -@item consonant interval; consonance - -F: consonance, D: Konsonanz, NL: consonant. - - - - - -@item contralto - -F: contralto, D: Alt(-stimme), alt-. - - - - - -@item contro-time - -F: contre-temps. - -@item Copying, Music - -A music copyist did fast freehand scores and parts on preprinted staff -lines for performance. Some of their conventions (e.g.: the placement of -noteheads on stems) varied slightly from those of engravers. Some of -their practices (not that) were superior and could well be adopted by -music typesetters. This also required more skill than engraving. - - -@item crescendo - -F: crescendo, D: Crescendo, I: crescendo. - -written with an extended opening angular bracket, indicates increasing volume - - - - -@item cue-notes - - D: Stichnoten, NL: stichnoten. - -In an orchestral part, notes for a different instrument that hint when to start playing. Usually printed in smaller type. - - - - -@item D - -F: ré, D: d. - - - - - -@item dash over/below - - I: pizzicato. - -With plucked strings - - - - -@item decrescendo - - D: Decrescendo, I: decrescendo. - -written with an extended closing angular bracket, indicates decreasing volume - - - - -@item degree [of the scale] - -F: degré [de la gamme], D: Stufe [der Tonleiter], NL: trap [van de toonladder]. - - - - - -@item descending interval - -F: intervalle descendant, NL: dalend interval. - - - - - -@item diatonic major scale - -F: gamme diatonique majeure, D: Diatonische Durtonleiter, NL: diatonische majeur toonladder. - - - - - -@item diatonic minor scale - -F: gamme diatonique mineure, D: Diatonische Molltonleiter. - - - - - -@item diatonic semitone - -F: demi-ton diatonique, NL: diatonische halve toon. - - - - - -@item diatonic type - -F: genre diatonique, D: diatonisch. - - - - - -@item diatonic - -F: diatonique, NL: diatonisch. - -A diatonic scale is a scale consisting of whole and half tones. - - - - -@item diminished (interval) - -F: diminué (intervalle), D: vermindert (Intervall), NL: verminderd (interval). - - - - - -@item disjunct movement - -F: mouvement disjoint. - - - - - -@item dissonant interval; dissonance - -F: dissonance, D: Dissonanz, NL: dissonant interval; dissonant. - - - - - -@item dominant ninth chord - -F: accord de neuvième dominante, NL: dominant noon akkoord. - - - - - -@item dominant seventh chord - -F: accord de septième dominante, D: Dominantseptakkord, NL: dominant septiem akkoord. - - - - - -@item dominant - -F: dominante, D: Dominante, NL: dominant. - -A tone that creates tension;the fifth degree of the scale. - - - - -@item dorian mode - - D: Dorische Tonart, NL: dorische toonladder. - -Mode obtained by raising the sixth in minor mode. A Dorian scale can be played from D to D with no sharps or flats. - - - - -@item dot (augmentation dot) - -F: point, D: Punkt (Verlängerungspunkt), NL: punt, I: punto. - -An augmentation dot after note adds multiplies the duration by one and a half. - - - - -@item dot and curved line combined - -F: point et liaison combinés. - - - - - -@item dot over/below - - D: Staccato, NL: staccato, I: staccato. - -Play each note short. - - - - -@item dot - -F: point, D: Punkt, NL: punt. - - - - - -@item dotted note - -F: note pointée, D: punktierte Note. - - - - - -@item double appoggiatura - -F: appogiature double. - - - - - -@item double bar line - -F: double barre, D: Doppel(takt)strich, NL: dubbele streep, I: doppia barra. - -Indicates the end of a section within a movement. - - - - -@item double dotted note - -F: note doublement pointée, D: doppel-punktierte Note. - - - - - -@item double flat - -F: double bémol, D: Doppel-Be, NL: dubbelmol, I: doppio bemolle. - - - - - -@item double sharp - -F: double dièse, D: Doppelkreuz, NL: dubbelkruis, I: doppio diesis. - -Raise pitch by two semitones - - - - -@item double trill - -F: trille double, D: Doppeltriller. - -A trill on a chord - - - - -@item double triplet - -F: double triolet, D: Doppeltriole, NL: dubbele triool. - - - - - -@item double whole note - - UK: breve, D: Brevis, NL: brevis, I: breve. - -Note during twice as long as a whole note. Mainly used in pre-1650 music. - - - - -@item duple meter - -F: temps binaire, NL: tweedelige maatsoort. - - - - - -@item duplet - -F: duolet, D: Duole, NL: duool. - - - - - -@item duration - -F: durée, D: Dauer, Länge, NL: duur, lengte. - - - - - -@item E - -F: mi, D: e. - - - - - -@item eighth note - -F: croche, UK: quaver, D: Achtelnote, NL: achtste noot. - - - - - -@item eighth rest - -F: demi-soupir, UK: quaver rest, D: Achtelpause, NL: achtste rust. - - - - - -@item engraving - -D: Notenstechen, NL: steken. - -Engraving means incising or etching a metal plate for -printing. Photoengraving means drawing music with ink in a manner -similar to drafting or engineering drawing, using similar tools. - -The traditional process of music printing is done through: cutting in a -plate of metal. Now also the term for the art of music typography. - - - - -@item enharmonic - -F: enharmonique, D: enharmonisch, NL: enharmonisch. - -Two notes, intervals, or scales are enharmonic if they have different names but sound the same. Examples: C sharp and D flat, diminished fourth and major third - - - - -@item equal temperament - -F: tempérament égal, NL: getempereerde stemming. - -Tuning system in which each semitone is precisely 100 cents. - - - - -@item essential alteration - -F: altération essentielle. - - - - - -@item expression mark - -F: signe d'expressoin, D: Vortragszeichen, NL: voordrachtsteken, I: segno d'espressione. - - - - - -@item extension of interval - -F: extension d'intervalle. - - - - - -@item F - -F: fa, D: f. - - - - - -@item fermata - -F: pauses, D: Fermate, NL: fermate, I: fermata. - -Prolonged sound or silence of indefinite duration - - - - -@item fifth - -F: quinte, D: Quinte, NL: kwint. - - - - - -@item flag; hook; tail; pennant - -F: crochet, D: Fähnchen, NL: vlaggetje, I: coda uncinata. - -Ornament at the end of the stem of a note. The number of flags determines the lengths of notes shorter than a quarter note. - - - - -@item flat - -F: bémol, D: Be, NL: mol, I: bemolle. - -Lower pitch by a semitone - - - - -@item four-bar rest - -F: bâton de pause. - - - - - -@item fourth - -F: quarte, D: Quarte, NL: kwart. - - - - - -@item G - -F: sol, D: g. - - - - - -@item glissando - -F: glissement, D: Glissando, NL: glissando, I: glissando. - -Letting the pitch slide fluently from one note to the other - - - - -@item graces - -F: petites notes, D: Verzierungen, Manieren, NL: versieringen, I: appogiature. - - - - - -@item grand staff - - NL: piano systeem. - -A combination of two staffs with a brace. Usually used for piano music. - - - - -@item half note - -F: blanche, UK: minim, D: Halbe Note, NL: halve noot. - - - - - -@item half rest - -F: demi-pause, UK: minim rest, D: Halbe Pause, NL: halve rust. - - - - - -@item harmonic cadence - -F: cadence harmonique, NL: harmonische cadens. - -Sequence of chords that terminate a musical phrase or section. - - - - -@item harmonic form (diatonic minor scale) - -F: forme harmonique. - - - - - -@item harmonic interval - -F: intervalle harmonique, D: Harmonisches Intervall. - - - - - -@item incomplete measure - -F: mesure incomplète. - - - - - -@item interval - -F: intervalle, D: Intervall, NL: interval. - -Difference in pitch between two notes - - - - -@item inversion of interval - -F: renversement d'intervalle, NL: interval inversie. - - - - - -@item irregular contro-time - -F: contre-temps irrégulier. - - - - - -@item irregular group - -F: groupe irrégulier. - - - - - -@item irregular measure - -F: mesure irrégulière. - - - - - -@item irregular syncopation - -F: syncope irrégulière, NL: onregelmatige syncope. - - - - - -@item just intonation - - I: . - -Tuning system in which the notes are obtained by adding and subtracting natural fifths and thirds. - - - - -@item key signature - -F: armure, armature [de la clé], signes des accidentals, D: Vorzeichen, NL: toonsoort (voortekens), I: segni di chiave. - - - - - -@item kind of note - -F: figure de note. - - - - - -@item kind of rest - -F: figure de silence. - - - - - -@item leading note - -F: sensible. - - - - - -@item ledger line; leger line - -F: ligne supplémentaire, D: Hilfslinien, Kopfstriche (?), NL: hulplijntje, I: lineette. - -A ledger line is an extension of the staff. - - - - -@item legato curve - -F: liaison rythmique, NL: legato boog. - - - - - -@item lilypond - -F: étang de lis, UK: lily pond, D: Lilienteich, NL: lelievijver, I: stagno del giglio. - -A pond with lilies floating in it, also the name of a music typesetter. - - - - -@item line - -F: ligne, D: Linie, NL: lijn. - - - - - -@item long appoggiatura - -F: appogiature longue. - - - - - -@item lower number - -F: chiffre inférieur. - - - - - -@item major (interval) - -F: majeur (intervalle), D: groß (Intervall), NL: groot (interval). - - - - - -@item major mode - -F: mode majeur, D: Dur. - - - - - -@item meantone temperament - -F: tempérament mésotonique. - -Tuning based on a fifth that is 16 cents smaller than the natural fifth. - - - - -@item mediant - -F: médiante, NL: mediant. - -The third degree of a scale - - - - -@item melodic cadence - -F: cadence mélodique, NL: cadens. - -A free-form section at the end of a solo-concerto, where the soloist can demonstrate his/her virtuosity. - - - - -@item melodic form (diatonic minor scale) - -F: forme mélodique. - - - - - -@item meter; time - -F: mètre, D: Takt, Metrum, NL: maatsoort. - -A recurring pattern of stress - - - - -@item metronome - -F: métronome, D: Metronom, NL: metronoom. - -Device which sounds a steady beat - - - - -@item metronomic indication - -F: indication métronomique, D: Metronomangabe. - -Exact tempo indication (in beats per minute). Also denoted by M.M. (Mälzel's Metronom) - - - - -@item mezzo-soprano - -F: mezzo-soprano, D: Mezzosopran. - - - - - -@item middle C - -F: do central, D: eingestrichenes c, NL: centrale C. - -First C below the 440 Hz A. - - - - -@item minor (interval) - -F: mineur (intervalle), D: klein (Intervall). - - - - - -@item minor mode - -F: mode mineur, D: Moll. - - - - - -@item modal note - -F: note modale. - - - - - -@item mode - -F: mode, D: Geschlecht. - - - - - -@item modulation - -F: modulation, D: Modulation, NL: modulatie. - - - - - -@item mordent - -F: mordant, pincè, D: Pralltriller, Mordent, NL: mordent, I: mordente. - - - - - -@item motive - -F: incise, D: Motiv, NL: motief. - - - - - -@item musical ladder - -F: échelle musicale. - - - - - -@item mixolydian mode - - D: Mixolydische Tonart, NL: Mixolydische toonladder. - -Mode obtained by lowering the seventh in major. A mixolydian scale can be obtained by playing G to G with no sharps or flats. - - - - -@item natural sign - -F: bécarre, D: Auflösungszeichen, NL: herstellingsteken, I: bequadro. - -Do not play the following note flat or sharp. - - - - -@item ninth - - D: None, NL: noon. - - - - - -@item note head - - D: Notenkopf, NL: noot balletje. - - - - - -@item note - -F: note, D: Note, NL: noot, I: nota. - - - - - -@item octave line - -F: échelle d'octave. - - - - - -@item octave line - -F: clé d'octave. - - - - - -@item octave sign - -F: octave, D: Oktave, I: ottava. - - - - - -@item octave - -F: octave, D: Oktave, NL: octaaf. - - - - - -@item ornament; embellishment; accessory - -F: agrèment, ornement, D: Verzierungen, I: fiorette, fioriture, -abbellimenti. - - -@item ossia - -NL: alternatief - -Ossia (otherwise) marks an alternative. It is an added staff or piano -score, usually only a few measures long, which presents another version -of the music, for small hands, for example. - - -@item part - -NL: partij. - - - - - -@item pause - -F: pause, D: Luftpause. - - - - - -@item pause - -F: point d'orgue. - - - - - -@item perfect (interval) - -F: juste (intervalle), D: rein (Intervall), NL: rein (interval). - - - - - -@item perfect major chord - -F: accord parfait majeur. - - - - - -@item perfect minor chord - -F: accord parfait mineur. - - - - - -@item phrase member - -F: membre de phrase. - - - - - -@item phrase - -F: phrase, D: Phrase, NL: frase, zin. - - - - - -@item phrasing - -F: phrasé. - - - - - -@item pitch pipe; tuning fork - -F: diapason, D: Stimmgabel, NL: stemfluitje; stemvork. - - - - - -@item pitch - -F: hauteur, D: Tonhöhe, NL: toonhoogte. - - - - - -@item Pythagorean comma - -F: comma pythagoricien, D: Pythagoräisches Komma, NL: komma van Pythagoras. - -A sequence of fifths starting on C eventually circles back to C (B sharp), but this B sharp is 24 cents higher than C. This gap is the Pythagorean comma. - - - - -@item quadruplet - -F: quartolet, NL: kwartool. - - - - - -@item quarter note - -F: noire, UK: crotchet, D: Viertelnote, NL: kwartnoot. - - - - - -@item quarter rest - -F: soupir, UK: crotchet rest, D: Viertelpause, NL: kwart rust. - - - - - -@item register - -F: registre, D: Register, NL: register. - - - - - -@item regular contro-time - -F: contre-temps régulier. - - - - - -@item regular syncopation - -F: syncope régulière. - - - - - -@item relative scales - -F: gammes relatives, tons relatifs. - - - - - -@item repeat - -F: barre de reprise, D: Wiederholung, NL: herhaling. - - - - - -@item rest - -F: silence. - - - - - -@item rest - -F: soupir, D: Pause, NL: rust, I: pausa. - - - - - -@item return sign - -F: renvoi, NL: herstellingsteken. - - - - - -@item rhythm - -F: rythme, D: Rhythmus, NL: ritme. - - - - - -@item rhythmic curve - -F: courbe rythmique. - - - - - -@item scale - -F: gamme, D: Tonleiter, NL: toonladder. - - - - - -@item score - -F: partition, D: Partitur, NL: partituur. - - - - - -@item second - -F: seconde, D: Sekunde, I: secunde. - - - - - -@item semitone - -F: demi-ton, D: Halbton, NL: halve toon. - - - - - -@item seventh - -F: septième, D: Septime, NL: septiem, I: septime. - - - - - -@item sextuplet - -F: sextolet, D: Sextole, NL: sextool. - - - - - -@item sextuplet - -F: sixain, NL: sextool. - - - - - -@item shading signs - -F: signes indicateurs de nuance. - - - - - -@item shading - -F: nuance, D: Nuance. - - - - - -@item sharp - -F: dièse, D: Kreuz (um Halbton erhöht), NL: kruis. - - - - - -@item short appoggiatura - -F: appogiature brève. - - - - - -@item simple appoggiatura - -F: appogiature simple. - - - - - -@item simple interval - -F: intervalle simple. - - - - - -@item simple measure - -F: mesure simple. - - - - - -@item sixteenth note - -F: double croche, UK: semiquaver, D: Sechzehntelnote, NL: zestiende noot. - - - - - -@item sixteenth rest - -F: quart de soupir, UK: semiquaver rest, D: Sechzehntelpause, NL: zestiende rust. - - - - - -@item sixth - -F: sixte, D: Sexte, NL: sext. - - - - - -@item sixty-fourth note - -F: quadruple croche, UK: hemidemisemiquaver, D: Vierundsechzigstelnote, NL: vierenzestigste noot. - - - - - -@item sixty-fourth rest - -F: seizième de soupir, UK: hemidemisemiquaver rest, D: Vierundsechzigstelpause. - - - - - -@item slur - -F: liaison, coulé, D: Bindungszeichen, Bindebogen, NL: binding, bindingsboog, I: legatura. - - - - - -@item soprano - -F: soprano, D: Sopran, NL: sopraan. - - - - - -@item space - -F: espace. - - - - - -@item staff - -F: portée, D: Noten(linien)system, NL: (noten)balk; partij. - -pl staves or staffs - - - - -@item stem - -F: queue, D: Stiel, Hals, NL: stok, I: asta, gamba. - - - - - -@item strings - - D: Streicher, NL: strijkers. - - - - - -@item strong beat - -F: temps fort, NL: thesis. - - - - - -@item subdominant - -F: sous-dominante, D: Subdominante. - -The fourth degree of the scale - - - - -@item submediant - - I: . - -The sixth scale degree - - - - -@item subtonic - -F: sous-tonique, D: Subtonika. - -The seventh degree of the scale - - - - -@item superdominant - -F: sus-dominante. - -The sixth scale degree - - - - -@item supertonic - -F: sus-tonique. - -The second scale degree - - - - -@item syncopation; upbeat - -F: syncope, D: Synkope, NL: syncope. - - - - - -@item syntonic comma - -F: comma syntonique, NL: komma van Didymos, syntonische komma. - -Difference between the natural third and the third obtained by Pythagorean tuning, euqal to 22 cents. - - - - -@item system - -F: système, D: System, NL: systeem, I: sitema. - - - - - -@item tempo indication - -F: signes de temps, D: Zeitmaß, Tempobezeichnung, NL: tempo aanduiding, I: segno di tempo. - - - - - -@item tempo; movement - -F: mouvement, D: Tempo. - - - - - -@item tenor - -F: ténor, D: Tenor. - - - - - -@item tenth - - D: Dezime, NL: deciem, I: decime. - - - - - -@item tetrachord - -F: tétracorde, D: Vierklang. - - - - - -@item third - -F: tierce, D: Terz, NL: terts. - - - - - -@item thirty-second note - -F: triple croche, UK: demisemiquaver, D: Zweiunddreißigstelnote, NL: 32e noot. - - - - - -@item thirty-second rest - -F: huitième de soupir, UK: demisemiquaver rest, D: Zweiunddreißigstelpause, NL: 32e rust. - - - - - -@item tie - -F: liaison, D: Haltebogen, NL: overbinding, I: legatura. - -A curve that shows the prolongation (as opposed to the repetition fo a note) - - - - -@item time signature - -F: chiffrage (chiffres indicateurs), signe de valeur, D: Taktvorzeichnung, Taktvorzeichen, NL: maatsoort, I: segni di tempo. - - - - - -@item tonal note - -F: note tonale. - - - - - -@item tonality - -F: tonalité, D: Tonalität, NL: tonaliteit. - - - - - -@item tone - -F: ton, D: Ton, NL: toon. - - - - - -@item tonic - -F: tonique, D: Tonika, NL: tonica. - - - - - -@item transposition - -F: transposition, D: Transposition, NL: transpositie. - -Shifting a melody up or down in pitch, while keeping the same relative pitches. - - - - -@item G clef - - NL: G sleutel. - -A clef symbol with a loop at the top and a spiral in the center. The center of the spiral indicates the G above central C. - - - - -@item treble clef - -F: clé de sol, D: Violinschlüssel, NL: viool sleutel, I: chiave di violino. - -Clef setting where the second lowest line is the G above central C. - - - - -@item tremolo - -F: trèmolo, D: Tremolo, NL: tremolo, I: tremolo. - - - - - -@item trill; shake - -F: trille, tremblement, battement (cadence), D: Triller, NL: triller, I: trillo. - - - - - -@item triple meter - -F: temps ternaire, NL: driedelige maatsoort. - - - - - -@item triplet - -F: triolet, D: Triole. - - - - - -@item tritone - -F: triton, D: Tritonus. - - - - - -@item turn; gruppetto - -F: brisè, groupe, doublè, grupetto, D: Doppelschlag, NL: dubbelslag, I: grupetto. - - - - - -@item two-bar rest - -F: bâton de pause. - - - - -@item underline over/below - -F: portamento, D: Portato. - - - - - -@item unison - -F: unisson, D: Unisono, I: unisono. - -Different instruments playing exactly the same melody. - - - - -@item unit of beat - -F: unité de temps. - - - - - -@item unit of measure - -F: unité de mesure. - - - - - -@item upbeat; arsis - - D: Auftakt. - - - - - -@item upper number - -F: chiffre supérieur. - - - - - -@item voice - -F: voix, D: Stimme, NL: stem. - - - -@item weak beat - -F: temps faible, NL: arsis. - - - - - -@item whole note - -F: ronde, UK: semibreve, D: Ganze Note, NL: hele noot. - - - - - -@item whole rest - -F: pause, UK: semibreve rest, D: Ganze Pause. - - - - - -@item woodwind - -D: Holzbläser, NL: houtblazers. - - -@end table - diff --git a/mutopia/W.A.Mozart/GNUmakefile b/mutopia/W.A.Mozart/GNUmakefile deleted file mode 100644 index bc10564db5..0000000000 --- a/mutopia/W.A.Mozart/GNUmakefile +++ /dev/null @@ -1,11 +0,0 @@ -# mutopia/W.A.Mozart - -depth = ../.. - -examples=# cadenza -SUBDIRS=horn-concerto-3 -LOCALSTEPMAKE_TEMPLATES=mutopia - -include $(depth)/make/stepmake.make - - diff --git a/mutopia/W.A.Mozart/horn-concerto-3/GNUmakefile b/mutopia/W.A.Mozart/horn-concerto-3/GNUmakefile deleted file mode 100644 index 13fb5e529f..0000000000 --- a/mutopia/W.A.Mozart/horn-concerto-3/GNUmakefile +++ /dev/null @@ -1,9 +0,0 @@ -depth = ../../.. - -examples= -SUBDIRS= -LOCALSTEPMAKE_TEMPLATES=mutopia - -include $(depth)/make/stepmake.make - - diff --git a/mutopia/W.A.Mozart/horn-concerto-3/allegro.ly b/mutopia/W.A.Mozart/horn-concerto-3/allegro.ly deleted file mode 100644 index 2352cb524a..0000000000 --- a/mutopia/W.A.Mozart/horn-concerto-3/allegro.ly +++ /dev/null @@ -1,143 +0,0 @@ - - -allegro = - \notes - \relative c' -{ - \time 4/4; - r4 | - R1*4 - c'2^"tutti" g - c, r - R1*1 - r8 [g' g g] [g g e c] - g'4 g, r2 - R1*18 - r2 r4 g'4 | - e'4. () c8 [f (d c )b ] - [b()c] g4 r8 [g-. c-. e-.] - g2. ( [g16-.( f e ))f] - dis4 () e4-- r8 [c8-. c-. c-.] - c4.( [d16 )e] f4 () e - a,() d g,() c - d-. d-. \grace e16( [)d8. c16 d8. e16] - c4 r r2 - R1*3 - c,2 ~ [c8 e( g )c] - [c () b ] b4-. r2 - [c,8 () e g c] [e()g e c] - [c()b] b4-- r2 - c4.() g8 e'4.() c8 - [g'()d ] d4-- r4 d - [d8 () c] c4.( [d16 e] [d8 )c] - [c8(-\trill )b] b4 r2 | - d2( ~ [d8 e16 d] [c8 )b] | - [b()a-.] a4-> r8 [a-. a-. a-.] - a4 cis e g - \grace { \longgrace g16( } - [ fis8 e16 )d] d4-. r2 | - \mark "B"; - R1*3 - r2 r4 [d8 (b ] - [a )g d'( b] [a )g e'( c ] - [b8 )a] a4 r4 [a8-. a-.] - [a( \< b c \!cis\< ] d4 \! )c - [ais8() b] r8 b [b()c] r c - [cis ()d] r4 r2 - g,1 ~ g2 ~ [g8 a16 b] [c()d e c] - f4-. d-. b-. g-. - r1 - \emptyText - c,2\p e4 g c_\cresc e g4. e8 | - d4. [e16 fis] [g () fis e d] [c() b a g] - a1(-\trill \grace{ [g16 a] } - )g4 r r2 - R1*15 - \mark "D"; - bes2-\mf d4 f - g,2~ [g8 g'( es )c]| - bes4( )a4. [c8 d es] - cis4()d r8 [bes (c )d] - es2 () d4 r - es2\p () d4 r - [c8(\mf g' es )c] bes4()c-. - c4.( cis8 )d4 r - R1*2 - es1~es1| - e! - d - c - c, - e' - e, - c'2 [b8( a gis )a] - [gis8 e gis b ] e4 r | - r8 [e, a c] dis4 r - r8 [e, a c] dis4 r - r8 [e, g b] e4 r - r8 [fis, b dis] fis4 r - r8 [gis, b d] f4 r - r8 [g, b d_"rit."] f4 r - \mark "E"; - R1*8 - r2 r8 [g,-. g-. g-.] - e'4.() c8 [f( d c )b] - [b()c] g4 r8 [g c e] | - g2. ( [g16( f e ))f] - dis4()e r8 [c-. c-. c-.] - c4.( [d16 e] f4 )e - a, ( d g, )c - d d [ - \grace { e8( } - d8. c16 d8. e16] - c4 r r2 - \mark "F"; - R1*3 - c,2~[c8( e g )c] - [c8()b] b4 r2 - [c,8()e g c ] [e ()g e c] - [c()b] b4 r2 - c2 (bes )a [a8(b c )cis] - d2( ~ [d8 e16 d] [\grace { \longgrace d16( } )c8 b16 )c] - \grace { \longgrace c16 }[ b8( a16 )g] g4 r2 | - R1*3 - r2 r4 [g'8()e] - \mark "G"; - [d()c g'()e] [d()c a'()f] - [e()d] d4 r [d8 d] - d4(~ [d16 e d )e] [g8() f e d] | - c4 r r2 - r1 - c1 ~ - c | - [c8-. c-.] r c-. [cis()d] r d-. | - [dis()e] r e-. [e()f] r f-. | - g4-. e-. c-. bes-. | - g-.\ff e-. c-. r | - a'2 ~ [a8_"sempre f" b16 c] [d( e d )e]%TODO - - f4. () d8 [f8 ()d f d] - [c (e] )g2 \grace { \longgrace f16( } [)e8( d16 )c] - \grace { \aftergrace [c16 d] } - d1-\trill - c4 r r2 - r1 | - \mark "H"; - \times 2/3 { [ c8 ()b a ] } \times 2/3 { [ g a b] } \times 2/3 { [ c d e] } \times 2/3 { [ f()e d] } | - \times 2/3 { [ c () b a ] } \times 2/3 { [ g a b] } \times 2/3 { [ c d e] } \times 2/3 { [ f()e d] }| - c4 \times 2/3 { r8 [g'()e]} c4 \times 2/3 { r8 [e () c]} | - g4 \times 2/3 { r8 [c8() g] } \times 2/3 { [ e ()g e] } \times 2/3 { [c ()e c] }| - g4 r8 g'\f [a b c d]| - \grace { \aftergrace [c16 d] } - d1(-\trill - )c4 r r2 - R1*3 - \grace{ \aftergrace [c16 d] } - c1-\trill_"Cadenza ad lib." ( - )c4 r r2 - R1*2 - r4 [c8.^"tutti"-\f c16] c4 c - c [c,8. c16] c4 c| - c2 r2 \bar "|."; - -} diff --git a/mutopia/W.A.Mozart/horn-concerto-3/cadenza.ly b/mutopia/W.A.Mozart/horn-concerto-3/cadenza.ly deleted file mode 100644 index 414eb16df2..0000000000 --- a/mutopia/W.A.Mozart/horn-concerto-3/cadenza.ly +++ /dev/null @@ -1,82 +0,0 @@ -\header{ - title = "Konzert Nr. 3 Es dur"; - subtitle = "Cadenza ad lib."; - enteredby = "HWN"; - copyright = "public domain"; - instrument = "Horn in Es"; - - mutopiatitle = "Cadenza for horn concerto no. 3"; - mutopiacomposer = "Anon."; - style = "classical"; - tagline = "\\\\This music is part of the Mutopia project, http://sca.uwaterloo.ca/Mutopia/\\\\It has been typeset and placed in the public domain by Han-Wen Nienhuys.\\\\Unrestricted modification and redistribution is permitted and encouraged - copy this music and share it!"; - maintainer = "hanwen@cs.uu.nl"; - lastupdated = "1999/Oct/16"; - source = "Breitkopf & Haertel + own modifications"; -} - - - -%{ - -This is a cadenza to Mozart 3, as given to me by Arthur Verhofstad -(one of my teachers). The source is unknown - -Lots more can be found in Uijlenspiegel 1998 no. 1, in an article by -Herman Jeurissen. - -%} - -\version "1.3.4"; - - -cad = \notes \relative c' { - \property Score.midiInstrument = "french horn" - \context Staff { - \emptyText - \cadenzaOn - - - \clef "violin"; - c'4.\mf g8 - - - [e'^"accel" () d c b] - [b() c] g-\fermata - \bar "empty"; - c, ~ [c^\turn_"rubato" e g c] - e4. e8 [g () f_"rit" e d] - - dis4() e4 - \bar "" ; - r8 [c16 d] [e f g gis] - - a4-> f,() e g' - f-> d,() cis e' - - d4^\fermata - \bar "" ; - - r8 a [b cis] - \grace { e8( } - [d16 cis d e] - f4 ~ [f16 e d c] - b4-\turn - \times 2/3 { [ d8 c8 a8] } - g2~ - \bar "" ; - [g16 c, e g] [c e, g c] - [e g, c e] g4^\fermata - \bar "" ; - [g8.(_"a tempo" e16 g8. )e16] - a4. g8 [f8 e8 d8 c8] - g2 d'2-\trill - \grace { [c32 d] } - c4 - } } - -\score { - \notes { \cad } -% \midi { \tempo 4 = 90; } - \paper { casting_algorithm = \Wordwrap;} - -} diff --git a/mutopia/W.A.Mozart/horn-concerto-3/horn-concerto-3.ly b/mutopia/W.A.Mozart/horn-concerto-3/horn-concerto-3.ly deleted file mode 100644 index a7c04b8daf..0000000000 --- a/mutopia/W.A.Mozart/horn-concerto-3/horn-concerto-3.ly +++ /dev/null @@ -1,84 +0,0 @@ -\header{ - title = "Konzert Nr. 3 Es dur"; - subtitle = "f\\\"ur Horn und Orchester"; - composer = "Wolfgang Amadeus Mozart (1756-1792)"; - enteredby = "HWN"; - opus = "K.V. 447"; - - copyright = "public domain"; - instrument = "Horn in Es"; - - mutopiatitle = "Horn Concerto 3"; - mutopiacomposer = "W.A.Mozart"; - mutopiaopus = "KV447"; - style = "classical"; - tagline = "\\\\This music is part of the Mutopia project, http://sca.uwaterloo.ca/Mutopia/\\\\It has been typeset and placed in the public domain by Han-Wen Nienhuys.\\\\Unrestricted modification and redistribution is permitted and encouraged - copy this music and share it!"; - maintainer = "hanwen@cs.uu.nl"; - lastupdated = "1999/Oct/16"; - source = "Breitkopf & Haertel + own modifications"; -} - -%%%%%%% This is the main file. - -%{ - -This is the Mozart 3 for horn. It's from an old and fumbled part I -have with lots of unidentified staccato dots, marcato's and dynamic -markings; I left off most of them. - -Some of the marks are mine. Some of them are my teachers'. Some of -them are my teachers' teachers. Some of them are B&H's. Some of them -are Mozart's. - ---hwn - -%} - -longgrace = \property Grace.stemStyle = "" -aftergrace = \property Grace.graceAlignPosition = \right - - -\version "1.3.4"; - -\include "allegro.ly" -\include "romanze.ly" -\include "rondo.ly" - -\paper{ - \translator { \StaffContext \consists Mark_engraver; } - \translator { \ScoreContext - skipBars = ##t - } - linewidth = 180. \mm; -} - -\score -{ - < \allegro - \property Score.midiInstrument = "french horn" - > - \paper{ } - \header { piece = "allegro"; opus = ""; } - \midi{ \tempo 4=90; } -} - -\score -{ - < \romanze - \property Score.midiInstrument = "french horn" - > - \header { piece = "romanze"; opus = ""; } - \midi{ \tempo 4 = 70; } - \paper{} -} -\score -{ - < \rondo - \property Score.midiInstrument = "french horn" - > - \header { piece = "rondo"; opus = ""; } - \paper{ - \translator { \BarNumberingStaffContext } - } - \midi{ \tempo 4 = 100; } -} diff --git a/mutopia/W.A.Mozart/horn-concerto-3/romanze.ly b/mutopia/W.A.Mozart/horn-concerto-3/romanze.ly deleted file mode 100644 index 34906bd5c3..0000000000 --- a/mutopia/W.A.Mozart/horn-concerto-3/romanze.ly +++ /dev/null @@ -1,73 +0,0 @@ - - -romanze = \notes \relative c' { - \key F; - \time 2/2; - \emptyText - c'4.( _\textscript "p. con molto espressione" "italic" ) - f8 a,4 a - [bes8( c d bes] )g4 r8 g - a r bes r c r [d()bes] - a2( [)g8 a( bes )b] - c4. () f8 a,4 a | - [bes8 (c d) bes] g4 r8 c,-. - [c8( e g )bes] [a( c f ) d] - c r e r f r r4 - \mark "A"; - R1*8 - g4. ()f8 [e( d c) bes] - [bes( a d )c] c4 r - R1*2 - g'4.() f8 [e( d c) bes] - [bes (a d ) c] c4 r - r1 - [c16\mf () d c-. d-.] [e () f e-. f-.] [g()e c-. c-.] [f()d b-. b-.] - [c16\p () d c-. d-.] [e () f e-. f-.] [g()e c-. c-.] [f()d b-. b-.] - [c8 \< c, c c] [c c c \! c] %B&H use tremolo. - \mark "B"; - c1\f - R1*9 - f'4.(\p )d8 b4 r8 g - g'4.() e8 c4 r8 cis | - d4(~ [d16 e d )e] [f8 () d f() d] - c2()b4 r - R1*4 - e4. ()g8 c,4 ()cis - [d8( e f )d] b4 r8 g - [c ()e g g] [g( f e )d] - c4( - \grace { e16 } - [d8. )c16] [c8 c--( c-- )c--] - \mark "C"; - des1\sfp - g,1\sfp - c\sfp - c,\sfp - R1*3 - r8 [c-\p c c] c2~ - [c8 c' c c] c2~ - [c8 \< e( g f] [e \!d \> c bes] - \mark "D"; - \! )a4 r r2 - R1*3 - c4.-\p () f8 a,4 a | - [bes8 (c d) bes] g4 r8 c,-. - [c8( e g )bes] [a( c f ) d] - c-. r e-. r f4 r4 - R1*3 - r2 r4 r8 c,8 - [c8( e g )bes] [a( c f ) d] - c-. r e-. r f4 r4 - g,1\pp - c,2~c4. c8 - [c8( e g )bes] [a( c f ) d] - c r e r f4 r4 % -. ? - - r1 - c8-. r e-. r f4 r4 - - % Finish with F if played separately - c8-. ( r c,-. r ) c4 r4| - \bar "|."; -} - diff --git a/mutopia/W.A.Mozart/horn-concerto-3/rondo.ly b/mutopia/W.A.Mozart/horn-concerto-3/rondo.ly deleted file mode 100644 index b8b72b7927..0000000000 --- a/mutopia/W.A.Mozart/horn-concerto-3/rondo.ly +++ /dev/null @@ -1,160 +0,0 @@ - -rondotheme = \notes \relative c' { - [c'8 c c] [c c c] - c4( cis8 )d r g, - [d'8 d d] [d d d] - d4( dis8 )e r c | - [c()d e] [f g a] - [g ()e c] c4 d8 - e4()d8 e4()f8 - e4.()d8 r r | -} - -lipbreaker = \notes \relative c' -{ - r8 [g'-. g-.] [c()e g,-.] - [c()e g,-.] [c()e g,-.] - [c c, c] [c c c] - [c c c] [c c c] -} - -rightsixteenth = { \property Voice.stemLeftBeamCount = 1 - \property Voice.stemRightBeamCount = 2 } -leftsixteenth = { \property Voice.stemLeftBeamCount = 2 - \property Voice.stemRightBeamCount = 1 } -bothsixteenth = { \property Voice.stemLeftBeamCount = 2 - \property Voice.stemRightBeamCount = 2 } - -rondo = \notes \relative c' -{ - \partial 8; - g'8-\p | - \time 6/8; - - \rondotheme - - R2.*13 | - r8 r-\fermata d [d e f] - [g ()e c-.] [d()e d-.] - c4 c8 [d e f] - [g()e c-.] [d()e d-.] - c4 r8 r4 r8 | - R2.*7 - \mark "A"; - c4.\p \grace { e16( } [)d8 c d] - c4 r8 r4 r8 - e4. \grace g16( [)f8 e f] - e4 r8 r4 r8 - g4. e4 c8 - g2.~ - [g8 a b] [c d e ] - e4.()d8 r r - R2.*4 - e2.~ | - [e8 d c] [c b a] - d2.~ - [d8 c b] [b a g] - g'4()e8 b4()cis8 - \mark "B"; - d4 r8 r4 r8 - R2.*3 | - r8 [d-. d-.] [d()g d-.] - [d()g d-.] [d d d] - [d()g] r r4 r8 - R2.*1 - \lipbreaker - c4 r8 [c' d e] - d4()g8 [c, d e] - d4 r8 r4 r8 - R2. | - r4 r8 [c-. d-. e-.] - d4()g8 [c, d e] - [d()g fis] [e d c] - [b () e d] [c b a] - \mark "C"; - g4 r8 r4 r8 - r2. | - % - r8 [g g] [g( )b b] - [b()d d-.] [d()g g-.] - g2.~ - [g8 a g] [f e d] - < \rondotheme - { s8-\p } > - - R2.*12 - r4 r8 r4 c8 - \mark "D"; - c4 f8 c4 a8 - a4.~a4 a8 - bes4 c8 d4 bes8 - g4. ~ g8 r r - R2.*3 - r4 r8 r4 c8 - a4. c - f ~ [f8. \rightsixteenth e16( \bothsixteenth d )c] - bes4 g8 e4 g8 - c4. ~ c8 r r - R2.*3| - r4 r8 r4 c8 - b4()c8 b4()c8 - bes4. ~ bes4 g8 - a4 c8 [f () d b] - d4. () c8 r r - \mark "E"; - R2.*9 | - \lipbreaker - [c8 c' c] c4.~ - [c8 c d] [e e fis] - g4 r8 r4 r8 - r2. - r8 [g, g] [g g g] | - es'4. ~ [es8 d c] - b4 r8 r4 r8 - r2. | - r8 [g g] [g g g] - es'4. ~ [es8 d c] - b4.\cresc c4. d4. e4. - \mark "F"; - f2.\f ~ | - f4 r8 r4 r8 - r8 [g,\> g] [g g g] - [fis g gis] % Edition breitkopf says a-flat (silly!) - [a bes \! b] - < \rondotheme - { s8-\p } > - R2.*7 - \mark "G"; - R2.*4 - c,4.\mf c4 c8 - c4. e4 c8 - g'4. g4 g8 - g4. g,4 g8 - c4 r8 r4 r8 - r4 r8 r4 g'8 - [c ()e g,-.] [c ()e g,-.] - [c ()e g,-.] [c ()e g,-.] - \mark "H"; - g'2._\cresc bes,2. - a4. [b16 c d e f g] - a4. f4 d8 - [c8\f g' e] [c g e] - [\stemup c \stemdown e' c] \stemboth [g e c] - g4 r8 [g''8 e c] - \grace { \aftergrace [c16 d] } - d2.(-\trill - )c4 r8 r4 r8 - R2.*5 - r8 r8-\fermata d8\p [d e f] - [g ()e c] [d()e d] - [c\cresc c c] [d e f] - [g()e c] [d()e d] - c4\f r8 r4 r8 - R2.*5 - [c8\f c, c] [c c c] - c4 r8 c4 r8 - c4 r8 r4 \bar "|."; % B&H do another r8. -} - - - -- 2.39.5