From 74843362972efd8b7a76419da499c0f5a920663d Mon Sep 17 00:00:00 2001
From: David Kastrup <dak@gnu.org>
Date: Sun, 2 Feb 2014 13:23:27 +0100
Subject: [PATCH] Rerun scripts/auxiliar/update-with-convert-ly.sh

---
 .../cs/learning/common-notation.itely         | 10 ++--
 Documentation/cs/learning/fundamental.itely   | 34 ++++++-------
 Documentation/cs/learning/tweaks.itely        | 16 +++----
 Documentation/de/essay/engraving.itely        | 10 ++--
 .../de/extending/programming-interface.itely  |  4 +-
 .../de/learning/common-notation.itely         | 10 ++--
 Documentation/de/learning/fundamental.itely   | 34 ++++++-------
 Documentation/de/learning/tweaks.itely        | 24 +++++-----
 .../de/notation/changing-defaults.itely       |  6 +--
 .../de/notation/fretted-strings.itely         | 12 ++---
 Documentation/de/notation/input.itely         | 14 +++---
 Documentation/de/notation/percussion.itely    |  4 +-
 Documentation/de/notation/pitches.itely       |  8 ++--
 Documentation/de/notation/rhythms.itely       | 24 +++++-----
 Documentation/de/notation/simultaneous.itely  | 14 +++---
 Documentation/de/notation/staff.itely         |  4 +-
 Documentation/de/notation/vocal.itely         | 10 ++--
 Documentation/es/essay/engraving.itely        | 10 ++--
 .../es/extending/programming-interface.itely  |  4 +-
 .../es/learning/common-notation.itely         | 10 ++--
 Documentation/es/learning/fundamental.itely   | 34 ++++++-------
 Documentation/es/learning/tweaks.itely        | 26 +++++-----
 .../es/notation/changing-defaults.itely       |  6 +--
 .../es/notation/fretted-strings.itely         | 12 ++---
 Documentation/es/notation/input.itely         | 14 +++---
 Documentation/es/notation/percussion.itely    |  4 +-
 Documentation/es/notation/pitches.itely       |  8 ++--
 Documentation/es/notation/rhythms.itely       | 24 +++++-----
 Documentation/es/notation/simultaneous.itely  | 14 +++---
 Documentation/es/notation/staff.itely         |  4 +-
 Documentation/es/notation/vocal.itely         | 10 ++--
 Documentation/essay/engraving.itely           | 10 ++--
 .../extending/programming-interface.itely     |  4 +-
 Documentation/fr/essay/engraving.itely        | 10 ++--
 .../fr/extending/programming-interface.itely  |  4 +-
 .../fr/learning/common-notation.itely         | 10 ++--
 Documentation/fr/learning/fundamental.itely   | 34 ++++++-------
 Documentation/fr/learning/tweaks.itely        | 26 +++++-----
 .../fr/notation/changing-defaults.itely       |  6 +--
 .../fr/notation/fretted-strings.itely         | 12 ++---
 Documentation/fr/notation/input.itely         | 14 +++---
 Documentation/fr/notation/percussion.itely    |  4 +-
 Documentation/fr/notation/pitches.itely       |  8 ++--
 Documentation/fr/notation/rhythms.itely       | 24 +++++-----
 Documentation/fr/notation/simultaneous.itely  | 14 +++---
 Documentation/fr/notation/staff.itely         |  4 +-
 Documentation/fr/notation/vocal.itely         | 10 ++--
 .../hu/learning/common-notation.itely         | 12 ++---
 Documentation/hu/learning/fundamental.itely   | 32 ++++++-------
 .../it/learning/common-notation.itely         | 10 ++--
 Documentation/it/learning/fundamental.itely   | 34 ++++++-------
 Documentation/it/learning/tweaks.itely        | 26 +++++-----
 Documentation/it/notation/pitches.itely       |  8 ++--
 Documentation/it/notation/rhythms.itely       | 24 +++++-----
 Documentation/it/notation/simultaneous.itely  | 14 +++---
 Documentation/it/notation/staff.itely         |  4 +-
 .../ja/learning/common-notation.itely         | 18 +++----
 Documentation/ja/learning/fundamental.itely   | 34 ++++++-------
 Documentation/ja/learning/tweaks.itely        | 26 +++++-----
 .../ja/notation/changing-defaults.itely       |  6 +--
 .../ja/notation/fretted-strings.itely         | 12 ++---
 Documentation/ja/notation/input.itely         | 14 +++---
 Documentation/ja/notation/percussion.itely    |  4 +-
 Documentation/ja/notation/pitches.itely       |  8 ++--
 Documentation/ja/notation/rhythms.itely       | 24 +++++-----
 Documentation/ja/notation/simultaneous.itely  | 14 +++---
 Documentation/ja/notation/staff.itely         |  4 +-
 Documentation/ja/notation/vocal.itely         | 10 ++--
 Documentation/learning/common-notation.itely  | 10 ++--
 Documentation/learning/fundamental.itely      | 34 ++++++-------
 Documentation/learning/tweaks.itely           | 26 +++++-----
 Documentation/ly-examples/aucun-snippet.ly    |  6 +--
 Documentation/ly-examples/bach-bwv610.ly      | 48 +++++++++----------
 Documentation/ly-examples/sesto.ily           | 32 ++++++-------
 Documentation/ly-examples/tab-example.ly      |  4 +-
 .../nl/learning/common-notation.itely         | 10 ++--
 Documentation/nl/learning/fundamental.itely   | 34 ++++++-------
 Documentation/nl/learning/tweaks.itely        | 26 +++++-----
 .../notation/changing-defaults.itely          |  6 +--
 Documentation/notation/fretted-strings.itely  | 12 ++---
 Documentation/notation/input.itely            | 14 +++---
 Documentation/notation/pitches.itely          |  8 ++--
 Documentation/notation/rhythms.itely          | 24 +++++-----
 Documentation/notation/simultaneous.itely     | 14 +++---
 Documentation/notation/staff.itely            |  4 +-
 Documentation/notation/vocal.itely            | 10 ++--
 .../snippets/broken-crescendo-hairpin.ly      |  4 +-
 ...ng-midi-output-to-one-channel-per-voice.ly |  6 +--
 .../snippets/figured-bass-headword.ly         |  4 +-
 ...tied-notes-at-the-start-of-a-new-system.ly |  4 +-
 .../how-to-change-fret-diagram-position.ly    |  4 +-
 ...invisible-with-the-transparent-property.ly |  6 +--
 .../snippets/new/broken-crescendo-hairpin.ly  |  4 +-
 ...invisible-with-the-transparent-property.ly |  6 +--
 .../snippets/new/unfretted-headword.ly        |  4 +-
 Documentation/snippets/rhythms-headword.ly    |  4 +-
 .../snippets/simultaneous-headword.ly         | 22 ++++-----
 ...le-staff-template-with-notes-and-chords.ly |  4 +-
 Documentation/snippets/unfretted-headword.ly  |  4 +-
 ...ggiobracket-to-make-divisi-more-visible.ly |  6 +--
 Documentation/snippets/vocal-headword.ly      |  4 +-
 input/regression/accidental-tie.ly            |  6 +--
 .../beam-multiplicity-over-rests.ly           |  4 +-
 input/regression/completion-heads-tie.ly      |  4 +-
 input/regression/grace-slashed-no-slur.ly     |  4 +-
 input/regression/lyric-extender-no-heads.ly   |  4 +-
 input/regression/make-relative.ly             | 10 ++--
 input/regression/midi-lyric-barcheck.ly       |  2 +-
 input/regression/morgenlied.ly                |  2 +-
 input/regression/mozart-hrn3-allegro.ily      | 22 ++++-----
 input/regression/mozart-hrn3-romanze.ily      |  8 ++--
 input/regression/mozart-hrn3-rondo.ily        | 28 +++++------
 input/regression/part-combine-global.ly       |  4 +-
 input/regression/part-combine-solo.ly         |  4 +-
 input/regression/part-combine.ly              |  4 +-
 input/regression/property-nested-override.ly  |  6 +--
 input/regression/quote-tie.ly                 |  4 +-
 input/regression/repeat-percent.ly            |  4 +-
 input/regression/script-tie-collision.ly      |  6 +--
 input/regression/slur-broken-trend.ly         |  8 ++--
 input/regression/slur-scoring.ly              |  4 +-
 .../regression/staff-online-symbol-absence.ly |  4 +-
 input/regression/stem-direction.ly            |  4 +-
 .../tablature-chord-repetition-finger.ly      |  4 +-
 .../regression/tablature-chord-repetition.ly  |  4 +-
 input/regression/tablature-full-notation.ly   |  4 +-
 input/regression/tablature-tie-behaviour.ly   |  8 ++--
 input/regression/tablature-tie-spanner.ly     |  8 ++--
 input/regression/tag-multiple.ly              |  4 +-
 input/regression/tie-dash.ly                  | 18 +++----
 input/regression/tie-dot.ly                   |  4 +-
 input/regression/tie-grace.ly                 |  4 +-
 input/regression/tie-single-manual.ly         | 10 ++--
 input/regression/tie-single.ly                |  6 +--
 input/regression/tie-unterminated.ly          |  4 +-
 input/regression/typography-demo.ly           |  2 +-
 136 files changed, 792 insertions(+), 792 deletions(-)

diff --git a/Documentation/cs/learning/common-notation.itely b/Documentation/cs/learning/common-notation.itely
index 258e2ce108..49e1325d2c 100644
--- a/Documentation/cs/learning/common-notation.itely
+++ b/Documentation/cs/learning/common-notation.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 @ignore
 Tutorial guidelines:
@@ -243,7 +243,7 @@ Slovníček: @rglos{tie}.
 spojit, připojí vlnovka @code{~}.
 
 @lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2
+g4~ 4 c2~ | 4~ 8 a~ 2
 @end lilypond
 
 
@@ -288,7 +288,7 @@ zapsány pro větší skupiny not. Ligatury a legatové obloučky mohou
 být naskládány do sebe.
 
 @lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
 @end lilypond
 
 
@@ -1205,7 +1205,7 @@ ve Figarově árii @notation{Largo al factotum}.
     \clef "bass"
     \key c \major
     \time 6/8
-    c4.~ c8 d b | c8([ d]) b c d b | c8
+    c4.~ 8 d b | c8([ d]) b c d b | c8
   }
   \addlyrics {
     Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@@ -1236,7 +1236,7 @@ Händelova díla @notation{Judas Maccabeus}:
     \key f \major
     \time 6/8
     \partial 8
-    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
   }
   \addlyrics {
     Let | flee -- cy flocks the | hills a -- | dorn, __
diff --git a/Documentation/cs/learning/fundamental.itely b/Documentation/cs/learning/fundamental.itely
index 2f8cc035d2..ea58f708d4 100644
--- a/Documentation/cs/learning/fundamental.itely
+++ b/Documentation/cs/learning/fundamental.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.29"
+@c \version "2.19.2"
 @c Translators: Pavel Fric
 
 @node Základní pojmy
@@ -767,7 +767,7 @@ ligatur, značek pro dynamiku atd. tak, jak se patří.
   c16 d e f
   %    Voice "1"     Voice "2"                Voice "3"
   << { g4 f e } \\ { r8 e4 d c8~ } >> |
-  << { d2 e }   \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+  << { d2 e }   \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
 }
 @end lilypond
 
@@ -805,7 +805,7 @@ do dvou staveb, jak je to ukázáno zde na modrém trojúhelníkovém hlase.
     { d2 e }
   \\
      % Voice 2 continues
-    { c8 b16 a b8 g~ g2 }
+    { c8 b16 a b8 g~ 2 }
   \\
     {
       \voiceThreeStyle
@@ -1088,25 +1088,25 @@ mají příkazy @code{\oneVoice}, @code{\voiceOne} a @code{voiceTwo}
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   % Default behavior or behavior after \oneVoice
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceOne
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceTwo
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
@@ -1134,7 +1134,7 @@ jednotlivého hlasu. Tím se může frázovací oblouček malovat nad ně.
     \new Voice {
       % Set stems, etc., down
       \voiceTwo
-      r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+      r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
     }
     % Initiate third voice
     \new Voice {
@@ -1167,7 +1167,7 @@ sázení not:
       \voiceTwo
       r8 e4 d c8~
       <<
-        { c8 b16 a b8 g~ g2 | }
+        { c8 b16 a b8 g~ 2 | }
         \new Voice {
           \voiceThree
           s4 b4 c2 |
@@ -1199,7 +1199,7 @@ jako je tomu zde:
   \new Voice {
     % Set stems, etc, down
     \voiceTwo
-    s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+    s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
   }
   % Initiate third voice
   \new Voice {
@@ -1335,7 +1335,7 @@ ne jako noty.
 global = { \key f \major \time 6/8 \partial 8 }
 
 SopOneMusic = \relative c'' {
-  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
 }
 SopOneLyrics = \lyricmode {
   Let | flee -- cy flocks the | hills a -- dorn, __
@@ -3137,15 +3137,15 @@ ManualOneVoiceOneMusic = \relative g' {
   d2 c2 |
 }
 ManualOneVoiceTwoMusic = \relative c' {
-  ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
-  c8 c4 b8 c8. g16 c b c d |
+  ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+  8 c4 b8 c8. g16 c b c d |
 }
 ManualTwoMusic = \relative c' {
-  c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
-  f16 ees f d g aes g f ees d e8~ ees16 f ees d |
+  c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+  f16 ees f d g aes g f ees d e8~ 8es16 f ees d |
 }
 PedalOrganMusic = \relative c {
-  r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+  r8 c16 d ees d ees8~ 16 a, b g c b c8 |
   r16 g ees f g f g8 c,2 |
 }
 
diff --git a/Documentation/cs/learning/tweaks.itely b/Documentation/cs/learning/tweaks.itely
index de1f0e9aa7..0338933cfa 100644
--- a/Documentation/cs/learning/tweaks.itely
+++ b/Documentation/cs/learning/tweaks.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.20"
+@c \version "2.19.2"
 
 @node Ladění výstupu
 @chapter Ladění výstupu
@@ -3322,7 +3322,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3383,7 +3383,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3459,7 +3459,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3545,7 +3545,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3777,7 +3777,7 @@ man zwei Stimmen benutzt, wobei die überbundenen Noten
 sich in der selben befinden,
 
 @lilypond[quote,fragment,relative=2]
-<< { b8~ b8\noBeam } \\ { b[ g8] } >>
+<< { b8~ 8\noBeam } \\ { b[ g8] } >>
 @end lilypond
 
 @noindent
@@ -3793,7 +3793,7 @@ den Stimmen stattfindet:
 <<
   {
     \once \override Stem.transparent = ##t
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -3810,7 +3810,7 @@ gesetzt wird:
   {
     \once \override Stem.transparent = ##t
     \once \override Stem.length = #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b[ g8] }
diff --git a/Documentation/de/essay/engraving.itely b/Documentation/de/essay/engraving.itely
index b750abd188..fbc27ef8fe 100644
--- a/Documentation/de/essay/engraving.itely
+++ b/Documentation/de/essay/engraving.itely
@@ -1756,9 +1756,9 @@ partI = \relative c' {
   fis8 d' ees g, fis4 g
   r8 a16 bes c8 bes16 a d8 r r4
   r2 r8 d16 ees f8 ees16 d
-  ees4 ~ ees16 d c bes a4 r8 ees'16 d
+  ees4 ~ 16 d c bes a4 r8 ees'16 d
   c8 d16 ees d8 e16 fis g8 fis16 g a4 ~
-  a8 d, g f ees d c bes
+  8 d, g f ees d c bes
   a2 g\fermata \bar "|."
 }
 
@@ -1767,7 +1767,7 @@ partII = \relative c' {
   d4 r4 r8 d'16 c bes8 c16 d
   ees8 d c ees a, r r4
   r8 fis16 g a8 g16 fis g2 ~
-  g2 r8 d' ees g,
+  2 r8 d' ees g,
   fis4 g r8 a16 bes c8 bes16 a
   bes4. <g b>8 <a c> r <d, g> r
   <ees g>4 <d fis> d2
@@ -1775,7 +1775,7 @@ partII = \relative c' {
 partIII = \relative c' {
   \voiceOne
   r2 r8 d ees g, fis4 g r8 a16 bes c8 bes16 a
-  bes2 ~ bes8 b16 a g8 a16 b
+  bes2 ~ 8 b16 a g8 a16 b
   c4 r r2
   R1
   r8 d ees g, fis4 g
@@ -1786,7 +1786,7 @@ partIV = \relative c {
   d4 r r2
   r8 d ees g, fis4 a
   d,8 d'16 c bes8 c16 d ees2 ~
-  ees8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
+  8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
   d,8 d'16 c bes8 c16 d ees8 c a fis'
   g f ees d c bes a g
   c a d d, g2\fermata
diff --git a/Documentation/de/extending/programming-interface.itely b/Documentation/de/extending/programming-interface.itely
index 4b1b43a006..6ee61875f0 100644
--- a/Documentation/de/extending/programming-interface.itely
+++ b/Documentation/de/extending/programming-interface.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.6"
+@c \version "2.19.2"
 
 @c Translators: Till Paala
 
@@ -1399,7 +1399,7 @@ neu ausgerichtet wird.
 \relative c'' {
   \override Tie.after-line-breaking =
   #my-callback
-  c1 ~ \break c2 ~ c
+  c1 ~ \break c2 ~ 2
 }
 @end lilypond
 
diff --git a/Documentation/de/learning/common-notation.itely b/Documentation/de/learning/common-notation.itely
index e108d0b0c0..649683986a 100644
--- a/Documentation/de/learning/common-notation.itely
+++ b/Documentation/de/learning/common-notation.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 @ignore
 Tutorial guidelines:
@@ -250,7 +250,7 @@ Ein @notation{Bindebogen} wird geschrieben, indem man eine Tilde @code{~}
 an die erste der zu verbindenden Noten hängt.
 
 @lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2
+g4~ 4 c2~ | 4~ 8 a~ 2
 @end lilypond
 
 
@@ -296,7 +296,7 @@ für größere Notengruppen gesetzt werden. Binde- und Legatobögen können
 geschachtelt werden.
 
 @lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
 @end lilypond
 
 
@@ -1201,7 +1201,7 @@ in Figaros Arie @notation{Largo al factotum} gesungen werden muss.
     \clef "bass"
     \key c \major
     \time 6/8
-    c4.~ c8 d b | c8([ d]) b c d b | c8
+    c4.~ 8 d b | c8([ d]) b c d b | c8
   }
   \addlyrics {
     Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@@ -1232,7 +1232,7 @@ aus Händels @notation{Judas Maccabäus}:
     \key f \major
     \time 6/8
     \partial 8
-    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
   }
   \addlyrics {
     Let | flee -- cy flocks the | hills a -- | dorn, __
diff --git a/Documentation/de/learning/fundamental.itely b/Documentation/de/learning/fundamental.itely
index 77e3112483..595a7f5ab0 100644
--- a/Documentation/de/learning/fundamental.itely
+++ b/Documentation/de/learning/fundamental.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.29"
+@c \version "2.19.2"
 @c Translators: Till Paala, Reinhold Kainhofer
 
 @node Grundbegriffe
@@ -778,7 +778,7 @@ Dynamik usw. entsprechend eingestellt.
   c16 d e f
   %    Voice "1"     Voice "2"                Voice "3"
   << { g4 f e } \\ { r8 e4 d c8~ } >> |
-  << { d2 e }   \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+  << { d2 e }   \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
 }
 @end lilypond
 
@@ -817,7 +817,7 @@ hier an der blauen Dreieckstimme gezeigt.
     { d2 e }
   \\
      % Voice 2 continues
-    { c8 b16 a b8 g~ g2 }
+    { c8 b16 a b8 g~ 2 }
   \\
     {
       \voiceThreeStyle
@@ -1105,25 +1105,25 @@ mit Text, Bögen und Dynamikbezeichnung anstellen:
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   % Default behavior or behavior after \oneVoice
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceOne
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceTwo
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
@@ -1153,7 +1153,7 @@ Phrasierungsbogen ober sie gesetzt werden.
     \new Voice {
       % Set stems, etc., down
       \voiceTwo
-      r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+      r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
     }
     % Initiate third voice
     \new Voice {
@@ -1186,7 +1186,7 @@ sein, Noten zu setzen:
       \voiceTwo
       r8 e4 d c8~
       <<
-        { c8 b16 a b8 g~ g2 | }
+        { c8 b16 a b8 g~ 2 | }
         \new Voice {
           \voiceThree
           s4 b4 c2 |
@@ -1219,7 +1219,7 @@ an denen die Stimme nicht auftaucht, wie etwa hier:
   \new Voice {
     % Set stems, etc, down
     \voiceTwo
-    s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+    s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
   }
   % Initiate third voice
   \new Voice {
@@ -1368,7 +1368,7 @@ nicht als Noten interpretiert werden kann.
 global = { \key f \major \time 6/8 \partial 8 }
 
 SopOneMusic = \relative c'' {
-  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
 }
 SopOneLyrics = \lyricmode {
   Let | flee -- cy flocks the | hills a -- dorn, __
@@ -3172,15 +3172,15 @@ ManualOneVoiceOneMusic = \relative g' {
   d2 c2 |
 }
 ManualOneVoiceTwoMusic = \relative c' {
-  ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
-  c8 c4 b8 c8. g16 c b c d |
+  ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+  8 c4 b8 c8. g16 c b c d |
 }
 ManualTwoMusic = \relative c' {
-  c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
-  f16 ees f d g aes g f ees d e8~ ees16 f ees d |
+  c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+  f16 ees f d g aes g f ees d e8~ 8es16 f ees d |
 }
 PedalOrganMusic = \relative c {
-  r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+  r8 c16 d ees d ees8~ 16 a, b g c b c8 |
   r16 g ees f g f g8 c,2 |
 }
 
diff --git a/Documentation/de/learning/tweaks.itely b/Documentation/de/learning/tweaks.itely
index 0c64ba2469..0d407cbb59 100644
--- a/Documentation/de/learning/tweaks.itely
+++ b/Documentation/de/learning/tweaks.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.20"
+@c \version "2.19.2"
 
 @node Die Ausgabe verändern
 @chapter Die Ausgabe verändern
@@ -3119,12 +3119,12 @@ stößt der Balken mit den oberen Bögen zusammen:
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -3144,7 +3144,7 @@ hochgeschoben werden, etwa auf 1:
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     {
       \override Beam.positions = #'(-1 . -1)
@@ -3152,7 +3152,7 @@ hochgeschoben werden, etwa auf 1:
     }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -3347,7 +3347,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3408,7 +3408,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3484,7 +3484,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3570,7 +3570,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3802,7 +3802,7 @@ man zwei Stimmen benutzt, wobei die überbundenen Noten
 sich in der selben befinden,
 
 @lilypond[quote,fragment,relative=2]
-<< { b8~ b8\noBeam } \\ { b[ g8] } >>
+<< { b8~ 8\noBeam } \\ { b[ g8] } >>
 @end lilypond
 
 @noindent
@@ -3818,7 +3818,7 @@ den Stimmen stattfindet:
 <<
   {
     \tweak Stem.transparent ##t
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -3835,7 +3835,7 @@ gesetzt wird:
   {
     \tweak Stem.transparent ##t
     \tweak Stem.length #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b[ g8] }
diff --git a/Documentation/de/notation/changing-defaults.itely b/Documentation/de/notation/changing-defaults.itely
index e528f8ae6a..f2a3f2a967 100644
--- a/Documentation/de/notation/changing-defaults.itely
+++ b/Documentation/de/notation/changing-defaults.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Till Paala
 
@@ -4115,7 +4115,7 @@ lösen würde.
 
 @lilypond[verbatim,quote,relative=1]
 <<
-  { e1~ e }
+  { e1~ 1 }
 \\
   { r4 <g c,> <g c,> <g c,> }
 >>
@@ -4151,7 +4151,7 @@ wird.
 <<
   {
   \once \override Tie.control-points = #'((1 . -1) (3 . 0.6) (12.5 . 0.6) (14.5 . -1))
-  e1~ e1
+  e1~ 1
   }
 \\
   { r4 <g c,> <g c,> <g c,>  }
diff --git a/Documentation/de/notation/fretted-strings.itely b/Documentation/de/notation/fretted-strings.itely
index 58e9539e72..226e13fa49 100644
--- a/Documentation/de/notation/fretted-strings.itely
+++ b/Documentation/de/notation/fretted-strings.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Till Paala
 
@@ -191,7 +191,7 @@ symbols = {
   c4-.^"Allegro" d( e)
   f4-.\f g a^\fermata
   \mark \default
-  c8_.\<\( c16 c~ c2\!
+  c8_.\<\( c16 c~ 2\!
   c'2.\prall\)
 }
 
@@ -218,7 +218,7 @@ symbols = {
   c4-.^"Allegro" d( e)
   f4-.\f g a^\fermata
   \mark \default
-  c8_.\<\( c16 c~ c2\!
+  c8_.\<\( c16 c~ 2\!
   c'2.\prall\)
 }
 
@@ -288,7 +288,7 @@ dass er durch @code{\tabChordRepeats} zur Verfügung gestellt wird.
 
 @lilypond[quote,verbatim]
 guitar = \relative c' {
-  r8 <gis-2 cis-3 b-0>~ q4 q8~ q q4
+  r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
 }
 
 \new StaffGroup <<
@@ -309,7 +309,7 @@ gesetzt.  Das gilt auch für die zweite Klammer einer Wiederholung.
 ties = \relative c' {
   \repeat volta 2 {
     e2. f4~
-    f2 g2~
+    2 g2~
   }
   \alternative {
      { g4 f2. }
@@ -349,7 +349,7 @@ Bundnummern in Klammern gesetzt werden:
 ties = \relative c' {
   \repeat volta 2 {
     e2. f4~
-    f2 g2~ }
+    2 g2~ }
   \alternative {
     { g4 f2. }
     { g4\repeatTie c,2. }
diff --git a/Documentation/de/notation/input.itely b/Documentation/de/notation/input.itely
index 23f1578226..ff1b13fba2 100644
--- a/Documentation/de/notation/input.itely
+++ b/Documentation/de/notation/input.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.6"
+@c \version "2.19.2"
 
 @c Translators: Till Paala
 
@@ -2919,8 +2919,8 @@ auf den Bereich zwischen 0.2 und 0.5 eingeschränkt.
       \set Staff.midiInstrument = #"flute"
       \new Voice \relative c''' {
         r2 g\mp g fis~
-        fis4 g8 fis e2~
-        e4 d8 cis d2
+        4 g8 fis e2~
+        4 d8 cis d2
       }
     }
     \new Staff {
@@ -2970,8 +2970,8 @@ diese Einstellung korrekt funktioniert.
       \set Staff.midiMaximumVolume = #0.9
       \new Voice \relative c''' {
         r2 g\mp g fis~
-        fis4 g8 fis e2~
-        e4 d8 cis d2
+        4 g8 fis e2~
+        4 d8 cis d2
       }
     }
     \new Staff {
@@ -3043,8 +3043,8 @@ Lautstärkewerte, die denen des vorigen Beispiels entsprechen.
       \set Staff.midiInstrument = #"flute"
       \new Voice \relative c''' {
         r2 g\mp g fis~
-        fis4 g8 fis e2~
-        e4 d8 cis d2
+        4 g8 fis e2~
+        4 d8 cis d2
       }
     }
     \new Staff {
diff --git a/Documentation/de/notation/percussion.itely b/Documentation/de/notation/percussion.itely
index 786ba54c4f..02e265c921 100644
--- a/Documentation/de/notation/percussion.itely
+++ b/Documentation/de/notation/percussion.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Till Paala
 
@@ -517,7 +517,7 @@ bellstaff = {
   \drummode {
     \time 2/4
     rb8 rb cb cb16 rb-> ~ |
-    rb16 rb8 rb16 cb8 cb |
+    16 rb8 rb16 cb8 cb |
   }
 }
 @end lilypond
diff --git a/Documentation/de/notation/pitches.itely b/Documentation/de/notation/pitches.itely
index 70129c81c7..bfe3fa73c7 100644
--- a/Documentation/de/notation/pitches.itely
+++ b/Documentation/de/notation/pitches.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.18"
+@c \version "2.19.2"
 
 @c Translators: Till Paala
 
@@ -417,7 +417,7 @@ Versetzungzeichen von übergebundenen Noten werden nur
 dann gesetzt, wenn ein neues System begonnen wird:
 
 @lilypond[verbatim,quote,relative=2]
-cis1~ cis~
+cis1~ 1~
 \break
 cis
 @end lilypond
@@ -3066,8 +3066,8 @@ benutzt werden:
   e8 e g a a16( bes) a8 g
   \improvisationOn
   e8 ~
-  e2 ~ e8 f4 f8 ~
-  f2
+  2 ~ 8 f4 f8 ~
+  2
   \improvisationOff
   a16( bes) a8 g e
 }
diff --git a/Documentation/de/notation/rhythms.itely b/Documentation/de/notation/rhythms.itely
index 5a8bb1adc8..e1d0ea5e93 100644
--- a/Documentation/de/notation/rhythms.itely
+++ b/Documentation/de/notation/rhythms.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Till Paala
 
@@ -434,7 +434,7 @@ Ein Bindebogen wird mit der
 Tilde @code{~} (AltGr++) notiert.
 
 @lilypond[quote,verbatim,relative=2]
-a2 ~ a
+a2 ~ 2
 @end lilypond
 
 Bindebögen werden eingesetzt, wenn die Note entweder über eine
@@ -445,8 +445,8 @@ inneren Unterteilungen von Takten hinüberreichen:
 
 @lilypond[quote]
 \relative c' {
-  r8 c8 ~ c2 r4 |
-  r8^"not" c2 ~ c8 r4
+  r8 c8 ~ 2 r4 |
+  r8^"not" c2 ~ 8 r4
 }
 @end lilypond
 
@@ -537,26 +537,26 @@ von Strichen und durchgehender Linie definiert werden.
 
 @lilypond[quote, verbatim, relative=1]
 \tieDotted
-c2 ~ c
+c2 ~ 2
 \tieDashed
-c2 ~ c
+c2 ~ 2
 \tieHalfDashed
-c2 ~ c
+c2 ~ 2
 \tieHalfSolid
-c2 ~ c
+c2 ~ 2
 \tieSolid
-c2 ~ c
+c2 ~ 2
 @end lilypond
 
 Eigene Strichelungsmuster können definiert werden:
 
 @lilypond[quote, verbatim, relative=1]
 \tieDashPattern #0.3 #0.75
-c2 ~ c
+c2 ~ 2
 \tieDashPattern #0.7 #1.5
-c2 ~ c
+c2 ~ 2
 \tieSolid
-c2 ~ c
+c2 ~ 2
 @end lilypond
 
 Die Definition von Muster für die Strichelung der Bindebögen hat
diff --git a/Documentation/de/notation/simultaneous.itely b/Documentation/de/notation/simultaneous.itely
index 1eb7afce45..d55ef16849 100644
--- a/Documentation/de/notation/simultaneous.itely
+++ b/Documentation/de/notation/simultaneous.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 @c Translators: Till Paala
 
@@ -418,7 +418,7 @@ ist im Beispiel unten dargestellt:
   \new Voice = "first"
     { \voiceOne r8 r16 g e8. f16 g8[ c,] f e16 d }
   \new Voice= "second"
-    { \voiceTwo d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+    { \voiceTwo d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
 >>
 @end lilypond
 
@@ -499,7 +499,7 @@ Das erste Beispiel könnte also auch wie folgt notiert werden:
 <<
   { r8 r16 g e8. f16 g8[ c,] f e16 d }
   \\
-  { d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+  { d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
 >>
 @end lilypond
 
@@ -1154,12 +1154,12 @@ die Takte müssen die gleiche Länge haben.}
 \parallelMusic #'(voiceA voiceB voiceC) {
   % Bar 1
   r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
-  r16 e'8.~   e'4            r16 e'8.~   e'4            |
+  r16 e'8.~   4              r16 e'8.~   4              |
   c'2                        c'2                        |
 
   % Bar 2
   r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
-  r16 d'8.~   d'4            r16 d'8.~   d'4            |
+  r16 d'8.~   4              r16 d'8.~   4              |
   c'2                        c'2                        |
 
 }
@@ -1180,12 +1180,12 @@ relative Noten von @code{voiceA} die Noten von @code{voiceB}.
 \parallelMusic #'(voiceA voiceB voiceC) {
   % Bar 1
   r8 g16 c e g, c e r8 g,16 c e g, c e  |
-  r16 e8.~ e4       r16 e8.~  e4        |
+  r16 e8.~ 4        r16 e8.~  4         |
   c2                c                   |
 
   % Bar 2
   r8 a,16 d f a, d f r8 a,16 d f a, d f |
-  r16 d8.~  d4       r16 d8.~  d4       |
+  r16 d8.~  4        r16 d8.~  4        |
   c2                 c                  |
 
  }
diff --git a/Documentation/de/notation/staff.itely b/Documentation/de/notation/staff.itely
index 1c694be3a4..e2e8895aad 100644
--- a/Documentation/de/notation/staff.itely
+++ b/Documentation/de/notation/staff.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Till Paala
 
@@ -1087,7 +1087,7 @@ wird dann benutzt, um den Wechsel vorzunehmen:
   R1*16
   \instrumentSwitch "contrabassoon"
   c,,2 g \break
-  c,1 ~ | c1
+  c,1 ~ | 1
 }
 @end lilypond
 
diff --git a/Documentation/de/notation/vocal.itely b/Documentation/de/notation/vocal.itely
index 5e81851fe6..79428ef579 100644
--- a/Documentation/de/notation/vocal.itely
+++ b/Documentation/de/notation/vocal.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Till Paala
 
@@ -677,8 +677,8 @@ Melismen werden automatisch zu Noten erstellt, die übergebunden sind:
   \new Voice = "melody" {
     \time 3/4
     f4 g2 ~ |
-    g4 e2 ~ |
-    e8
+    4 e2 ~ |
+    8
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- e __
@@ -780,7 +780,7 @@ benutzen, ohne dass sie Melismen bezeichnen, wenn
     \time 3/4
     \set melismaBusyProperties = #'()
     c4 d ( e )
-    g8 [ f ] f4 ~ f
+    g8 [ f ] f4 ~ 4
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- e e -- le -- i -- son
@@ -808,7 +808,7 @@ angegeben werden:
     \time 3/4
     \set melismaBusyProperties = #'()
     c4 d ( e )
-    g8 [ f ] ~ f4 ~ f
+    g8 [ f ] ~ 4 ~ f
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- _ e __ _ _ _
diff --git a/Documentation/es/essay/engraving.itely b/Documentation/es/essay/engraving.itely
index a926cb5b32..38754f8fe0 100644
--- a/Documentation/es/essay/engraving.itely
+++ b/Documentation/es/essay/engraving.itely
@@ -1770,9 +1770,9 @@ partI = \relative c' {
   fis8 d' ees g, fis4 g
   r8 a16 bes c8 bes16 a d8 r r4
   r2 r8 d16 ees f8 ees16 d
-  ees4 ~ ees16 d c bes a4 r8 ees'16 d
+  ees4 ~ 16 d c bes a4 r8 ees'16 d
   c8 d16 ees d8 e16 fis g8 fis16 g a4 ~
-  a8 d, g f ees d c bes
+  8 d, g f ees d c bes
   a2 g\fermata \bar "|."
 }
 
@@ -1781,7 +1781,7 @@ partII = \relative c' {
   d4 r4 r8 d'16 c bes8 c16 d
   ees8 d c ees a, r r4
   r8 fis16 g a8 g16 fis g2 ~
-  g2 r8 d' ees g,
+  2 r8 d' ees g,
   fis4 g r8 a16 bes c8 bes16 a
   bes4. <g b>8 <a c> r <d, g> r
   <ees g>4 <d fis> d2
@@ -1789,7 +1789,7 @@ partII = \relative c' {
 partIII = \relative c' {
   \voiceOne
   r2 r8 d ees g, fis4 g r8 a16 bes c8 bes16 a
-  bes2 ~ bes8 b16 a g8 a16 b
+  bes2 ~ 8 b16 a g8 a16 b
   c4 r r2
   R1
   r8 d ees g, fis4 g
@@ -1800,7 +1800,7 @@ partIV = \relative c {
   d4 r r2
   r8 d ees g, fis4 a
   d,8 d'16 c bes8 c16 d ees2 ~
-  ees8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
+  8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
   d,8 d'16 c bes8 c16 d ees8 c a fis'
   g f ees d c bes a g
   c a d d, g2\fermata
diff --git a/Documentation/es/extending/programming-interface.itely b/Documentation/es/extending/programming-interface.itely
index 9ccb31560b..6917acaaa7 100644
--- a/Documentation/es/extending/programming-interface.itely
+++ b/Documentation/es/extending/programming-interface.itely
@@ -7,7 +7,7 @@
     version that you are working on.  See TRANSLATION for details.
 @end ignore
 
-@c \version "2.17.6"
+@c \version "2.19.2"
 
 @node Interfaces para programadores
 @chapter Interfaces para programadores
@@ -1523,7 +1523,7 @@ arriba.
   \override Tie.after-line-breaking =
   #my-callback
   c1 ~ \break
-  c2 ~ c
+  c2 ~ 2
 }
 @end lilypond
 
diff --git a/Documentation/es/learning/common-notation.itely b/Documentation/es/learning/common-notation.itely
index 487ce0e3da..7e9e8a4e76 100644
--- a/Documentation/es/learning/common-notation.itely
+++ b/Documentation/es/learning/common-notation.itely
@@ -7,7 +7,7 @@
     version that you are working on.  See TRANSLATION for details.
 @end ignore
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 @ignore
 Tutorial guidelines:  (different from policy.txt!)
@@ -309,7 +309,7 @@ Una @notation{ligadura de unión} se crea adjuntando un carácter de
 tilde curva @code{~} a la primera nota ligada:
 
 @lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2 |
+g4~ 4 c2~ | 4~ 8 a~ 2 |
 @end lilypond
 
 @node Ligaduras de expresión
@@ -367,7 +367,7 @@ sobre grupos mayores de notas.  Las ligaduras de unión y de expresión
 se pueden anidar unas dentro de otras.
 
 @lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
 @end lilypond
 
 
@@ -1279,7 +1279,7 @@ el aria de Fígaro @notation{Largo al factotum}:
     \clef "bass"
     \key c \major
     \time 6/8
-    c4.~ c8 d b | c8([ d]) b c d b | c8
+    c4.~ 8 d b | c8([ d]) b c d b | c8
   }
   \addlyrics {
     Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@@ -1310,7 +1310,7 @@ del @notation{Judas Macabeo} de Haendel:
     \key f \major
     \time 6/8
     \partial 8
-    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
   }
   \addlyrics {
     Let | flee -- cy flocks the | hills a -- | dorn, __
diff --git a/Documentation/es/learning/fundamental.itely b/Documentation/es/learning/fundamental.itely
index 72290b6fa6..0f64355135 100644
--- a/Documentation/es/learning/fundamental.itely
+++ b/Documentation/es/learning/fundamental.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.29"
+@c \version "2.19.2"
 
 @node Conceptos fundamentales
 @chapter Conceptos fundamentales
@@ -726,7 +726,7 @@ correcta.
   c16 d e f
   %    Voice "1"     Voice "2"                Voice "3"
   << { g4 f e } \\ { r8 e4 d c8~ } >> |
-  << { d2 e }   \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+  << { d2 e }   \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
 }
 @end lilypond
 
@@ -765,7 +765,7 @@ construcciones, como se indica aquí en la voz de triángulos azules.
     { d2 e }
   \\
      % Voice 2 continues
-    { c8 b16 a b8 g~ g2 }
+    { c8 b16 a b8 g~ 2 }
   \\
     {
       \voiceThreeStyle
@@ -1050,25 +1050,25 @@ las ligaduras de unión y de expresión y las indicaciones de dinámica:
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   % Default behavior or behavior after \oneVoice
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceOne
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceTwo
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
@@ -1098,7 +1098,7 @@ pueda trazar una ligadura por encima de ellas.
     \new Voice {
       % Set stems, etc., down
       \voiceTwo
-      r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+      r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
     }
     % Initiate third voice
     \new Voice {
@@ -1129,7 +1129,7 @@ de tipografiar la música.
       \voiceTwo
       r8 e4 d c8~ |
       <<
-        { c8 b16 a b8 g~ g2 | }
+        { c8 b16 a b8 g~ 2 | }
         \new Voice {
           \voiceThree
           s4 b c2 |
@@ -1159,7 +1159,7 @@ que una voz está en silencio, como aquí:
   \new Voice {
     % Set stems, etc, down
     \voiceTwo
-    s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+    s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
   }
   % Initiate third voice
   \new Voice {
@@ -1298,7 +1298,7 @@ no como música.
 global = { \key f \major \time 6/8 \partial 8 }
 
 SopOneMusic = \relative c'' {
-  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
 }
 SopOneLyrics = \lyricmode {
   Let | flee -- cy flocks the | hills a -- dorn, __
@@ -3026,15 +3026,15 @@ ManualOneVoiceOneMusic = \relative g' {
   d2 c |
 }
 ManualOneVoiceTwoMusic = \relative c' {
-  ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
-  c8 c4 b8 c8. g16 c b c d |
+  ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+  8 c4 b8 c8. g16 c b c d |
 }
 ManualTwoMusic = \relative c' {
-  c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
-  f16 ees f d g aes g f ees d ees8~ ees16 f ees d |
+  c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+  f16 ees f d g aes g f ees d ees8~ 16 f ees d |
 }
 PedalOrganMusic = \relative c {
-  r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+  r8 c16 d ees d ees8~ 16 a, b g c b c8 |
   r16 g ees f g f g8 c,2 |
 }
 
diff --git a/Documentation/es/learning/tweaks.itely b/Documentation/es/learning/tweaks.itely
index 0d4e010418..3c996d9560 100644
--- a/Documentation/es/learning/tweaks.itely
+++ b/Documentation/es/learning/tweaks.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.20"
+@c \version "2.19.2"
 
 @node Trucar la salida
 @chapter Trucar la salida
@@ -3316,12 +3316,12 @@ choca con las ligaduras:
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -3340,7 +3340,7 @@ central hasta, digamos, 1 espacio:
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     {
       \override Beam.positions = #'(-1 . -1)
@@ -3348,7 +3348,7 @@ central hasta, digamos, 1 espacio:
     }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -3540,7 +3540,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3598,7 +3598,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3674,7 +3674,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3757,7 +3757,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3996,7 +3996,7 @@ pueden conectar mediante ligaduras de unión dos notas que estén en la
 misma voz.  Usando dos voces, con las notas ligadas en una de ellas:
 
 @lilypond[quote,fragment,relative=2]
-<< { b8~ b\noBeam } \\ { b8[ g] } >>
+<< { b8~ 8\noBeam } \\ { b8[ g] } >>
 @end lilypond
 
 @noindent
@@ -4010,7 +4010,7 @@ de que la ligadura se cruza entre las voces:
 <<
   {
     \tweak Stem.transparent ##t
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -4026,7 +4026,7 @@ valor de longitud @code{length} a @code{8},
   {
     \tweak Stem.transparent ##t
     \tweak Stem.length #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -4050,7 +4050,7 @@ volver a escribir el ejemplo anterior como
     \single \hide Stem
     \single \hide Flag
     \tweak Stem.length #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
diff --git a/Documentation/es/notation/changing-defaults.itely b/Documentation/es/notation/changing-defaults.itely
index 6e53296f7b..c0a7dc1210 100644
--- a/Documentation/es/notation/changing-defaults.itely
+++ b/Documentation/es/notation/changing-defaults.itely
@@ -8,7 +8,7 @@ Translation of GIT committish: ba8e0139b12ce248a00d8621104117f92bac34a6
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @node Cambiar los valores por omisión
 @chapter Cambiar los valores por omisión
@@ -4334,7 +4334,7 @@ resulta óptima, y @code{\tieDown} no es la solución.
 
 @lilypond[verbatim,quote,relative=1]
 <<
-  { e1~ e }
+  { e1~ 1 }
 \\
   { r4 <g c,> <g c,> <g c,> }
 >>
@@ -4381,7 +4381,7 @@ mitad de un espacio de pentagrama:
 <<
   {
     \shape #'((0 . 0.5) (0 . 0.5) (0 . 0.5) (0 . 0.5)) Tie
-    e1~ e
+    e1~ 1
   }
 \\
   { r4 <g c,> <g c,> <g c,> }
diff --git a/Documentation/es/notation/fretted-strings.itely b/Documentation/es/notation/fretted-strings.itely
index 5fd9c0a235..127763f4c9 100644
--- a/Documentation/es/notation/fretted-strings.itely
+++ b/Documentation/es/notation/fretted-strings.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @node Instrumentos de cuerda con trastes
 @section Instrumentos de cuerda con trastes
@@ -195,7 +195,7 @@ symbols = {
   c4-.^"Allegro" d( e)
   f4-.\f g a^\fermata
   \mark \default
-  c8_.\<\( c16 c~ c2\!
+  c8_.\<\( c16 c~ 2\!
   c'2.\prall\)
 }
 
@@ -221,7 +221,7 @@ symbols = {
   c4-.^"Allegro" d( e)
   f4-.\f g a^\fermata
   \mark \default
-  c8_.\<\( c16 c~ c2\!
+  c8_.\<\( c16 c~ 2\!
   c'2.\prall\)
 }
 
@@ -290,7 +290,7 @@ es tan común que está disponible como @code{\tabChordRepeats}.
 
 @lilypond[quote,verbatim]
 guitar = \relative c' {
-  r8 <gis-2 cis-3 b-0>~ q4 q8~ q q4
+  r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
 }
 
 \new StaffGroup <<
@@ -312,7 +312,7 @@ una repetición.
 ties = \relative c' {
   \repeat volta 2 {
     e2. f4~
-    f2 g2~
+    2 g2~
   }
   \alternative {
      { g4 f2. }
@@ -352,7 +352,7 @@ de imprimir los números de traste entre paréntesis:
 ties = \relative c' {
   \repeat volta 2 {
     e2. f4~
-    f2 g2~ }
+    2 g2~ }
   \alternative {
     { g4 f2. }
     { g4\repeatTie c,2. }
diff --git a/Documentation/es/notation/input.itely b/Documentation/es/notation/input.itely
index 8bd99ead59..b41f7d4843 100644
--- a/Documentation/es/notation/input.itely
+++ b/Documentation/es/notation/input.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.6"
+@c \version "2.19.2"
 
 @node Entrada y salida generales
 @chapter Entrada y salida generales
@@ -3235,8 +3235,8 @@ volumen general MIDI está limitado al intervalo desde 0.2 hasta
       \set Staff.midiInstrument = #"flute"
       \new Voice \relative c''' {
         r2 g\mp g fis~
-        fis4 g8 fis e2~
-        e4 d8 cis d2
+        4 g8 fis e2~
+        4 d8 cis d2
       }
     }
     \new Staff {
@@ -3285,8 +3285,8 @@ de la flauta.
       \set Staff.midiMaximumVolume = #0.9
       \new Voice \relative c''' {
         r2 g\mp g fis~
-        fis4 g8 fis e2~
-        e4 d8 cis d2
+        4 g8 fis e2~
+        4 d8 cis d2
       }
     }
     \new Staff {
@@ -3360,8 +3360,8 @@ anterior.
       \set Staff.midiInstrument = #"flute"
       \new Voice \relative c''' {
         r2 g\mp g fis~
-        fis4 g8 fis e2~
-        e4 d8 cis d2
+        4 g8 fis e2~
+        4 d8 cis d2
       }
     }
     \new Staff {
diff --git a/Documentation/es/notation/percussion.itely b/Documentation/es/notation/percussion.itely
index a0ac068525..23ed589503 100644
--- a/Documentation/es/notation/percussion.itely
+++ b/Documentation/es/notation/percussion.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @node Percusión
 @section Percusión
@@ -527,7 +527,7 @@ bellstaff = {
   \drummode {
     \time 2/4
     rb8 rb cb cb16 rb-> ~ |
-    rb16 rb8 rb16 cb8 cb |
+    16 rb8 rb16 cb8 cb |
   }
 }
 @end lilypond
diff --git a/Documentation/es/notation/pitches.itely b/Documentation/es/notation/pitches.itely
index da52953fd2..86c17e91e8 100644
--- a/Documentation/es/notation/pitches.itely
+++ b/Documentation/es/notation/pitches.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.18"
+@c \version "2.19.2"
 
 
 @node Alturas
@@ -412,7 +412,7 @@ Las alteraciones sobre notas unidas por ligadura sólo se imprimen al
 comienzo de un sistema:
 
 @lilypond[verbatim,quote,relative=2,ragged-right]
-cis1~ cis~
+cis1~ 1~
 \break
 cis
 @end lilypond
@@ -3102,8 +3102,8 @@ pero con el ritmo especificado.  Estas cabezas de nota se crean así:
   e8 e g a a16( bes) a8 g
   \improvisationOn
   e8 ~
-  e2 ~ e8 f4 f8 ~
-  f2
+  2 ~ 8 f4 f8 ~
+  2
   \improvisationOff
   a16( bes) a8 g e
 }
diff --git a/Documentation/es/notation/rhythms.itely b/Documentation/es/notation/rhythms.itely
index 7061807060..df66ff59d3 100644
--- a/Documentation/es/notation/rhythms.itely
+++ b/Documentation/es/notation/rhythms.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @node Duraciones
 @section Duraciones
@@ -439,7 +439,7 @@ notas que se quieren unir.  Esto indica que la nota se une a la
 siguiente, que debe tener la misma altura.
 
 @lilypond[quote,verbatim,relative=2]
-a2~ a4~ a16 r r8
+a2~ 4~ 16 r r8
 @end lilypond
 
 Se usan ligaduras de unión bien cuando la nota atraviesa la barra de
@@ -450,8 +450,8 @@ subdivisiones del compás de mayor duración:
 @c KEEP LY
 @lilypond[verbatim,quote]
 \relative c' {
-  r8^"sí" c~ c2 r4 |
-  r8^"no" c2~ c8 r4
+  r8^"sí" c~ 2 r4 |
+  r8^"no" c2~ 8 r4
 }
 @end lilypond
 
@@ -539,26 +539,26 @@ punteadas o una combinación de continuas y discontinuas.
 
 @lilypond[quote, verbatim, relative=1]
 \tieDotted
-c2~ c
+c2~ 2
 \tieDashed
-c2~ c
+c2~ 2
 \tieHalfDashed
-c2~ c
+c2~ 2
 \tieHalfSolid
-c2~ c
+c2~ 2
 \tieSolid
-c2~ c
+c2~ 2
 @end lilypond
 
 Se pueden especificar patrones de discontinuidad personalizados:
 
 @lilypond[quote, verbatim, relative=1]
 \tieDashPattern #0.3 #0.75
-c2~ c
+c2~ 2
 \tieDashPattern #0.7 #1.5
-c2~ c
+c2~ 2
 \tieSolid
-c2~ c
+c2~ 2
 @end lilypond
 
 Las definiciones de patrones de discontinuidad para las ligaduras de
diff --git a/Documentation/es/notation/simultaneous.itely b/Documentation/es/notation/simultaneous.itely
index e3ca26276f..30bdcacfc0 100644
--- a/Documentation/es/notation/simultaneous.itely
+++ b/Documentation/es/notation/simultaneous.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 @c Translation status: post-GDP
 
@@ -412,7 +412,7 @@ siguiente:
   \new Voice = "first"
     { \voiceOne r8 r16 g e8. f16 g8[ c,] f e16 d }
   \new Voice= "second"
-    { \voiceTwo d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+    { \voiceTwo d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
 >>
 @end lilypond
 
@@ -491,7 +491,7 @@ El primer ejemplo podría haberse tipografiado de la manera siguiente:
 <<
   { r8 r16 g e8. f16 g8[ c,] f e16 d }
   \\
-  { d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+  { d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
 >>
 @end lilypond
 
@@ -1157,12 +1157,12 @@ los compases deben tener la misma longitud.}
 \parallelMusic #'(voiceA voiceB voiceC) {
   % Bar 1
   r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
-  r16 e'8.~   e'4            r16 e'8.~   e'4            |
+  r16 e'8.~   4              r16 e'8.~   4              |
   c'2                        c'2                        |
 
   % Bar 2
   r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
-  r16 d'8.~   d'4            r16 d'8.~   d'4            |
+  r16 d'8.~   4              r16 d'8.~   4              |
   c'2                        c'2                        |
 
 }
@@ -1183,12 +1183,12 @@ ignoran a las notas que hay en @code{vozB}.
 \parallelMusic #'(voiceA voiceB voiceC) {
   % Bar 1
   r8 g16 c e g, c e r8 g,16 c e g, c e  |
-  r16 e8.~ e4       r16 e8.~  e4        |
+  r16 e8.~ 4        r16 e8.~  4         |
   c2                c                   |
 
   % Bar 2
   r8 a,16 d f a, d f r8 a,16 d f a, d f |
-  r16 d8.~  d4       r16 d8.~  d4       |
+  r16 d8.~  4        r16 d8.~  4        |
   c2                 c                  |
 
  }
diff --git a/Documentation/es/notation/staff.itely b/Documentation/es/notation/staff.itely
index 8d0a19ed66..40f12676f9 100644
--- a/Documentation/es/notation/staff.itely
+++ b/Documentation/es/notation/staff.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @node Notación de los pentagramas
 @section Notación de los pentagramas
@@ -1061,7 +1061,7 @@ musical para declarar el cambio de instrumento:
   R1*16
   \instrumentSwitch "contrabassoon"
   c,,2 g \break
-  c,1 ~ | c1
+  c,1 ~ | 1
 }
 @end lilypond
 
diff --git a/Documentation/es/notation/vocal.itely b/Documentation/es/notation/vocal.itely
index 3bfd91884c..fb5978b642 100644
--- a/Documentation/es/notation/vocal.itely
+++ b/Documentation/es/notation/vocal.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @node Música vocal
 @section Música vocal
@@ -683,8 +683,8 @@ ligadura de unión:
   \new Voice = "melody" {
     \time 3/4
     f4 g2 ~ |
-    g4 e2 ~ |
-    e8
+    4 e2 ~ |
+    8
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- e __
@@ -785,7 +785,7 @@ de @code{melismaBusyProperties}:
     \time 3/4
     \set melismaBusyProperties = #'()
     c4 d ( e )
-    g8 [ f ] f4 ~ f
+    g8 [ f ] f4 ~ 4
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- e e -- le -- i -- son
@@ -814,7 +814,7 @@ dentro del melisma:
     \time 3/4
     \set melismaBusyProperties = #'()
     c4 d ( e )
-    g8 [ f ] ~ f4 ~ f
+    g8 [ f ] ~ 4 ~ f
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- _ e __ _ _ _
diff --git a/Documentation/essay/engraving.itely b/Documentation/essay/engraving.itely
index c27c0f7b0e..5040f2771b 100644
--- a/Documentation/essay/engraving.itely
+++ b/Documentation/essay/engraving.itely
@@ -1664,9 +1664,9 @@ partI = \relative c' {
   fis8 d' ees g, fis4 g
   r8 a16 bes c8 bes16 a d8 r r4
   r2 r8 d16 ees f8 ees16 d
-  ees4 ~ ees16 d c bes a4 r8 ees'16 d
+  ees4 ~ 16 d c bes a4 r8 ees'16 d
   c8 d16 ees d8 e16 fis g8 fis16 g a4 ~
-  a8 d, g f ees d c bes
+  8 d, g f ees d c bes
   a2 g\fermata \bar "|."
 }
 
@@ -1675,7 +1675,7 @@ partII = \relative c' {
   d4 r4 r8 d'16 c bes8 c16 d
   ees8 d c ees a, r r4
   r8 fis16 g a8 g16 fis g2 ~
-  g2 r8 d' ees g,
+  2 r8 d' ees g,
   fis4 g r8 a16 bes c8 bes16 a
   bes4. <g b>8 <a c> r <d, g> r
   <ees g>4 <d fis> d2
@@ -1683,7 +1683,7 @@ partII = \relative c' {
 partIII = \relative c' {
   \voiceOne
   r2 r8 d ees g, fis4 g r8 a16 bes c8 bes16 a
-  bes2 ~ bes8 b16 a g8 a16 b
+  bes2 ~ 8 b16 a g8 a16 b
   c4 r r2
   R1
   r8 d ees g, fis4 g
@@ -1694,7 +1694,7 @@ partIV = \relative c {
   d4 r r2
   r8 d ees g, fis4 a
   d,8 d'16 c bes8 c16 d ees2 ~
-  ees8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
+  8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
   d,8 d'16 c bes8 c16 d ees8 c a fis'
   g f ees d c bes a g
   c a d d, g2\fermata
diff --git a/Documentation/extending/programming-interface.itely b/Documentation/extending/programming-interface.itely
index 528e75b8b9..3494a5fdd1 100644
--- a/Documentation/extending/programming-interface.itely
+++ b/Documentation/extending/programming-interface.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.6"
+@c \version "2.19.2"
 
 @node Interfaces for programmers
 @chapter Interfaces for programmers
@@ -1418,7 +1418,7 @@ of the broken tie is repositioned.
   \override Tie.after-line-breaking =
   #my-callback
   c1 ~ \break
-  c2 ~ c
+  c2 ~ 2
 }
 @end lilypond
 
diff --git a/Documentation/fr/essay/engraving.itely b/Documentation/fr/essay/engraving.itely
index 2c0ad5209f..81828a21b3 100644
--- a/Documentation/fr/essay/engraving.itely
+++ b/Documentation/fr/essay/engraving.itely
@@ -1775,9 +1775,9 @@ partI = \relative c' {
   fis8 d' ees g, fis4 g
   r8 a16 bes c8 bes16 a d8 r r4
   r2 r8 d16 ees f8 ees16 d
-  ees4 ~ ees16 d c bes a4 r8 ees'16 d
+  ees4 ~ 16 d c bes a4 r8 ees'16 d
   c8 d16 ees d8 e16 fis g8 fis16 g a4 ~
-  a8 d, g f ees d c bes
+  8 d, g f ees d c bes
   a2 g\fermata \bar "|."
 }
 
@@ -1786,7 +1786,7 @@ partII = \relative c' {
   d4 r4 r8 d'16 c bes8 c16 d
   ees8 d c ees a, r r4
   r8 fis16 g a8 g16 fis g2 ~
-  g2 r8 d' ees g,
+  2 r8 d' ees g,
   fis4 g r8 a16 bes c8 bes16 a
   bes4. <g b>8 <a c> r <d, g> r
   <ees g>4 <d fis> d2
@@ -1794,7 +1794,7 @@ partII = \relative c' {
 partIII = \relative c' {
   \voiceOne
   r2 r8 d ees g, fis4 g r8 a16 bes c8 bes16 a
-  bes2 ~ bes8 b16 a g8 a16 b
+  bes2 ~ 8 b16 a g8 a16 b
   c4 r r2
   R1
   r8 d ees g, fis4 g
@@ -1805,7 +1805,7 @@ partIV = \relative c {
   d4 r r2
   r8 d ees g, fis4 a
   d,8 d'16 c bes8 c16 d ees2 ~
-  ees8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
+  8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
   d,8 d'16 c bes8 c16 d ees8 c a fis'
   g f ees d c bes a g
   c a d d, g2\fermata
diff --git a/Documentation/fr/extending/programming-interface.itely b/Documentation/fr/extending/programming-interface.itely
index 7d9737154a..37ed0b8832 100644
--- a/Documentation/fr/extending/programming-interface.itely
+++ b/Documentation/fr/extending/programming-interface.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.6"
+@c \version "2.19.2"
 
 @c Translators: Valentin Villenave, Jean-Charles Malahieude
 @c Translation checkers: Gilles Thibault
@@ -1551,7 +1551,7 @@ rehaussé.
   \override Tie.after-line-breaking =
   #my-callback
   c1 ~ \break
-  c2 ~ c
+  c2 ~ 2
 }
 @end lilypond
 
diff --git a/Documentation/fr/learning/common-notation.itely b/Documentation/fr/learning/common-notation.itely
index 7ce9e53cc1..46548572f0 100644
--- a/Documentation/fr/learning/common-notation.itely
+++ b/Documentation/fr/learning/common-notation.itely
@@ -26,7 +26,7 @@ Tutorial guidelines:  (different from policy.txt!)
 
 @end ignore
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 @c Translators: Nicolas Grandclaude, Ludovic Sardain, Gauvain Pocentek
 @c Translation checkers: Jean-Charles Malahieude, Valentin Villenave, John Mandereau
@@ -313,7 +313,7 @@ liaison de tenue --, on ajoute un tilde @code{~} à la première note
 liée.
 
 @lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4 ~ c8 a8 ~ a2 |
+g4~ 4 c2~ | 4 ~ 8 a8 ~ 2 |
 @end lilypond
 
 
@@ -381,7 +381,7 @@ le @emph{legato} indique une articulation de plusieurs notes,
 enchâssées dans un @emph{legato} ou un phrasé.
 
 @lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
 @end lilypond
 
 @seealso
@@ -1289,7 +1289,7 @@ la syllabe @emph{al} est chantée sur la même note que @emph{go}.
     \clef bass
     \key c \major
     \time 6/8
-    c4.~ c8 d b | c8([ d]) b c d b | c8
+    c4.~ 8 d b | c8([ d]) b c d b | c8
   }
   \addlyrics {
     Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@@ -1319,7 +1319,7 @@ L'exemple suivant est extrait de @emph{Judas Macchabée} de Händel.
     \key f \major
     \time 6/8
     \partial 8
-    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
   }
   \addlyrics {
     Let | flee -- cy flocks the | hills a -- | dorn, __
diff --git a/Documentation/fr/learning/fundamental.itely b/Documentation/fr/learning/fundamental.itely
index d90720d173..31a0606a12 100644
--- a/Documentation/fr/learning/fundamental.itely
+++ b/Documentation/fr/learning/fundamental.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.29"
+@c \version "2.19.2"
 
 @c Translators: Valentin Villenave, Jean-Charles Malahieude
 @c Translation checkers: John Mandereau
@@ -710,7 +710,7 @@ automatiquement.
   c16 d e f
   %    Voice "1"     Voice "2"                Voice "3"
   << { g4 f e } \\ { r8 e4 d c8~ } >> |
-  << { d2 e }   \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+  << { d2 e }   \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
 }
 @end lilypond
 
@@ -749,7 +749,7 @@ liaison de prolongation entre deux constructions.
     { d2 e }
   \\
      % Voice 2 continues
-    { c8 b16 a b8 g~ g2 }
+    { c8 b16 a b8 g~ 2 }
   \\
     {
       \voiceThreeStyle
@@ -1032,25 +1032,25 @@ annotations, liaisons de prolongation ou de phrasé, et sur les nuances.
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   % Default behavior or behavior after \oneVoice
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceOne
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceTwo
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
@@ -1080,7 +1080,7 @@ liaison de phrasé à l'ensemble.
     \new Voice {
       % Set stems, etc., down
       \voiceTwo
-      r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+      r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
     }
     % Initiate third voice
     \new Voice {
@@ -1110,7 +1110,7 @@ plus naturelle de saisir la musique :
       \voiceTwo
       r8 e4 d c8~ |
       <<
-        { c8 b16 a b8 g~ g2 | }
+        { c8 b16 a b8 g~ 2 | }
         \new Voice {
           \voiceThree
           s4 b c2 |
@@ -1141,7 +1141,7 @@ voix.
   \new Voice {
     % Set stems, etc, down
     \voiceTwo
-    s4 r8 e4 d c8 ~ | c8 b16 a b8 g ~ g2 |
+    s4 r8 e4 d c8 ~ | 8 b16 a b8 g ~ 2 |
   }
   % Initiate third voice
   \new Voice {
@@ -1286,7 +1286,7 @@ seront interprétées comme telles, et non comme de la musique.
 global = { \key f \major \time 6/8 \partial 8 }
 
 SopOneMusic = \relative c'' {
-  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
 }
 SopOneLyrics = \lyricmode {
   Let | flee -- cy flocks the | hills a -- dorn, __
@@ -2991,15 +2991,15 @@ ManualOneVoiceOneMusic = \relative g' {
   d2 c |
 }
 ManualOneVoiceTwoMusic = \relative c' {
-  ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
-  c8 c4 b8 c8. g16 c b c d |
+  ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+  8 c4 b8 c8. g16 c b c d |
 }
 ManualTwoMusic = \relative c' {
-  c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
-  f16 ees f d g aes g f ees d ees8~ ees16 f ees d |
+  c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+  f16 ees f d g aes g f ees d ees8~ 16 f ees d |
 }
 PedalOrganMusic = \relative c {
-  r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+  r8 c16 d ees d ees8~ 16 a, b g c b c8 |
   r16 g ees f g f g8 c,2 |
 }
 
diff --git a/Documentation/fr/learning/tweaks.itely b/Documentation/fr/learning/tweaks.itely
index f2c3288126..d66c0d0d7c 100644
--- a/Documentation/fr/learning/tweaks.itely
+++ b/Documentation/fr/learning/tweaks.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.20"
+@c \version "2.19.2"
 
 @c Translators: Valentin Villenave, Nicolas Klutchnikoff, Damien Heurtebise
 @c Translation checkers: Jean-Charles Malahieude, John Mandereau
@@ -3289,12 +3289,12 @@ ligature chevauchent les liaisons de tenue :
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -3313,7 +3313,7 @@ au-dessous de la ligne médiane mais, disons, à 1 :
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     {
       \override Beam.positions = #'(-1 . -1)
@@ -3321,7 +3321,7 @@ au-dessous de la ligne médiane mais, disons, à 1 :
     }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -3515,7 +3515,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3575,7 +3575,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3649,7 +3649,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3732,7 +3732,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3973,7 +3973,7 @@ peuvent être ainsi liées.  La solution consiste à utiliser deux voix,
 dont l'une avec les notes liées
 
 @lilypond[quote,fragment,relative=2]
-<< { b8~ b8\noBeam } \\ { b[ g8] } >>
+<< { b8~ 8\noBeam } \\ { b[ g8] } >>
 @end lilypond
 
 @noindent
@@ -3987,7 +3987,7 @@ on a alors l'impression que la liaison couvre les deux voix.
 <<
   {
     \tweak Flag.transparent ##t
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -4003,7 +4003,7 @@ réglant la longueur (@code{length}) sur @code{8},
   {
     \tweak Flag.transparent ##t
     \tweak Stem.length #8
-    b8~ b8\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b[ g8] }
@@ -4028,7 +4028,7 @@ l'exemple précédent de cette manière :
     \single \hide Stem
     \single \hide Flag
     \tweak Stem.length #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
diff --git a/Documentation/fr/notation/changing-defaults.itely b/Documentation/fr/notation/changing-defaults.itely
index 4ca567912e..8c5491ae81 100644
--- a/Documentation/fr/notation/changing-defaults.itely
+++ b/Documentation/fr/notation/changing-defaults.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Valentin Villenave, Jean-Charles Malahieude
 @c Translation checkers: Gilles Thibault
@@ -4455,7 +4455,7 @@ des plus heureuses, même en optant pour un @code{\tieDown}.
 
 @lilypond[verbatim,quote,relative=1]
 <<
-  { e1~ e }
+  { e1~ 1 }
 \\
   { r4 <g c,> <g c,> <g c,> }
 >>
@@ -4503,7 +4503,7 @@ de portée :
 <<
   {
     \shape #'((0 . 0.5) (0 . 0.5) (0 . 0.5) (0 . 0.5)) Tie
-    e1~ e
+    e1~ 1
   }
 \\
   { r4 <g c,> <g c,> <g c,> }
diff --git a/Documentation/fr/notation/fretted-strings.itely b/Documentation/fr/notation/fretted-strings.itely
index 98de5e2874..af1a155842 100644
--- a/Documentation/fr/notation/fretted-strings.itely
+++ b/Documentation/fr/notation/fretted-strings.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Matthieu Jacquot
 @c Translation checkers: Jean-Charles Malahieude
@@ -194,7 +194,7 @@ symbols = {
   c4-.^"Allegro" d( e)
   f4-.\f g a^\fermata
   \mark \default
-  c8_.\<\( c16 c ~ c2\!
+  c8_.\<\( c16 c ~ 2\!
   c'2.\prall\)
 }
 
@@ -220,7 +220,7 @@ symbols = {
   c4-.^"Allegro" d( e)
   f4-.\f g a^\fermata
   \mark \default
-  c8_.\<\( c16 c ~ c2\!
+  c8_.\<\( c16 c ~ 2\!
   c'2.\prall\)
 }
 
@@ -290,7 +290,7 @@ instruction est abrégée en @code{\tabChordRepeats}.
 
 @lilypond[quote,verbatim]
 guitar = \relative c' {
-  r8 <gis-2 cis-3 b-0>~ q4 q8~ q q4
+  r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
 }
 
 \new StaffGroup <<
@@ -312,7 +312,7 @@ seconde alternative d'une répétition.
 ties = \relative c' {
   \repeat volta 2 {
     e2. f4~
-    f2 g2~
+    2 g2~
   }
   \alternative {
      { g4 f2. }
@@ -352,7 +352,7 @@ ces cases entre parenthèses.
 ties = \relative c' {
   \repeat volta 2 {
     e2. f4~
-    f2 g2~ }
+    2 g2~ }
   \alternative {
     { g4 f2. }
     { g4\repeatTie c,2. }
diff --git a/Documentation/fr/notation/input.itely b/Documentation/fr/notation/input.itely
index a4bf398bf8..cbf85e9763 100644
--- a/Documentation/fr/notation/input.itely
+++ b/Documentation/fr/notation/input.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.11"
+@c \version "2.19.2"
 
 @c Translators: Jean-Charles Malahieude, Valentin Villenave
 
@@ -3271,8 +3271,8 @@ entre 0,2 et 0,5 :
       \set Staff.midiInstrument = #"flute"
       \new Voice \relative c''' {
         r2 g\mp g fis~
-        fis4 g8 fis e2~
-        e4 d8 cis d2
+        4 g8 fis e2~
+        4 d8 cis d2
       }
     }
     \new Staff {
@@ -3323,8 +3323,8 @@ indication de nuance.
       \set Staff.midiMaximumVolume = #0.9
       \new Voice \relative c''' {
         r2 g\mp g fis~
-        fis4 g8 fis e2~
-        e4 d8 cis d2
+        4 g8 fis e2~
+        4 d8 cis d2
       }
     }
     \new Staff {
@@ -3395,8 +3395,8 @@ flûte et de la clarinette -- au même niveau que dans le précédent.
       \set Staff.midiInstrument = #"flute"
       \new Voice \relative c''' {
         r2 g\mp g fis~
-        fis4 g8 fis e2~
-        e4 d8 cis d2
+        4 g8 fis e2~
+        4 d8 cis d2
       }
     }
     \new Staff {
diff --git a/Documentation/fr/notation/percussion.itely b/Documentation/fr/notation/percussion.itely
index 3a0dfcdddf..c3cb4c8b1b 100644
--- a/Documentation/fr/notation/percussion.itely
+++ b/Documentation/fr/notation/percussion.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Valentin Villenave, Jean-Charles Malahieude
 @c Translation checkers: John Mandereau
@@ -532,7 +532,7 @@ bellstaff = {
   \drummode {
     \time 2/4
     rb8 rb cb cb16 rb-> ~ |
-    rb16 rb8 rb16 cb8 cb |
+    16 rb8 rb16 cb8 cb |
   }
 }
 @end lilypond
diff --git a/Documentation/fr/notation/pitches.itely b/Documentation/fr/notation/pitches.itely
index f468db5728..1bf14e83c9 100644
--- a/Documentation/fr/notation/pitches.itely
+++ b/Documentation/fr/notation/pitches.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.18"
+@c \version "2.19.2"
 
 @c Translators: Frédéric Chiasson
 @c Translation checkers: Valentin Villenave, Jean-Charles Malahieude
@@ -403,7 +403,7 @@ Lorsqu'une note est prolongée par une liaison de tenue, l'altération ne
 sera réimprimée que s'il y a un saut de ligne.
 
 @lilypond[verbatim,quote,relative=2,ragged-right]
-cis1 ~ cis ~
+cis1 ~ 1 ~
 \break
 cis
 @end lilypond
@@ -3027,8 +3027,8 @@ créées ainsi :
   e8 e g a a16( bes) a8 g
   \improvisationOn
   e8 ~
-  e2 ~ e8 f4 f8 ~
-  f2
+  2 ~ 8 f4 f8 ~
+  2
   \improvisationOff
   a16( bes) a8 g e
 }
diff --git a/Documentation/fr/notation/rhythms.itely b/Documentation/fr/notation/rhythms.itely
index d007c5194b..855d022010 100644
--- a/Documentation/fr/notation/rhythms.itely
+++ b/Documentation/fr/notation/rhythms.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Frédéric Chiasson, Jean-Charles Malahieude
 @c Translation checkers: Valentin Villenave, François Martin, Xavier Scheuer
@@ -443,7 +443,7 @@ notes à lier.  Ceci indique que la note en question sera liée à la
 suivante, qui doit être de la même hauteur.
 
 @lilypond[quote,verbatim,relative=2]
-a2~ a4~ a16 r r8
+a2~ 4~ 16 r r8
 @end lilypond
 
 Les liaisons de tenue sont utilisées soit lorsque la note dépasse de la
@@ -454,8 +454,8 @@ longues doivent s'aligner sur les subdivisions de la mesure, comme ici :
 @c KEEP LY
 @lilypond[verbatim,quote]
 \relative c' {
-  r8^"oui" c8~ c2 r4 |
-  r8^"non" c2~ c8 r4
+  r8^"oui" c8~ 2 r4 |
+  r8^"non" c2~ 8 r4
 }
 @end lilypond
 
@@ -543,26 +543,26 @@ continue, discontinue ou pointillée.
 
 @lilypond[quote, verbatim, relative=1]
 \tieDotted
-c2~ c
+c2~ 2
 \tieDashed
-c2~ c
+c2~ 2
 \tieHalfDashed
-c2~ c
+c2~ 2
 \tieHalfSolid
-c2~ c
+c2~ 2
 \tieSolid
-c2~ c
+c2~ 2
 @end lilypond
 
 Il est même possible d'en personnaliser l'allure :
 
 @lilypond[quote, verbatim, relative=1]
 \tieDashPattern #0.3 #0.75
-c2~ c
+c2~ 2
 \tieDashPattern #0.7 #1.5
-c2~ c
+c2~ 2
 \tieSolid
-c2~ c
+c2~ 2
 @end lilypond
 
 Que ce soit pour une tenue ou un phrasé, le motif d'une ligne
diff --git a/Documentation/fr/notation/simultaneous.itely b/Documentation/fr/notation/simultaneous.itely
index 4d6b176905..e8deb0d62d 100644
--- a/Documentation/fr/notation/simultaneous.itely
+++ b/Documentation/fr/notation/simultaneous.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 @c Translators: Frédéric Chiasson, Valentin Villenave, Jean-Charles Malahieude
 @c Translation checkers: Jean-Charles Malahieude, John Mandereau
@@ -423,7 +423,7 @@ sur une portée est la suivante@tie{}:
   \new Voice = "first"
     { \voiceOne r8 r16 g e8. f16 g8[ c,] f e16 d }
   \new Voice= "second"
-    { \voiceTwo d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+    { \voiceTwo d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
 >>
 @end lilypond
 
@@ -504,7 +504,7 @@ sont réglés de manière appropriée. En voici un exemple@tie{}:
 <<
   { r8 r16 g e8. f16 g8[ c,] f e16 d }
   \\
-  { d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+  { d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
 >>
 @end lilypond
 
@@ -1136,12 +1136,12 @@ les mesures doivent être de longueur identique.}
 \parallelMusic #'(voiceA voiceB voiceC) {
   % Bar 1
   r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
-  r16 e'8.~   e'4            r16 e'8.~   e'4            |
+  r16 e'8.~   4              r16 e'8.~   4              |
   c'2                        c'2                        |
 
   % Bar 2
   r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
-  r16 d'8.~   d'4            r16 d'8.~   d'4            |
+  r16 d'8.~   4              r16 d'8.~   4              |
   c'2                        c'2                        |
 
 }
@@ -1161,12 +1161,12 @@ des lignes saisies@tie{}; en d'autres termes, les notes de la
 \parallelMusic #'(voiceA voiceB voiceC) {
   % Bar 1
   r8 g16 c e g, c e r8 g,16 c e g, c e  |
-  r16 e8.~ e4       r16 e8.~  e4        |
+  r16 e8.~ 4        r16 e8.~  4         |
   c2                c                   |
 
   % Bar 2
   r8 a,16 d f a, d f r8 a,16 d f a, d f |
-  r16 d8.~  d4       r16 d8.~  d4       |
+  r16 d8.~  4        r16 d8.~  4        |
   c2                 c                  |
 
  }
diff --git a/Documentation/fr/notation/staff.itely b/Documentation/fr/notation/staff.itely
index 9e50bb07b2..8873a634e6 100644
--- a/Documentation/fr/notation/staff.itely
+++ b/Documentation/fr/notation/staff.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Valentin Villenave, Jean-Charles Malahieude
 @c Translation checkers: John Mandereau
@@ -1063,7 +1063,7 @@ substitution :
   R1*16
   \instrumentSwitch "contrabassoon"
   c,,2 g \break
-  c,1 ~ | c1
+  c,1 ~ | 1
 }
 @end lilypond
 
diff --git a/Documentation/fr/notation/vocal.itely b/Documentation/fr/notation/vocal.itely
index 1e3a6f93dd..03a2279d59 100644
--- a/Documentation/fr/notation/vocal.itely
+++ b/Documentation/fr/notation/vocal.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Valentin Villenave, Jean-Charles Malahieude
 @c Translation checkers: Jean-Jacques Gerbaud
@@ -663,8 +663,8 @@ Une liaison de prolongation constitue de fait un mélisme :
   \new Voice = "melody" {
     \time 3/4
     f4 g2 ~ |
-    g4 e2 ~ |
-    e8
+    4 e2 ~ |
+    8
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- e __
@@ -768,7 +768,7 @@ définir @code{melismaBusyProperties} :
     \time 3/4
     \set melismaBusyProperties = #'()
     c4 d ( e )
-    g8 [ f ] f4 ~ f
+    g8 [ f ] f4 ~ 4
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- e e -- le -- i -- son
@@ -797,7 +797,7 @@ par un simple caractère souligné pour chaque note à inclure :
     \time 3/4
     \set melismaBusyProperties = #'()
     c4 d ( e )
-    g8 [ f ] ~ f4 ~ f
+    g8 [ f ] ~ 4 ~ f
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- _ e __ _ _ _
diff --git a/Documentation/hu/learning/common-notation.itely b/Documentation/hu/learning/common-notation.itely
index 29fb660a1a..95cebd4e56 100644
--- a/Documentation/hu/learning/common-notation.itely
+++ b/Documentation/hu/learning/common-notation.itely
@@ -9,7 +9,7 @@
 @end ignore
 
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 @node Elemi kottaírás
 @chapter Elemi kottaírás
@@ -188,8 +188,8 @@ Fogalomtár: @rglos{tie}.
 karaktert írunk.
 
 @lilypond[verbatim,quote,relative=2]
-g4~ g c2~
-c4 ~ c8 a8 ~ a2
+g4~ 4 c2~
+4 ~ 8 a8 ~ 2
 @end lilypond
 
 @subheading Kötőív
@@ -230,7 +230,7 @@ meg, és több hangot átívelhet. Természetesen egy kötőíven belül lehetne
 átkötött hangok.
 
 @lilypond[verbatim,quote,relative=2]
-c2~( c8 fis fis4 ~ fis2 g2)
+c2~( c8 fis fis4 ~ 2 g2)
 @end lilypond
 
 
@@ -1017,7 +1017,7 @@ kezdetű áriájában a @notation{Largo} szó @notation{go} szótagját és az
     \clef bass
     \key c \major
     \time 6/8
-    c4.~ c8 d b c([ d]) b c d b c
+    c4.~ 8 d b c([ d]) b c d b c
   }
   \addlyrics {
     Lar -- go_al fac -- to -- tum del -- la cit -- tà
@@ -1046,7 +1046,7 @@ mely Händel @notation{Júdás Makkabeus} c. oratóriumából való:
     \key f \major
     \time 6/8
     \partial 8
-    c8 c([ bes]) a a([ g]) f f'4. b, c4.~ c4
+    c8 c([ bes]) a a([ g]) f f'4. b, c4.~ 4
   }
   \addlyrics {
     Let flee -- cy flocks the hills a -- dorn, __
diff --git a/Documentation/hu/learning/fundamental.itely b/Documentation/hu/learning/fundamental.itely
index 06ed20b8e0..69104f29c6 100644
--- a/Documentation/hu/learning/fundamental.itely
+++ b/Documentation/hu/learning/fundamental.itely
@@ -10,7 +10,7 @@
 
 
 @c -*- coding: utf-8; mode: texinfo; -*-
-@c \version "2.17.29"
+@c \version "2.19.2"
 @node Alapfogalmak
 @chapter Alapfogalmak
 @translationof Fundamental concepts
@@ -636,7 +636,7 @@ stems, ties, dynamics etc., is set appropriately.
   c16 d e f
   %    Voice "1"     Voice "2"                 Voice "3"
   << { g4 f e } \\ { r8 e4 d c8~ } >>
-  << { d2 e2 }  \\ { c8 b16 a b8 g~ g2 } \\ { s4 b4 c2 } >>
+  << { d2 e2 }  \\ { c8 b16 a b8 g~ 2 } \\ { s4 b4 c2 } >>
 }
 @end lilypond
 
@@ -674,7 +674,7 @@ blue triangle voice.
     { d2 e2 }
   \\
      % Voice 2 continues
-    { c8 b16 a b8 g ~ g2 }
+    { c8 b16 a b8 g ~ 2 }
   \\
     {
       \voiceThreeStyle
@@ -955,25 +955,25 @@ markup, ties, slurs, and dynamics:
 @lilypond[quote,ragged-right,verbatim]
 \relative c'{
   % Default behavior or behavior after \oneVoice
-  c d8~ d e4( f g a) b-> c
+  c d8~ 8 e4( f g a) b-> c
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c'{
   \voiceOne
-  c d8~ d e4( f g a) b-> c
+  c d8~ 8 e4( f g a) b-> c
   \oneVoice
-  c, d8~ d e4( f g a) b-> c
+  c, d8~ 8 e4( f g a) b-> c
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c'{
   \voiceTwo
-  c d8~ d e4( f g a) b-> c
+  c d8~ 8 e4( f g a) b-> c
   \oneVoice
-  c, d8~ d e4( f g a) b-> c
+  c, d8~ 8 e4( f g a) b-> c
 }
 @end lilypond
 
@@ -1002,7 +1002,7 @@ permitting a phrasing slur to be drawn over them.
     \new Voice {
       % Set stems, etc., down
       \voiceTwo
-      r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+      r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
     }
     % Initiate third voice
     \new Voice {
@@ -1033,7 +1033,7 @@ typeset the music:
       \voiceTwo
       r8 e4 d c8~
       <<
-        { c8 b16 a b8 g~ g2 }
+        { c8 b16 a b8 g~ 2 }
         \new Voice {
           \voiceThree
           s4 b4 c2
@@ -1064,7 +1064,7 @@ as here:
   \new Voice {
     % Set stems, etc, down
     \voiceTwo
-    s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+    s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
   }
   % Initiate third voice
   \new Voice {
@@ -1195,7 +1195,7 @@ rather than music.
 @lilypond[quote,verbatim]
 global = { \time 6/8 \partial 8 \key f \major}
 SopOneMusic = \relative c'' {
-  c8 | c([ bes)] a a([ g)] f | f'4. b, | c4.~ c4 | }
+  c8 | c([ bes)] a a([ g)] f | f'4. b, | c4.~ 4 | }
 SopTwoMusic = \relative c' {
   r8 | r4. r4 c8 | a'([ g)] f f([ e)] d | e([ d)] c bes' | }
 SopOneLyrics = \lyricmode {
@@ -2979,15 +2979,15 @@ ManualOneVoiceOneMusic = \relative g' {
   d2 c2
 }
 ManualOneVoiceTwoMusic = \relative c' {
-  ees16 d ees8~ ees16 f ees d c8 d~ d c~
+  ees16 d ees8~ 16 f ees d c8 d~ d c~
   c c4 b8 c8. g16 c b c d
 }
 ManualTwoMusic = \relative c' {
-  c16 b c8~ c16 b c g a8 g~ g16 g aes ees
-  f ees f d g aes g f ees d e8~ ees16 f ees d
+  c16 b c8~ 16 b c g a8 g~ 16 g aes ees
+  f ees f d g aes g f ees d e8~ 8es16 f ees d
 }
 PedalOrganMusic = \relative c {
-  r8 c16 d ees d ees8~ ees16 a, b g c b c8
+  r8 c16 d ees d ees8~ 16 a, b g c b c8
   r16 g ees f g f g8 c,2
 }
 
diff --git a/Documentation/it/learning/common-notation.itely b/Documentation/it/learning/common-notation.itely
index f7b7fa20db..787d382643 100644
--- a/Documentation/it/learning/common-notation.itely
+++ b/Documentation/it/learning/common-notation.itely
@@ -9,7 +9,7 @@
 @end ignore
 
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 @ignore
 Tutorial guidelines:  (different from policy.txt!)
@@ -286,7 +286,7 @@ Una @notation{legatura di valore} si ottiene apponendo una tilde @code{~} alla
 prima nota della legatura.
 
 @lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2 |
+g4~ 4 c2~ | 4~ 8 a~ 2 |
 @end lilypond
 
 @node Legature di portamento
@@ -339,7 +339,7 @@ con ampi gruppi di note.  Legature di valore e legature di portamento
 possono essere annidate le une dentro le altre.
 
 @lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
 @end lilypond
 
 
@@ -1219,7 +1219,7 @@ Ecco un esempio tratto dal @notation{Figaro} di Rossini, dove
     \clef "bass"
     \key c \major
     \time 6/8
-    c4.~ c8 d b | c8([ d]) b c d b | c8
+    c4.~ 8 d b | c8([ d]) b c d b | c8
   }
   \addlyrics {
     Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@@ -1250,7 +1250,7 @@ più semplice, ovvero @code{\addlyrics}.  Ecco un esempio tratto dal
     \key f \major
     \time 6/8
     \partial 8
-    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
   }
   \addlyrics {
     Let | flee -- cy flocks the | hills a -- | dorn, __
diff --git a/Documentation/it/learning/fundamental.itely b/Documentation/it/learning/fundamental.itely
index 8069970814..a0d0636bce 100644
--- a/Documentation/it/learning/fundamental.itely
+++ b/Documentation/it/learning/fundamental.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.29"
+@c \version "2.19.2"
 
 @node Concetti fondamentali
 @chapter Concetti fondamentali
@@ -685,7 +685,7 @@ legature di valore, dinamica, etc., è impostata correttamente.
   c16 d e f
   %    Voice "1"     Voice "2"                Voice "3"
   << { g4 f e } \\ { r8 e4 d c8~ } >> |
-  << { d2 e }   \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+  << { d2 e }   \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
 }
 @end lilypond
 
@@ -723,7 +723,7 @@ voce con i triangoli blu.
     { d2 e }
   \\
      % Voice 2 continues
-    { c8 b16 a b8 g~ g2 }
+    { c8 b16 a b8 g~ 2 }
   \\
     {
       \voiceThreeStyle
@@ -1001,25 +1001,25 @@ markup, legature di valore, legature di portamento, e dinamica:
 @lilypond[quote,ragged-right,verbatim]
 \relative c'{
   % Default behavior or behavior after \oneVoice
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceOne
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceTwo
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
@@ -1048,7 +1048,7 @@ sì che sia possibile disegnare una legatura di frase sopra di esse.
     \new Voice {
       % Set stems, etc., down
       \voiceTwo
-      r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+      r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
     }
     % Initiate third voice
     \new Voice {
@@ -1079,7 +1079,7 @@ di scrivere lo spartito:
       \voiceTwo
       r8 e4 d c8~ |
       <<
-        { c8 b16 a b8 g~ g2 | }
+        { c8 b16 a b8 g~ 2 | }
         \new Voice {
           \voiceThree
           s4 b c2 |
@@ -1109,7 +1109,7 @@ come nel seguente esempio:
   \new Voice {
     % Set stems, etc, down
     \voiceTwo
-    s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+    s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
   }
   % Initiate third voice
   \new Voice {
@@ -1241,7 +1241,7 @@ invece che come musica.
 global = { \key f \major \time 6/8 \partial 8 }
 
 SopOneMusic = \relative c'' {
-  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
 }
 SopOneLyrics = \lyricmode {
   Let | flee -- cy flocks the | hills a -- dorn, __
@@ -2919,15 +2919,15 @@ ManualOneVoiceOneMusic = \relative g' {
   d2 c |
 }
 ManualOneVoiceTwoMusic = \relative c' {
-  ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
-  c8 c4 b8 c8. g16 c b c d |
+  ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+  8 c4 b8 c8. g16 c b c d |
 }
 ManualTwoMusic = \relative c' {
-  c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
-  f16 ees f d g aes g f ees d ees8~ ees16 f ees d |
+  c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+  f16 ees f d g aes g f ees d ees8~ 16 f ees d |
 }
 PedalOrganMusic = \relative c {
-  r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+  r8 c16 d ees d ees8~ 16 a, b g c b c8 |
   r16 g ees f g f g8 c,2 |
 }
 
diff --git a/Documentation/it/learning/tweaks.itely b/Documentation/it/learning/tweaks.itely
index da114bf58e..8c1b640897 100644
--- a/Documentation/it/learning/tweaks.itely
+++ b/Documentation/it/learning/tweaks.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.20"
+@c \version "2.19.2"
 
 @node Modifica dell'output
 @chapter Modifica dell'output
@@ -3221,12 +3221,12 @@ con le legature di valore:
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -3246,7 +3246,7 @@ centrale a, per esempio, 1:
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     {
       \override Beam.positions = #'(-1 . -1)
@@ -3254,7 +3254,7 @@ centrale a, per esempio, 1:
     }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -3445,7 +3445,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuazione della voce principale
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3503,7 +3503,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuazione della voce principale
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3575,7 +3575,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuazione della voce principale
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3657,7 +3657,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuazione della voce principale
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3896,7 +3896,7 @@ stessa voce possono essere unite da una legatura di valore.
 Se si usano due voci con le note legate in una voce
 
 @lilypond[quote,fragment,relative=2]
-<< { b8~ b\noBeam } \\ { b8[ g] } >>
+<< { b8~ 8\noBeam } \\ { b8[ g] } >>
 @end lilypond
 
 @noindent
@@ -3911,7 +3911,7 @@ attraversare le voci:
 <<
   {
     \tweak Stem.transparent ##t
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -3927,7 +3927,7 @@ possiamo allungarlo impostando la proprietà
   {
     \tweak Stem.transparent ##t
     \tweak Stem.length #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -3951,7 +3951,7 @@ in questo modo
     \single \hide Stem
     \single \hide Flag
     \tweak Stem.length #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
diff --git a/Documentation/it/notation/pitches.itely b/Documentation/it/notation/pitches.itely
index 822968c660..bb3566adb0 100644
--- a/Documentation/it/notation/pitches.itely
+++ b/Documentation/it/notation/pitches.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.18"
+@c \version "2.19.2"
 
 @c Translators: Federico Bruni
 @c Translation checkers: Luca Rossetto Casel
@@ -411,7 +411,7 @@ Se una nota è prolungata attraverso una legatura di valore, l'alterazione
 viene ripetuta solo all'inizio di un nuovo sistema:
 
 @lilypond[verbatim,quote,relative=2,ragged-right]
-cis1~ cis~
+cis1~ 1~
 \break
 cis
 @end lilypond
@@ -3082,8 +3082,8 @@ indicato.  Si possono creare queste teste:
   e8 e g a a16( bes) a8 g
   \improvisationOn
   e8 ~
-  e2 ~ e8 f4 f8 ~
-  f2
+  2 ~ 8 f4 f8 ~
+  2
   \improvisationOff
   a16( bes) a8 g e
 }
diff --git a/Documentation/it/notation/rhythms.itely b/Documentation/it/notation/rhythms.itely
index cf64c68f14..f4599a6a08 100644
--- a/Documentation/it/notation/rhythms.itely
+++ b/Documentation/it/notation/rhythms.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Federico Bruni
 @c Translation checkers: Luca Rossetto Casel
@@ -433,7 +433,7 @@ alla prima di ogni coppia di note legate.  Esso indica che la nota deve
 essere legata alla nota successiva, che deve essere della stessa altezza.
 
 @lilypond[quote,verbatim,relative=2]
-a2~ a4~ a16 r r8
+a2~ 4~ 16 r r8
 @end lilypond
 
 Le legature di valore si usano per unire due note a cavallo di una
@@ -443,8 +443,8 @@ unire note dalle durate superiori all'unità di suddivisione della misura:
 
 @lilypond[verbatim,quote]
 \relative c' {
-  r8 c~ c2 r4 |
-  r8^"non" c2~ c8 r4
+  r8 c~ 2 r4 |
+  r8^"non" c2~ 8 r4
 }
 @end lilypond
 
@@ -529,26 +529,26 @@ successione di tratti continui e tratti interrotti.
 
 @lilypond[quote, verbatim, relative=1]
 \tieDotted
-c2~ c
+c2~ 2
 \tieDashed
-c2~ c
+c2~ 2
 \tieHalfDashed
-c2~ c
+c2~ 2
 \tieHalfSolid
-c2~ c
+c2~ 2
 \tieSolid
-c2~ c
+c2~ 2
 @end lilypond
 
 Si possono specificare modelli di tratteggiatura personalizzati:
 
 @lilypond[quote, verbatim, relative=1]
 \tieDashPattern #0.3 #0.75
-c2~ c
+c2~ 2
 \tieDashPattern #0.7 #1.5
-c2~ c
+c2~ 2
 \tieSolid
-c2~ c
+c2~ 2
 @end lilypond
 
 Le definizioni dei modelli di tratteggiatura delle legature di valore hanno la
diff --git a/Documentation/it/notation/simultaneous.itely b/Documentation/it/notation/simultaneous.itely
index 46e13fd5ea..18fbf44508 100644
--- a/Documentation/it/notation/simultaneous.itely
+++ b/Documentation/it/notation/simultaneous.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 @c Translators: Federico Bruni
 @c Translation checkers: Luca Rossetto Casel
@@ -403,7 +403,7 @@ solo rigo è illustrata nell'esempio seguente:
   \new Voice = "prima"
     { \voiceOne r8 r16 g e8. f16 g8[ c,] f e16 d }
   \new Voice= "seconda"
-    { \voiceTwo d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+    { \voiceTwo d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
 >>
 @end lilypond
 
@@ -479,7 +479,7 @@ Il primo esempio potrebbe essere riscritto nel modo seguente:
 <<
   { r8 r16 g e8. f16 g8[ c,] f e16 d }
   \\
-  { d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+  { d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
 >>
 @end lilypond
 
@@ -1128,12 +1128,12 @@ devono avere la stessa durata.}
 \parallelMusic #'(voiceA voiceB voiceC) {
   % Battuta 1
   r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
-  r16 e'8.~   e'4            r16 e'8.~   e'4            |
+  r16 e'8.~   4              r16 e'8.~   4              |
   c'2                        c'2                        |
 
   % Battuta 2
   r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
-  r16 d'8.~   d'4            r16 d'8.~   d'4            |
+  r16 d'8.~   4              r16 d'8.~   4              |
   c'2                        c'2                        |
 
 }
@@ -1152,12 +1152,12 @@ parole, le note relative di @code{voiceA} ignorano le note in @code{voiceB}.
 \parallelMusic #'(voiceA voiceB voiceC) {
   % Battuta 1
   r8 g16 c e g, c e r8 g,16 c e g, c e  |
-  r16 e8.~ e4       r16 e8.~  e4        |
+  r16 e8.~ 4        r16 e8.~  4         |
   c2                c                   |
 
   % Battuta 2
   r8 a,16 d f a, d f r8 a,16 d f a, d f |
-  r16 d8.~  d4       r16 d8.~  d4       |
+  r16 d8.~  4        r16 d8.~  4        |
   c2                 c                  |
 
  }
diff --git a/Documentation/it/notation/staff.itely b/Documentation/it/notation/staff.itely
index 9c0dd658f2..5a299a8141 100644
--- a/Documentation/it/notation/staff.itely
+++ b/Documentation/it/notation/staff.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Federico Bruni
 @c Translation checkers:
@@ -1045,7 +1045,7 @@ dell'espressione musicale, :
   R1*16
   \instrumentSwitch "contrabassoon"
   c,,2 g \break
-  c,1 ~ | c1
+  c,1 ~ | 1
 }
 @end lilypond
 
diff --git a/Documentation/ja/learning/common-notation.itely b/Documentation/ja/learning/common-notation.itely
index 989f0443cd..6e58b30222 100644
--- a/Documentation/ja/learning/common-notation.itely
+++ b/Documentation/ja/learning/common-notation.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 @ignore
 Tutorial guidelines:  (different from policy.txt!)
@@ -256,7 +256,7 @@ aes4 c b c
 付加することによって作成されます。
 
 @lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2 |
+g4~ 4 c2~ | 4~ 8 a~ 2 |
 @end lilypond
 
 
@@ -301,7 +301,7 @@ g4\( g8( a) b( c) b4\)
 スラーとタイはネストさせることができます。
 
 @lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
 @end lilypond
 
 @seealso
@@ -941,7 +941,7 @@ LilyPond での多声音楽はまだ説明していないコンセプトを用
 
 @lilypond[verbatim,quote,relative=2]
 <<
-  { a4 g2 f4~ f4 } \\
+  { a4 g2 f4~ 4 } \\
   { r4 g4 f2 f4 }
 >>
 @end lilypond
@@ -954,7 +954,7 @@ LilyPond での多声音楽はまだ説明していないコンセプトを用
 
 @lilypond[verbatim,quote,relative=2]
 <<
-  { a4 g2 f4~ f4 } \\
+  { a4 g2 f4~ 4 } \\
   { s4 g4 f2 f4 }
 >>
 @end lilypond
@@ -965,13 +965,13 @@ LilyPond での多声音楽はまだ説明していないコンセプトを用
 @lilypond[verbatim,quote,relative=2]
 <<
   \new Staff <<
-    { a4 g2 f4~ f4 } \\
+    { a4 g2 f4~ 4 } \\
     { s4 g4 f2 f4 }
   >>
   \new Staff <<
     \clef bass
     { <c g>1 ~ <c g>4 } \\
-    { e,,4 d e2 ~ e4}
+    { e,,4 d e2 ~ 4}
   >>
 >>
 @end lilypond
@@ -1215,7 +1215,7 @@ song.ly:12:46: warning: barcheck failed at: 3/8
     \clef "bass"
     \key c \major
     \time 6/8
-    c4.~ c8 d b | c8([ d]) b c d b | c8
+    c4.~ 8 d b | c8([ d]) b c d b | c8
   }
   \addlyrics {
     Lar -- go_al fac -- | to -- tum del -- la cit -- | tÃ
@@ -1246,7 +1246,7 @@ song.ly:12:46: warning: barcheck failed at: 3/8
     \key f \major
     \time 6/8
     \partial 8
-    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
   }
   \addlyrics {
     Let | flee -- cy flocks the | hills a -- | dorn, __
diff --git a/Documentation/ja/learning/fundamental.itely b/Documentation/ja/learning/fundamental.itely
index 5122a524b8..975505a86f 100644
--- a/Documentation/ja/learning/fundamental.itely
+++ b/Documentation/ja/learning/fundamental.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.29"
+@c \version "2.19.2"
 
 @c Translators: Yoshiki Sawada
 @c Translation status: post-GDP
@@ -744,7 +744,7 @@ LilyPond の楽譜の中で最も低レベルで、最も基礎的であり、
   c16 d e f
   %    Voice "1"     Voice "2"                 Voice "3"
   << { g4 f e } \\ { r8 e4 d c8 ~ } >> |
-  << { d2 e2 }  \\ { c8 b16 a b8 g ~ g2 } \\ { s4 b4 c2 } >> |
+  << { d2 e2 }  \\ { c8 b16 a b8 g ~ 2 } \\ { s4 b4 c2 } >> |
 }
 @end lilypond
 
@@ -783,7 +783,7 @@ LilyPond の楽譜の中で最も低レベルで、最も基礎的であり、
     { d2 e }
   \\
      % Voice 2 continues
-    { c8 b16 a b8 g~ g2 }
+    { c8 b16 a b8 g~ 2 }
   \\
     {
       \voiceThreeStyle
@@ -1061,25 +1061,25 @@ LilyPond は音符の水平方向の位置を調節するための手段をい
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   % Default behavior or behavior after \oneVoice
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceOne
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceTwo
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
@@ -1108,7 +1108,7 @@ LilyPond は音符の水平方向の位置を調節するための手段をい
     \new Voice {
       % Set stems, etc., down
       \voiceTwo
-      r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+      r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
     }
     % Initiate third voice
     \new Voice {
@@ -1135,7 +1135,7 @@ LilyPond は音符の水平方向の位置を調節するための手段をい
       \voiceTwo
       r8 e4 d c8~ |
       <<
-        { c8 b16 a b8 g~ g2 | }
+        { c8 b16 a b8 g~ 2 | }
         \new Voice {
           \voiceThree
           s4 b c2 |
@@ -1165,7 +1165,7 @@ LilyPond は音符の水平方向の位置を調節するための手段をい
   \new Voice {
     % Set stems, etc, down
     \voiceTwo
-    s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+    s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
   }
   % Initiate third voice
   \new Voice {
@@ -1301,7 +1301,7 @@ LilyPond がデフォルトで使用する自動連桁は楽器だけの音楽
 global = { \key f \major \time 6/8 \partial 8 }
 
 SopOneMusic = \relative c'' {
-  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
 }
 SopOneLyrics = \lyricmode {
   Let | flee -- cy flocks the | hills a -- dorn, __
@@ -3019,15 +3019,15 @@ ManualOneVoiceOneMusic = \relative g' {
   d2 c |
 }
 ManualOneVoiceTwoMusic = \relative c' {
-  ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
-  c8 c4 b8 c8. g16 c b c d |
+  ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+  8 c4 b8 c8. g16 c b c d |
 }
 ManualTwoMusic = \relative c' {
-  c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
-  f16 ees f d g aes g f ees d ees8~ ees16 f ees d |
+  c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+  f16 ees f d g aes g f ees d ees8~ 16 f ees d |
 }
 PedalOrganMusic = \relative c {
-  r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+  r8 c16 d ees d ees8~ 16 a, b g c b c8 |
   r16 g ees f g f g8 c,2 |
 }
 
diff --git a/Documentation/ja/learning/tweaks.itely b/Documentation/ja/learning/tweaks.itely
index ff31215f2d..d6a5117a92 100644
--- a/Documentation/ja/learning/tweaks.itely
+++ b/Documentation/ja/learning/tweaks.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.20"
+@c \version "2.19.2"
 
 @c Translators: Yoshiki Sawada
 @c Translation status: post-GDP
@@ -3100,12 +3100,12 @@ a8 \( ( a'16 ) a \)
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
  >>
@@ -3123,7 +3123,7 @@ a8 \( ( a'16 ) a \)
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     {
       \override Beam.positions = #'(-1 . -1)
@@ -3131,7 +3131,7 @@ a8 \( ( a'16 ) a \)
     }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -3327,7 +3327,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % メイン ボイスの続き
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3388,7 +3388,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % メイン ボイスの続き
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3466,7 +3466,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % メイン ボイスの続き
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3550,7 +3550,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % メイン ボイスの続き
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3794,7 +3794,7 @@ lhMusic = \relative c' {
 2 つのボイスを使い、そのうちの 1 つにタイで結んだ音符を置きます:
 
 @lilypond[quote,fragment,relative=2]
-<< { b8~ b\noBeam } \\ { b8[ g] } >>
+<< { b8~ 8\noBeam } \\ { b8[ g] } >>
 @end lilypond
 
 @noindent
@@ -3808,7 +3808,7 @@ lhMusic = \relative c' {
 <<
   {
     \tweak Stem.transparent ##t
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -3823,7 +3823,7 @@ lhMusic = \relative c' {
   {
     \tweak Stem.transparent ##t
     \tweak Stem.length #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -3846,7 +3846,7 @@ lhMusic = \relative c' {
     \single \hide Stem
     \single \hide Flag
     \tweak Stem.length #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
diff --git a/Documentation/ja/notation/changing-defaults.itely b/Documentation/ja/notation/changing-defaults.itely
index 8d3c5b837c..0947eebd0a 100644
--- a/Documentation/ja/notation/changing-defaults.itely
+++ b/Documentation/ja/notation/changing-defaults.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Yoshiki Sawada
 @c Translation status: post-GDP
@@ -4274,7 +4274,7 @@ Web でベジエ曲線が描かれる様子を示すアニメーションを@c
 
 @lilypond[verbatim,quote,relative=1]
 <<
-  { e1 ~ e }
+  { e1 ~ 1 }
 \\
   { r4 <g c,> <g c,> <g c,> }
 >>
@@ -4316,7 +4316,7 @@ Web でベジエ曲線が描かれる様子を示すアニメーションを@c
 <<
   {
     \shape #'((0 . 0.5) (0 . 0.5) (0 . 0.5) (0 . 0.5)) Tie
-    e1~ e
+    e1~ 1
   }
 \\
   { r4 <g c,> <g c,> <g c,> }
diff --git a/Documentation/ja/notation/fretted-strings.itely b/Documentation/ja/notation/fretted-strings.itely
index 016491cf3e..b4df2c0fa7 100644
--- a/Documentation/ja/notation/fretted-strings.itely
+++ b/Documentation/ja/notation/fretted-strings.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Yoshiki Sawada
 @c Translation status: post-GDP
@@ -184,7 +184,7 @@ symbols = {
   c4-.^"Allegro" d( e)
   f4-.\f g a^\fermata
   \mark \default
-  c8_.\<\( c16 c~ c2\!
+  c8_.\<\( c16 c~ 2\!
   c'2.\prall\)
 }
 
@@ -210,7 +210,7 @@ symbols = {
   c4-.^"Allegro" d( e)
   f4-.\f g a^\fermata
   \mark \default
-  c8_.\<\( c16 c~ c2\!
+  c8_.\<\( c16 c~ 2\!
   c'2.\prall\)
 }
 
@@ -279,7 +279,7 @@ symbols = {
 
 @lilypond[quote,verbatim]
 guitar = \relative c' {
-  r8 <gis-2 cis-3 b-0>~ q4 q8~ q q4
+  r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
 }
 
 \new StaffGroup <<
@@ -300,7 +300,7 @@ guitar = \relative c' {
 ties = \relative c' {
   \repeat volta 2 {
     e2. f4~
-    f2 g2~
+    2 g2~
   }
   \alternative {
      { g4 f2. }
@@ -340,7 +340,7 @@ ties = \relative c' {
 ties = \relative c' {
   \repeat volta 2 {
     e2. f4~
-    f2 g2~ }
+    2 g2~ }
   \alternative {
     { g4 f2. }
     { g4\repeatTie c,2. }
diff --git a/Documentation/ja/notation/input.itely b/Documentation/ja/notation/input.itely
index 162e1e550f..6ed135dd7a 100644
--- a/Documentation/ja/notation/input.itely
+++ b/Documentation/ja/notation/input.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.15"
+@c \version "2.19.2"
 
 
 @c Translators: Yoshiki Sawada
@@ -2961,8 +2961,8 @@ midiMinimumVolume + (midiMaximumVolume - midiMinimumVolume) * fraction
       \set Staff.midiInstrument = #"flute"
       \new Voice \relative c''' {
         r2 g\mp g fis~
-        fis4 g8 fis e2~
-        e4 d8 cis d2
+        4 g8 fis e2~
+        4 d8 cis d2
       }
     }
     \new Staff {
@@ -3012,8 +3012,8 @@ MIDI 出力の品質を著しく高めることができます。
       \set Staff.midiMaximumVolume = #0.9
       \new Voice \relative c''' {
         r2 g\mp g fis~
-        fis4 g8 fis e2~
-        e4 d8 cis d2
+        4 g8 fis e2~
+        4 d8 cis d2
       }
     }
     \new Staff {
@@ -3081,8 +3081,8 @@ MIDI 最小/最大ボリューム プロパティが設定されていない場
       \set Staff.midiInstrument = #"flute"
       \new Voice \relative c''' {
         r2 g\mp g fis ~
-        fis4 g8 fis e2 ~
-        e4 d8 cis d2
+        4 g8 fis e2 ~
+        4 d8 cis d2
       }
     }
     \new Staff {
diff --git a/Documentation/ja/notation/percussion.itely b/Documentation/ja/notation/percussion.itely
index 9968a12829..b308244015 100644
--- a/Documentation/ja/notation/percussion.itely
+++ b/Documentation/ja/notation/percussion.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Yoshiki Sawada
 @c Translation status: post-GDP
@@ -523,7 +523,7 @@ bellstaff = {
   \drummode {
     \time 2/4
     rb8 rb cb cb16 rb-> ~ |
-    rb16 rb8 rb16 cb8 cb |
+    16 rb8 rb16 cb8 cb |
   }
 }
 @end lilypond
diff --git a/Documentation/ja/notation/pitches.itely b/Documentation/ja/notation/pitches.itely
index eb6713859b..5e64e0153d 100644
--- a/Documentation/ja/notation/pitches.itely
+++ b/Documentation/ja/notation/pitches.itely
@@ -6,7 +6,7 @@
     version that you are working on.  See TRANSLATION for details.
 @end ignore
 
-@c \version "2.17.18"
+@c \version "2.19.2"
 
 @c Translators: Yoshiki Sawada
 @c Translation status: post-GDP
@@ -390,7 +390,7 @@ cis cis cis! cis? c c c! c?
 新しいシステム (訳者: 譜 1 行分のこと) の開始点でのみ譜刻されます:
 
 @lilypond[verbatim,quote,relative=2]
-cis1 ~ cis ~
+cis1 ~ 1 ~
 \break
 cis
 @end lilypond
@@ -3081,8 +3081,8 @@ a2 b c d \break
   e8 e g a a16( bes) a8 g
   \improvisationOn
   e8 ~
-  e2 ~ e8 f4 f8 ~
-  f2
+  2 ~ 8 f4 f8 ~
+  2
   \improvisationOff
   a16( bes) a8 g e
 }
diff --git a/Documentation/ja/notation/rhythms.itely b/Documentation/ja/notation/rhythms.itely
index fdffd7a251..7317cd0ef6 100644
--- a/Documentation/ja/notation/rhythms.itely
+++ b/Documentation/ja/notation/rhythms.itely
@@ -6,7 +6,7 @@
     version that you are working on.  See TRANSLATION for details.
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Yoshiki Sawada
 @c Translation status: post-GDP
@@ -408,7 +408,7 @@ b16*4 c4
 タイはチルド記号 @code{~} を使って入力します:
 
 @lilypond[quote,verbatim,relative=2]
-a2 ~ a
+a2 ~ 2
 @end lilypond
 
 タイは、音符が小節線をまたがる場合か、リズムを表すためにドットを@c
@@ -421,8 +421,8 @@ a2 ~ a
 @c KEEP LY
 @lilypond[verbatim,quote]
 \relative c' {
-  r8 c8 ~ c2 r4 |
-  r8^"こうすべきではありません" c2 ~ c8 r4
+  r8 c8 ~ 2 r4 |
+  r8^"こうすべきではありません" c2 ~ 8 r4
 }
 @end lilypond
 
@@ -508,26 +508,26 @@ L.v. タイは以下のように入力します:
 
 @lilypond[quote, verbatim, relative=1]
 \tieDotted
-c2 ~ c
+c2 ~ 2
 \tieDashed
-c2 ~ c
+c2 ~ 2
 \tieHalfDashed
-c2 ~ c
+c2 ~ 2
 \tieHalfSolid
-c2 ~ c
+c2 ~ 2
 \tieSolid
-c2 ~ c
+c2 ~ 2
 @end lilypond
 
 破線パターンのカスタマイズを指定することができます:
 
 @lilypond[quote, verbatim, relative=1]
 \tieDashPattern #0.3 #0.75
-c2 ~ c
+c2 ~ 2
 \tieDashPattern #0.7 #1.5
-c2 ~ c
+c2 ~ 2
 \tieSolid
-c2 ~ c
+c2 ~ 2
 @end lilypond
 
 タイの破線パターン定義の構造は、スラーの破線パターン定義と同じです。@c
diff --git a/Documentation/ja/notation/simultaneous.itely b/Documentation/ja/notation/simultaneous.itely
index b88b36a319..3c673471c5 100644
--- a/Documentation/ja/notation/simultaneous.itely
+++ b/Documentation/ja/notation/simultaneous.itely
@@ -6,7 +6,7 @@
     version that you are working on.  See TRANSLATION for details.
 @end ignore
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 
 @c Translators: Yoshiki Sawada
@@ -409,7 +409,7 @@ warning: ignoring too many clashing note columns
   \new Voice = "first"
     { \voiceOne r8 r16 g e8. f16 g8[ c,] f e16 d }
   \new Voice= "second"
-    { \voiceTwo d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+    { \voiceTwo d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
 >>
 @end lilypond
 
@@ -486,7 +486,7 @@ warning: ignoring too many clashing note columns
 <<
   { r8 r16 g e8. f16 g8[ c,] f e16 d }
   \\
-  { d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+  { d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
 >>
 @end lilypond
 
@@ -1129,12 +1129,12 @@ instrumentTwo = \relative c' {
 \parallelMusic #'(voiceA voiceB voiceC) {
   % Bar 1
   r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
-  r16 e'8.~   e'4            r16 e'8.~   e'4            |
+  r16 e'8.~   4              r16 e'8.~   4              |
   c'2                        c'2                        |
 
   % Bar 2
   r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
-  r16 d'8.~   d'4            r16 d'8.~   d'4            |
+  r16 d'8.~   4              r16 d'8.~   4              |
   c'2                        c'2                        |
 
 }
@@ -1154,12 +1154,12 @@ instrumentTwo = \relative c' {
 \parallelMusic #'(voiceA voiceB voiceC) {
   % Bar 1
   r8 g16 c e g, c e r8 g,16 c e g, c e  |
-  r16 e8.~ e4       r16 e8.~  e4        |
+  r16 e8.~ 4        r16 e8.~  4         |
   c2                c                   |
 
   % Bar 2
   r8 a,16 d f a, d f r8 a,16 d f a, d f |
-  r16 d8.~  d4       r16 d8.~  d4       |
+  r16 d8.~  4        r16 d8.~  4        |
   c2                 c                  |
 
  }
diff --git a/Documentation/ja/notation/staff.itely b/Documentation/ja/notation/staff.itely
index 7f048afa84..4b181ae65b 100644
--- a/Documentation/ja/notation/staff.itely
+++ b/Documentation/ja/notation/staff.itely
@@ -6,7 +6,7 @@
     version that you are working on.  See TRANSLATION for details.
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 
 @c Translators: Yoshiki Sawada
@@ -1043,7 +1043,7 @@ d4 e f g
   R1*16
   \instrumentSwitch "contrabassoon"
   c,,2 g \break
-  c,1 ~ | c1
+  c,1 ~ | 1
 }
 @end lilypond
 
diff --git a/Documentation/ja/notation/vocal.itely b/Documentation/ja/notation/vocal.itely
index 0878902eb9..bb6a93e570 100644
--- a/Documentation/ja/notation/vocal.itely
+++ b/Documentation/ja/notation/vocal.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @c Translators: Yoshiki Sawada
 @c Translation status: post-GDP
@@ -655,8 +655,8 @@
   \new Voice = "melody" {
     \time 3/4
     f4 g2 ~ |
-    g4 e2 ~ |
-    e8
+    4 e2 ~ |
+    8
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- e __
@@ -755,7 +755,7 @@
     \time 3/4
     \set melismaBusyProperties = #'()
     c4 d ( e )
-    g8 [ f ] f4 ~ f
+    g8 [ f ] f4 ~ 4
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- e e -- le -- i -- son
@@ -783,7 +783,7 @@
     \time 3/4
     \set melismaBusyProperties = #'()
     c4 d ( e )
-    g8 [ f ] ~ f4 ~ f
+    g8 [ f ] ~ 4 ~ f
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- _ e __ _ _ _
diff --git a/Documentation/learning/common-notation.itely b/Documentation/learning/common-notation.itely
index 8c833c76f5..7b07c8e959 100644
--- a/Documentation/learning/common-notation.itely
+++ b/Documentation/learning/common-notation.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 @ignore
 Tutorial guidelines:  (different from policy.txt!)
@@ -281,7 +281,7 @@ A @notation{tie} is created by appending a tilde @code{~} to the
 first note being tied.
 
 @lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2 |
+g4~ 4 c2~ | 4~ 8 a~ 2 |
 @end lilypond
 
 @node Slurs
@@ -330,7 +330,7 @@ indicate the @notation{articulation} of notes, and can be used on
 larger groups of notes.  Slurs and ties can be nested.
 
 @lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
 @end lilypond
 
 
@@ -1194,7 +1194,7 @@ Here's an example from Rossini's @notation{Figaro}, where
     \clef "bass"
     \key c \major
     \time 6/8
-    c4.~ c8 d b | c8([ d]) b c d b | c8
+    c4.~ 8 d b | c8([ d]) b c d b | c8
   }
   \addlyrics {
     Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@@ -1224,7 +1224,7 @@ example from Handel's @notation{Judas Maccabæus}:
     \key f \major
     \time 6/8
     \partial 8
-    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
   }
   \addlyrics {
     Let | flee -- cy flocks the | hills a -- | dorn, __
diff --git a/Documentation/learning/fundamental.itely b/Documentation/learning/fundamental.itely
index 45e68320a5..60e67ee135 100644
--- a/Documentation/learning/fundamental.itely
+++ b/Documentation/learning/fundamental.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.29"
+@c \version "2.19.2"
 
 @node Fundamental concepts
 @chapter Fundamental concepts
@@ -683,7 +683,7 @@ of slurs, stems, ties, dynamics etc., is set appropriately.
   c16 d e f
   %    Voice "1"     Voice "2"                Voice "3"
   << { g4 f e } \\ { r8 e4 d c8~ } >> |
-  << { d2 e }   \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+  << { d2 e }   \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
 }
 @end lilypond
 
@@ -721,7 +721,7 @@ blue triangle voice.
     { d2 e }
   \\
      % Voice 2 continues
-    { c8 b16 a b8 g~ g2 }
+    { c8 b16 a b8 g~ 2 }
   \\
     {
       \voiceThreeStyle
@@ -1004,25 +1004,25 @@ markup, ties, slurs, and dynamics:
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   % Default behavior or behavior after \oneVoice
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceOne
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceTwo
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
@@ -1050,7 +1050,7 @@ permitting a phrasing slur to be drawn over them.
     \new Voice {
       % Set stems, etc., down
       \voiceTwo
-      r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+      r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
     }
     % Initiate third voice
     \new Voice {
@@ -1081,7 +1081,7 @@ typeset the music:
       \voiceTwo
       r8 e4 d c8~ |
       <<
-        { c8 b16 a b8 g~ g2 | }
+        { c8 b16 a b8 g~ 2 | }
         \new Voice {
           \voiceThree
           s4 b c2 |
@@ -1112,7 +1112,7 @@ as here:
   \new Voice {
     % Set stems, etc, down
     \voiceTwo
-    s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+    s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
   }
   % Initiate third voice
   \new Voice {
@@ -1249,7 +1249,7 @@ rather than music.
 global = { \key f \major \time 6/8 \partial 8 }
 
 SopOneMusic = \relative c'' {
-  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
 }
 SopOneLyrics = \lyricmode {
   Let | flee -- cy flocks the | hills a -- dorn, __
@@ -2922,15 +2922,15 @@ ManualOneVoiceOneMusic = \relative g' {
   d2 c |
 }
 ManualOneVoiceTwoMusic = \relative c' {
-  ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
-  c8 c4 b8 c8. g16 c b c d |
+  ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+  8 c4 b8 c8. g16 c b c d |
 }
 ManualTwoMusic = \relative c' {
-  c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
-  f16 ees f d g aes g f ees d ees8~ ees16 f ees d |
+  c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+  f16 ees f d g aes g f ees d ees8~ 16 f ees d |
 }
 PedalOrganMusic = \relative c {
-  r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+  r8 c16 d ees d ees8~ 16 a, b g c b c8 |
   r16 g ees f g f g8 c,2 |
 }
 
diff --git a/Documentation/learning/tweaks.itely b/Documentation/learning/tweaks.itely
index 7d428a57a8..8001c5f2f6 100644
--- a/Documentation/learning/tweaks.itely
+++ b/Documentation/learning/tweaks.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.20"
+@c \version "2.19.2"
 
 @node Tweaking output
 @chapter Tweaking output
@@ -3150,12 +3150,12 @@ collide with the ties:
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -3174,7 +3174,7 @@ say, 1:
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     {
       \override Beam.positions = #'(-1 . -1)
@@ -3182,7 +3182,7 @@ say, 1:
     }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -3371,7 +3371,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3428,7 +3428,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3500,7 +3500,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3581,7 +3581,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3815,7 +3815,7 @@ same voice can be connected with ties.  By using two voices,
 with the tied notes in one of them
 
 @lilypond[quote,fragment,relative=2]
-<< { b8~ b\noBeam } \\ { b8[ g] } >>
+<< { b8~ 8\noBeam } \\ { b8[ g] } >>
 @end lilypond
 
 @noindent
@@ -3829,7 +3829,7 @@ cross voices:
 <<
   {
     \tweak Stem.transparent ##t
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -3845,7 +3845,7 @@ too much, we can lengthen the stem by setting the
   {
     \tweak Stem.transparent ##t
     \tweak Stem.length #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -3867,7 +3867,7 @@ possible to rewrite the above example as
     \single \hide Stem
     \single \hide Flag
     \tweak Stem.length #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
diff --git a/Documentation/ly-examples/aucun-snippet.ly b/Documentation/ly-examples/aucun-snippet.ly
index 4ee9f6fd21..23e89447aa 100644
--- a/Documentation/ly-examples/aucun-snippet.ly
+++ b/Documentation/ly-examples/aucun-snippet.ly
@@ -1,4 +1,4 @@
-\version "2.17.30"
+\version "2.19.2"
 \include "example-header.ily"
 
 \paper {
@@ -188,7 +188,7 @@ triplumNotes = \relative c' {
 	% the \scaleDurations command below makes 5 notes last the
 	% duration of a dotted quarter
 	e8 c4 \scaleDurations 3/2 {	\tuplet 5/4{e16[ d e d e]} } e8 f4 | % 2
-  g2. ~ g4. | % 3
+  g2. ~ 4. | % 3
 	f8 d4 f4. \scaleDurations 3/2 { \tuplet 6/4{ g16[ f e f e f]}} % 4
 	g8 g4 g4. e4. | % 5
 	fis8 d4 e8\startGroup g4\stopGroup f8[ e d] | % 6
@@ -205,7 +205,7 @@ motetusNotes = \relative c' {
   c2. c8\startGroup b8 \slash c\stopGroup | % 1
 	a2. c4. | d2. e4. | % 2-3
   f2. f8 e d | % 4
-	c2. ~ c4. | r2. r4. | % 5-6
+	c2. ~ 4. | r2. r4. | % 5-6
 	g'4. g g8 f e | % 7
 }
 
diff --git a/Documentation/ly-examples/bach-bwv610.ly b/Documentation/ly-examples/bach-bwv610.ly
index 863c8594e6..c50f6ab342 100644
--- a/Documentation/ly-examples/bach-bwv610.ly
+++ b/Documentation/ly-examples/bach-bwv610.ly
@@ -1,4 +1,4 @@
-\version "2.17.6"
+\version "2.19.2"
 %\include "example-header.ily"
 
 
@@ -99,22 +99,22 @@ alt = {
       \global
       \halsdown
       \repeat volta 2 {
-         es16 d es8~ es16 f es d c8 d~ d c
+         es16 d es8~ 16 f es d c8 d~ d c
          c8 c4 h8 c8. \staffdown g16 \staffup c h c d
-         es16 d es8~ es16 f es d c8 d16 es f as g f~
-         f16 e f8~ f16 g f es d es d8~ d16 es f d
+         es16 d es8~ 16 f es d c8 d16 es f as g f~
+         16 e f8~ 16 g f es d es d8~ 16 es f d
          %% Takt 5 ==============================================
          g8 f es16 g as es f es f d g as g f
-         e8 f16 g as g as e f g f8~ f16 f es d
+         e8 f16 g as g as e f g f8~ 16 f es d
       }
-      es16 d es8~ es16 f es des c8 \staffdown b~ b16 b c g
-      as16 g as f b c b as g f g8~ g16 b \staffup c d
-      es16 d es8~ es16 f es d c8 d16 es f as g f
+      es16 d es8~ 16 f es des c8 \staffdown b~ 16 b c g
+      as16 g as f b c b as g f g8~ 16 b \staffup c d
+      es16 d es8~ 16 f es d c8 d16 es f as g f
       %% Takt 10 =============================================
       es16 d es8 d g~g g4 fis8
       g16 d es c \staffdown d h c a h a h c d h g h
-      c16 h c \staffup d es d es8~ es d4 c8~
-      c16 h c8~ c h c16 \staffdown g as8 g4\fermata
+      c16 h c \staffup d es d es8~ 8 d4 c8~
+      16 h c8~ 8 h c16 \staffdown g as8 g4\fermata
    }
 }
 
@@ -122,22 +122,22 @@ tenor = {
    \new Voice \relative c' {
       \global
       \repeat volta 2 {
-         c16 h c8~ c16 h c g a8 g~ g16 g as es
-         f16 es f d g as g f es d \tieDown es8~ es16 \tieNeutral f es d
+         c16 h c8~ 16 h c g a8 g~ 16 g as es
+         f16 es f d g as g f es d \tieDown es8~ 16 \tieNeutral f es d
          c16 h c g' c h c c, f8. g16 as!4~
-         as16 g as b c h c8 d8. c16 h c d h
+         16 g as b c h c8 d8. c16 h c d h
          %% Takt 5 ==============================================
-         es16 d es d~ d8 c~c c4 h8
-         c4~ c8. b16 as b as8 g16 as g f
+         es16 d es d~ 8 c~c c4 h8
+         c4~ 8. b16 as b as8 g16 as g f
       }
-      \halsdown es16 f g as b des c b as g f8~ f es
+      \halsdown es16 f g as b des c b as g f8~ 8 es
       es8 es4 d8 es8. b16 es d es f
-      es16 f g8 c16 d c b a g f8~ f4
+      es16 f g8 c16 d c b a g f8~ 4
       %% Takt 10 =============================================
       g16 fis g a b a b g c b c a d es d c
       h8 c16 a h g a fis g8 d16 es f es f8~
-      f16 d es h c h c8 r16 f g d es g as fis
-      g16 d f! es f as g f e8. f16~ f d e8\fermata
+      16 d es h c h c8 r16 f g d es g as fis
+      g16 d f! es f as g f e8. f16~ 16 d e8\fermata
    }
 }
 
@@ -161,18 +161,18 @@ pedal = {
    \clef "bass"
    \relative c {
       \repeat volta 2 {
-         r8 c16 d es d es8~ es16 a, h g c h c8
+         r8 c16 d es d es8~ 16 a, h g c h c8
          r16 g as f g f g8 c,2
-         r8 c'16 d es d es8~ es16 c f es d c d8
-         c8 f16 g as g as8~ as16 d, fis d g fis g8
+         r8 c'16 d es d es8~ 16 c f es d c d8
+         c8 f16 g as g as8~ 16 d, fis d g fis g8
          %% Takt 5 ==============================================
          r8 a16 h c h c8
          r16 g as f g f g8
          r16 g as e f e f8 r16 e f h, c h c8
       }
-      r8 es16  f g f g8~ g16 c, d! b es d es8
+      r8 es16  f g f g8~ 16 c, d! b es d es8
       r16 b c as b as b8 es,2
-      r8 c'16 d es d es8~ es16 c f es d c d8
+      r8 c'16 d es d es8~ 16 c f es d c d8
       %% Takt 10 =============================================
       c8 es16 f! g fis g8 r16 d es c d c d8
       g,1
diff --git a/Documentation/ly-examples/sesto.ily b/Documentation/ly-examples/sesto.ily
index e2c4d9e88d..8ab9e4b990 100644
--- a/Documentation/ly-examples/sesto.ily
+++ b/Documentation/ly-examples/sesto.ily
@@ -4,7 +4,7 @@
 %%%
 %%% Nicolas Sceaux <nicolas.sceaux@free.fr>
 
-\version "2.16.0"
+\version "2.19.2"
 \header {
   title = "Giulio Cesare in Egitto"
   subtitle = "Sesto: Svegliatevi nel core, furie d'un alma offesa (excerpt)"
@@ -19,7 +19,7 @@
 sesto = {
   R1*6 |
   r4 r8 g' c''  ees''16[ d''] c''8 c'' |
-  c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+  c'' g' ees''4 ~ 8 d''16 ees'' f''8 aes' |
   aes' g' r c'' c''  b'16[ c''] d''8 g' |
 
 %{
@@ -39,12 +39,12 @@ sesto = {
   c'' c'' r c'' f'  f''16[ ees''] d''8 c'' |
   b'16[ a'] g'8 r4 ees''8 ees''16 d'' c''8 bes' |
   aes' g' r g' aes' f' d'' b' |
-  f''2 ~ f''8 d'' b' g' |
+  f''2 ~ 8 d'' b' g' |
   ees'4 r8 d'' ees''  d''16[ c''] b'4 |
   %%25
   c'' r8 g' c'' g' ees' g' |
   c'4 r8 g' aes' f' d'' b' |
-  f''2 ~ f''8 d'' b' g' |
+  f''2 ~ 8 d'' b' g' |
   ees'4 r8 g'' ees''  d''16[ c''] b'4 |
   c''2 r |
   %%30
@@ -77,14 +77,14 @@ sestoLyrics = \lyricmode {
 
 violinoI = {
   r4 r8 g' c'' ees''16 d'' c''8 c'' |
-  c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+  c'' c' ees''4 ~ 8 d''16 ees'' f''8 aes' |
   aes' g' r c'' c''8.^\trill b'32 c'' d''8 g' |
   f'4. d''8 ees'' d''16 c'' b'4 |
   %%5
   c''16 g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' |
   c'' g'' f'' g'' ees'' g'' f'' g'' aes''8 g''16 f'' f''4^\trill |
   ees'' r8 g'_\p c'' ees''16 d'' c''8 c'' |
-  c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+  c'' g' ees''4 ~ 8 d''16 ees'' f''8 aes' |
   aes' g' r c'' c'' b'16 c'' d''8 g' |
 %{
   %%10
@@ -103,18 +103,18 @@ violinoI = {
   c'' ees'' ees'' f'' g'' ees'' f'' g'' aes'' f'' g'' ees'' f'' d'' ees'' c'' |
   \tag #'violin { g'' g' g'' g'' } \tag #'reduction { g'' d'' g'' g'' } g'' b' g'' g'' g'' f'' ees'' d'' c''8 bes' |
   aes' g' r g' aes' f' d'' b' |
-  f''2 ~ f''8 d'' b' g' |
+  f''2 ~ 8 d'' b' g' |
   ees'16 c' g' ees' c'' g' g'' d'' g'4 r |
   %%25
   c'''16 ees''' d''' ees''' c''' ees''' d''' ees''' g'' c''' b'' c''' g'' c''' b'' c''' |
   ees'' g'' f'' g'' ees'' g'' f'' g'' \tag #'violin { aes'8 f' } \tag #'reduction { c''8 aes' } d'' b' |
-  f''2 ~ f''8 d'' b' g' |
+  f''2 ~ 8 d'' b' g' |
   ees'4^\fermata r r2 |
   r4 r8 c'_\f c'' ees''16 d'' c''8 c'' |
   %%30
-  c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+  c'' c' ees''4 ~ 8 d''16 ees'' f''8 aes' |
   aes' g' r g' aes' f' d'' b' |
-  f''2 ~ f''8 d'' b' g' |
+  f''2 ~ 8 d'' b' g' |
   c''16 g'' f'' g'' ees'' g'' f'' g'' c'' g'' f'' g'' ees'' g'' f'' g'' |
   b'8 c''16 d'' ees''8 d'' c''4^\fermata r
 %}
@@ -122,14 +122,14 @@ violinoI = {
 
 violinoII = {
   r4 r8 g' c'' ees''16 d'' c''8 c'' |
-  c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+  c'' c' ees''4 ~ 8 d''16 ees'' f''8 aes' |
   aes' g' r c'' c''8.^\trill b'32 c'' d''8 g' |
   f'4. d''8 ees'' d''16 c'' b'4 |
   %%5
   c''16 ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
   c'' ees'' d'' ees'' c'' ees'' d'' ees'' d''8[ ees''] ees'' d'' |
   ees''4 r8 g' c'' ees''16 d'' c''8 c'' |
-  c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+  c'' g' ees''4 ~ 8 d''16 ees'' f''8 aes' |
   aes' g' r c'' c'' b'16 c'' d''8 g' |
 %{
   %%10
@@ -148,18 +148,18 @@ violinoII = {
   aes' c'' c'' d'' ees'' c'' d'' ees'' f'' d'' ees'' c'' d'' b' c'' a' |
   \tag #'violin { b' d' d' b' } \tag #'reduction { b' g' d'' b' } b' g' b' d'' g'' f'' ees'' d'' c''8 bes' |
   d' ees' r g' aes' f' d'' b' |
-  f''2 ~ f''8 d'' b' g' |
+  f''2 ~ 8 d'' b' g' |
   ees'16 c' g' ees' c'' g' g'' d'' g'4 r |
   %%25
   ees''16 g'' f'' g'' ees'' g'' f'' g'' ees'' ees'' d'' ees'' c'' ees'' d'' ees'' |
   g' ees'' d'' ees'' c'' ees'' d'' ees'' \tag #'violin { c''8 aes' } \tag #'reduction { aes'8 f' } f' d' |
-  f''2 ~ f''8 d'' b' g' |
+  f''2 ~ 8 d'' b' g' |
   ees'4^\fermata r r2 |
   r4 r8 c' c'' ees''16 d'' c''8 c'' |
   %%30
-  c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+  c'' c' ees''4 ~ 8 d''16 ees'' f''8 aes' |
   aes' g' r g' aes' f' d'' b' |
-  f''2 ~ f''8 d'' b' g' |
+  f''2 ~ 8 d'' b' g' |
   c''16 ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
   d'8 ees'16 f' g'8 b' c''4^\fermata r
 %}
diff --git a/Documentation/ly-examples/tab-example.ly b/Documentation/ly-examples/tab-example.ly
index fbccc1f558..36615cf0db 100644
--- a/Documentation/ly-examples/tab-example.ly
+++ b/Documentation/ly-examples/tab-example.ly
@@ -1,4 +1,4 @@
-\version "2.17.30"
+\version "2.19.2"
 
 #(define (glissando::calc-extra-dy grob)
    (let* ((original (ly:grob-original grob))
@@ -32,7 +32,7 @@ lower= \relative c {
   s4 e,4 s2
   s2 s8 < e'-3 >4. ~
   e4 \hideNotes \grace { b8 \glissando s4 } \unHideNotes < e-2 >4\5 e,2 ~
-  e2 < e'\6\harmonic >
+  2 < e'\6\harmonic >
 }
 
 \score {
diff --git a/Documentation/nl/learning/common-notation.itely b/Documentation/nl/learning/common-notation.itely
index ae89bdba9c..8bb4361689 100644
--- a/Documentation/nl/learning/common-notation.itely
+++ b/Documentation/nl/learning/common-notation.itely
@@ -12,7 +12,7 @@
 @c Translation checker:
 @c Translation checker committish:
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 @ignore
 Tutorial guidelines:  (different from policy.txt!)
@@ -263,7 +263,7 @@ een tilde @code{~} aan de eerste noot die overgebonden
 wordt.
 
 @lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2 |
+g4~ 4 c2~ | 4~ 8 a~ 2 |
 @end lilypond
 
 @subheading Legatobogen
@@ -310,7 +310,7 @@ gebruikt over grotere nootgroepen.  Legatobogen en
 overbindingen kunnen worden genest.
 
 @lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
 @end lilypond
 
 
@@ -1217,7 +1217,7 @@ in Figaro's aria @notation{Largo al factotum}:
     \clef "bass"
     \key c \major
     \time 6/8
-    c4.~ c8 d b | c8([ d]) b c d b | c8
+    c4.~ 8 d b | c8([ d]) b c d b | c8
   }
   \addlyrics {
     Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@@ -1249,7 +1249,7 @@ notenbalk.  Hier is een voorbeeld uit Handels
     \key f \major
     \time 6/8
     \partial 8
-    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
   }
   \addlyrics {
     Let | flee -- cy flocks the | hills a -- | dorn, __
diff --git a/Documentation/nl/learning/fundamental.itely b/Documentation/nl/learning/fundamental.itely
index c68c506cf2..a129a464ff 100644
--- a/Documentation/nl/learning/fundamental.itely
+++ b/Documentation/nl/learning/fundamental.itely
@@ -12,7 +12,7 @@
 @c Translation checker:
 @c Translation checker committish:
 
-@c \version "2.17.29"
+@c \version "2.19.2"
 
 @node Fundamentele concepten
 @translationof Fundamental concepts
@@ -709,7 +709,7 @@ of slurs, stems, ties, dynamics etc., is set appropriately.
   c16 d e f
   %    Voice "1"     Voice "2"                Voice "3"
   << { g4 f e } \\ { r8 e4 d c8~ } >> |
-  << { d2 e }   \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+  << { d2 e }   \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
 }
 @end lilypond
 
@@ -747,7 +747,7 @@ blue triangle voice.
     { d2 e }
   \\
      % Voice 2 continues
-    { c8 b16 a b8 g~ g2 }
+    { c8 b16 a b8 g~ 2 }
   \\
     {
       \voiceThreeStyle
@@ -1030,25 +1030,25 @@ markup, ties, slurs, and dynamics:
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   % Default behavior or behavior after \oneVoice
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceOne
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceTwo
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
@@ -1076,7 +1076,7 @@ permitting a phrasing slur to be drawn over them.
     \new Voice {
       % Set stems, etc., down
       \voiceTwo
-      r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+      r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
     }
     % Initiate third voice
     \new Voice {
@@ -1107,7 +1107,7 @@ typeset the music:
       \voiceTwo
       r8 e4 d c8~ |
       <<
-        { c8 b16 a b8 g~ g2 | }
+        { c8 b16 a b8 g~ 2 | }
         \new Voice {
           \voiceThree
           s4 b c2 |
@@ -1138,7 +1138,7 @@ as here:
   \new Voice {
     % Set stems, etc, down
     \voiceTwo
-    s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+    s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
   }
   % Initiate third voice
   \new Voice {
@@ -1271,7 +1271,7 @@ rather than music.
 global = { \key f \major \time 6/8 \partial 8 }
 
 SopOneMusic = \relative c'' {
-  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
 }
 SopOneLyrics = \lyricmode {
   Let | flee -- cy flocks the | hills a -- dorn, __
@@ -2936,15 +2936,15 @@ ManualOneVoiceOneMusic = \relative g' {
   d2 c |
 }
 ManualOneVoiceTwoMusic = \relative c' {
-  ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
-  c8 c4 b8 c8. g16 c b c d |
+  ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+  8 c4 b8 c8. g16 c b c d |
 }
 ManualTwoMusic = \relative c' {
-  c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
-  f16 ees f d g aes g f ees d ees8~ ees16 f ees d |
+  c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+  f16 ees f d g aes g f ees d ees8~ 16 f ees d |
 }
 PedalOrganMusic = \relative c {
-  r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+  r8 c16 d ees d ees8~ 16 a, b g c b c8 |
   r16 g ees f g f g8 c,2 |
 }
 
diff --git a/Documentation/nl/learning/tweaks.itely b/Documentation/nl/learning/tweaks.itely
index 80881daf55..9abaa16d9b 100644
--- a/Documentation/nl/learning/tweaks.itely
+++ b/Documentation/nl/learning/tweaks.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.20"
+@c \version "2.19.2"
 
 @node Tweaking output
 @chapter Tweaking output
@@ -2922,12 +2922,12 @@ collide with the ties:
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -2946,7 +2946,7 @@ say, 1:
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     {
       \override Beam.positions = #'(-1 . -1)
@@ -2954,7 +2954,7 @@ say, 1:
     }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -3143,7 +3143,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3200,7 +3200,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3272,7 +3272,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3353,7 +3353,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3587,7 +3587,7 @@ same voice can be connected with ties.  By using two voices,
 with the tied notes in one of them
 
 @lilypond[quote,fragment,relative=2]
-<< { b8~ b\noBeam } \\ { b8[ g] } >>
+<< { b8~ 8\noBeam } \\ { b8[ g] } >>
 @end lilypond
 
 @noindent
@@ -3601,7 +3601,7 @@ cross voices:
 <<
   {
     \tweak Stem.transparent ##t
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -3617,7 +3617,7 @@ too much, we can lengthen the stem by setting the
   {
     \tweak Stem.transparent ##t
     \tweak Stem.length #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -3639,7 +3639,7 @@ possible to rewrite the above example as
     \single \hide Stem
     \single \hide Flag
     \tweak Stem.length #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
diff --git a/Documentation/notation/changing-defaults.itely b/Documentation/notation/changing-defaults.itely
index 39928b6061..dd6e72cadc 100644
--- a/Documentation/notation/changing-defaults.itely
+++ b/Documentation/notation/changing-defaults.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @node Changing defaults
 @chapter Changing defaults
@@ -4202,7 +4202,7 @@ and @code{\tieDown} would not help.
 
 @lilypond[verbatim,quote,relative=1]
 <<
-  { e1~ e }
+  { e1~ 1 }
 \\
   { r4 <g c,> <g c,> <g c,> }
 >>
@@ -4244,7 +4244,7 @@ form of @code{\shape}, this will raise the tie by half a staff-space:
 <<
   {
     \shape #'((0 . 0.5) (0 . 0.5) (0 . 0.5) (0 . 0.5)) Tie
-    e1~ e
+    e1~ 1
   }
 \\
   { r4 <g c,> <g c,> <g c,> }
diff --git a/Documentation/notation/fretted-strings.itely b/Documentation/notation/fretted-strings.itely
index 121dfc0580..235ab93158 100644
--- a/Documentation/notation/fretted-strings.itely
+++ b/Documentation/notation/fretted-strings.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @node Fretted string instruments
 @section Fretted string instruments
@@ -180,7 +180,7 @@ symbols = {
   c4-.^"Allegro" d( e)
   f4-.\f g a^\fermata
   \mark \default
-  c8_.\<\( c16 c~ c2\!
+  c8_.\<\( c16 c~ 2\!
   c'2.\prall\)
 }
 
@@ -206,7 +206,7 @@ symbols = {
   c4-.^"Allegro" d( e)
   f4-.\f g a^\fermata
   \mark \default
-  c8_.\<\( c16 c~ c2\!
+  c8_.\<\( c16 c~ 2\!
   c'2.\prall\)
 }
 
@@ -274,7 +274,7 @@ as @code{\tabChordRepeats}.
 
 @lilypond[quote,verbatim]
 guitar = \relative c' {
-  r8 <gis-2 cis-3 b-0>~ q4 q8~ q q4
+  r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
 }
 
 \new StaffGroup <<
@@ -295,7 +295,7 @@ the second alternative of a repeat.
 ties = \relative c' {
   \repeat volta 2 {
     e2. f4~
-    f2 g2~
+    2 g2~
   }
   \alternative {
      { g4 f2. }
@@ -335,7 +335,7 @@ engraving fret numbers in parentheses:
 ties = \relative c' {
   \repeat volta 2 {
     e2. f4~
-    f2 g2~ }
+    2 g2~ }
   \alternative {
     { g4 f2. }
     { g4\repeatTie c,2. }
diff --git a/Documentation/notation/input.itely b/Documentation/notation/input.itely
index 315660b68d..f795b41fec 100644
--- a/Documentation/notation/input.itely
+++ b/Documentation/notation/input.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.6"
+@c \version "2.19.2"
 
 @node General input and output
 @chapter General input and output
@@ -3057,8 +3057,8 @@ volume is limited to the range 0.2 - 0.5.
       \set Staff.midiInstrument = #"flute"
       \new Voice \relative c''' {
         r2 g\mp g fis~
-        fis4 g8 fis e2~
-        e4 d8 cis d2
+        4 g8 fis e2~
+        4 d8 cis d2
       }
     }
     \new Staff {
@@ -3114,8 +3114,8 @@ volume of the flute.
       \set Staff.midiMaximumVolume = #0.9
       \new Voice \relative c''' {
         r2 g\mp g fis~
-        fis4 g8 fis e2~
-        e4 d8 cis d2
+        4 g8 fis e2~
+        4 d8 cis d2
       }
     }
     \new Staff {
@@ -3188,8 +3188,8 @@ the same values as the previous example.
       \set Staff.midiInstrument = #"flute"
       \new Voice \relative c''' {
         r2 g\mp g fis~
-        fis4 g8 fis e2~
-        e4 d8 cis d2
+        4 g8 fis e2~
+        4 d8 cis d2
       }
     }
     \new Staff {
diff --git a/Documentation/notation/pitches.itely b/Documentation/notation/pitches.itely
index 4c41302c4f..420fcb4c50 100644
--- a/Documentation/notation/pitches.itely
+++ b/Documentation/notation/pitches.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.18"
+@c \version "2.19.2"
 
 
 @node Pitches
@@ -405,7 +405,7 @@ Accidentals on tied notes are only printed at the beginning of a
 new system:
 
 @lilypond[verbatim,quote,relative=2,ragged-right]
-cis1~ cis~
+cis1~ 1~
 \break
 cis
 @end lilypond
@@ -3072,8 +3072,8 @@ rhythm.  Such note heads can be created:
   e8 e g a a16( bes) a8 g
   \improvisationOn
   e8 ~
-  e2 ~ e8 f4 f8 ~
-  f2
+  2 ~ 8 f4 f8 ~
+  2
   \improvisationOff
   a16( bes) a8 g e
 }
diff --git a/Documentation/notation/rhythms.itely b/Documentation/notation/rhythms.itely
index 048d3a58d7..23edfab7c7 100644
--- a/Documentation/notation/rhythms.itely
+++ b/Documentation/notation/rhythms.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.19.0"
+@c \version "2.19.2"
 
 @node Rhythms
 @section Rhythms
@@ -431,7 +431,7 @@ of each pair of notes being tied.  This indicates that the note
 should be tied to the following note, which must be at the same pitch.
 
 @lilypond[quote,verbatim,relative=2]
-a2~ a4~ a16 r r8
+a2~ 4~ 16 r r8
 @end lilypond
 
 Ties can make use of the @q{last explicit pitch} interpretation of
@@ -447,8 +447,8 @@ used when note values cross larger subdivisions of the measure:
 
 @lilypond[verbatim,quote]
 \relative c' {
-  r8 c~ c2 r4 |
-  r8^"not" c2~ c8 r4
+  r8 c~ 2 r4 |
+  r8^"not" c2~ 8 r4
 }
 @end lilypond
 
@@ -536,26 +536,26 @@ dashed.
 
 @lilypond[quote, verbatim, relative=1]
 \tieDotted
-c2~ c
+c2~ 2
 \tieDashed
-c2~ c
+c2~ 2
 \tieHalfDashed
-c2~ c
+c2~ 2
 \tieHalfSolid
-c2~ c
+c2~ 2
 \tieSolid
-c2~ c
+c2~ 2
 @end lilypond
 
 Custom dash patterns can be specified:
 
 @lilypond[quote, verbatim, relative=1]
 \tieDashPattern #0.3 #0.75
-c2~ c
+c2~ 2
 \tieDashPattern #0.7 #1.5
-c2~ c
+c2~ 2
 \tieSolid
-c2~ c
+c2~ 2
 @end lilypond
 
 Dash pattern definitions for ties have the same structure as dash
diff --git a/Documentation/notation/simultaneous.itely b/Documentation/notation/simultaneous.itely
index 4725ecf0de..f9a6329dbf 100644
--- a/Documentation/notation/simultaneous.itely
+++ b/Documentation/notation/simultaneous.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 
 @node Simultaneous notes
@@ -394,7 +394,7 @@ voices in a single staff is illustrated in the following example:
   \new Voice = "first"
     { \voiceOne r8 r16 g e8. f16 g8[ c,] f e16 d }
   \new Voice= "second"
-    { \voiceTwo d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+    { \voiceTwo d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
 >>
 @end lilypond
 
@@ -471,7 +471,7 @@ The first example could be typeset as follows:
 <<
   { r8 r16 g e8. f16 g8[ c,] f e16 d }
   \\
-  { d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+  { d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
 >>
 @end lilypond
 
@@ -1111,12 +1111,12 @@ be of the same length.}
 \parallelMusic #'(voiceA voiceB voiceC) {
   % Bar 1
   r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
-  r16 e'8.~   e'4            r16 e'8.~   e'4            |
+  r16 e'8.~   4              r16 e'8.~   4              |
   c'2                        c'2                        |
 
   % Bar 2
   r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
-  r16 d'8.~   d'4            r16 d'8.~   d'4            |
+  r16 d'8.~   4              r16 d'8.~   4              |
   c'2                        c'2                        |
 
 }
@@ -1136,12 +1136,12 @@ note in the input -- in other words, relative notes for
 \parallelMusic #'(voiceA voiceB voiceC) {
   % Bar 1
   r8 g16 c e g, c e r8 g,16 c e g, c e  |
-  r16 e8.~ e4       r16 e8.~  e4        |
+  r16 e8.~ 4        r16 e8.~  4         |
   c2                c                   |
 
   % Bar 2
   r8 a,16 d f a, d f r8 a,16 d f a, d f |
-  r16 d8.~  d4       r16 d8.~  d4       |
+  r16 d8.~  4        r16 d8.~  4        |
   c2                 c                  |
 
  }
diff --git a/Documentation/notation/staff.itely b/Documentation/notation/staff.itely
index e7133e3d4f..1462d0996e 100644
--- a/Documentation/notation/staff.itely
+++ b/Documentation/notation/staff.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @node Staff notation
 @section Staff notation
@@ -1029,7 +1029,7 @@ expression to declare the instrument switch:
   R1*16
   \instrumentSwitch "contrabassoon"
   c,,2 g \break
-  c,1 ~ | c1
+  c,1 ~ | 1
 }
 @end lilypond
 
diff --git a/Documentation/notation/vocal.itely b/Documentation/notation/vocal.itely
index 17e5070043..62600cf547 100644
--- a/Documentation/notation/vocal.itely
+++ b/Documentation/notation/vocal.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.30"
+@c \version "2.19.2"
 
 @node Vocal music
 @section Vocal music
@@ -654,8 +654,8 @@ together:
   \new Voice = "melody" {
     \time 3/4
     f4 g2 ~ |
-    g4 e2 ~ |
-    e8
+    4 e2 ~ |
+    8
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- e __
@@ -755,7 +755,7 @@ without their indicating melismata.  To do this, set
     \time 3/4
     \set melismaBusyProperties = #'()
     c4 d ( e )
-    g8 [ f ] f4 ~ f
+    g8 [ f ] f4 ~ 4
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- e e -- le -- i -- son
@@ -783,7 +783,7 @@ should be included in the melisma:
     \time 3/4
     \set melismaBusyProperties = #'()
     c4 d ( e )
-    g8 [ f ] ~ f4 ~ f
+    g8 [ f ] ~ 4 ~ f
   }
   \new Lyrics \lyricsto "melody" {
     Ky -- ri -- _ e __ _ _ _
diff --git a/Documentation/snippets/broken-crescendo-hairpin.ly b/Documentation/snippets/broken-crescendo-hairpin.ly
index 68960a5840..2e5aad44b2 100644
--- a/Documentation/snippets/broken-crescendo-hairpin.ly
+++ b/Documentation/snippets/broken-crescendo-hairpin.ly
@@ -5,7 +5,7 @@
 %
 % This file is in the public domain.
 %% Note: this file works from version 2.17.27
-\version "2.17.27"
+\version "2.19.2"
 
 \header {
   lsrtags = "contemporary-notation, expressive-marks, symbols-and-glyphs"
@@ -44,7 +44,7 @@ draw the rectangle over the hairpin.
       des16_\markup \with-dimensions #'(2 . 7) #'(0 . 0)
                     \with-color #white
                     \filled-box #'(2 . 7) #'(0 . 2) #0
-      r8. des4 ~ des16->\sff
+      r8. des4 ~ 16->\sff
     }
   >>
 }
diff --git a/Documentation/snippets/changing-midi-output-to-one-channel-per-voice.ly b/Documentation/snippets/changing-midi-output-to-one-channel-per-voice.ly
index aded2070cb..1cd549b742 100644
--- a/Documentation/snippets/changing-midi-output-to-one-channel-per-voice.ly
+++ b/Documentation/snippets/changing-midi-output-to-one-channel-per-voice.ly
@@ -4,7 +4,7 @@
 %% and then run scripts/auxiliar/makelsr.py
 %%
 %% This file is in the public domain.
-\version "2.16.0"
+\version "2.19.2"
 
 \header {
   lsrtags = "contexts-and-engravers, midi, real-music"
@@ -36,8 +36,8 @@ two MIDI channels are created, each with a different
       \time 2/2
       r2 g-"Flute" ~
       g fis ~
-      fis4 g8 fis e2 ~
-      e4 d8 cis d2
+      4 g8 fis e2 ~
+      4 d8 cis d2
     }
     \new Voice \relative c'' {
       \set midiInstrument = #"clarinet"
diff --git a/Documentation/snippets/figured-bass-headword.ly b/Documentation/snippets/figured-bass-headword.ly
index 8b76e0204d..018a27b61c 100644
--- a/Documentation/snippets/figured-bass-headword.ly
+++ b/Documentation/snippets/figured-bass-headword.ly
@@ -4,7 +4,7 @@
 %% and then run scripts/auxiliar/makelsr.py
 %%
 %% This file is in the public domain.
-\version "2.17.6"
+\version "2.19.2"
 
 \header {
   lsrtags = "headword"
@@ -78,7 +78,7 @@ extendOff = \bassFigureExtendersOff
       r16 d16 |
       d4 bes,4 a,4 f4 |
       g8 f16 g16 a8 a,8 d4 d'4 ~ |
-      d'8 c'8 b4 c'8 c'16 bes16 a4 |
+      8 c'8 b4 c'8 c'16 bes16 a4 |
       bes8 bes16 a16 g4 a8 a,4 a16 g16 |
       fis8 d8 e8 fis8 g8 g,4 g16 f16 |
       e8 c8 d8 e8 f8 f,4 a,8 |
diff --git a/Documentation/snippets/hiding-accidentals-on-tied-notes-at-the-start-of-a-new-system.ly b/Documentation/snippets/hiding-accidentals-on-tied-notes-at-the-start-of-a-new-system.ly
index 1c3c4ea4ea..7cb8869e0a 100644
--- a/Documentation/snippets/hiding-accidentals-on-tied-notes-at-the-start-of-a-new-system.ly
+++ b/Documentation/snippets/hiding-accidentals-on-tied-notes-at-the-start-of-a-new-system.ly
@@ -4,7 +4,7 @@
 %% and then run scripts/auxiliar/makelsr.py
 %%
 %% This file is in the public domain.
-\version "2.17.6"
+\version "2.19.2"
 
 \header {
   lsrtags = "pitches"
@@ -19,7 +19,7 @@ system.
 
 \relative c'' {
   \override Accidental.hide-tied-accidental-after-break = ##t
-  cis1~ cis~
+  cis1~ 1~
   \break
   cis
 }
diff --git a/Documentation/snippets/how-to-change-fret-diagram-position.ly b/Documentation/snippets/how-to-change-fret-diagram-position.ly
index cbcd2bc9c7..da24c5a5dd 100644
--- a/Documentation/snippets/how-to-change-fret-diagram-position.ly
+++ b/Documentation/snippets/how-to-change-fret-diagram-position.ly
@@ -4,7 +4,7 @@
 %% and then run scripts/auxiliar/makelsr.py
 %%
 %% This file is in the public domain.
-\version "2.17.6"
+\version "2.19.2"
 
 \header {
   lsrtags = "fretted-strings, specific-notation, tweaks-and-overrides"
@@ -51,7 +51,7 @@ harmonies = \chordmode
      b4.~^\markup { \fret-diagram  #"6-x;5-2;4-4;3-2;2-2;1-4;"  } b4. a8\break
 % HERE IS THE SECOND METHOD
      <<
-       { a8 b4.~ b4. a8}
+       { a8 b4.~ 4. a8}
        { s4 s4 s4^\markup { \fret-diagram  #"6-x;5-2;4-4;3-2;2-2;1-4;"  }
        }
      >>
diff --git a/Documentation/snippets/making-an-object-invisible-with-the-transparent-property.ly b/Documentation/snippets/making-an-object-invisible-with-the-transparent-property.ly
index c7ad7b10a5..b1808364ba 100644
--- a/Documentation/snippets/making-an-object-invisible-with-the-transparent-property.ly
+++ b/Documentation/snippets/making-an-object-invisible-with-the-transparent-property.ly
@@ -5,7 +5,7 @@
 %
 % This file is in the public domain.
 %% Note: this file works from version 2.17.30
-\version "2.17.30"
+\version "2.19.2"
 
 \header {
   lsrtags = "rhythms, simultaneous-notes, tweaks-and-overrides"
@@ -33,10 +33,10 @@ in that voice, the tie appears to cross voices.
     {
       \once \hide Stem
       \once \override Stem.length = #8
-      b8 ~ b\noBeam
+      b8 ~ 8\noBeam
       \once \hide Stem
       \once \override Stem.length = #8
-      g8 ~ g\noBeam
+      g8 ~ 8\noBeam
     }
     \\
     {
diff --git a/Documentation/snippets/new/broken-crescendo-hairpin.ly b/Documentation/snippets/new/broken-crescendo-hairpin.ly
index 27df9446ad..f14c983eea 100644
--- a/Documentation/snippets/new/broken-crescendo-hairpin.ly
+++ b/Documentation/snippets/new/broken-crescendo-hairpin.ly
@@ -1,4 +1,4 @@
-\version "2.17.27"
+\version "2.19.2"
 
 \header {
   lsrtags = "contemporary-notation, expressive-marks, symbols-and-glyphs"
@@ -36,7 +36,7 @@ draw the rectangle over the hairpin.
       des16_\markup \with-dimensions #'(2 . 7) #'(0 . 0)
                     \with-color #white
                     \filled-box #'(2 . 7) #'(0 . 2) #0
-      r8. des4 ~ des16->\sff
+      r8. des4 ~ 16->\sff
     }
   >>
 }
diff --git a/Documentation/snippets/new/making-an-object-invisible-with-the-transparent-property.ly b/Documentation/snippets/new/making-an-object-invisible-with-the-transparent-property.ly
index 70b3bf144e..2596aebc36 100644
--- a/Documentation/snippets/new/making-an-object-invisible-with-the-transparent-property.ly
+++ b/Documentation/snippets/new/making-an-object-invisible-with-the-transparent-property.ly
@@ -1,4 +1,4 @@
-\version "2.17.30"
+\version "2.19.2"
 
 \header {
   lsrtags = "rhythms, simultaneous-notes, tweaks-and-overrides"
@@ -25,10 +25,10 @@ in that voice, the tie appears to cross voices.
     {
       \once \hide Stem
       \once \override Stem.length = #8
-      b8 ~ b\noBeam
+      b8 ~ 8\noBeam
       \once \hide Stem
       \once \override Stem.length = #8
-      g8 ~ g\noBeam
+      g8 ~ 8\noBeam
     }
     \\
     {
diff --git a/Documentation/snippets/new/unfretted-headword.ly b/Documentation/snippets/new/unfretted-headword.ly
index 5c3f8a05dc..34397fb8e2 100644
--- a/Documentation/snippets/new/unfretted-headword.ly
+++ b/Documentation/snippets/new/unfretted-headword.ly
@@ -1,4 +1,4 @@
-\version "2.17.30"
+\version "2.19.2"
 
 \header {
   lsrtags = "headword"
@@ -146,7 +146,7 @@ ViolinSolo = \relative c' {
   \time 15/4
   <<
     { \shift d2 \glissando ^\markup \colmark { \quatre \dubetc \pvib \norm } \shifta e1 \glissando d2 } \\
-    { d2 \open \mf \< ~ d1 ~ d2 \ff  ~ d1 \> ~ d2 ^\markup \colmark { " " " " \svib } ~ d4 \pp}
+    { d2 \open \mf \< ~ d1 ~ 2 \ff  ~ d1 \> ~ d2 ^\markup \colmark { " " " " \svib } ~ d4 \pp}
   >>
   \break
 
diff --git a/Documentation/snippets/rhythms-headword.ly b/Documentation/snippets/rhythms-headword.ly
index b0c99b7dc4..5bf703a5d0 100644
--- a/Documentation/snippets/rhythms-headword.ly
+++ b/Documentation/snippets/rhythms-headword.ly
@@ -4,7 +4,7 @@
 %% and then run scripts/auxiliar/makelsr.py
 %%
 %% This file is in the public domain.
-\version "2.17.11"
+\version "2.19.2"
 
 \header {
   lsrtags = "headword"
@@ -82,7 +82,7 @@ Rhythms headword
       c'''32 ) \!
       g''8 (
       ~
-      g''32 [
+      32 [
       a''64
       g''64 ) ]
 
diff --git a/Documentation/snippets/simultaneous-headword.ly b/Documentation/snippets/simultaneous-headword.ly
index a08838f8f8..3afcc2a30f 100644
--- a/Documentation/snippets/simultaneous-headword.ly
+++ b/Documentation/snippets/simultaneous-headword.ly
@@ -4,7 +4,7 @@
 %% and then run scripts/auxiliar/makelsr.py
 %%
 %% This file is in the public domain.
-\version "2.17.11"
+\version "2.19.2"
 
 \header {
   lsrtags = "headword"
@@ -67,10 +67,10 @@ trillFlat =
       \trillFlat
       af''4.~ \startTrillSpan
       af''8.~ |
-      af''4.~ af''8.~ |
+      4.~ 8.~ |
       \oneVoice
       <af'' d''>8.[ a''8. \p \< bf''8.]~ |
-      bf''8.[ b''8. c'''8.]~
+      8.[ b''8. c'''8.]~
       \bar "||"
       \key ef \major
       c'''8.[ cs'''8.] \f \stopTrillSpan
@@ -83,17 +83,17 @@ trillFlat =
       \override Voice.TrillSpanner.direction = #DOWN
       d''4.~ \f \startTrillSpan
       d''8.~ |
-      d''4.~ d''8.~ |
-      d''8. \stopTrillSpan
+      4.~ 8.~ |
+      8. \stopTrillSpan
       \trillFlat
       d''4.~ \startTrillSpan |
-      d''4.~ d''8.~ |
-      d''4.~ d''8.~ |
-      d''4.~ d''8.~ \stopTrillSpan |
+      d''4.~ 8.~ |
+      4.~ 8.~ |
+      4.~ 8.~ \stopTrillSpan |
       \trillFlat
       d''4.~ \startTrillSpan
       d''8. ~ |
-      d''4.~ d''8.~ |
+      4.~ 8.~ |
       \once \override NoteColumn.ignore-collision = ##t
       \hideNotes
       d''8. \stopTrillSpan
@@ -126,8 +126,8 @@ trillFlat =
         \override Voice.TrillSpanner.direction = #UP
         f'4.~ \startTrillSpan
         f'8.~ |
-        f'4.~ f'8.~ |
-        f'8. \stopTrillSpan
+        4.~ 8.~ |
+        8. \stopTrillSpan
       }
       \new Voice {
         \voiceTwo
diff --git a/Documentation/snippets/single-staff-template-with-notes-and-chords.ly b/Documentation/snippets/single-staff-template-with-notes-and-chords.ly
index 75272f52f7..4ba723b516 100644
--- a/Documentation/snippets/single-staff-template-with-notes-and-chords.ly
+++ b/Documentation/snippets/single-staff-template-with-notes-and-chords.ly
@@ -4,7 +4,7 @@
 %% and then run scripts/auxiliar/makelsr.py
 %%
 %% This file is in the public domain.
-\version "2.16.0"
+\version "2.19.2"
 
 \header {
   lsrtags = "chords, really-simple, template"
@@ -24,7 +24,7 @@ melody = \relative c' {
   \time 4/4
 
   f4 e8[ c] d4 g
-  a2 ~ a
+  a2 ~ 2
 }
 
 harmonies = \chordmode {
diff --git a/Documentation/snippets/unfretted-headword.ly b/Documentation/snippets/unfretted-headword.ly
index 6cc02b677d..43dbee3312 100644
--- a/Documentation/snippets/unfretted-headword.ly
+++ b/Documentation/snippets/unfretted-headword.ly
@@ -5,7 +5,7 @@
 %
 % This file is in the public domain.
 %% Note: this file works from version 2.17.30
-\version "2.17.30"
+\version "2.19.2"
 
 \header {
   lsrtags = "headword"
@@ -154,7 +154,7 @@ ViolinSolo = \relative c' {
   \time 15/4
   <<
     { \shift d2 \glissando ^\markup \colmark { \quatre \dubetc \pvib \norm } \shifta e1 \glissando d2 } \\
-    { d2 \open \mf \< ~ d1 ~ d2 \ff  ~ d1 \> ~ d2 ^\markup \colmark { " " " " \svib } ~ d4 \pp}
+    { d2 \open \mf \< ~ d1 ~ 2 \ff  ~ d1 \> ~ d2 ^\markup \colmark { " " " " \svib } ~ d4 \pp}
   >>
   \break
 
diff --git a/Documentation/snippets/using-arpeggiobracket-to-make-divisi-more-visible.ly b/Documentation/snippets/using-arpeggiobracket-to-make-divisi-more-visible.ly
index c316d29d93..3eacc6132b 100644
--- a/Documentation/snippets/using-arpeggiobracket-to-make-divisi-more-visible.ly
+++ b/Documentation/snippets/using-arpeggiobracket-to-make-divisi-more-visible.ly
@@ -4,7 +4,7 @@
 %% and then run scripts/auxiliar/makelsr.py
 %%
 %% This file is in the public domain.
-\version "2.16.0"
+\version "2.19.2"
 
 \header {
   lsrtags = "expressive-marks, vocal-music"
@@ -39,9 +39,9 @@ often seen in choral music.
       \new Voice = "lower"
       { \voiceTwo
         a1 ~
-        a
+        1
         a ~
-        a4 \bar "|."
+        4 \bar "|."
       }
     >>
   }
diff --git a/Documentation/snippets/vocal-headword.ly b/Documentation/snippets/vocal-headword.ly
index d09d784396..454daf765d 100644
--- a/Documentation/snippets/vocal-headword.ly
+++ b/Documentation/snippets/vocal-headword.ly
@@ -4,7 +4,7 @@
 %% and then run scripts/auxiliar/makelsr.py
 %%
 %% This file is in the public domain.
-\version "2.17.6"
+\version "2.19.2"
 
 \header {
   lsrtags = "headword"
@@ -39,7 +39,7 @@ Vocal headword
     \autoBeamOff
     r4^\markup { \small Baritono } r a
     \appoggiatura a8 e'2. ~
-    e4 d8[ cis d e]
+    4 d8[ cis d e]
     e4 g, r8 g
     bes2 a8 e
     g4 f r
diff --git a/input/regression/accidental-tie.ly b/input/regression/accidental-tie.ly
index f69a7a8575..3929e27450 100644
--- a/input/regression/accidental-tie.ly
+++ b/input/regression/accidental-tie.ly
@@ -1,4 +1,4 @@
-\version "2.17.6"
+\version "2.19.2"
 
 \header {
   texidoc = "The second and third notes should not get accidentals,
@@ -16,13 +16,13 @@
 
 mus =  	\relative c' {
   f1~
-  f2~f4 % ~ f8
+  2~4 % ~ f8
   fis8  gis8 ~
   \break
   gis1
   \override Accidental.hide-tied-accidental-after-break = ##t
   f1~
-  f2~f4 % ~ f8
+  2~4 % ~ f8
   fis8  gis8 ~
   \break
   gis1
diff --git a/input/regression/beam-multiplicity-over-rests.ly b/input/regression/beam-multiplicity-over-rests.ly
index b8a2b5d997..e875bb2c80 100644
--- a/input/regression/beam-multiplicity-over-rests.ly
+++ b/input/regression/beam-multiplicity-over-rests.ly
@@ -1,4 +1,4 @@
-\version "2.16.0"
+\version "2.19.2"
 
 \header {
   texidoc = "When a beam goes over a rest, beamlets should be as necessary
@@ -8,7 +8,7 @@
 \relative c' {
   c8[ r16 c32 c32]
   c32[ r16 c32 c8]
-  c32[ r16 c64 c64 ~ c16.. c64]
+  c32[ r16 c64 c64 ~ 16.. c64]
   c32[ c32 r16 c8]
   c16[ r32 c32 r16 c16]
   c16[ r16 c32 r32 c16]
diff --git a/input/regression/completion-heads-tie.ly b/input/regression/completion-heads-tie.ly
index 469305b29c..979359bf29 100644
--- a/input/regression/completion-heads-tie.ly
+++ b/input/regression/completion-heads-tie.ly
@@ -5,7 +5,7 @@
 
   }
 
-\version "2.16.0"
+\version "2.19.2"
 
 \paper{ ragged-right=##t }
 
@@ -13,6 +13,6 @@
   \remove "Note_heads_engraver"
   \consists "Completion_heads_engraver"
 } {
-  \relative c'' { r2 d1 ~ d1 d2 }
+  \relative c'' { r2 d1 ~ 1 d2 }
 }
 
diff --git a/input/regression/grace-slashed-no-slur.ly b/input/regression/grace-slashed-no-slur.ly
index f167a9794e..450ed819bd 100644
--- a/input/regression/grace-slashed-no-slur.ly
+++ b/input/regression/grace-slashed-no-slur.ly
@@ -1,4 +1,4 @@
-\version "2.17.15"
+\version "2.19.2"
 
 \header
 {
@@ -7,5 +7,5 @@
 "
 }
 \relative c' {
-  \slashedGrace c16~ c1
+  \slashedGrace c16~ 1
 }
diff --git a/input/regression/lyric-extender-no-heads.ly b/input/regression/lyric-extender-no-heads.ly
index d99b486108..36d4133c06 100644
--- a/input/regression/lyric-extender-no-heads.ly
+++ b/input/regression/lyric-extender-no-heads.ly
@@ -6,7 +6,7 @@ without a lyric attached."
   
 }
 
-\version "2.16.0"
+\version "2.19.2"
 
 \layout {
   ragged-right = ##t
@@ -14,7 +14,7 @@ without a lyric attached."
 
 \relative c'' {
   \time 3/4
-  d4~ d4 r4
+  d4~ 4 r4
   \grace es8
 
   d4
diff --git a/input/regression/make-relative.ly b/input/regression/make-relative.ly
index 04bbed3900..c3bf0a01d3 100644
--- a/input/regression/make-relative.ly
+++ b/input/regression/make-relative.ly
@@ -1,4 +1,4 @@
-\version "2.19.0"
+\version "2.19.2"
 \header {
 
   texidoc = "@code{make-relative} is a Scheme utility macro mainly
@@ -32,9 +32,9 @@ ph =
   \ph d a d' fis' c''
   \oneVoice R1*21 \voiceTwo | \skip 1*21 | R1*21 |
   \ph c, c g bes e'
-  c,2~ c, | r16 c8. ~ c4 ~ c2
+  c,2~ 2 | r16 c8. ~ 4 ~ 2
   | r8 f16 a c' f' c' a c' a f a f d f d |
-  c,2~ c, | r16 b,8. ~ b,4 ~ b,2
+  c,2~ 2 | r16 b,8. ~ 4 ~ 2
   | r8 g'16 b' d'' f'' d'' b' d'' b' g' b' d' f' e' d' |
   c,1\fermata | c1 | <e' g' c''>1\fermata \bar "|." |
 }
@@ -61,9 +61,9 @@ ph =
   \ph d, a' d fis c'
   \oneVoice R1*21 \voiceTwo | \skip 1*21 | R1*21 |
   \ph c, c' g' bes e
-  c2~ c | r16 c'8. ~ c4 ~ c2
+  c2~ 2 | r16 c'8. ~ 4 ~ 2
   | r8 f16 a c f c' a c a f a f d f d |
-  c,,2~ c | r16 b'8. ~ b4 ~ b2
+  c,,2~ 2 | r16 b'8. ~ 4 ~ 2
   | r8 g'16 b d f d b d b g b d f e d |
   c,,1\fermata | c'1 | <e' g c>1\fermata \bar "|." |
 }
diff --git a/input/regression/midi-lyric-barcheck.ly b/input/regression/midi-lyric-barcheck.ly
index 84790d7be2..8c6e4c070f 100644
--- a/input/regression/midi-lyric-barcheck.ly
+++ b/input/regression/midi-lyric-barcheck.ly
@@ -12,7 +12,7 @@ this examples causes no bar checks in MIDI.
     <<\relative c'' \new Voice =  A {
 	\autoBeamOff
 	c8[ c] c2.
-	c1~c4 c2.
+	c1~4 c2.
 	c4 ( d e) d
 	c1
 
diff --git a/input/regression/morgenlied.ly b/input/regression/morgenlied.ly
index 00a8c78cff..c335683198 100644
--- a/input/regression/morgenlied.ly
+++ b/input/regression/morgenlied.ly
@@ -64,7 +64,7 @@ melody =    \relative c'' \repeat volta 2 \new Voice = "singer" {
   d4 f8 a16[ g fis g] f[ d] |
   g4. r8 gis gis |
   a4 a16.[ b32] c4 fis,8 |
-  g4.~ g8-\fermata g8 g |
+  g4.~ 8-\fermata g8 g |
   as4 as8 g4 g8 |
   fis4 fis8 r8 g g  |
   a!4 a8 g4 g8 |
diff --git a/input/regression/mozart-hrn3-allegro.ily b/input/regression/mozart-hrn3-allegro.ily
index 1494f4e299..48627557ba 100644
--- a/input/regression/mozart-hrn3-allegro.ily
+++ b/input/regression/mozart-hrn3-allegro.ily
@@ -1,4 +1,4 @@
-\version "2.17.11"
+\version "2.19.2"
 \include "mozart-hrn3-defs.ily"
 
 allegro = \relative c' {
@@ -26,7 +26,7 @@ allegro = \relative c' {
   d8.[ c16 d8. e16]
   c4 r r2
   R1*3
-  c,2 ~  c8[ e g c]
+  c,2 ~  8[ e g c]
   c[ b ] b4 r2
   c,8[ ( e) g c] e[( g) e c]
   c[( b)] b4 r2
@@ -34,7 +34,7 @@ allegro = \relative c' {
   g'[( d) ] d4 r4 d
   d8[ ( c)] c4.(  d16[ e] d8[  c)]
   c8[(\trill  b)] b4 r2 |
-  d2( ~  d8[ e16 d] c8[  b)] |
+  d2( ~  8[ e16 d] c8[  b)] |
   b[( a)] a4 r8  a[ a a]
   a4( cis e g)
   \appoggiatura g16
@@ -47,7 +47,7 @@ allegro = \relative c' {
   a[( \< b c cis\!\> ]  d4  c\!)
   ais8[( b)] r8 b\cresc b[( c)] r c
   cis[ ( d)] r4 r2
-  g,1\!\f ~ g2 ~  g8[ a16 b] c[( d) e c]
+  g,1\!\f ~ g2 ~  8[ a16 b] c[( d) e c]
   %% 64
   f4-. d-. b-. g-.
   R1
@@ -59,7 +59,7 @@ allegro = \relative c' {
   R1*15
   \mark "D"
   bes2\mf d4 f
-  g,2~  g8[ g' es c]|
+  g,2~  8[ g' es c]|
   bes4(  a4.)  c8[( d es)]
   cis4( d) r8  bes[ (c d)]
   es2 ( d4) r
@@ -67,7 +67,7 @@ allegro = \relative c' {
   c8[( g' es  c)] bes4( c)
   c4.( cis8  d4) r
   R1*2
-  es1~es1|
+  es1~1|
   e!
   d
   c
@@ -98,12 +98,12 @@ allegro = \relative c' {
   c4 r r2
   \mark "F"
   R1*3
-  c,2~ c8[ e g c]
+  c,2~ 8[ e g c]
   c8[( b)] b4 r2
   c,8[ e g c ]  e[ ( g) e c]
   c[( b)] b4 r2
   c2 (bes  a) a8[(b c cis)]
-  d2( ~  d8[ e16 d] \appoggiatura d16
+  d2( ~  8[ e16 d] \appoggiatura d16
   c8[ b16  c)]
   \appoggiatura c16
   b8[( a16  g)] g4 r2 |
@@ -112,16 +112,16 @@ allegro = \relative c' {
   \mark "G"
   d[( c) g'( e)] d[( c) a'( f)]
   e[( d)] d4 r  d8[ d]
-  d4(~  d16[ e d e)] g8[( f) e d] |
+  d4(~  16[ e d e)] g8[( f) e d] |
   c4 r r2
   R1
   c1 ~
-  c |
+  1 |
   c8[-. c-.] r c-. cis[( d)] r d-.\cresc |
   dis[( e)] r e-. e[( f)] r f-. |
   g4-.\f e-. c-. bes-. |
   g-.\ff e-. c-. r |
-  a'2 ~  a8[_\markup { \bold \italic "sempre " \dynamic "f" }  b16 c] d[( e d e)]
+  a'2 ~  8[_\markup { \bold \italic "sempre " \dynamic "f" }  b16 c] d[( e d e)]
 
   f4. ( d8)  f8[ ( d) f d]
   c[ (e] g2) \appoggiatura f16
diff --git a/input/regression/mozart-hrn3-romanze.ily b/input/regression/mozart-hrn3-romanze.ily
index 403d7aaf49..8d4d22f566 100644
--- a/input/regression/mozart-hrn3-romanze.ily
+++ b/input/regression/mozart-hrn3-romanze.ily
@@ -1,4 +1,4 @@
-\version "2.17.6"
+\version "2.19.2"
 \include  "mozart-hrn3-defs.ily"
 
 romanze =  \relative c' {
@@ -34,7 +34,7 @@ romanze =  \relative c' {
   f'4.(\p  d8) b4 r8 g
   g'4.( e8) c4 r8 cis |
   % 39
-  d4(~  d16[ e d e)] f8[ ( d) f( d)]
+  d4(~  16[ e d e)] f8[ ( d) f( d)]
   c2( b4) r
   R1*4
   e4. ( g8) c,4 ( cis)
@@ -52,8 +52,8 @@ romanze =  \relative c' {
   \revert DynamicLineSpanner.staff-padding
   R1*3
   r8  c[\p c c] c2~
-  c8[ c' c c] c2~
-  c8[ \< e( g f] e[ d\!\> c bes]
+  8[ c' c c] c2~
+  8[ \< e( g f] e[ d\!\> c bes]
   \mark "D"
   a4\!) r r2
   R1*3
diff --git a/input/regression/mozart-hrn3-rondo.ily b/input/regression/mozart-hrn3-rondo.ily
index d3997e7774..7ce852149b 100644
--- a/input/regression/mozart-hrn3-rondo.ily
+++ b/input/regression/mozart-hrn3-rondo.ily
@@ -1,4 +1,4 @@
-\version "2.16.0"
+\version "2.19.2"
 
 \include "mozart-hrn3-defs.ily"
 
@@ -45,13 +45,13 @@ rondo = \relative c' {
   e4 r8 r4 r8
   g4. e4 c8
   g2.~
-  g8[ a b] c[ d e ]
+  8[ a b] c[ d e ]
   e4.( d8) r r
   R2.*4
   e2.~ |
-  e8[ d c] c[ b a]
+  8[ d c] c[ b a]
   d2.~
-  d8[ c b] b[ a g]
+  8[ c b] b[ a g]
   g'4( e8) b4( cis8)
   \mark "B"
   d4 r8 r4 r8
@@ -75,7 +75,7 @@ rondo = \relative c' {
   r8  g[\f g] g[( b) b-.]
   b[( d) d-.] d[( g) g-.]
   g2.~
-  g8[ \> a g] f[ e d]
+  8[ \> a g] f[ e d]
 
   <<
     \rondotheme
@@ -86,40 +86,40 @@ rondo = \relative c' {
   r4 r8 r4 c8
   \mark "D"
   c4 f8 c4 a8
-  a4.~a4 a8
+  a4.~4 a8
   bes4 c8 d4 bes8
-  g4. ~ g8 r r
+  g4. ~ 8 r r
   R2.*3
   r4 r8 r4 c8
   a4. c
-  f ~  f8.[ e16( d c)]
+  f ~  8.[ e16( d c)]
   bes4 g8 e4 g8
-  c,4. ~ c8 r r
+  c,4. ~ 8 r r
   R2.*3|
   r4 r8 r4 c'8
   b4( c8) b4( c8)
-  bes4. ~ bes4 g8
+  bes4. ~ 4 g8
   a4 ( c8) f4 ( b,8)
   d4. ( c8) r r
   R2.*3|
   r4 r8 r4 c8
   b4( c8) b4( c8)
-  bes4. ~ bes4 g8
+  bes4. ~ 4 g8
   a4 c8  f[ ( d) b!]
   d4. ( c8) r r
   \mark "E"
   R2.*9  |
   \lipbreaker
   c,8[ c' c] c4.~
-  c8[ c d] e[ e fis]
+  8[ c d] e[ e fis]
   g4 r8 r4 r8
   R2.
   r8  g,[ g] g[ g g] |
-  es'4. ~  es8[ d c]
+  es'4. ~  8[ d c]
   b4 r8 r4 r8
   R2. |
   r8  g[ g] g[ g g]
-  es'4. ~  es8[ d c]
+  es'4. ~  8[ d c]
   b4.\cresc c4. d4. e4.
   \mark "F"
   f2.\f ~ |
diff --git a/input/regression/part-combine-global.ly b/input/regression/part-combine-global.ly
index bf2afed3ea..9f99d89937 100644
--- a/input/regression/part-combine-global.ly
+++ b/input/regression/part-combine-global.ly
@@ -11,7 +11,7 @@ voices.
   
 "
 	}
-\version "2.16.0"
+\version "2.19.2"
 
 vone =
 
@@ -25,7 +25,7 @@ vone =
 vtwo =
 \relative c' {
   \time 2/4
-  f8[ f]~ f8[ f] |
+  f8[ f]~ 8[ f] |
   f8[ f]  f8[ f]
 }
 
diff --git a/input/regression/part-combine-solo.ly b/input/regression/part-combine-solo.ly
index 621282709e..e29e27b1ba 100644
--- a/input/regression/part-combine-solo.ly
+++ b/input/regression/part-combine-solo.ly
@@ -14,10 +14,10 @@ Solo 1/2 can not be used when a spanner is active, so there is no solo
 "
     }
 
-vone =  \relative a' { d4 r8 d8 d8 r8 d8 r8 d2 ~ d2 ~ d4 }
+vone =  \relative a' { d4 r8 d8 d8 r8 d8 r8 d2 ~ 2 ~ 4 }
 vtwo =  \relative g' { g4.   g8 r2          g4 r4 r2  g4 } 
 
-\version "2.16.0"
+\version "2.19.2"
 
 \paper { ragged-right = ##t } 
 
diff --git a/input/regression/part-combine.ly b/input/regression/part-combine.ly
index 8669f5bf12..8e896cfbc4 100644
--- a/input/regression/part-combine.ly
+++ b/input/regression/part-combine.ly
@@ -11,7 +11,7 @@
 
 \layout { ragged-right = ##t }
 
-\version "2.16.0"
+\version "2.19.2"
 
 vone =  \relative a' {
   g2 g    g  g4 g f' c c( c) c c  c ~ c
@@ -19,7 +19,7 @@ vone =  \relative a' {
 }
 vtwo =  \relative a' {
   f2 f4 f f2 g4 g c, f f  f  f f~ f ~ f
-  f4 f2. ~ f4
+  f4 f2. ~ 4
 }
 
 
diff --git a/input/regression/property-nested-override.ly b/input/regression/property-nested-override.ly
index d7929a210a..0d8be92357 100644
--- a/input/regression/property-nested-override.ly
+++ b/input/regression/property-nested-override.ly
@@ -1,4 +1,4 @@
-\version "2.17.6"
+\version "2.19.2"
 \header {
   texidoc = "Nested properties may be overridden using Scheme list
 syntax.  This test performs two property overrides: the first
@@ -11,10 +11,10 @@ list.
   \once \override TextSpanner.bound-details.left.text = #"foo"
   c4\startTextSpan
   \once \override Tie.details.note-head-gap = #1
-  c4 ~ c c\stopTextSpan
+  c4 ~ 4 c\stopTextSpan
   
   \once \override TextSpanner.bound-details.left.text = #"foo"
   c4\startTextSpan
   \once \override Tie.details.note-head-gap = #1
-  c4 ~ c c\stopTextSpan
+  c4 ~ 4 c\stopTextSpan
 }
diff --git a/input/regression/quote-tie.ly b/input/regression/quote-tie.ly
index e003ffbdce..27982b12e0 100644
--- a/input/regression/quote-tie.ly
+++ b/input/regression/quote-tie.ly
@@ -1,4 +1,4 @@
-\version "2.16.0"
+\version "2.19.2"
 
 \header {
   texidoc = "Voices from different cues must not be tied together.  In
@@ -11,7 +11,7 @@ since only one @code{CueVoice} context is created
 }
 
 cueI = \relative c'' {
-  a1 ~ | a | a |
+  a1 ~ | 1 | a |
 }
 \addQuote "cueI" { \cueI }
 
diff --git a/input/regression/repeat-percent.ly b/input/regression/repeat-percent.ly
index 0146d36c45..22fa2c3af1 100644
--- a/input/regression/repeat-percent.ly
+++ b/input/regression/repeat-percent.ly
@@ -1,4 +1,4 @@
-\version "2.16.0"
+\version "2.19.2"
 \header {
   texidoc = "Measure repeats may be nested with beat repeats."
 }
@@ -10,7 +10,7 @@
   \set Score.skipBars = ##t
   \time 4/4
 				% riff
-  \repeat "percent" 2 { r8. a16 g8. a16 bes8. a16 f8 d |  a c8 ~ c8 d8 ~ d8 r8 r4 }
+  \repeat "percent" 2 { r8. a16 g8. a16 bes8. a16 f8 d |  a c8 ~ 8 d8 ~ 8 r8 r4 }
 
   R1*2
   \repeat "percent" 2 { \repeat "percent" 4 { c8 es } }
diff --git a/input/regression/script-tie-collision.ly b/input/regression/script-tie-collision.ly
index 0b1c837e0e..d85942e1af 100644
--- a/input/regression/script-tie-collision.ly
+++ b/input/regression/script-tie-collision.ly
@@ -1,4 +1,4 @@
-\version "2.17.2"
+\version "2.19.2"
 
 \header {
   texidoc = "Scripts avoid ties.
@@ -14,9 +14,9 @@
   r2. c4~-> | c-> r2. |
   r2. c4-> | c-> r2. |
   r2. c4~-> | c r2. |
-  r2. c4~ | c-> r2. | \break
+  r2. c4~ | 4-> r2. | \break
   r2. <g-- c-> >4--~ | <g-- c>-> ~ <g c---_>-> r2 |
-  r2. c4~ | c-> ~ c-> r2 |
+  r2. c4~ | 4-> ~ c-> r2 |
   r2. c4~-> | c ~ c-> r2 |
   r2. c4~-> | c-> ~ c r2 |
   r2. c4-> |
diff --git a/input/regression/slur-broken-trend.ly b/input/regression/slur-broken-trend.ly
index 81f31fc078..185cd24159 100644
--- a/input/regression/slur-broken-trend.ly
+++ b/input/regression/slur-broken-trend.ly
@@ -1,5 +1,5 @@
 
-\version "2.17.28"
+\version "2.19.2"
 
 \header{
 texidoc="
@@ -38,12 +38,12 @@ in unbroken state.
     \new Voice \relative c' {
 	c'8[( c c c] g2 ~ | \break
 	g1) | \break
-	\slurDown c8[( c] g4 ~ g2 ~ | \break
-	g2 ~ g2)
+	\slurDown c8[( c] g4 ~ 2 ~ | \break
+	g2 ~ 2)
     }
     \relative c'' {
 	a4( c b4 e, ~ | \break
-	e1 ~ | e1)
+	e1 ~ | 1)
     }
     
 }
diff --git a/input/regression/slur-scoring.ly b/input/regression/slur-scoring.ly
index 4c2f6ae7f1..ebcace50e0 100644
--- a/input/regression/slur-scoring.ly
+++ b/input/regression/slur-scoring.ly
@@ -12,7 +12,7 @@
 
 }
 
-\version "2.17.28"
+\version "2.19.2"
 \layout {
     ragged-right = ##t
 %    #(define debug-slur-scoring #t)
@@ -23,7 +23,7 @@
     \grace e=''16( d8.[) c16]
     d=''8.[ \grace f16( e16)]
     s2
-    << {c=''8.([ es16] bes4~bes )}
+    << {c=''8.([ es16] bes4~4 )}
        \\
        {r8  <as es> r <f des> r }
     >>
diff --git a/input/regression/staff-online-symbol-absence.ly b/input/regression/staff-online-symbol-absence.ly
index 6ddbd735e6..cb2c168f27 100644
--- a/input/regression/staff-online-symbol-absence.ly
+++ b/input/regression/staff-online-symbol-absence.ly
@@ -1,4 +1,4 @@
-\version "2.16.0"
+\version "2.19.2"
 \header {
 
   texidoc = "Symbols that need on-staffline info (like dots and ties)
@@ -11,6 +11,6 @@
 }
 \relative c' {
   \time 5/8
-  f4 ~ f4 
+  f4 ~ 4 
   f4 f4.
 }
diff --git a/input/regression/stem-direction.ly b/input/regression/stem-direction.ly
index 16af1ecc73..39b6716360 100644
--- a/input/regression/stem-direction.ly
+++ b/input/regression/stem-direction.ly
@@ -1,5 +1,5 @@
 
-\version "2.16.0"
+\version "2.19.2"
 
 \header{
 texidoc="
@@ -13,7 +13,7 @@ notes, and up for low notes.
     ragged-right = ##t
 }  
 \context Voice \relative c {
-    b''4 ~ b8(b8) e4 e,
+    b''4 ~ 8(b8) e4 e,
     
 }
 
diff --git a/input/regression/tablature-chord-repetition-finger.ly b/input/regression/tablature-chord-repetition-finger.ly
index 27b68dbaca..be67208185 100644
--- a/input/regression/tablature-chord-repetition-finger.ly
+++ b/input/regression/tablature-chord-repetition-finger.ly
@@ -1,4 +1,4 @@
-\version "2.16.0"
+\version "2.19.2"
 
 \header {
   texidoc = "In a TabStaff, the chord repetition function needs
@@ -8,7 +8,7 @@ on the main staff."
 }
 
 Guitar = \relative c' {
-  r8 < gis-6 cis-6 b-0 > ~ q4 q8 ~ q q4
+  r8 < gis-6 cis-6 b-0 > ~ q4 q8 ~ 8 q4
 }
 
 \score {
diff --git a/input/regression/tablature-chord-repetition.ly b/input/regression/tablature-chord-repetition.ly
index 7fd2a30eef..0d08b705c5 100644
--- a/input/regression/tablature-chord-repetition.ly
+++ b/input/regression/tablature-chord-repetition.ly
@@ -1,4 +1,4 @@
-\version "2.17.30"
+\version "2.19.2"
 
 \header {
   texidoc = "In a TabStaff, the chord repetition function needs
@@ -11,7 +11,7 @@ music in the tabstaff, not affecting other contexts."
 \tabChordRepetition
 
 Guitar = \relative c' {
-  r8 < gis\4 cis\3 b\2 > ~ q4 q8 ~ q q4
+  r8 < gis\4 cis\3 b\2 > ~ q4 q8 ~ 8 q4
 }
 
 \score {
diff --git a/input/regression/tablature-full-notation.ly b/input/regression/tablature-full-notation.ly
index 55f6547911..eed3f35a5f 100644
--- a/input/regression/tablature-full-notation.ly
+++ b/input/regression/tablature-full-notation.ly
@@ -1,4 +1,4 @@
-\version "2.17.11"
+\version "2.19.2"
 
 \header{ texidoc = "As default, tablature staves show only the fret numbers, because
                     in most situations, they are combined with normal staves.
@@ -12,7 +12,7 @@ tabstuff = {
   c4^"test" d( e) |
   f4\f g a^\fermata |
   R2.*3 |
-  c8\<\( c16 c ~ c2\! |
+  c8\<\( c16 c ~ 2\! |
   \mark \default
   c'2.\) |
   \ottava #1
diff --git a/input/regression/tablature-tie-behaviour.ly b/input/regression/tablature-tie-behaviour.ly
index a784576ee6..06b97dbd1b 100644
--- a/input/regression/tablature-tie-behaviour.ly
+++ b/input/regression/tablature-tie-behaviour.ly
@@ -1,4 +1,4 @@
-\version "2.17.30"
+\version "2.19.2"
 
 \header{ texidoc = "In tablature, notes that are tied to are invisible
                      except after a line break or within a second volta;
@@ -9,13 +9,13 @@
         }
 
 firstpart = \relative c {
-  f2 ~ f4  e
+  f2 ~ 4   e
   g8 g ~ g g ~ g g~ g g ~
-  g1
+  1
 }
 
 secondpart = \relative c' {
-  c1 ~ \break c2 ~ c
+  c1 ~ \break c2 ~ 2
 }
 
 thirdpart = \relative c' {
diff --git a/input/regression/tablature-tie-spanner.ly b/input/regression/tablature-tie-spanner.ly
index fd3346d7b8..d8f7b47b36 100644
--- a/input/regression/tablature-tie-spanner.ly
+++ b/input/regression/tablature-tie-spanner.ly
@@ -1,4 +1,4 @@
-\version "2.16.0"
+\version "2.19.2"
 
 \header {
   texidoc = "
@@ -8,9 +8,9 @@ corresponding fret number is displayed in parentheses.
 }
 
 music = {
-  c'4 ~ c'4 ( d'2 ) |
-  c'4 ~ c'4 \glissando d'2 |
-  c'4 ~ c'4 d'2 |
+  c'4 ~ 4 ( d'2 ) |
+  c'4 ~ 4 \glissando d'2 |
+  c'4 ~ 4 d'2 |
   c'4 \glissando d'2. |
 }
 
diff --git a/input/regression/tag-multiple.ly b/input/regression/tag-multiple.ly
index d9d62a0e0d..2f581e12ad 100644
--- a/input/regression/tag-multiple.ly
+++ b/input/regression/tag-multiple.ly
@@ -1,4 +1,4 @@
-\version "2.17.6"
+\version "2.19.2"
 \header {
 
   texidoc = "The @code{\\removeWithTag} and @code{\\keepWithTag}
@@ -12,7 +12,7 @@ music =
 <<
   \tag #'flood \new Voice { \voiceOne \repeat unfold 16 { c'''8 cis'''8 } }
   \tag #'highball \new Voice { \voiceThree \repeat unfold 8 { a'4( as') } }
-  \tag #'buffoon \new Voice { \voiceFour \repeat unfold 2 { f1~ f } }
+  \tag #'buffoon \new Voice { \voiceFour \repeat unfold 2 { f1~ 1 } }
 >>
 
 demo =
diff --git a/input/regression/tie-dash.ly b/input/regression/tie-dash.ly
index 147d78a160..b6de95cc5b 100644
--- a/input/regression/tie-dash.ly
+++ b/input/regression/tie-dash.ly
@@ -1,4 +1,4 @@
-\version "2.17.6"
+\version "2.19.2"
 \header {texidoc = "@cindex Tie, dotted, dashed
 The appearance of ties may be changed from solid to dotted or dashed.
 "
@@ -7,23 +7,23 @@ The appearance of ties may be changed from solid to dotted or dashed.
 
 
 \relative c'{
-  c2 ~ c |
+  c2 ~ 2 |
   \tieDotted
-  c2 ~ c |
+  c2 ~ 2 |
   \tieDashed
-  c2 ~ c |
+  c2 ~ 2 |
   \tieHalfDashed
-  c2 ~ c |
+  c2 ~ 2 |
   \tieHalfSolid
-  c2 ~ c |
+  c2 ~ 2 |
   \tieDashPattern #0.4 #2.0
-  c2 ~ c |
+  c2 ~ 2 |
   \once \override Tie.dash-definition = #'((0 0.25 1 1)
                                              (0.3 0.7 0.4 0.75)
                                              (0.75 1.0 1.0 1.0))
-  c2 ~ c |
+  c2 ~ 2 |
   \tieSolid
-  c2 ~ c |
+  c2 ~ 2 |
 }
 
 
diff --git a/input/regression/tie-dot.ly b/input/regression/tie-dot.ly
index f595dc582e..57e098e72a 100644
--- a/input/regression/tie-dot.ly
+++ b/input/regression/tie-dot.ly
@@ -3,14 +3,14 @@
   texidoc = "Ties avoid collisions with dots."
 }
 
-\version "2.16.0"
+\version "2.19.2"
 
 \paper { ragged-right = ##T }
 
 \relative c'' {
   \time 12/8
   d4*3/2~ d8[ e] r8
-  d4.~ d8 e f
+  d4.~ 8 e f
 }
 
 
diff --git a/input/regression/tie-grace.ly b/input/regression/tie-grace.ly
index 3aa59a21e1..da27120371 100644
--- a/input/regression/tie-grace.ly
+++ b/input/regression/tie-grace.ly
@@ -1,5 +1,5 @@
 
-\version "2.16.0"
+\version "2.19.2"
 \header {
   texidoc = "Tying a grace to a following grace or main note works."
 }
@@ -7,7 +7,7 @@
 \layout { ragged-right= ##t }
 
 \context Voice \relative c'' {
-  c4 \grace { c8 ~ c16 ~ } c4 
+  c4 \grace { c8 ~ 16 ~ } c4 
 }
 
 
diff --git a/input/regression/tie-single-manual.ly b/input/regression/tie-single-manual.ly
index 23df905a94..e937c7c846 100644
--- a/input/regression/tie-single-manual.ly
+++ b/input/regression/tie-single-manual.ly
@@ -5,7 +5,7 @@ specifying their @code{direction} and/@/or @code{staff-position}."
   
 }
 
-\version "2.17.6"
+\version "2.19.2"
 
 \paper {
   ragged-right = ##t
@@ -13,12 +13,12 @@ specifying their @code{direction} and/@/or @code{staff-position}."
 
 {
   \override Tie.staff-position = #-5.5
-  c'4 ~ c'
+  c'4 ~ 4
   \override Tie.staff-position = #-6.5
-  c'4 ~ c'
+  c'4 ~ 4
   \override Tie.staff-position = #-7.5
-  c'4 ~ c'
+  c'4 ~ 4
   \revert Tie.staff-position
   \override Tie.direction = #UP
-  c'4 ~ c'
+  c'4 ~ 4
 }
diff --git a/input/regression/tie-single.ly b/input/regression/tie-single.ly
index 7dcea62066..59799a215c 100644
--- a/input/regression/tie-single.ly
+++ b/input/regression/tie-single.ly
@@ -22,12 +22,12 @@ that otherwise don't fit in a space
   ragged-right = ##t
 }
 
-\version "2.16.0"
+\version "2.19.2"
 
 frag =
 \relative c'' {
-  c16 c2...~ c16 ~ c2... |
-  c4~c8 c8~c16 c16~c32 c16.~[ c64]~ c64[ c8..] |
+  c16 c2...~ 16 ~ 2... |
+  c4~8 c8~16 c16~32 c16.~[ c64]~ 64[ c8..] |
 }
 
 
diff --git a/input/regression/tie-unterminated.ly b/input/regression/tie-unterminated.ly
index 8e66e8a2a4..77049bdf2a 100644
--- a/input/regression/tie-unterminated.ly
+++ b/input/regression/tie-unterminated.ly
@@ -1,4 +1,4 @@
-\version "2.16.0"
+\version "2.19.2"
 #(ly:set-option 'warning-as-error #f)
 #(ly:expect-warning (_ "unterminated tie"))
 
@@ -8,7 +8,7 @@
 }
 
 \relative c' {
-  c1~ c |
+  c1~ 1 |
   c1~ <e c> |
   c1~ d |
   <c e>1~ c |
diff --git a/input/regression/typography-demo.ly b/input/regression/typography-demo.ly
index 7cc98d500f..45a9945dfd 100644
--- a/input/regression/typography-demo.ly
+++ b/input/regression/typography-demo.ly
@@ -47,7 +47,7 @@ melody =    \relative c'' \repeat volta 2 \context Voice = "singer" {
   \transpose a' e' \relative c'' { a16[ g fis! g] f![ d]  } |
   g4. r8 gis gis |
   a4 a16.[ b32] c8[( a]) fis8 |
-  g4.~ g8-\fermata
+  g4.~ 8-\fermata
 }
 
 
-- 
2.39.2