From 4ffd971aa6257f59cae4fc42397595248d2818a9 Mon Sep 17 00:00:00 2001 From: Graham Percival Date: Wed, 18 May 2005 04:36:41 +0000 Subject: [PATCH] Remove duplicate cindex entries. --- ChangeLog | 10 ++++++++++ Documentation/user/basic-notation.itely | 6 ------ Documentation/user/changing-defaults.itely | 3 +-- Documentation/user/tutorial.itely | 1 - 4 files changed, 11 insertions(+), 9 deletions(-) diff --git a/ChangeLog b/ChangeLog index 50768b7a89..2070dfc889 100644 --- a/ChangeLog +++ b/ChangeLog @@ -1,3 +1,13 @@ +2005-05-17 Graham Percival + + * Documentation/user/tutorial.itely, basic-notation.itely, + changing-defaults.itely: remove duplicate cindex entries + that appear on the same page. + + * scm/define-grobs.scm: change default padding for TextSpanner. + + * Documentation/topdocs/AUTHORS.texi: update email address. + 2005-05-17 Jan Nieuwenhuizen * scm/editor.scm (get-editor): Add platform defaults. diff --git a/Documentation/user/basic-notation.itely b/Documentation/user/basic-notation.itely index 0488b7ce8d..ec0dea186d 100644 --- a/Documentation/user/basic-notation.itely +++ b/Documentation/user/basic-notation.itely @@ -382,7 +382,6 @@ Program reference: @internalsref{Dots}, and @internalsref{DotColumn}. Tuplets are made out of a music expression by multiplying all durations with a fraction -@cindex @code{\times} @example \times @var{fraction} @var{musicexpr} @end example @@ -2191,7 +2190,6 @@ arpeggiate the chord @refcommands -@cindex @code{\arpeggio} @code{\arpeggio}, @cindex @code{\arpeggioUp} @code{\arpeggioUp}, @@ -2323,16 +2321,12 @@ is equivalent to >> @end example -@cindex @code{\voiceOne} -@cindex @code{\voiceFour} - The @code{\voiceXXX} commands set the direction of stems, slurs, ties, articulations, text annotations, augmentation dots of dotted notes, and fingerings. @code{\voiceOne} and @code{\voiceThree} make these objects point upwards, while @code{\voiceTwo} and @code{\voiceFour} make them point downwards. The command @code{\oneVoice} will revert back to the normal setting. -@cindex @code{\oneVoice} An expression that appears directly inside a @code{<< >>} belongs to the main voice. This is useful when extra voices appear while the main diff --git a/Documentation/user/changing-defaults.itely b/Documentation/user/changing-defaults.itely index 4fcfbcc450..6cbf9ef70f 100644 --- a/Documentation/user/changing-defaults.itely +++ b/Documentation/user/changing-defaults.itely @@ -176,7 +176,7 @@ This is useful if the context is referred to later on. For example, when setting lyrics the melody is in a named context @example -\CONtext Voice = "@b{tenor}" @var{music} +\context Voice = "@b{tenor}" @var{music} @end example @noindent @@ -217,7 +217,6 @@ With this mechanism, it is possible to define an Urtext (original edition), with the option to put several distinct articulations on the same notes. -@cindex @code{\context} @cindex creating contexts The third command for creating contexts is diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely index c1d331b774..17ce243bed 100644 --- a/Documentation/user/tutorial.itely +++ b/Documentation/user/tutorial.itely @@ -1144,7 +1144,6 @@ in section @ref{Polyphony}. @cindex staff switch, manual @cindex cross staff voice, manual -@cindex @code{\context} Piano music is typeset in two staves connected by a brace. Printing such a staff is similar to the polyphonic example in @ref{More staves}, -- 2.39.5