From 4e10c78e038dfeff1cc4c864207682a6134929bb Mon Sep 17 00:00:00 2001
From: Graham Percival <graham@percival-music.ca>
Date: Fri, 21 Mar 2008 01:18:28 -0700
Subject: [PATCH] LSR: update.

---
 input/lsr/adding-ambiti-per-voice.ly          |    4 +-
 ...hen-using-tuplet-and-non-tuplet-rythms..ly |    8 +-
 input/lsr/adding-drum-parts.ly                |   11 +-
 .../lsr/adding-the-current-date-to-a-score.ly |    2 +-
 .../altering-the-number-of-stems-in-a-beam.ly |    6 +-
 input/lsr/ambiti-multiple-voices.ly           |    2 +-
 ...yles-depending-on-the-step-of-the-scale.ly |   41 +
 ...yles-depending-on-the-step-of-the-scale.ly |   46 -
 input/lsr/automatic-beam-subdivisions.ly      |   21 -
 ...wo-per-two-in-4-4-or-2-2-time-signature.ly |    7 +-
 ...-breaks.ly => beams-across-line-breaks.ly} |    6 +-
 ...staff-lines-using-the--whiteout-command.ly |    6 +-
 input/lsr/breaks.snippet-list                 |    2 +-
 input/lsr/broken-crescendo-hairpin.ly         |   23 +-
 ...hanging-a-single-notes-size-in-a-chord.ly} |   10 +-
 ...f-a-slur-from-solid-to-dotted-or-dashed.ly |   24 +-
 .../changing-the-default-text-font-family.ly  |    2 +-
 input/lsr/changing-the-tuplet-number.ly       |   20 +
 ...polymetric-section-using--compressmusic.ly |   19 +-
 input/lsr/chant-or-psalms-notation.ly         |   27 +-
 .../lsr/clefs-commonly-tweaked-properties.ly  |   20 +-
 input/lsr/compound-time-signatures.ly         |    4 +-
 ...onducting-signs,-measure-grouping-signs.ly |   10 +-
 input/lsr/contemporary-glissando.ly           |    2 +-
 .../controlling-tuplet-bracket-visibility.ly  |   12 +-
 ...-a-sequence-of-notes-on-various-pitches.ly |    7 +-
 input/lsr/creating-blank-staves.ly            |    2 +-
 input/lsr/demo-midiinstruments.ly             |    2 +-
 input/lsr/demonstrating-all-headers.ly        |    4 +-
 ...entals-for-each-note-including-naturals.ly |    4 +-
 ...editorial-and-educational-use.snippet-list |    9 +-
 input/lsr/engraving-ties-manually.ly          |   19 +
 ...l-tuplets-using-only-one--times-command.ly |    6 +-
 input/lsr/foo.txt                             | 2312 +++++++++++++++++
 input/lsr/formatting-lyrics-syllables.ly      |    4 +-
 ...e-fragments-above-the-staff,-as-markups.ly |    4 +-
 input/lsr/jazz-combo-template.ly              |    1 +
 input/lsr/lilypond-snippets.tely              |    2 +-
 input/lsr/non-traditional-key-signatures.ly   |   27 +-
 input/lsr/ottava-text.ly                      |    4 +-
 ...tting-line-breaks-within-beamed-tuplets.ly |   29 +
 input/lsr/pitches.snippet-list                |    6 +-
 ...naturals-from-being-automatically-added.ly |    4 +-
 ...-printed-when-the-key-signature-changes.ly |    4 +-
 input/lsr/rhythmic-slashes.ly                 |    2 +-
 input/lsr/rhythms.snippet-list                |   25 +-
 input/lsr/simultaneous-notes.snippet-list     |    2 +-
 input/lsr/skips-in-lyric-mode-2.ly            |    5 +-
 input/lsr/three-sided-box.ly                  |    2 +-
 input/lsr/tweaks-and-overrides.snippet-list   |    2 +-
 input/lsr/using-ties-with-arpeggios.ly        |   22 +
 51 files changed, 2606 insertions(+), 239 deletions(-)
 create mode 100644 input/lsr/applying-notehead-styles-depending-on-the-step-of-the-scale.ly
 delete mode 100644 input/lsr/applying-noteheads-styles-depending-on-the-step-of-the-scale.ly
 delete mode 100644 input/lsr/automatic-beam-subdivisions.ly
 rename input/lsr/{beam-across-line-breaks.ly => beams-across-line-breaks.ly} (90%)
 rename input/lsr/{changing-an-individual-notes-size-in-a-chord.ly => changing-a-single-notes-size-in-a-chord.ly} (86%)
 create mode 100644 input/lsr/changing-the-tuplet-number.ly
 create mode 100644 input/lsr/engraving-ties-manually.ly
 create mode 100644 input/lsr/foo.txt
 create mode 100644 input/lsr/permitting-line-breaks-within-beamed-tuplets.ly
 create mode 100644 input/lsr/using-ties-with-arpeggios.ly

diff --git a/input/lsr/adding-ambiti-per-voice.ly b/input/lsr/adding-ambiti-per-voice.ly
index 2be46181f9..7f896f243e 100644
--- a/input/lsr/adding-ambiti-per-voice.ly
+++ b/input/lsr/adding-ambiti-per-voice.ly
@@ -5,7 +5,7 @@
 \header {
   lsrtags = "pitches, staff-notation, vocal-music"
  texidoc = "
-Ambits can be added per voice. In that case, the ambitus must be moved
+Ambits can be added per voice. In this case, the ambitus must be moved
 manually to prevent collisions. 
 " }
 % begin verbatim
@@ -13,7 +13,7 @@ manually to prevent collisions.
   \new Voice \with {
     \consists "Ambitus_engraver"
   } \relative c'' {
-    \override Ambitus #'X-offset = # 2.0
+    \override Ambitus #'X-offset = #2.0
     \voiceOne
     c4 a d e f1
   }
diff --git a/input/lsr/adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rythms..ly b/input/lsr/adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rythms..ly
index 15d77cbcff..d7b5bcf838 100644
--- a/input/lsr/adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rythms..ly
+++ b/input/lsr/adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rythms..ly
@@ -6,14 +6,14 @@
   lsrtags = "rhythms, expressive-marks"
  texidoc = "
 LilyPond syntax can involve many unusual placements for parentheses,
-brackets etc., which might sometimes have to be interleaved.For
+brackets etc., which might sometimes have to be interleaved. For
 example, when entering a manual beam, the left square bracket has to be
 placed after the starting note and its duration, not before. Similarly,
 the right square bracket should directly follow the note which is to be
 at the end of the requested beaming, even if this note happens to be
-inside a tuplet section. This snippet demonstrates how to superpose
-manual beaming, manual slurs, ties, and phrasing slurs, while using
-tuplet sections (enclosed with curly braces).
+inside a tuplet section. This snippet demonstrates how to combine
+manual beaming, manual slurs, ties, and phrasing slurs with tuplet
+sections (enclosed with curly braces). 
 " }
 % begin verbatim
 {
diff --git a/input/lsr/adding-drum-parts.ly b/input/lsr/adding-drum-parts.ly
index f9941b82c8..2e43f205b2 100644
--- a/input/lsr/adding-drum-parts.ly
+++ b/input/lsr/adding-drum-parts.ly
@@ -6,10 +6,10 @@
   lsrtags = "rhythms, percussion"
  texidoc = "
 LilyPond makes drums input quite easy, with powerful pre-configured
-tools such as the \\drummode function and the DrumStaff context:  drums
-are placed to their own staff positions (with a special clef symbol)
-and have note heads according to the drum. You can easily attach an
-extra symbol to the drum, and restrict the number of lines.
+tools such as the @code{\\drummode} function and the @code{DrumStaff}
+context: drums are placed at their own staff positions (with a special
+clef symbol) and have noteheads according to the drum. You can easily
+attach an extra symbol to the drum, and restrict the number of lines. 
 " }
 % begin verbatim
 drh = \drummode { cymc4.^"crash" hhc16^"h.h." hh \repeat "unfold" 5 {hhc8 hho hhc8 hh16 hh} hhc4 r4 r2 }
@@ -35,14 +35,11 @@ timb = \drummode { \repeat "unfold" 2 {timh4 ssh timl8 ssh r timh r4 ssh8 timl r
     >>
   }
   \layout {}
-
   \midi {
     \context {
       \Score
       tempoWholesPerMinute = #(ly:make-moment 120 4)
       }
     }
-
-
 }
 
diff --git a/input/lsr/adding-the-current-date-to-a-score.ly b/input/lsr/adding-the-current-date-to-a-score.ly
index 85ac4910c5..c525d98d6e 100644
--- a/input/lsr/adding-the-current-date-to-a-score.ly
+++ b/input/lsr/adding-the-current-date-to-a-score.ly
@@ -33,7 +33,7 @@ date = #(strftime "%d-%m-%Y" (localtime (current-time)))
   title = "Including the date!"
   subtitle = \date
 }
-% begin verbatim
+
 \score {
   \relative c'' {
     c4 c c c
diff --git a/input/lsr/altering-the-number-of-stems-in-a-beam.ly b/input/lsr/altering-the-number-of-stems-in-a-beam.ly
index 67d6605a4f..d29ad8d235 100644
--- a/input/lsr/altering-the-number-of-stems-in-a-beam.ly
+++ b/input/lsr/altering-the-number-of-stems-in-a-beam.ly
@@ -5,7 +5,7 @@
 \header {
   lsrtags = "rhythms, tweaks-and-overrides"
  texidoc = "
-You can alter the number of stems in a beam.  In this example, two sets
+You can alter the number of stems in a beam. In this example, two sets
 of four 32nds are joined, as if they were 8th notes.
 
 
@@ -16,8 +16,8 @@ of four 32nds are joined, as if they were 8th notes.
   #(override-auto-beam-setting '(end * * * *)  1 4)
   f32 g a b b a g f
 
-  f32 g a 
-  \set stemRightBeamCount = #1  b
+  f32 g a
+  \set stemRightBeamCount = #1 b
   \set stemLeftBeamCount = #1 b
   a g f
 }
diff --git a/input/lsr/ambiti-multiple-voices.ly b/input/lsr/ambiti-multiple-voices.ly
index d6c563becf..9ee2b3a5d5 100644
--- a/input/lsr/ambiti-multiple-voices.ly
+++ b/input/lsr/ambiti-multiple-voices.ly
@@ -8,7 +8,7 @@
 If you have multiple voices in a single staff and you want a single
 ambitus per staff rather than per voice, add the
 @code{Ambitus_engraver} to the @code{Staff} context rather than to the
-@code{Voice} context.
+@code{Voice} context. 
 " }
 % begin verbatim
 \new Staff \with {
diff --git a/input/lsr/applying-notehead-styles-depending-on-the-step-of-the-scale.ly b/input/lsr/applying-notehead-styles-depending-on-the-step-of-the-scale.ly
new file mode 100644
index 0000000000..b43eedbbd9
--- /dev/null
+++ b/input/lsr/applying-notehead-styles-depending-on-the-step-of-the-scale.ly
@@ -0,0 +1,41 @@
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+  lsrtags = "pitches, editorial-and-educational-use"
+ texidoc = "
+The shapeNoteStyles property gives you the ability to define various
+notehead styles for each step of the scale (as defined by the key
+signature or the \"tonic\" property). This property requires a set of
+symbols, which can be purely arbitrary (geometrical expressions such as
+triangle, cross, xcircle etc. are allowed) or based on old American
+engraving tradition (you can use some latin note names as well). That
+said, if you're trying to imitate old American song books, you may also
+want to try LilyPond's predefined notehead styles, through shortcut
+commands such as \\aikenHeads or \\sacredHarpHeads. This example shows
+different ways to obtain shape noteheads, and demonstrates the ability
+to transpose a melody without losing the correspondence between
+harmonic functions and notehead styles. 
+" }
+% begin verbatim
+fragment = {
+  \key c \major
+  c2 d e f g a b c
+}
+
+\score {
+  \new Staff {
+    \transpose c d 
+    \relative {
+      \set shapeNoteStyles = ##(do re mi fa #f la ti)
+      \fragment
+    }
+    
+    \relative {
+      \set shapeNoteStyles  = ##(cross triangle fa #f mensural xcircle diamond)
+      \fragment
+    }
+  }
+}
+
diff --git a/input/lsr/applying-noteheads-styles-depending-on-the-step-of-the-scale.ly b/input/lsr/applying-noteheads-styles-depending-on-the-step-of-the-scale.ly
deleted file mode 100644
index 4a13c69df9..0000000000
--- a/input/lsr/applying-noteheads-styles-depending-on-the-step-of-the-scale.ly
+++ /dev/null
@@ -1,46 +0,0 @@
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.11.38"
-
-\header {
-  lsrtags = "pitches, editorial-and-educational-use"
- texidoc = "
-The shapeNoteStyles property gives you the ability to define various
-note heads styles for each step of the scale (as defined by the key
-signature or the \"tonic\" property).
-
-This property requires a set of symbols, which can be purely arbitrary
-(geometrical expressions such as triangle, cross, xcircle etc. are
-allowed) or based on old American engraving tradition (you can use some
-latin note names as well). 
-
-That said, if you're trying to imitate old American song books, you may
-also want to try LilyPond's predefined note heads styles, through
-shortcut commands such as \\aikenHeads or \\sacredHarpHeads.
-
-This example shows different ways to obtain shape note heads, and
-demonstrates the ability to transpose a melody without losing the
-correspondance between harmonic functions and note heads styles.
-" }
-% begin verbatim
-fragment = {
-  \key c \major
-  c1 d e f g a b c
-  \break
-}
-
-\score {
-  \new Staff {
-    \transpose c d 
-    \relative {
-      \set shapeNoteStyles = ##(do re mi fa #f la ti)
-      \fragment \break
-    }
-    
-    \relative {
-      \set shapeNoteStyles  = ##(cross triangle fa #f mensural xcircle diamond)
-      \fragment
-    }
-  }
-}
-
diff --git a/input/lsr/automatic-beam-subdivisions.ly b/input/lsr/automatic-beam-subdivisions.ly
deleted file mode 100644
index 2dbb41df46..0000000000
--- a/input/lsr/automatic-beam-subdivisions.ly
+++ /dev/null
@@ -1,21 +0,0 @@
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.11.38"
-
-\header {
-  lsrtags = "rhythms"
- texidoc = "
-Lilypond can subdivide beams automatically. Set the property
-subdivideBeams, and beams are subdivided at beat positions (as
-specified in beat length)
-" }
-% begin verbatim
-\relative{ b'32^"default"[ a g f c' b a g f e d' c b a g f ]
-	       \set subdivideBeams = ##t
-	       b32^"subdivision enabled"[ a g f c' b a g f e d' c b a g f ] 
-	       \set Score.beatLength = #(ly:make-moment 1 8)
-	       b32^"beatLength 1 8"[ a g f c' b a g f e d' c b a g f ]
-	       \set Score.beatLength = #(ly:make-moment 1 16)
-	       b32^"beatLength 1 16"[ a g f c' b a g f e d' c b a g f ]
-    }
-
diff --git a/input/lsr/automatic-beams-two-per-two-in-4-4-or-2-2-time-signature.ly b/input/lsr/automatic-beams-two-per-two-in-4-4-or-2-2-time-signature.ly
index 8d008b7507..ec94f1d7c9 100644
--- a/input/lsr/automatic-beams-two-per-two-in-4-4-or-2-2-time-signature.ly
+++ b/input/lsr/automatic-beams-two-per-two-in-4-4-or-2-2-time-signature.ly
@@ -28,9 +28,9 @@ qbeam={
   	#(override-auto-beam-setting '(end 1 8 * *) 3 4 'Staff) 
  	}
 % other macros	
-timeFractionstyle={ \override Staff.TimeSignature #'style = #'()}
-textn = ^\markup{ without the macro }
-texty = ^\markup{ with the macro }
+timeFractionstyle = { \override Staff.TimeSignature #'style = #'() }
+textn = ^\markup { without the macro }
+texty = ^\markup { with the macro }
 
 \score {
  << 
@@ -51,5 +51,4 @@ texty = ^\markup{ with the macro }
 		 }
 	 >>	 
  >>
-\layout{ raggedright = ##t }
 }
diff --git a/input/lsr/beam-across-line-breaks.ly b/input/lsr/beams-across-line-breaks.ly
similarity index 90%
rename from input/lsr/beam-across-line-breaks.ly
rename to input/lsr/beams-across-line-breaks.ly
index ea2fc571a8..a5326cda50 100644
--- a/input/lsr/beam-across-line-breaks.ly
+++ b/input/lsr/beams-across-line-breaks.ly
@@ -8,11 +8,11 @@
 By default, beams can't be printed across line breaks. Here's a way to
 force the line break, by setting the @code{#'breakable} property. See
 also in the manual the \"Line Breaking\" and \"Manual beams\" sections.
+
 " }
 % begin verbatim
 \layout { ragged-right= ##t }
-
-\relative c''  {
+\relative c'' {
   \override Score.Beam #'breakable = ##t
-  \time 3/16 c16-[ d e \break f-] 
+  \time 3/16 c16[ d e \break f] 
 }
diff --git a/input/lsr/blanking-staff-lines-using-the--whiteout-command.ly b/input/lsr/blanking-staff-lines-using-the--whiteout-command.ly
index b33e4ab0d1..02b1350a43 100644
--- a/input/lsr/blanking-staff-lines-using-the--whiteout-command.ly
+++ b/input/lsr/blanking-staff-lines-using-the--whiteout-command.ly
@@ -10,11 +10,7 @@ staff lines are in a lower layer than most other grobs, this white box
 will not overlap any other grob.
 " }
 % begin verbatim
-\paper
-{
-  ragged-right = ##t
-}
 {
   \override TextScript #'extra-offset = #'(2 . 4)
-  c'4-\markup  { \whiteout \pad-markup #0.5 foo } c
+  c'2-\markup  { \whiteout \pad-markup #0.5 foo } c
 } 
diff --git a/input/lsr/breaks.snippet-list b/input/lsr/breaks.snippet-list
index a8b1e07a22..cffb62e0a2 100644
--- a/input/lsr/breaks.snippet-list
+++ b/input/lsr/breaks.snippet-list
@@ -1,3 +1,3 @@
 positioning-segno-and-coda-with-line-break.ly
-beam-across-line-breaks.ly
 adding-and-extra-staff-at-a-line-break.ly
+beams-across-line-breaks.ly
diff --git a/input/lsr/broken-crescendo-hairpin.ly b/input/lsr/broken-crescendo-hairpin.ly
index 56117a6cb8..eebe31d36f 100644
--- a/input/lsr/broken-crescendo-hairpin.ly
+++ b/input/lsr/broken-crescendo-hairpin.ly
@@ -7,17 +7,22 @@
  texidoc = "
 In order to make parts of a crescendo hairpin invisible, the following
 method is used: A white rectangle is drawn on top of the respective
-part of the crescendo hairpin, making it invisible. the rectangle is
-defined as postscript code within a text markup. In order to fine tune
-the position and size of the markup, the number preceding the
-\"setgray\" in the postscript definition can be set to a value <1
-making it grey. The two numbes before the \"scale\" in the postscript
-code are responsible for the width and height of the rectangle, the two
-numbers before the \"translate\" change the x- and y-origin of the
-rectangle.  Make sure to put the Hairpin in a lower layer than the Text
-Markup to actually draw the rectangle above the hairpin. 
+part of the crescendo hairpin, making it invisible. The rectangle is
+defined as postscript code within a text markup.
+
+In order to fine-tune the position and size of the markup, the number
+preceding the \"setgray\" in the postscript definition can be set to a
+value <1 making it grey. The two numbes before the \"scale\" in the
+postscript code are responsible for the width and height of the
+rectangle, the two numbers before the \"translate\" change the x- and
+y-origin of the rectangle. 
+
+Make sure to put the Hairpin in a lower layer than the Text Markup to
+actually draw the rectangle above the hairpin. 
 " }
 % begin verbatim
+% Version specific to 2.10; fails under 2.11 -np
+
 \score
 {
     \relative c' {
diff --git a/input/lsr/changing-an-individual-notes-size-in-a-chord.ly b/input/lsr/changing-a-single-notes-size-in-a-chord.ly
similarity index 86%
rename from input/lsr/changing-an-individual-notes-size-in-a-chord.ly
rename to input/lsr/changing-a-single-notes-size-in-a-chord.ly
index f2a6558215..efe560040c 100644
--- a/input/lsr/changing-an-individual-notes-size-in-a-chord.ly
+++ b/input/lsr/changing-a-single-notes-size-in-a-chord.ly
@@ -18,14 +18,6 @@ notehead).
 The code for the chord example shown: @code{} 
 " }
 % begin verbatim
-\header{
-  title = "Modifying an individual notehead's size in a chord"
-}
-
-Notes = \relative {
+\relative {
   <\tweak #'font-size #+2 c e g c \tweak #'font-size #-2 e>1^\markup{A tiny e}_\markup{A big c}
 }
-
-\score{
-  \Notes
-}
diff --git a/input/lsr/changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly b/input/lsr/changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly
index 1a71ec3e8f..7dfbd6cce9 100644
--- a/input/lsr/changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly
+++ b/input/lsr/changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly
@@ -10,21 +10,19 @@ The appearance of slurs may be changed from solid to dotted or dashed.
 
 " }
 % begin verbatim
-\score{
-  \relative c'{
-    c( d e  c) |
-    \slurDotted
-    c( d e  c) |
-    \slurSolid
-    c( d e  c) |
-    \slurDashed
-    c( d e  c) |
-    \slurSolid
-    c( d e  c) |
-  }
-  \layout{ raggedright=##t }
+\relative c'{
+  c( d e  c) |
+  \slurDotted
+  c( d e  c) |
+  \slurSolid
+  c( d e  c) |
+  \slurDashed
+  c( d e  c) |
+  \slurSolid
+  c( d e  c) |
 }
 
 
 
 
+
diff --git a/input/lsr/changing-the-default-text-font-family.ly b/input/lsr/changing-the-default-text-font-family.ly
index 1f87eb9fe9..14b684a713 100644
--- a/input/lsr/changing-the-default-text-font-family.ly
+++ b/input/lsr/changing-the-default-text-font-family.ly
@@ -37,7 +37,7 @@ The default font families for text can be overridden with
       sans: foo \bold bla \italic bar \italic \bold baz
     }
   }
-  c'^\markup {
+  c'2^\markup {
     \override #'(font-family . typewriter)
     {
       mono: foo \bold bla \italic bar \italic \bold baz
diff --git a/input/lsr/changing-the-tuplet-number.ly b/input/lsr/changing-the-tuplet-number.ly
new file mode 100644
index 0000000000..cd173a7242
--- /dev/null
+++ b/input/lsr/changing-the-tuplet-number.ly
@@ -0,0 +1,20 @@
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+  lsrtags = "rhythms"
+ texidoc = "
+By default, only the numerator of the tuplet number is printed over the
+tuplet bracket, i.e. the denominator of the argument to the
+@code{\\times} command. Alternatively, num:den of the tuplet number may
+be printed, or the tuplet number may be suppressed altogether.
+" }
+% begin verbatim
+\relative c'' {
+  \times 2/3 { c8 c c } \times 2/3 { c8 c c }
+  \override TupletNumber #'text = #tuplet-number::calc-fraction-text
+  \times 2/3 { c8 c c }
+  \override TupletNumber #'transparent = ##t
+  \times 2/3 { c8 c c }
+}
diff --git a/input/lsr/changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly b/input/lsr/changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly
index fa8bd79a8a..bfbd90f128 100644
--- a/input/lsr/changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly
+++ b/input/lsr/changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly
@@ -5,14 +5,13 @@
 \header {
   lsrtags = "rhythms, contexts-and-engravers"
  texidoc = "
-The measureLength variable, together with measurePosition, determines
-when a barline is needed. However, when using \\compressMusic, the
-scaling of durations makes it difficult to change time signatures
-without making a mess of it. 
-
-Therefore, measureLength has to be set manually, using the
-ly:make-moment callback. The second argument has to be the same as the
-second argument of \\compressMusic.
+The @code{measureLength} property, together with
+@code{measurePosition}, determines when a barline is needed. However,
+when using @code{\\compressMusic}, the scaling of durations makes it
+difficult to change time signatures without making a mess of it.
+Therefore, @code{measureLength} has to be set manually, using the
+@code{ly:make-moment} callback. The second argument has to be the same
+as the second argument of @code{\\compressMusic}. 
 " }
 % begin verbatim
 \layout {
@@ -29,7 +28,7 @@ second argument of \\compressMusic.
 
 <<
  \new Staff {
-   \compressMusic #'( 8 . 5 ) {
+   \compressMusic #'(8 . 5) {
      \time 6/8
      \set Timing.measureLength = #(ly:make-moment 3 5)
      b8 b b b b b
@@ -41,6 +40,6 @@ second argument of \\compressMusic.
  \new Staff {
    \clef bass
    \time 2/4
-   c2 d e f  }
+   c2 d e f }   
  >>
 
diff --git a/input/lsr/chant-or-psalms-notation.ly b/input/lsr/chant-or-psalms-notation.ly
index af4ca99b46..3e9fe60b52 100644
--- a/input/lsr/chant-or-psalms-notation.ly
+++ b/input/lsr/chant-or-psalms-notation.ly
@@ -9,20 +9,19 @@ This form of notation is used for the chant of the Psalms, where verses
 aren't always the same length.
 " }
 % begin verbatim
-stemon = { \override Staff.Stem #'transparent = ##f }
-stemoff = { \override Staff.Stem #'transparent = ##t }
+stemOn = { \override Staff.Stem #'transparent = ##f }
+stemOff = { \override Staff.Stem #'transparent = ##t }
 
 \score {
-\new Staff \with {\remove "Time_signature_engraver" }
-{
-	\key g \minor
-	\set Score.timing = ##f
-	\stemoff a'\breve bes'4 g'4
-	\stemon a'2 \bar "||"
-	\stemoff a'\breve g'4 a'4
-	\stemon f'2 \bar "||"
-	\stemoff a'\breve^\markup { \italic flexe }
-	\stemon g'2 \bar "||"
-}
-\layout { raggedright = ##t}
+	\new Staff \with { \remove "Time_signature_engraver" }
+	{
+		\key g \minor
+		\set Score.timing = ##f
+		\stemOff a'\breve bes'4 g'4
+		\stemOn a'2 \bar "||"
+		\stemOff a'\breve g'4 a'4
+		\stemOn f'2 \bar "||"
+		\stemOff a'\breve^\markup { \italic flexe }
+		\stemOn g'2 \bar "||"
+	}
 }
diff --git a/input/lsr/clefs-commonly-tweaked-properties.ly b/input/lsr/clefs-commonly-tweaked-properties.ly
index dac04fe979..3a6983181c 100644
--- a/input/lsr/clefs-commonly-tweaked-properties.ly
+++ b/input/lsr/clefs-commonly-tweaked-properties.ly
@@ -6,8 +6,8 @@
   lsrtags = "pitches, staff-notation, editorial-and-educational-use, tweaks-and-overrides"
  texidoc = "
 The command @code{\\clef \"treble_8\"} is equivalent to setting
-@code{clefGlyph}, @code{clefPosition} (which controls the Y position of
-the clef), @code{middleCPosition} and @code{clefOctavation}.  A clef is
+@code{clefGlyph}, @code{clefPosition} (which controls the Y-position of
+the clef), @code{middleCPosition} and @code{clefOctavation}. A clef is
 printed when any of these properties are changed.
 
 
@@ -16,19 +16,18 @@ octavation, does not in itself change the position of subsequent notes
 on the staff: the position of middle C must also be specified to do
 this. The positional parameters are relative to the staff centre line,
 positive numbers displacing upwards, counting 1 for each line and
-space. The clefOctavation value would normally be set to 7, -7, 15 or
--15, but other values are not invalid.
+space. The @code{clefOctavation} value would normally be set to 7, -7,
+15 or -15, but other values are valid.
 
 
 When a clef change takes place at a line break the new clef symbol is
 printed at both the end of the previous line and the beginning of the
 new line by default. If the warning clef at the end of the previous
-line is not required it can be suppressed by setting the
-explicitClefVisibility Staff property to the value 
+line is not required it can be suppressed by setting the @code{Staff}
+property @code{explicitClefVisibility} to the value
 @code{end-of-line-invisible}. The default behaviour can be recovered
 with  @code{\\unset Staff.explicitClefVisibility}.
 
-
 The following examples show the possibilities when setting these
 properties manually. On the first line, the manual changes preserve the
 standard relative positioning of clefs and notes, whereas on the second
@@ -59,11 +58,10 @@ line, they do not.
   \set Staff.clefOctavation = #0
   \set Staff.middleCPosition = #-4
   c' \break
-  
-  
+
   % The following clef changes do not preserve
   % the normal relationship between notes and clefs:
-  
+
   \set Staff.clefGlyph = #"clefs.F"
   \set Staff.clefPosition = #2
   c'
@@ -78,7 +76,7 @@ line, they do not.
   c'
   
   % Here we go back to the normal clef:
-  
+
   \set Staff.middleCPosition = #4
   c'
 }
diff --git a/input/lsr/compound-time-signatures.ly b/input/lsr/compound-time-signatures.ly
index 37b840a308..17bc15b9b3 100644
--- a/input/lsr/compound-time-signatures.ly
+++ b/input/lsr/compound-time-signatures.ly
@@ -7,10 +7,10 @@
  texidoc = "
 Odd 20th century time signatures (such as \"5/8\") can often be played
 as compound time signatures (e.g. \"3/8 + 2/8\"), which combine two or
-more inequal metrics. LilyPond can make such musics quite easy to read
+more inequal metrics. LilyPond can make such music quite easy to read
 and play, by explicitly printing the compound time signatures and
 adapting the automatic beaming behaviour. (You can even add graphic
-measure grouping indications, see the appropriate snippet in this
+measure grouping indications; see the appropriate snippet in this
 database.) 
 " }
 % begin verbatim
diff --git a/input/lsr/conducting-signs,-measure-grouping-signs.ly b/input/lsr/conducting-signs,-measure-grouping-signs.ly
index db28346ec3..eacc4c6356 100644
--- a/input/lsr/conducting-signs,-measure-grouping-signs.ly
+++ b/input/lsr/conducting-signs,-measure-grouping-signs.ly
@@ -6,11 +6,11 @@
   lsrtags = "rhythms"
  texidoc = "
 The Scheme function @code{set-time-signature}, in combination with the
-Measure grouping engraver,  it will create MeasureGrouping signs.  Such
-signs ease reading rhythmically complex modern music.  In the following
-example, the 9/8 measure is subdivided in 2, 2, 2 and 3.  This is
-passed to @code{set-time-signature} as the third argument @code{(2 2 2
-3)}
+@code{Measure_grouping_engraver}, creates measure grouping signs. Such
+signs ease reading rhythmically complex modern music. In the following
+example, the 9/8 measure is subdivided into 2, 2, 2 and 3 beats. This
+is passed to @code{set-time-signature} as the third argument @code{(2 2
+2 3)}.
 
 
 " }
diff --git a/input/lsr/contemporary-glissando.ly b/input/lsr/contemporary-glissando.ly
index 3b163adf2e..6783d4a8b2 100644
--- a/input/lsr/contemporary-glissando.ly
+++ b/input/lsr/contemporary-glissando.ly
@@ -20,4 +20,4 @@ Use a glissando without final note. Contemporary glissando !
 \addlyrics { unHideNotes cadenzaOff, skip_and_\bar \skip 4  }
 \layout{raggedright = ##t}
 \header { tagline="" }
-% begin verbatim
+
diff --git a/input/lsr/controlling-tuplet-bracket-visibility.ly b/input/lsr/controlling-tuplet-bracket-visibility.ly
index d5707537d3..c1d37bea8d 100644
--- a/input/lsr/controlling-tuplet-bracket-visibility.ly
+++ b/input/lsr/controlling-tuplet-bracket-visibility.ly
@@ -5,12 +5,12 @@
 \header {
   lsrtags = "rhythms, tweaks-and-overrides"
  texidoc = "
-Default behaviour of tuplet-bracket visibility is to print a bracket
-unless there is a beam of the same length as the tuplet. To control the
-visibility of tuplet brackets, you can set the property TupletBracket
-#'bracket-visibility to either ##t (always print a bracket), ##f (never
-print a bracket) or #'if-no-beam (only print a bracket if there is no
-beam).
+The default behaviour of tuplet-bracket visibility is to print a
+bracket unless there is a beam of the same length as the tuplet. To
+control the visibility of tuplet brackets, you can set the property
+@code{TupletBracket #'bracket-visibility} to either @code{##t} (always
+print a bracket), @code{##f} (never print a bracket) or
+@code{#'if-no-beam} (only print a bracket if there is no beam). 
 " }
 % begin verbatim
 mus = \relative c'' {
diff --git a/input/lsr/creating-a-sequence-of-notes-on-various-pitches.ly b/input/lsr/creating-a-sequence-of-notes-on-various-pitches.ly
index 2a19a9959c..09670d3234 100644
--- a/input/lsr/creating-a-sequence-of-notes-on-various-pitches.ly
+++ b/input/lsr/creating-a-sequence-of-notes-on-various-pitches.ly
@@ -8,10 +8,9 @@
 In music that contains many occurrences of the same sequence of notes
 at different pitches, you can use the following music function. It
 takes a note, of which the pitch is used. The supporting Scheme
-functions were borrowed from the Tips and Tricks document in the manual.
-
-This example creates the rhythm used throughout Mars, from The Planets,
-by Gustav Holst.
+functions were borrowed from the Tips and Tricks document in the
+manual. This example creates the rhythm used throughout Mars, from
+Gustav Holst's The Planets. 
 " }
 % begin verbatim
 #(define (make-note-req p d)
diff --git a/input/lsr/creating-blank-staves.ly b/input/lsr/creating-blank-staves.ly
index f44697755b..deb6622518 100644
--- a/input/lsr/creating-blank-staves.ly
+++ b/input/lsr/creating-blank-staves.ly
@@ -14,7 +14,7 @@ the @code{Staff} context the @code{Time_signature_engraver}, the
 \header {
   tagline = ""
 }
-% begin verbatim
+
 #(set-global-staff-size 20)
 
 \score {
diff --git a/input/lsr/demo-midiinstruments.ly b/input/lsr/demo-midiinstruments.ly
index 4f7941129d..dc2dc609c9 100644
--- a/input/lsr/demo-midiinstruments.ly
+++ b/input/lsr/demo-midiinstruments.ly
@@ -18,7 +18,7 @@ melodie = { \tempo 4 = 150 \basemelodie }
   title = "Demo of all midi sounds"
   arranger = "Myself"
 }
-% begin verbatim
+
 \score { 
   \new Staff <<
     \new Voice { \melodie 
diff --git a/input/lsr/demonstrating-all-headers.ly b/input/lsr/demonstrating-all-headers.ly
index 6870f153b3..09536d4e96 100644
--- a/input/lsr/demonstrating-all-headers.ly
+++ b/input/lsr/demonstrating-all-headers.ly
@@ -25,7 +25,7 @@ texidoc = "All header fields with special meanings."
   source = "urtext"
 
 }
-% begin verbatim
+
 
 \score {
   \relative c'' { c1 c1 c1 c1 }
@@ -48,4 +48,4 @@ texidoc = "All header fields with special meanings."
 	copyright = "localcopyright"
 	}
 }
-% begin verbatim
+
diff --git a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
index 70d106df8b..89a58b9b36 100644
--- a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
+++ b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
@@ -11,7 +11,7 @@ has to be regarded as equal, without any hierarchy such as the
 classical (tonal) degrees. Therefore, these composers print one
 accidental for each note, even at natural pitches, to emphasize their
 new approach to music theory and language. This snippet shows how to
-achieve such notation rules with LilyPond.
+achieve such notation rules with LilyPond. 
 " }
 % begin verbatim
 webernAccidentals = {
@@ -23,7 +23,7 @@ webernAccidentals = {
 }
 
 \layout {
-  \context { \Staff \remove Key_engraver }
+  \context { \Staff \remove "Key_engraver" }
 }
 \score {
   {
diff --git a/input/lsr/editorial-and-educational-use.snippet-list b/input/lsr/editorial-and-educational-use.snippet-list
index 022286d607..05f5d94ace 100644
--- a/input/lsr/editorial-and-educational-use.snippet-list
+++ b/input/lsr/editorial-and-educational-use.snippet-list
@@ -1,13 +1,10 @@
-applying-noteheads-styles-depending-on-the-step-of-the-scale.ly
 creating-blank-staves.ly
+forcing-rehearsal-marks-to-start-from-a-given-letter-or-number.ly
 changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly
 coloring-objects.ly
-inserting-score-fragments-above-the-staff,-as-markups.ly
-rhythmic-slashes.ly
 changing-the-default-text-font-family.ly
+changing-a-single-notes-size-in-a-chord.ly
 three-sided-box.ly
 clefs-commonly-tweaked-properties.ly
 blanking-staff-lines-using-the--whiteout-command.ly
-forcing-rehearsal-marks-to-start-from-a-given-letter-or-number.ly
-formatting-lyrics-syllables.ly
-changing-an-individual-notes-size-in-a-chord.ly
+applying-notehead-styles-depending-on-the-step-of-the-scale.ly
diff --git a/input/lsr/engraving-ties-manually.ly b/input/lsr/engraving-ties-manually.ly
new file mode 100644
index 0000000000..9b2185ce1e
--- /dev/null
+++ b/input/lsr/engraving-ties-manually.ly
@@ -0,0 +1,19 @@
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+  lsrtags = "rhythms"
+ texidoc = "
+Ties may be engraved manually by changing the @code{tie-configuration}
+property of the @code{TieColumn} object. The first number indicates the
+distance from the center of the staff in staff-spaces, and the second
+number indicates the direction (1=up, -1=down).
+" }
+% begin verbatim
+\relative c' {
+  <c e g>2~ <c e g> |
+  \override TieColumn #'tie-configuration =
+    #'((0.0 . 1) (-2.0 . 1) (-4.0 . 1))
+  <c e g>~ <c e g> |
+}
diff --git a/input/lsr/entering-several-tuplets-using-only-one--times-command.ly b/input/lsr/entering-several-tuplets-using-only-one--times-command.ly
index d22e4b7492..ce945363c4 100644
--- a/input/lsr/entering-several-tuplets-using-only-one--times-command.ly
+++ b/input/lsr/entering-several-tuplets-using-only-one--times-command.ly
@@ -6,9 +6,9 @@
   lsrtags = "rhythms"
  texidoc = "
 This example shows how to specify how long each of the tuplets
-contained within the bracket after @code{\\times} should last.  Many
-consecutive tuplets can then be contained within a single @code{\\times
-@{ ... @}}, thus saving typing.
+contained within the brackets after @code{\\times} should last. Many
+consecutive tuplets can then be placed within a single @code{\\times @{
+... @}} expression, thus saving typing.
 
 In the example, two triplets are shown, while @code{\\times} was
 entered only once.
diff --git a/input/lsr/foo.txt b/input/lsr/foo.txt
new file mode 100644
index 0000000000..46a9098e32
--- /dev/null
+++ b/input/lsr/foo.txt
@@ -0,0 +1,2312 @@
+/Users/gperciva/usr/src/lilypond/stepmake/stepmake/texinfo-rules.make:29: warning: overriding commands for target `out/.info-images-dir.dep'
+/Users/gperciva/usr/src/lilypond/stepmake/stepmake/texinfo-rules.make:29: warning: ignoring old commands for target `out/.info-images-dir.dep'
+make --no-builtin-rules out=www WWW
+xargs /opt/local/bin/python ../../buildscripts/lys-to-tely.py -f printfilename,texidoc,verbatim --name=out-www/bagpipes.itely --template=bagpipes-intro.itely < bagpipes.snippet-list
+/opt/local/bin/python ../../scripts/lilypond-book.py -I ./ -I ./out-www -I ../../input -I ../../input/regression/ -I ../../input/manual/ -I ../../input/tutorial/ -I /Users/gperciva/usr/src/lilypond/mf/out/  -I /Users/gperciva/usr/src/lilypond/mf/out/ -I ../../input/lsr/ --process='/Users/gperciva/Apps/LilyPond.app/Contents/Resources/bin/lilypond -I ./ -I ./out-www -I ../../input -I ../../input/regression/ -I ../../input/manual/ -I ../../input/tutorial/ -I /Users/gperciva/usr/src/lilypond/mf/out/  -I /Users/gperciva/usr/src/lilypond/mf/out/ -I ../../input/lsr/ -dbackend=eps --formats=ps,png,pdf  -dinclude-eps-fonts -dgs-load-fonts --header=texidoc -I /Users/gperciva/usr/src/lilypond/input/manual -dcheck-internal-types -ddump-signatures -danti-alias-factor=2' --output=./out-www --format=texi-html --verbose --info-images-dir=lilypond-snippets lilypond-snippets.tely
+Reading lilypond-snippets.tely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling lilypond-snippets.texi...
+lilypond-snippets.texi is up to date.
+Writing `lilypond-snippets.texi'...
+Processing include: pitches.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/pitches.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling pitches.texi...
+pitches.texi is up to date.
+Writing `pitches.texi'...
+Processing include: rhythms.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/rhythms.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling rhythms.texi...
+rhythms.texi is up to date.
+Writing `rhythms.texi'...
+Processing include: expressive-marks.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/expressive-marks.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling expressive-marks.texi...
+expressive-marks.texi is up to date.
+Writing `expressive-marks.texi'...
+Processing include: repeats.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/repeats.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling repeats.texi...
+repeats.texi is up to date.
+Writing `repeats.texi'...
+Processing include: simultaneous-notes.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/simultaneous-notes.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling simultaneous-notes.texi...
+simultaneous-notes.texi is up to date.
+Writing `simultaneous-notes.texi'...
+Processing include: staff-notation.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/staff-notation.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling staff-notation.texi...
+staff-notation.texi is up to date.
+Writing `staff-notation.texi'...
+Processing include: editorial-and-educational-use.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/editorial-and-educational-use.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling editorial-and-educational-use.texi...
+editorial-and-educational-use.texi is up to date.
+Writing `editorial-and-educational-use.texi'...
+Processing include: text.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/text.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling text.texi...
+text.texi is up to date.
+Writing `text.texi'...
+Processing include: vocal-music.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/vocal-music.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling vocal-music.texi...
+vocal-music.texi is up to date.
+Writing `vocal-music.texi'...
+Processing include: chords.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/chords.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling chords.texi...
+chords.texi is up to date.
+Writing `chords.texi'...
+Processing include: piano-music.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/piano-music.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling piano-music.texi...
+piano-music.texi is up to date.
+Writing `piano-music.texi'...
+Processing include: percussion.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/percussion.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling percussion.texi...
+percussion.texi is up to date.
+Writing `percussion.texi'...
+Processing include: guitar.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/guitar.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling guitar.texi...
+guitar.texi is up to date.
+Writing `guitar.texi'...
+Processing include: strings.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/strings.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling strings.texi...
+strings.texi is up to date.
+Writing `strings.texi'...
+Processing include: ancient-notation.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/ancient-notation.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling ancient-notation.texi...
+ancient-notation.texi is up to date.
+Writing `ancient-notation.texi'...
+Processing include: contexts-and-engravers.itely
+Reading /Users/gperciva/usr/src/lilypond/input/lsr/out-www/contexts-and-engravers.itely...
+Dissecting...
+Writing snippets...
+All snippets are up to date...
+Compiling contexts-and-engravers.texi...
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+(./lily-472a58f421-systems.texi <./lily-472a58f421-1.pdf>
+Overfull \hbox (43.61967pt too wide) detected at line 1
+[]
+) (./lily-a1e99a0027.texidoc) [268] (./lily-a1e99a0027-systems.texi <./lily-a1e
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+(./lily-4d674542c4-systems.texi <./lily-4d674542c4-1.pdf>)
+(./lily-a957bbbf1e.texidoc) (./lily-a957bbbf1e-systems.texi <./lily-a957bbbf1e-
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+(./lily-4a4ff26c8e-systems.texi <./lily-4a4ff26c8e-1.pdf>
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+[]
+) (./lily-3f3147bbbe.texidoc) [274] [275] (./lily-3f3147bbbe-systems.texi <./li
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+[][] 
+[278]
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+[][] 
+(./lily-48e3d5694d-systems.texi <./lily-48e3d5694d-1.pdf> <./lily-48e3d5694d-2.
+pdf>) (./lily-2313dd36da.texidoc) [279] [280] (./lily-2313dd36da-systems.texi <
+./lily-2313dd36da-1.pdf>)) [281] )
+(@end occurred inside a group at level 1)
+
+### semi simple group (level 1) entered at line 24 (@begingroup)
+### bottom level
+(@end occurred when @ifx on line 43 was incomplete)
+(see the transcript file for additional information)</opt/local/share/texmf-dis
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+r8a.pfb
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+
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+
+
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+sbk/uncr8a.pfb): glyph `afii10090' undefined
+
+
+pdfTeX warning: pdfetex (file /opt/local/share/texmf-dist/fonts/type1/urw/ncntr
+sbk/uncr8a.pfb): glyph `afii10091' undefined
+
+
+pdfTeX warning: pdfetex (file /opt/local/share/texmf-dist/fonts/type1/urw/ncntr
+sbk/uncr8a.pfb): glyph `afii10092' undefined
+
+
+pdfTeX warning: pdfetex (file /opt/local/share/texmf-dist/fonts/type1/urw/ncntr
+sbk/uncr8a.pfb): glyph `afii10096' undefined
+
+
+pdfTeX warning: pdfetex (file /opt/local/share/texmf-dist/fonts/type1/urw/ncntr
+sbk/uncr8a.pfb): glyph `afii10097' undefined
+></opt/local/share/texmf-dist/fonts/type1/urw/ncntrsbk/uncri8a.pfb>
+Output written on lilypond-snippets.pdf (283 pages, 5480419 bytes).
+Transcript written on lilypond-snippets.log.
+/opt/local/bin/texi2dvi: pdfetex exited with bad status, quitting.
+make[1]: *** [out-www/lilypond-snippets.pdf] Error 1
+rm out-www/lilypond-snippets.info-images-dir.dep
+make: *** [web] Error 2
diff --git a/input/lsr/formatting-lyrics-syllables.ly b/input/lsr/formatting-lyrics-syllables.ly
index 037b355392..b57aec0fcd 100644
--- a/input/lsr/formatting-lyrics-syllables.ly
+++ b/input/lsr/formatting-lyrics-syllables.ly
@@ -3,7 +3,7 @@
 \version "2.11.38"
 
 \header {
-  lsrtags = "editorial-and-educational-use, text, vocal-music"
+  lsrtags = "text, vocal-music"
  texidoc = "
 To format single lyrics syllables, you can simply use \\markup @{ ....
 @} on these lyrics!
@@ -13,7 +13,7 @@ To format single lyrics syllables, you can simply use \\markup @{ ....
 \header {
   title = "Markup can be used inside lyrics!" 
 }
-% begin verbatim
+
 melody = \relative c'' { c4 c c c  }
 lyr = \lyricmode { 
   Lyrics \markup { \italic can } \markup {\with-color #red contain } 
diff --git a/input/lsr/inserting-score-fragments-above-the-staff,-as-markups.ly b/input/lsr/inserting-score-fragments-above-the-staff,-as-markups.ly
index f80973921e..260ee09d67 100644
--- a/input/lsr/inserting-score-fragments-above-the-staff,-as-markups.ly
+++ b/input/lsr/inserting-score-fragments-above-the-staff,-as-markups.ly
@@ -3,7 +3,7 @@
 \version "2.11.38"
 
 \header {
-  lsrtags = "staff-notation, editorial-and-educational-use"
+  lsrtags = "staff-notation"
  texidoc = "
 The \\markup command is quite versatile. In this snippet, it contains a
 \\score bloc instead of texts or marks.
@@ -26,7 +26,7 @@ tuning = \markup {
     subtitle = "Suite IV"
     subsubtitle = \markup { "Originalstimmung:" \tuning }
 }
-% begin verbatim
+
 \relative {
     \time 4/8
     \times 2/3 { c'8 d e } \times 2/3 {c d e}
diff --git a/input/lsr/jazz-combo-template.ly b/input/lsr/jazz-combo-template.ly
index 59c7579792..2796e7bdec 100644
--- a/input/lsr/jazz-combo-template.ly
+++ b/input/lsr/jazz-combo-template.ly
@@ -264,3 +264,4 @@ music is within a \\transpose section.
          
            \midi { }
          }
+
diff --git a/input/lsr/lilypond-snippets.tely b/input/lsr/lilypond-snippets.tely
index 7fed3d953f..3b8879366e 100644
--- a/input/lsr/lilypond-snippets.tely
+++ b/input/lsr/lilypond-snippets.tely
@@ -39,7 +39,7 @@ Please note that this document is not an exact subset of LSR: some
 snippets come from @file{input/new} LilyPond sources directory, and
 snippets from LSR are converted through @command{convert-ly}, as LSR is
 based on a stable LilyPond version, and this document is for version
-@value{version}.
+@c @value{version}.
 
 Snippets are grouped by tags; tags listed in the table of contents match
 a section of LilyPond notation manual.  Snippets may have several tags,
diff --git a/input/lsr/non-traditional-key-signatures.ly b/input/lsr/non-traditional-key-signatures.ly
index fd57c48b66..1d3b3a036f 100644
--- a/input/lsr/non-traditional-key-signatures.ly
+++ b/input/lsr/non-traditional-key-signatures.ly
@@ -6,18 +6,22 @@
   lsrtags = "pitches, staff-notation"
  texidoc = "
 The commonly used @code{\\key} command sets the @code{keySignature}
-property, in the @code{Staff} context. However, non-standard key
-signatures can be specified by setting this property directly. The
-format of this command is a list: @code{ \\set Staff.keySignature =
-#'(((octave . step) . alter) ((octave . step) . alter) ...) } where,
-for each element in the list, octave specifies the octave (0 being the
-octave from middle C to the B above), step specifies the note within
-the octave (0 means C and 6 means B), and alter is ,SHARP ,FLAT
-,DOUBLE-SHARP etc. (Note the leading comma.)
+property, in the @code{Staff} context.
+
+However, non-standard key signatures can be specified by setting this
+property directly. The format of this command is a list:
+
+@code{ \\set Staff.keySignature = #`(((octave . step) . alter) ((octave
+. step) . alter) ...) } where, for each element in the list,
+@code{octave} specifies the octave (0 being the octave from middle C to
+the B above), @code{step} specifies the note within the octave (0 means
+C and 6 means B), and @code{alter} is @code{,SHARP ,FLAT ,DOUBLE-SHARP}
+etc. (Note the leading comma.)
+
 
 However, for each item in the list, you can also use the alternative
-format (step . alter), which specifies that the same alteration should
-hold in all octaves.
+format @code{(step . alter)}, which specifies that the same alteration
+should hold in all octaves.
 
 
 Here is an example of a possible key signature for generating a
@@ -25,8 +29,7 @@ whole-tone scale:
 " }
 % begin verbatim
 \relative c' {
-  \set Staff.keySignature =
-    #`(((0 .  3) . ,SHARP) ((0 . 5) . ,FLAT) ((0 . 6) . ,FLAT))
+  \set Staff.keySignature = #`(((0 .  3) . ,SHARP) ((0 . 5) . ,FLAT) ((0 . 6) . ,FLAT))
   c d e fis aes bes c2
 }
 
diff --git a/input/lsr/ottava-text.ly b/input/lsr/ottava-text.ly
index d64bfa45db..76eba09c80 100644
--- a/input/lsr/ottava-text.ly
+++ b/input/lsr/ottava-text.ly
@@ -9,7 +9,9 @@ Internally, the set-octavation function sets the properties
 @code{ottavation} (e.g., to @code{\"8va\"} or @code{\"8vb\"}) and
 @code{middleCPosition}.  To override the text of the bracket, set
 @code{ottavation} after invoking @code{set-octavation}, like in the
-following example. 
+following example.
+
+
 " }
 % begin verbatim
 {
diff --git a/input/lsr/permitting-line-breaks-within-beamed-tuplets.ly b/input/lsr/permitting-line-breaks-within-beamed-tuplets.ly
new file mode 100644
index 0000000000..6ca79966d4
--- /dev/null
+++ b/input/lsr/permitting-line-breaks-within-beamed-tuplets.ly
@@ -0,0 +1,29 @@
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+  lsrtags = "rhythms"
+ texidoc = "
+This artificial example shows how both manual and automatic line breaks
+may be permitted to within a beamed tuplet. Note that such off-beat
+tuplets have to be beamed manually.
+" }
+% begin verbatim
+\relative c'' {
+ a8
+ \repeat unfold 8 {\times 2/3 { c[ b a]}}
+ % Insert a manual line break within a tuplet
+ \times 2/3 { c[ b \bar "" \break a]}
+ \repeat unfold 2 {\times 2/3 { c[ b a]}}
+ c8
+}
+\layout {
+ \context {
+   \Voice
+   % Permit line breaks within tuplets
+   \remove "Forbid_line_break_engraver"
+   % Allow beams to be broken at line breaks
+   \override Beam #'breakable = ##t
+ }
+}
diff --git a/input/lsr/pitches.snippet-list b/input/lsr/pitches.snippet-list
index 6b85fe7a49..9f3eea8056 100644
--- a/input/lsr/pitches.snippet-list
+++ b/input/lsr/pitches.snippet-list
@@ -1,6 +1,6 @@
-applying-noteheads-styles-depending-on-the-step-of-the-scale.ly
-creating-a-sequence-of-notes-on-various-pitches.ly
 makam.ly
+ambiti-multiple-voices.ly
+applying-notehead-styles-depending-on-the-step-of-the-scale.ly
 transposing-pitches-with-minimum-accidentals-smart-transpose.ly
 ottava-text.ly
 preventing-extra-naturals-from-being-automatically-added.ly
@@ -10,5 +10,5 @@ adding-ambiti-per-voice.ly
 clefs-commonly-tweaked-properties.ly
 dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
 preventing-natural-signs-from-being-printed-when-the-key-signature-changes.ly
-ambiti-multiple-voices.ly
+creating-a-sequence-of-notes-on-various-pitches.ly
 non-traditional-key-signatures.ly
diff --git a/input/lsr/preventing-extra-naturals-from-being-automatically-added.ly b/input/lsr/preventing-extra-naturals-from-being-automatically-added.ly
index b802fc0821..fbf165b75c 100644
--- a/input/lsr/preventing-extra-naturals-from-being-automatically-added.ly
+++ b/input/lsr/preventing-extra-naturals-from-being-automatically-added.ly
@@ -8,7 +8,9 @@
 In accordance with standard typesetting rules, a natural sign is
 printed before a sharp or flat if a previous accidental on the same
 note needs to be canceled.  To change this behavior, set the
-extraNatural property to \"false\" in the Staff context. 
+@code{extraNatural} property to \"false\" in the @code{Staff} context.
+
+
 " }
 % begin verbatim
 \relative {
diff --git a/input/lsr/preventing-natural-signs-from-being-printed-when-the-key-signature-changes.ly b/input/lsr/preventing-natural-signs-from-being-printed-when-the-key-signature-changes.ly
index c7fbfb283c..e5c809fc45 100644
--- a/input/lsr/preventing-natural-signs-from-being-printed-when-the-key-signature-changes.ly
+++ b/input/lsr/preventing-natural-signs-from-being-printed-when-the-key-signature-changes.ly
@@ -7,8 +7,8 @@
  texidoc = "
 When the key signature changes, natural signs are automatically printed
 to cancel any accidentals from previous key signatures. This may be
-altered by setting to \"false\" the printKeyCancellation property in
-the Staff context.
+altered by setting to \"false\" the @code{printKeyCancellation}
+property in the @code{Staff} context. 
 " }
 % begin verbatim
 \relative {
diff --git a/input/lsr/rhythmic-slashes.ly b/input/lsr/rhythmic-slashes.ly
index 45e09b6890..6cd245fe0c 100644
--- a/input/lsr/rhythmic-slashes.ly
+++ b/input/lsr/rhythmic-slashes.ly
@@ -3,7 +3,7 @@
 \version "2.11.38"
 
 \header {
-  lsrtags = "rhythms, editorial-and-educational-use, tweaks-and-overrides"
+  lsrtags = "rhythms, tweaks-and-overrides"
  texidoc = "
 In \"simple\" lead-sheets, sometimes no actual notes are written,
 instead only \"rhythmic patterns\" and chords above the measures are
diff --git a/input/lsr/rhythms.snippet-list b/input/lsr/rhythms.snippet-list
index c6c3483538..8192c81307 100644
--- a/input/lsr/rhythms.snippet-list
+++ b/input/lsr/rhythms.snippet-list
@@ -1,22 +1,25 @@
-altering-the-number-of-stems-in-a-beam.ly
 adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rythms..ly
-modifying-tuplet-bracket-length.ly
-changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly
-making-an-object-invisible-with-the-transparent-property.ly
+beams-across-line-breaks.ly
 manually-controlling-beam-positions.ly
-controlling-tuplet-bracket-visibility.ly
 adding-drum-parts.ly
 rest-styles.ly
 skips-in-lyric-mode-2.ly
 chant-or-psalms-notation.ly
-conducting-signs,-measure-grouping-signs.ly
+controlling-tuplet-bracket-visibility.ly
 heavily-customized-polymetric-time-signatures.ly
+using-ties-with-arpeggios.ly
+forcing-rehearsal-marks-to-start-from-a-given-letter-or-number.ly
 compound-time-signatures.ly
+altering-the-number-of-stems-in-a-beam.ly
+modifying-tuplet-bracket-length.ly
+changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly
+making-an-object-invisible-with-the-transparent-property.ly
+changing-the-tuplet-number.ly
+entering-several-tuplets-using-only-one--times-command.ly
+conducting-signs,-measure-grouping-signs.ly
 rhythmic-slashes.ly
 automatic-beams-two-per-two-in-4-4-or-2-2-time-signature.ly
-automatic-beam-subdivisions.ly
-entering-several-tuplets-using-only-one--times-command.ly
-forcing-rehearsal-marks-to-start-from-a-given-letter-or-number.ly
-beam-across-line-breaks.ly
-printing-music-with-different-time-signatures.ly
+permitting-line-breaks-within-beamed-tuplets.ly
 skips-in-lyric-mode.ly
+engraving-ties-manually.ly
+printing-music-with-different-time-signatures.ly
diff --git a/input/lsr/simultaneous-notes.snippet-list b/input/lsr/simultaneous-notes.snippet-list
index bbc27d213f..b52edebe6b 100644
--- a/input/lsr/simultaneous-notes.snippet-list
+++ b/input/lsr/simultaneous-notes.snippet-list
@@ -1,3 +1,3 @@
 clusters.ly
-changing-an-individual-notes-size-in-a-chord.ly
+changing-a-single-notes-size-in-a-chord.ly
 combining-two-parts-on-the-same-staff.ly
diff --git a/input/lsr/skips-in-lyric-mode-2.ly b/input/lsr/skips-in-lyric-mode-2.ly
index 7d6a885fe9..5fc4d1e221 100644
--- a/input/lsr/skips-in-lyric-mode-2.ly
+++ b/input/lsr/skips-in-lyric-mode-2.ly
@@ -5,8 +5,9 @@
 \header {
   lsrtags = "rhythms, vocal-music"
  texidoc = "
-Although you can't use `s' in lyric mode (it's taken to be a literal s,
-not a space) you can use either \"\" or _.
+Although you can't use @code{s} in @code{\\lyricmode} (it's taken to be
+a literal \"s\", not a space) you can use either @code{\"\"} or
+@code{_}.
 
 So for example:
 " }
diff --git a/input/lsr/three-sided-box.ly b/input/lsr/three-sided-box.ly
index ce9b3a589b..77a3baf57b 100644
--- a/input/lsr/three-sided-box.ly
+++ b/input/lsr/three-sided-box.ly
@@ -43,6 +43,6 @@ thickness and padding around the markup."
 % Test it:
 
 \relative c'{ 
-  c^\markup{ \NWS-box ABCD }
+  c2^\markup{ \NWS-box ABCD }
   c^\markup{\NWS-box \note #"4" #1.0 } 
 }
diff --git a/input/lsr/tweaks-and-overrides.snippet-list b/input/lsr/tweaks-and-overrides.snippet-list
index e8959b7e1e..cf8c291fed 100644
--- a/input/lsr/tweaks-and-overrides.snippet-list
+++ b/input/lsr/tweaks-and-overrides.snippet-list
@@ -18,9 +18,9 @@ controlling-tuplet-bracket-visibility.ly
 caesura-railtracks-with-fermata.ly
 rhythmic-slashes.ly
 changing-the-staff-size.ly
+changing-a-single-notes-size-in-a-chord.ly
 coloring-objects.ly
 clefs-commonly-tweaked-properties.ly
 vertically-aligning-ossias-and-lyrics.ly
 changing-properties-for-individual-grobs.ly
-changing-an-individual-notes-size-in-a-chord.ly
 nesting-staves.ly
diff --git a/input/lsr/using-ties-with-arpeggios.ly b/input/lsr/using-ties-with-arpeggios.ly
new file mode 100644
index 0000000000..162075699c
--- /dev/null
+++ b/input/lsr/using-ties-with-arpeggios.ly
@@ -0,0 +1,22 @@
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+  lsrtags = "rhythms"
+ texidoc = "
+Ties are sometimes used to write out arpeggios.  In this case, two tied
+notes need not be consecutive.  This can be achieved by setting the
+@code{tieWaitForNote} property to true.  The same feature is also
+useful, for example, to tie a tremolo to a chord, but in principle, it
+can also be used for ordinary consecutive notes, as demonstrated in
+this example. 
+" }
+% begin verbatim
+\relative c' {
+  \set tieWaitForNote = ##t
+  \grace { c16[~ e~ g]~ } <c, e g>2
+  \repeat tremolo 8 { c32~ c'~ } <c c,>1
+  e8~ c~ a~ f~ <e' c a f>2
+  \tieUp c8~ a \tieDown \tieDotted g~ c g2
+}
-- 
2.39.5