From 5fd9cdc94284f9566abd33af1bcf6f8e2cda09cb Mon Sep 17 00:00:00 2001 From: Phil Holmes Date: Wed, 22 Aug 2012 10:01:40 +0100 Subject: [PATCH] Fix over-long lines in glossary --- Documentation/music-glossary.tely | 10 +++++----- 1 file changed, 5 insertions(+), 5 deletions(-) diff --git a/Documentation/music-glossary.tely b/Documentation/music-glossary.tely index 306d0504d8..115e75784a 100644 --- a/Documentation/music-glossary.tely +++ b/Documentation/music-glossary.tely @@ -1606,7 +1606,7 @@ DK: akkord, S: ackord, FI: sointu. -Three or more tones sounding simultaneously. In traditional European music +Two or more tones sounding simultaneously. In traditional European music the base chord is a @emph{triad} consisting of two thirds. @emph{Major} (major + minor third) as well as @emph{minor} (minor + major third) chords may be extended with more thirds. Four-tone @emph{seventh chords} and @@ -1616,7 +1616,7 @@ define their mood are a special case called @q{open chords}. The lack of the middle third means their quality is ambivalent -- neither major nor minor. -@lilypond[quote,notime,line-width=13.0\cm] +@lilypond[quote,notime] << \new Staff { \relative c'' { @@ -1634,8 +1634,8 @@ minor. "minor " "diminished " "augmented " - "seventh-chord " - "ninth-chord" + "seventh " + "ninth" } >> @end lilypond @@ -4393,7 +4393,7 @@ are identical (or @emph{enharmonic}) on an equal-tempered twelve-tone scale and are called @emph{tritonus} because they consist of three whole tones. The addition of such two intervals forms an octave. -@lilypond[quote,notime,line-width=13.0\cm] +@lilypond[quote] << \context Voice \relative c'' { % Prime or unison -- 2.39.5