From 6a11ff7410d82249172a5ec628da8a43a8428fe0 Mon Sep 17 00:00:00 2001 From: Trevor Daniels Date: Mon, 10 Aug 2009 09:16:50 +0100 Subject: [PATCH] Docs: MG: New updates from Kurt - includes Italian translations from Federico Bruni --- Documentation/music-glossary.tely | 136 ++++++++++++++++-------------- 1 file changed, 74 insertions(+), 62 deletions(-) diff --git a/Documentation/music-glossary.tely b/Documentation/music-glossary.tely index d8a8af3ba0..c3dd9b066d 100644 --- a/Documentation/music-glossary.tely +++ b/Documentation/music-glossary.tely @@ -662,8 +662,8 @@ S: ?, FI: ?. A grace note which takes its time from the rest or note preceding the -principal note to which it is attached. The acciaccatura is drawn as a small -eighth note (quaver) with a line drawn through the flag and stem. +principal note to which it is attached. The acciaccatura is drawn as a +small eighth note (quaver) with a line drawn through the flag and stem. @seealso @ref{appoggiatura}, @ref{grace notes}, @ref{ornament}. @@ -673,7 +673,7 @@ eighth note (quaver) with a line drawn through the flag and stem. @section accidental ES: alteración accidental, -I: accidento, +I: alterazione, accidente, F: altération accidentelle, D: Versetzungszeichen, Akzidenz, NL: toevallig (verplaatsings)teken, @@ -1123,7 +1123,7 @@ No cross-references. @section articulation ES: articulación, -I: articulazione, +I: articolazione, F: articulation, D: Artikulation, NL: articulatie, @@ -1485,7 +1485,7 @@ No cross-references. @section bracket ES: corchete, -I: ?, +I: parentesi quadra, F: crochet, D: ?, NL: ?, @@ -1919,10 +1919,10 @@ the top line high F: } @end lilypond -Staves of five lines are usually used, and the clef superimposed on -them indicates which five lines have been selected from this -@samp{grand staff}. For example, the treble or G clef indicates that -the top five lines have been selected: +Staves of five lines are usually used, and the clef superimposed on them +indicates which five lines have been selected from this @notation{grand +staff}. For example, the treble or G clef indicates that the top five lines +have been selected: @lilypond[quote] \score { @@ -1983,11 +1983,10 @@ the top five lines have been selected: The @q{curl} of the G clef is centered on the line that represents the pitch G. -In the same way, the bass or F clef indicates that the bottom five -lines have been selected from the @samp{grand staff}, and the alto or -C clef indicates the middle five lines have been selected. This -relationship is shown below, where the notes show an arpeggio on a C -major chord. +In the same way, the bass or F clef indicates that the bottom five lines +have been selected from the @notation{grand staff}, and the alto or C clef +indicates the middle five lines have been selected. This relationship is +shown below, where the notes show an arpeggio on a C major chord. @lilypond[quote] \score { @@ -2052,7 +2051,7 @@ major chord. @section cluster ES: racimo, -I: ?, +I: cluster, F: cluster, D: Cluster, NL: ?, @@ -2123,7 +2122,7 @@ Another name for @ref{common time}. @section common time ES: compasillo, -I: ?, +I: tempo semplice, F: mesure à 4/4, D: ?, NL: ?, @@ -2176,7 +2175,7 @@ Intervals larger than an octave. @section compound meter ES: compás compuesto, compás de subdivisión ternaria, -I: ?, +I: tempo composto, F: mesure composée, D: ?, NL: ?, @@ -2247,7 +2246,7 @@ A time signature that additively combines two or more unequal meters, e.g., @section concert pitch ES: en Do, afinación de concierto, -I: ?, +I: intonazione reale, F: tonalité de concert, en ut, D: ?, NL: ?, @@ -2261,8 +2260,8 @@ all) instruments that play in concert pitch: @c Let's see how easy (or hard) it is to put bulleted lists in tables. -@multitable {alto trombone} {tenor trombone} {bass trombone} -@headitem Woodwinds @tab Brass @tab Strings +@multitable {bassoon} {violoncello} +@headitem Woodwinds @tab Strings @item @itemize @@ -2273,14 +2272,6 @@ all) instruments that play in concert pitch: @tab -@itemize -@item alto trombone -@item tenor trombone -@item bass trombone -@end itemize - -@tab - @itemize @item violin @item viola @@ -2289,12 +2280,14 @@ all) instruments that play in concert pitch: @end multitable +@ignore This needs to be reworked. The trombones are a special case: although they are said to be @q{in F} (alto or bass) or @q{in B-flat} (tenor), this refers to their fundamental note, not to their parts' transposition. (In fact, the trombones' parts are written at concert pitch with an appropriate clef -- alto, tenor or bass.) This differs from other instruments @q{in F}, @q{in B-flat}, and so on, which are transposing instruments. +@end ignore Instruments that play @q{in C} but in a different octave than what is written are, technically speaking, @emph{transposing instruments}: @@ -2508,7 +2501,7 @@ Compare: @ref{ossia}. @section custos ES: custos, -I: ?, +I: custos, guida, F: guidon, D: Notenzeiger, Custos, NL: ?, @@ -2899,7 +2892,7 @@ FI: diminuendo, hiljentyen. @section diminution ES: ?, -I: ?, +I: diminuzione, F: diminution, D: ?, NL: ?, @@ -3302,7 +3295,7 @@ FI: kesto, aika-arvo. @section dynamics ES: dinámica, matices, -I: ?, +I: dinamica, F: nuances, D: Dynamik, Lautstärke, NL: ?, @@ -3388,7 +3381,7 @@ indicate this information are called dynamic marks. @c TODO: add languages ES: sinalefa, -I: ?, +I: elisione, F: élision, D: ?, NL: ?, @@ -3519,7 +3512,7 @@ Performance indications concerning: @section extender line ES: línea de extensión [de melisma, de bajo cifrado, etc.], -I: ?, +I: linea di estensione, F: ligne d'extension [de mélisme, de basse chiffrée, etc.], D: Fülllinie, NL: ?, @@ -4121,7 +4114,7 @@ counted in the rhythm of the bar. @section grand staff ES: sistema de piano, -I: accolatura, +I: accollatura, F: système [de portées], accolade, D: Akkolade, Klaviersystem, NL: piano systeem, @@ -4280,7 +4273,7 @@ A sequence of chords that terminates a musical phrase or section. @section harmonics ES: sonidos del flautín, -I: suoni flautati, +I: armonici, F: flageolet, sons harmoniques, D: Flageolett-Töne, NL: ?, @@ -4349,7 +4342,7 @@ For harmony that uses three or more notes, see @ref{chord}. @section hemiola ES: hemiolia, -I: ?, +I: emiolia, (rarely hemiola or emiola), F: hémiole, D: ?, NL: ?, @@ -4536,7 +4529,7 @@ The addition of such two intervals forms an octave. @section inversion ES: ?, -I: ?, +I: rivolto, F: renversement, D: ?, NL: ?, @@ -4659,7 +4652,7 @@ key of the music. @section laissez vibrer ES: dejar vibrar, -I: ?, +I: laissez vibrer, F: laissez vibrer, D: ?, NL: ?, @@ -4930,7 +4923,7 @@ FI: sidonta sanoituksessa. @section lyrics ES: letra (de la canción), -I: ?, +I: testo, F: paroles, D: Liedtext, Gesangtext, NL: liedtekst, @@ -4980,7 +4973,7 @@ FI: suuri intervalli. @section maxima ES: ?, -I: ?, +I: maxima, F: maxima, maxime, D: ?, NL: ?, @@ -5078,7 +5071,7 @@ mediant (variant tonic). @section melisma ES: melisma, -I: ?, +I: melisma, F: mélisme, tenue, D: Melisma, NL: melisma, @@ -5099,7 +5092,7 @@ No cross-references. @c TODO: add languages ES: línea de melisma, -I: ?, +I: linea del melisma, F: trait de mélisme, trait de tenue, D: ?, NL: ?, @@ -5124,7 +5117,7 @@ FI: melismaviiva. @c TODO: add languages ES: notación mensural, -I: ?, +I: notazione mensurale, F: notation mensurale, D: ?, NL: ?, @@ -5978,7 +5971,7 @@ bracket, or @notation{loco} see octave marking. @section octave mark ES: indicación de octava, -I: ?, +I: segno di ottava, F: indication d'octave, D: ?, NL: ?, @@ -6369,7 +6362,7 @@ No cross-references. @section polymeter ES: compás polimétrico, -I: ?, +I: polimetria, F: polymétrie, D: ?, NL: ?, @@ -6394,7 +6387,7 @@ parts. @section polymetric ES: polimétrico, -I: ?, +I: polimetrico, F: polymétrique, D: ?, NL: ?, @@ -6413,7 +6406,7 @@ simultaneously or in alternation. @section polymetric time signature ES: compás polimétrico, -I: ?, +I: tempo polimetrico, F: ?, D: ?, NL: ?, @@ -6484,7 +6477,7 @@ No cross-references. @section proportion ES: proporción, -I: proprozione (?), +I: proporzione, F: proportion, D: ?, NL: ?, @@ -6715,7 +6708,7 @@ except in jazz. @section quarter tone ES: cuarto de tonno, -I: ?, +I: quarto di tono, F: quart de ton, D: Viertelton, NL: kwart toon, @@ -6797,7 +6790,7 @@ c1_"c minor" d es f g a! b! c @section repeat ES: repetición, -I: ritornello, +I: ripetizione, F: barre de reprise, D: Wiederholung, NL: herhaling, @@ -6870,6 +6863,7 @@ metrical unit (beat). @seealso @ref{accent}, @ref{beat}, @ref{measure}, @ref{meter}. + @node ritardando @section ritardando @@ -6882,7 +6876,8 @@ DK: ritardando, S: ritardando, FI: ritardando, hidastuen, -Gradually slackening in speed. Mostly abbreviated to rit.@: or ritard. +Gradually slackening in speed. Mostly abbreviated to @notation{rit.} or +@notation{ritard}. @seealso No cross-references. @@ -7018,7 +7013,7 @@ No cross-references. @section second ES: segunda, -I: secunda, +I: seconda, F: seconde, D: Sekunde, NL: secunde, @@ -7287,7 +7282,7 @@ FI: seksti. @section slur ES: ligadura (de expresión), -I: legatura (di portamento or espressiva), +I: legatura (di portamento o espressiva), F: liaison, coulé, D: Bogen (Legatobogen, Phrasierungsbogen), NL: fraseringsboog, legatoboog, streekboog, @@ -7561,7 +7556,7 @@ The fourth @notation{scale degree}. @section submediant ES: submediante, -I: sopratonica, +I: sopradominante, F: sous-médiante, D: Submediante, NL: submediant, @@ -7597,7 +7592,7 @@ The seventh @ref{scale degree}. @section sul G ES: sobre la cuerda de Sol, -I: sul g, +I: sul Sol, F: sur la G, D: auf G, auf der G-Saite, NL: ?, @@ -7624,7 +7619,7 @@ DK: superdominant, S: superdominant, FI: ylidominantti. -The sixth @ref{scale degree}. +The sixth @ref{scale degree}. Equivalent to the submediant, q.v. @seealso @ref{functional harmony}, @ref{scale degree}, @ref{submediant}. @@ -7727,7 +7722,7 @@ This comma is also known as the comma of Didymus, or didymic comma. @section system ES: sistema, -I: accollatura, +I: sistema, F: système, D: Notensystem, Partitur, NL: systeem, @@ -7989,7 +7984,7 @@ The first @notation{scale degree}. @section transposing instrument ES: instrumento transpositor, -I: ?, +I: strumento traspositore, F: instrument transpositeur, D: ?, NL: ?, @@ -8011,12 +8006,20 @@ note sounds the A (one and half tones -- a minor third -- lower). Not all transposing instruments include the pitch class in their name: @itemize - +@item Alto flute (in G) @item English horn (in F) +@item Saxophones (in B-flat or E-flat) +@end itemize -@item Alto flute (in G) +@ignore Can we do better? -@end itemize +To make matters more complex, some instruments are transposing instruments, +but their players play from parts written at concert pitch. This is the +case for orchestral trombone and tuba players—whereas trombone players in +brass bands treat their parts as if written for a true transposing +instrument in B-flat. + +@end ignore @seealso @ref{concert pitch}. @@ -8214,6 +8217,15 @@ standard. Tuning forks for other pitches are available. @node tuplet @section tuplet +ES: ?, +I: gruppi irregolari, +F: ?, +D: ?, +NL: ?, +DK: ?, +S: ?, +FI: ?. + A non-standard subdivision of a beat or part of a beat, usually indicated with a bracket and a number indicating the number of subdivisions. @@ -8573,7 +8585,7 @@ No cross-references. @end multitable * About the French naming system: @notation{croche} refers to the note's -@q{hook}. Therefore, from the eighth note on, the note names mean @q{hook}, +@q{hook}. Therefore, from the eighth note on, the note names mean @q{hook}, @q{doubled hook}, @q{trebled hook}, and so on. The rest names are based on the @notation{soupir}, or quarter rest. -- 2.39.2