From 599d7f96e9bd01517f42d0e6c1bcb446f5899bd7 Mon Sep 17 00:00:00 2001
From: Trevor Daniels <t.daniels@treda.co.uk>
Date: Tue, 27 Jul 2010 20:27:30 +0100
Subject: [PATCH] Doc: 989: minor editorial changes
---
Documentation/notation/chords.itely | 8 +++++---
Documentation/notation/simultaneous.itely | 2 +-
2 files changed, 6 insertions(+), 4 deletions(-)
diff --git a/Documentation/notation/chords.itely b/Documentation/notation/chords.itely
index 057955ec70..acbb4252d5 100644
--- a/Documentation/notation/chords.itely
+++ b/Documentation/notation/chords.itely
@@ -91,9 +91,11 @@ Snippets:
@knownissues
Predefined shorthands for articulations and ornaments cannot be used
-on notes in chord mode @ref{Articulations and ornamentations}. When
-chord mode and note mode are mixed in sequential music, and chord mode
-comes first, the note mode will create a new @code{Staff} context.
+on notes in chord mode, see @ref{Articulations and ornamentations}.
+
+When chord mode and note mode are mixed in sequential music, and
+chord mode comes first, the note mode will create a new @code{Staff}
+context:
@lilypond[verbatim,quote,ragged-right,relative=1]
\chordmode { c2 f }
diff --git a/Documentation/notation/simultaneous.itely b/Documentation/notation/simultaneous.itely
index 705ce8375b..211d3055bb 100644
--- a/Documentation/notation/simultaneous.itely
+++ b/Documentation/notation/simultaneous.itely
@@ -83,7 +83,7 @@ they will not print.
Relative mode can be used for pitches in chords. The first note of
each chord is always relative to the first note of the chord that
-came before it, or in the case where no preceding chord exists; the
+came before it, or in the case where no preceding chord exists, the
pitch of the last note that came before the chord. All remaining notes
in the chord are relative to the note that came before it
@emph{within the same chord}.
--
2.39.5