From 3b63639611ca52cdc6f2b3b2893b1344e270334a Mon Sep 17 00:00:00 2001
From: Carl Sorensen <c_sorensen@byu.edu>
Date: Thu, 11 Feb 2010 08:58:55 -0700
Subject: [PATCH] Doc -- change FIXME to TODO in chord-names-jazz.ly

---
 Documentation/included/chord-names-jazz.ly | 34 +++++++++++-----------
 1 file changed, 17 insertions(+), 17 deletions(-)

diff --git a/Documentation/included/chord-names-jazz.ly b/Documentation/included/chord-names-jazz.ly
index ccd42c54b7..d71422c405 100644
--- a/Documentation/included/chord-names-jazz.ly
+++ b/Documentation/included/chord-names-jazz.ly
@@ -3,7 +3,7 @@
 
 texidoc = " Chord names are generated from a list pitches.  The
 functions which construct these names can be customised. Here are shown
-Jazz chords, following Ignatzek (pp. 17-18, 1995) and 
+Jazz chords, following Ignatzek (pp. 17-18, 1995) and
 an alternative Jazz  chord notation.
 
 Chords following Banter (1987) can also be printed from this file, but
@@ -13,7 +13,7 @@ are turned off for brevity.
 
 }
 
-chs =  \transpose c' c' 
+chs =  \transpose c' c'
 {
 	<c e g>1
 	<c es g>% m = minor triad
@@ -22,19 +22,19 @@ chs =  \transpose c' c'
 	<c e g bes>
 	<c es g bes>
 	<c e g b> 		% triangle = maj
-	<c es ges beses> 
+	<c es ges beses>
 	<c es ges b> \break
 	<c e gis bes>
 	<c es g b>
-	<c e gis b> 
+	<c e gis b>
 	<c es ges bes>\break
 	<c e g a>   % 6 = major triad with added sixth
 	<c es g a>  % m6 = minor triad with added sixth
-	<c e g bes d'> 
+	<c e g bes d'>
 	<c es g bes d'> \break
 	<c es g bes d' f' a' >
 	<c es g bes d' f' >
-	<c es ges bes d' > 
+	<c es ges bes d' >
 	<c e g bes des' > \break
 	<c e g bes dis'>
 	<c e g bes d' f'>
@@ -65,7 +65,7 @@ chs =  \transpose c' c'
 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 % alternate Jazz notation
 
-efullmusicJazzAlt = 
+efullmusicJazzAlt =
 {
     <c e gis>1-\markup { "+" }
     <c e g b>-\markup { \normal-size-super
@@ -86,7 +86,7 @@ epartialmusicJazzAlt = {
     <c es>-\markup { "m" }
     <c f>-\markup { \normal-size-super "sus4" }
     <c g>-\markup { \normal-size-super "5" }
-    
+
     %% TODO, partial exceptions
     <c es f>-\markup { "m" }-\markup { \normal-size-super "sus4" }
     <c d es>-\markup { "m" }-\markup { \normal-size-super "sus2" }
@@ -94,7 +94,7 @@ epartialmusicJazzAlt = {
 
 epartialJazzAlt = #(sequential-music-to-chord-exceptions epartialmusicJazzAlt #f)
 
-jazzAltProperties = \sequential { 
+jazzAltProperties = \sequential {
     \set majorSevenSymbol = #whiteTriangleMarkup
     \set chordNameSeparator = #(make-simple-markup  "/")
     \set chordNameExceptionsFull = #efullJazzAlt
@@ -102,7 +102,7 @@ jazzAltProperties = \sequential {
     \set chordNameFunction = #jazz-chord-names
 }
 
-banterProperties = \sequential { 
+banterProperties = \sequential {
 	    \set chordNameFunction = #banter-chord-names
 }
 
@@ -113,7 +113,7 @@ banterProperties = \sequential {
 	    \set shortInstrumentName = #"Def"
 	    \chs
 	}
-	
+
 	\new ChordNames {
 	    \jazzAltProperties
 	    \set instrumentName = #"Alternative"
@@ -125,12 +125,12 @@ banterProperties = \sequential {
 
 	%% This is the Banter (1987) style.  It gives exceedingly
 	%% verbose (wide) names, making the output file take up to 4 pages.
-	%% (FIXME: how big is is now?)
+	%% (TODO: how big is is now?)
 	%% Turned off by default.
 
-	%% FIXME: use smaller font for Banter (or remove some esoteric
+	%% TODO: use smaller font for Banter (or remove some esoteric
 	%% chords).
-	
+
 	\new ChordNames {
 	    \banterProperties
 	    \set instrumentName = #"Banter"
@@ -138,15 +138,15 @@ banterProperties = \sequential {
 	    \chs
 	}
 %}
-	
+
 	\new Staff  \transpose c c' { \chs }
     >>
     \layout {
 	indent = 3.\cm
-	\context { 
+	\context {
 	    \ChordNames
 	    \consists Instrument_name_engraver
 	}
     }
 }
-	
+
-- 
2.39.2