From 2fbb7b60302656648646817959da1f2c4f5f74de Mon Sep 17 00:00:00 2001 From: James Lowe Date: Fri, 27 Dec 2013 23:50:57 +0000 Subject: [PATCH] Doc: NR add \chord to examples in A2 Issue 3755 Added new column to show a working example (also useful for Blind composers) Minor layout quibbles with @multitable means using the @* (forced break) for TexInfo commands - not strictly LP doc policy - to enhance clarity Reduced the line-width slightly of the @lilypond examples simply to help accommodate the extra column --- .../notation/notation-appendices.itely | 363 +++++++++++------- 1 file changed, 219 insertions(+), 144 deletions(-) diff --git a/Documentation/notation/notation-appendices.itely b/Documentation/notation/notation-appendices.itely index 5bc7c81948..2e8ff7841c 100644 --- a/Documentation/notation/notation-appendices.itely +++ b/Documentation/notation/notation-appendices.itely @@ -51,372 +51,447 @@ names, along with the pitches they represent. @node Common chord modifiers @appendixsec Common chord modifiers -The following table shows chord modifiers that can be used in -@code{\chordmode} to generate standard chord structures. +The following table shows chord modifiers that can be used to generate +standard chord structures. -@multitable @columnfractions .2 .3 .2 .2 +@multitable @columnfractions .2 .25 .2 .15 .2 @item -@b{Chord type} +@b{Type} @tab -@b{Intervals} +@b{Interval} @tab -@b{Modifier(s)} +@b{Modifier} @tab @b{Example} +@tab +@b{Output} @item Major @tab -Major third, perfect fifth +Major third, @*perfect fifth @tab @code{5} or nothing @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:5 -} +@code{c1:5} +@tab +@lilypond[line-width=2.1\cm,notime] +<< + \chords { c1:5 } + \chordmode { c1:5 } +>> @end lilypond @item Minor @tab -Minor third, perfect fifth +Minor third, @*perfect fifth @tab @code{m} or @code{m5} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:m -} +@code{c1:m} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:m } + \chordmode { c1:m } +>> @end lilypond @item Augmented @tab -Major third, augmented fifth +Major third, @*augmented fifth @tab @code{aug} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:aug -} +@code{c1:aug} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:aug } + \chordmode { c1:aug } +>> @end lilypond @item Diminished @tab -Minor third, diminished fifth +Minor third, @*diminished fifth @tab @code{dim} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:dim -} +@code{c1:dim} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:dim } + \chordmode { c1:dim } +>> @end lilypond @item Dominant seventh @tab -Major triad, minor seventh +Major triad, @*minor seventh @tab @code{7} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:7 -} +@code{c1:7} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:7 } + \chordmode { c1:7 } +>> @end lilypond @item Major seventh @tab -Major triad, major seventh +Major triad, @*major seventh @tab @code{maj7} or @code{maj} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:maj7 -} +@code{c1:maj7} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:maj7 } + \chordmode { c1:maj7 } +>> @end lilypond @item Minor seventh @tab -Minor triad, minor seventh +Minor triad, @*minor seventh @tab @code{m7} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:m7 -} +@code{c1:m7} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:m7 } + \chordmode { c1:m7 } +>> @end lilypond @item Diminished seventh @tab -Diminished triad, diminished seventh +Diminished triad, @*diminished seventh @tab @code{dim7} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:dim7 -} +@code{c1:dim7} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:dim7} + \chordmode { c1:dim7 } +>> @end lilypond @item Augmented seventh @tab -Augmented triad, minor seventh +Augmented triad, @*minor seventh @tab @code{aug7} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:aug7 -} +@code{c1:aug} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:aug7 } + \chordmode { c1:aug7 } +>> @end lilypond @item Half-diminished seventh @tab -Diminished triad, minor seventh +Diminished triad, @*minor seventh @tab @code{m7.5-} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:m7.5- -} +@code{c1:m7.5-} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:m7.5- } + \chordmode { c1:m7.5- } +>> @end lilypond @item Minor-major seventh @tab -Minor triad, major seventh +Minor triad, @*major seventh @tab @code{m7+} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:m7+ -} +@code{m7+} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:m7+ } + \chordmode { c1:m7+ } +>> @end lilypond @item Major sixth @tab -Major triad, sixth +Major triad, @*sixth @tab @code{6} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:6 -} +@code{c1:6} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:6 } + \chordmode { c1:6 } +>> @end lilypond @item Minor sixth @tab -Minor triad, sixth +Minor triad, @*sixth @tab @code{m6} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:m6 -} +@code{c1:m6} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:m6 } + \chordmode { c1:m6 } +>> @end lilypond @item Dominant ninth @tab -Dominant seventh, major ninth +Dominant seventh, @*major ninth @tab @code{9} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:9 -} +@code{c1:9} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:9 } + \chordmode { c1:9 } +>> @end lilypond @item Major ninth @tab -Major seventh, major ninth +Major seventh, @*major ninth @tab @code{maj9} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:maj9 -} +@code{c1:maj9} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:maj9 } + \chordmode { c1:maj9 } +>> @end lilypond @item Minor ninth @tab -Minor seventh, major ninth +Minor seventh, @*major ninth @tab @code{m9} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:m9 -} +@code{c1:m9} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:m9 } + \chordmode { c1:m9 } +>> @end lilypond @item Dominant eleventh @tab -Dominant ninth, perfect eleventh +Dominant ninth, @*perfect eleventh @tab @code{11} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:11 -} +@code{c1:11} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:11 } + \chordmode { c1:11 } +>> @end lilypond @item Major eleventh @tab -Major ninth, perfect eleventh +Major ninth, @*perfect eleventh @tab @code{maj11} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:maj11 -} +@code{c1:maj11} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:maj11 } + \chordmode { c1:maj11 } +>> @end lilypond @item Minor eleventh @tab -Minor ninth, perfect eleventh +Minor ninth, @*perfect eleventh @tab @code{m11} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:m11 -} +@code{c1:m11} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:m11 } + \chordmode { c1:m11 } +>> @end lilypond @item Dominant thirteenth @tab -Dominant ninth, major thirteenth +Dominant ninth, @*major thirteenth @tab @code{13} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:13 -} +@code{c1:13} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:13 } + \chordmode { c1:13 } +>> @end lilypond @item Dominant thirteenth @tab -Dominant eleventh, major thirteenth +Dominant eleventh, @*major thirteenth @tab @code{13.11} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:13.11 -} +@code{c1:13.11} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords{ c1:13.11 } + \chordmode { c1:13.11 } +>> @end lilypond @item Major thirteenth @tab -Major eleventh, major thirteenth +Major eleventh, @*major thirteenth @tab @code{maj13.11} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:maj13.11 -} +@code{c1:maj13.11} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:maj13.11 } + \chordmode { c1:maj13.11 } +>> @end lilypond @item Minor thirteenth @tab -Minor eleventh, major thirteenth +Minor eleventh, @*major thirteenth @tab @code{m13.11} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:m13.11 -} +@code{c1:m13.11} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:m13.11 } + \chordmode { c1:m13.11 } +>> @end lilypond @item Suspended second @tab -Major second, perfect fifth +Major second, @*perfect fifth @tab @code{sus2} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:sus2 -} +@code{c1:sus2} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:sus2 } + \chordmode { c1:sus2 } +>> @end lilypond @item Suspended fourth @tab -Perfect fourth, perfect fifth +Perfect fourth, @*perfect fifth @tab @code{sus4} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - c1:sus4 -} +@code{c1:sus4} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +<< + \chords { c1:sus4 } + \chordmode { c1:sus4 } +>> @end lilypond @item -Power chord (two-voiced) +Power chord @*(two-voiced) @tab Perfect fifth @tab @code{1.5} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - \powerChords - c1:1.5 -} +@code{\powerChords c1:1.5} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] +\chordmode { \powerChords c1:1.5 } @end lilypond @item -Power chord (three-voiced) +Power chord @*@w{(three-voiced)} @tab -Perfect fifth, octave +Perfect fifth, @*octave @tab @code{1.5.8} @tab -@lilypond[line-width=2.8\cm,noragged-right, notime] -\chordmode { - \powerChords - c1:1.5.8 -} +@code{\powerChords c1:1.5.8} +@tab +@lilypond[line-width=2.1\cm,noragged-right,notime] + \chordmode { \powerChords c1:1.5.8 } @end lilypond @end multitable -- 2.39.2