From 78d2fc091e6ad3790f3758025edb8720691261bc Mon Sep 17 00:00:00 2001 From: John Mandereau Date: Tue, 28 Aug 2007 08:35:59 +0200 Subject: [PATCH] Fix typos in English manual (instrument-notation) --- Documentation/user/instrument-notation.itely | 26 +++++++++----------- 1 file changed, 12 insertions(+), 14 deletions(-) diff --git a/Documentation/user/instrument-notation.itely b/Documentation/user/instrument-notation.itely index 876fc4b836..2e80f28d55 100644 --- a/Documentation/user/instrument-notation.itely +++ b/Documentation/user/instrument-notation.itely @@ -368,7 +368,7 @@ chord, thirds are added to the root until it reaches the specified number. The exception is @code{c:13}, for which the 11 is omitted. @lilypond[quote,fragment,verbatim] -\chordmode { c:3 c:5 c:6 c:7 c:8 c:9 c:10 c:11 c:13} +\chordmode { c:3 c:5 c:6 c:7 c:8 c:9 c:10 c:11 c:13 } @end lilypond @cindex root of chord @@ -834,7 +834,7 @@ between syllables, or use tilde symbol (@code{~}) to get a lyric tie. \addlyrics { pu- ro~y~ho- nes- to } @end lilypond -The lyric ties is implemented with the Unicode character U+203F, so be +The lyric tie is implemented with the Unicode character U+203F, so be sure to have a font (Like DejaVuLGC) installed that includes this glyph. @@ -1000,11 +1000,11 @@ sink2 or4 swim2. The alignment to a melody can be specified with the @code{associatedVoice} property, - @example +@example \set associatedVoice = #"lala" - @end example +@end example - @noindent +@noindent The value of the property (here: @code{"lala"}) should be the name of a @internalsref{Voice} context. Without this setting, extender lines will not be formatted properly. @@ -1191,9 +1191,6 @@ verseOne = \lyricmode @{ Joy to the world the Lord is come @} @} @end example -@c TODO: Move the following section to -@c "Working with lyrics and identifiers" - For different or more complex orderings, the best way is to setup the hierarchy of staves and lyrics first, e.g., @example @@ -1230,6 +1227,7 @@ The final input would resemble Program reference: @internalsref{LyricCombineMusic}, @internalsref{Lyrics}. + @node Flexibility in placement @subsection Flexibility in placement @@ -1244,10 +1242,10 @@ differing ways. Such variations can still be captured with * Lyrics independent of notes:: @end menu + @node Lyrics to multiple notes of a melisma @subsubsection Lyrics to multiple notes of a melisma - One possibility is that the text has a melisma in one stanza, but multiple syllables in another one. One solution is to make the faster voice ignore the melisma. This is done by setting @@ -1517,7 +1515,7 @@ Stanza numbers can be added by setting @code{stanza}, e.g., Hi, my name is Bert. } \addlyrics { \set stanza = "2. " - Oh, che -- ri, je t'aime + Oh, ché -- ri, je t'aime } @end lilypond @@ -2228,10 +2226,10 @@ chord. You can change the tuning of the strings. A string tuning is given as a Scheme list with one integer number for each string, the number being the pitch (measured in semitones relative to middle C) of an -open string. The numbers specified for @code{stringTuning} are the +open string. The numbers specified for @code{stringTunings} are the numbers of semitones to subtract or add, starting the specified pitch by default middle C, in string order. LilyPond automatically calculates -the number of strings by looking at @code{stringTuning}. +the number of strings by looking at @code{stringTunings}. In the next example, @code{stringTunings} is set for the pitches e, a, d, and g @@ -2409,7 +2407,7 @@ The letters used for the fingerings are contained in the property @seealso -Internalls: @internalsref{StrokeFinger} +Program reference: @internalsref{StrokeFinger} @@ -2469,7 +2467,7 @@ write @code{\taor} instead of @end example @code{bagpipe.ly} also contains pitch definitions for the bagpipe -notes in the appropiate octaves, so you do not need to worry about +notes in the appropriate octaves, so you do not need to worry about @code{\relative} or @code{\transpose}. @lilypond[ragged-right,verbatim,quote,notime] -- 2.39.5