From 44aaeeefa4aae9a7ec34613b0624a6e9b5cac914 Mon Sep 17 00:00:00 2001 From: Graham Percival Date: Mon, 23 May 2005 19:29:14 +0000 Subject: [PATCH] Editing. --- ChangeLog | 10 ++ Documentation/user/advanced-notation.itely | 32 ++++- Documentation/user/instrument-notation.itely | 127 ++++++++----------- 3 files changed, 94 insertions(+), 75 deletions(-) diff --git a/ChangeLog b/ChangeLog index 387ec86374..12cbe88a79 100644 --- a/ChangeLog +++ b/ChangeLog @@ -1,3 +1,13 @@ +2005-05-23 Graham Percival + + * ly/property.ly: Update tieDotted to have the same form as slurDotted. + + * Documentation/user/lilypond.tely: change Unified index to + LilyPond index. + + * Documentation/user/advanced-notation.itely, + instrument-notation.itely: editing. + 2005-05-23 Jan Nieuwenhuizen * lily/main.cc (setup_paths)[__MINGW32__]: Normalize LILYPONDPREFIX. diff --git a/Documentation/user/advanced-notation.itely b/Documentation/user/advanced-notation.itely index c936755fa5..2e08383c6b 100644 --- a/Documentation/user/advanced-notation.itely +++ b/Documentation/user/advanced-notation.itely @@ -1315,10 +1315,12 @@ LilyPond is limited. * Polymetric notation:: * Clusters:: * Special fermatas:: +* Special noteheads:: * Feathered beams:: * Improvisation:: @end menu + @node Polymetric notation @subsection Polymetric notation @@ -1527,6 +1529,34 @@ of differing lengths. The following fermatas are supported See @ref{Articulations} for general instructions how to apply scripts such as fermatas to notes. + +@node Special noteheads +@subsection Special noteheads + +Different noteheads are used by various instruments for various +meanings -- crosses are used for ``parlato'' with vocalists, stopped +notes on guitar; diamonds are used for harmonics on string instruments, +etc. There is a shorthand (@code{\harmonic}) for diamond shapes; the +other notehead styles are produced by tweaking the property + +@lilypond[raggedright,relative=1,fragment,verbatim,quote] +c4 d +\override NoteHead #'style = #'cross +e f +\revert NoteHead #'style +e d +@end lilypond + +@noindent +To see all notehead styles, please see +@inputfileref{input/@/regression,note@/-head@/-style@/.ly}. + + +@seealso + +Program reference: @internalsref{NoteHead}. + + @node Feathered beams @subsection Feathered beams @@ -1534,7 +1564,7 @@ Feathered beams are not supported natively, but they can be faked by forcing two beams to overlap. Here is an example, @c don't change relative setting witout changing positions! -@lilypond[raggedright,relative=1,fragment,verbatim] +@lilypond[raggedright,relative=1,fragment,verbatim,quote] \new Staff << \new Voice { diff --git a/Documentation/user/instrument-notation.itely b/Documentation/user/instrument-notation.itely index 69707d7718..7324a87cea 100644 --- a/Documentation/user/instrument-notation.itely +++ b/Documentation/user/instrument-notation.itely @@ -1218,6 +1218,48 @@ the line, just like instrument names. They are created by setting } @end lilypond +You can display alternate (or divisi) lyrics by naming voice +contexts and attaching lyrics to those specific contexts. + +@lilypond[verbatim,raggedright,quote] +\score{ << + \context Voice = "melody" { + \relative c' { + c4 + << + { \voiceOne c8 e } + \context Voice = splitpart { \voiceTwo c4 } + >> + \oneVoice c4 c | c + } + } + \new Lyrics \lyricsto "melody" { we shall not o- ver- come } + \new Lyrics \lyricsto "splitpart" { will } +>> } +@end lilypond + + +You can use this trick to display different lyrics for a repeated +section. + +@lilypond[verbatim,raggedright,quote] +\score{ << + \context Voice = melody \relative c' { + c2 e | g e | c1 | + \context Voice = verse \repeat volta 2 {c4 d e f | g1 | } + a2 b | c1} + \lyricsto melody \context Lyrics = mainlyrics \lyricmode { + do mi sol mi do + la si do } + \lyricsto verse \context Lyrics = mainlyrics \lyricmode { + do re mi fa sol } + \lyricsto verse \context Lyrics = repeatlyrics \lyricmode { + dodo rere mimi fafa solsol } +>> +} +@end lilypond + + @seealso Program reference: @internalsref{LyricText}, @internalsref{VocalName}. @@ -1316,6 +1358,7 @@ Examples: @inputfileref{input/@/regression,ambitus@/.ly}. There is no collision handling in the case of multiple per-voice ambitus. + @node Other vocal issues @subsection Other vocal issues @@ -1329,59 +1372,9 @@ can ask them for specific instructions about where to move these examples, and that might get them more involved in the docs. -gp @end ignore -You can display alternate (or divisi) lyrics by naming voice -contexts and attaching lyrics to those specific contexts. - -@lilypond[verbatim,raggedright,quote] -\score{ << - \context Voice = "melody" { - \relative c' { - c4 - << - { \voiceOne c8 e } - \context Voice = splitpart { \voiceTwo c4 } - >> - \oneVoice c4 c | c - } - } - \new Lyrics \lyricsto "melody" { we shall not o- ver- come } - \new Lyrics \lyricsto "splitpart" { shall } ->> } -@end lilypond - - -You can use this trick to display different lyrics for a repeated -section. - -@lilypond[verbatim,raggedright,quote] -\score{ << - \context Voice = melody \relative c' { - c2 e | g e | c1 | - \context Voice = verse \repeat volta 2 {c4 d e f | g1 | } - a2 b | c1} - \lyricsto melody \context Lyrics = mainlyrics \lyricmode { - do mi sol mi do - la si do } - \lyricsto verse \context Lyrics = mainlyrics \lyricmode { - do re mi fa sol } - \lyricsto verse \context Lyrics = repeatlyrics \lyricmode { - dodo rere mimi fafa solsol } ->> -} -@end lilypond - - -To notate ``parlato'' (spoken without pitch but still with -rhythm) sections, - -@lilypond[raggedright,verbatim,quote,fragment,relative=2] -c4 d -\override NoteHead #'style = #'cross -e f -\revert NoteHead #'style -e d -@end lilypond - +``Parlato'' is spoken without pitch but still with rhythm; it is +notated by cross noteheads. This is demonstrated in +@ref{Special noteheads}. @node Rhythmic music @@ -1854,6 +1847,13 @@ e16 b16 g16 d16 @end lilypond +Stopped (X) note heads are used in guitar music to signal a place where the +guitarist must play a certain note or chord, with its fingers just +touching the strings instead of fully pressing them. This gives the sound a +percussive noise-like sound that still maintains part of the original +pitch. It is notated with cross noteheads; this is +demonstrated in @ref{Special noteheads}. + @node Ancient notation @section Ancient notation @@ -3897,25 +3897,4 @@ are entered by marking the harmonic pitch with @code{\harmonic}. @node Stopped notes (guitar) @subsection Stopped notes (guitar) -Stopped (X) note heads are used in guitar music to signal a place where the -guitarist must play a certain note or chord, with its fingers just -touching the strings instead of fully pressing them. This gives the sound a -percussive noise-like sound that still maintains part of the original pitch. - -Finger stopped technique is extremely important for rhythm and rock-heavy -metal guitarists; the former often uses barré based stopped chords to -intermix harmony with rythm, the latters use finger stopping to mute power -chords, or charge them with more expression in close-tied power chord stums. - -It is also used (even if rarely) in classic guitar music, generally in the -melodic line, to provide some rithmic pattern right in the melody. - -@lilypond[raggedright,verbatim,quote,fragment,relative=2] -c4 d -\override NoteHead #'style = #'cross -e f -\revert NoteHead #'style -e d -@end lilypond - -- 2.39.5