From 735054c08338362db02dede337342b1b6bc64655 Mon Sep 17 00:00:00 2001 From: Trevor Daniels Date: Sat, 19 Apr 2008 16:19:00 +0100 Subject: [PATCH] GDP: NR 2 Reorganisation: Unfretted-strings comments --- Documentation/user/unfretted-strings.itely | 23 +++++++++++++++++++--- 1 file changed, 20 insertions(+), 3 deletions(-) diff --git a/Documentation/user/unfretted-strings.itely b/Documentation/user/unfretted-strings.itely index e4b211c09e..00eab12d9a 100644 --- a/Documentation/user/unfretted-strings.itely +++ b/Documentation/user/unfretted-strings.itely @@ -35,9 +35,13 @@ until we have something to say about them -td @node References for unfretted strings @subsubsection References for unfretted strings -@c TODO Add refs to fingerings, \thumb, bowings, harmonics +@c TODO Add refs to fingerings, \thumb, bowings +@c TODO Add multiple fingering indications? +@c TODO Add snippet showing pizzicato markings TBC +@c TODO Decide whether to resurrect Bowed instruments subsection +@c and if so which of the above should go there @ignore @node Bowed instruments @@ -71,5 +75,18 @@ are entered by marking the harmonic pitch with @code{\harmonic}. @node Harp @subsubsection Harp -@c TODO add \sacredHarpHeads, expanded or ref? -TBC +Sacred Harp notation uses four shaped note heads. In the major, +the tonic is a triangle and then proceeding up the scale you +have circle, square, triangle, circle, square, diamond. In the +minor, the shapes should be assigned to keep the same interval +relationships, e.g. you assign them for the relative major. (This +means that the scale in the minor gives the tonic a square.) + +@c TODO add example of \sacredHarpHeads, or a ref? + + +@knownissues + +The \sacredHarpHeads command gives the wrong shapes when the key +is minor. A work-around is to switch the key to the relative +major to obtain the right shapes. -- 2.39.2