From 162cf73f37b177f9e576ee4bccec7d4c685efdaa Mon Sep 17 00:00:00 2001 From: Francisco Vila Date: Tue, 12 Oct 2010 11:32:54 +0200 Subject: [PATCH] Doc-es: update Engraving, Tweaks, Changing, Input, Text, and Wind. --- Documentation/es/essay/engraving.itely | 87 +++++++++++-------- Documentation/es/learning/tweaks.itely | 20 +++-- .../es/notation/changing-defaults.itely | 7 +- Documentation/es/notation/input.itely | 8 +- Documentation/es/notation/text.itely | 10 +-- Documentation/es/notation/wind.itely | 5 +- 6 files changed, 75 insertions(+), 62 deletions(-) diff --git a/Documentation/es/essay/engraving.itely b/Documentation/es/essay/engraving.itely index 9ee25760cc..691c2f56d3 100644 --- a/Documentation/es/essay/engraving.itely +++ b/Documentation/es/essay/engraving.itely @@ -1,7 +1,7 @@ @c -*- coding: utf-8; mode: texinfo; -*- @ignore - Translation of GIT committish: fe2cae0fa47ec4ec0184e6b3d15572fbcba881cf + Translation of GIT committish: fb382fd467dea1bf5c5735cf4b5c59935fbd40a8 When revising a translation, copy the HEAD committish of the version that you are working on. For details, see the Contributors' @@ -497,8 +497,9 @@ global = { \key c \minor } -\new Score << - \new Staff \with { +\score { + << + \new Staff \with { fontSize = #-4 \override StaffSymbol #'staff-space = #(magstep -4) \override StaffSymbol #'thickness = #(magstep -3) @@ -510,18 +511,18 @@ global = { g8.(^> b16 c ees) g8-.^> r r R2. } - \new PianoStaff << - \set PianoStaff.instrumentName = #"Piano" - \new Staff \relative c' { - \global - s2. - s4. s8 r8 r16 - 4.^> 8 r r - } - \new Staff \relative c { - \global - \clef "bass" - << + \new PianoStaff << + \set PianoStaff.instrumentName = #"Piano" + \new Staff \relative c' { + \global + s2. + s4. s8 r8 r16 + 4.^> 8 r r + } + \new Staff \relative c { + \global + \clef "bass" + << { \once \override DynamicText #'X-offset = #-3 2.~->^\f @@ -530,12 +531,13 @@ global = { 2.~ 4.~ 8 } - >> - r8 r16 16 - 4.-> 8 r r - } + >> + r8 r16 16 + 4.-> 8 r r + } + >> >> ->> +} @end lilypond @end ignore @@ -847,10 +849,12 @@ partII = \relative c' { d4 r4 r8 d'16 c bes8 c16 d ees8 d c ees a, r r4 } + partIII = \relative c' { \voiceOne r2 r8 d ees g, fis4 g r8 a16 bes c8 bes16 a } + partIV = \relative c { \voiceTwo d4 r r2 @@ -908,16 +912,19 @@ voces superior e inferior intercambian temporalmente sus posiciones: @c KEEP LY @lilypond collide = \once \override NoteColumn #'force-hshift = #0 -\new Score << - \new Voice = "sample" \relative c''{ - \key g \minor - << - { \voiceOne g4 \collide g4 } - \new Voice { \voiceTwo bes \collide bes } - >> - } - \new Lyrics \lyricsto "sample" \lyricmode { "bien " " mal" } ->> + +\score { + << + \new Voice = "sample" \relative c''{ + \key g \minor + << + { \voiceOne g4 \collide g4 } + \new Voice { \voiceTwo bes \collide bes } + >> + } + \new Lyrics \lyricsto "sample" \lyricmode { "bien " " mal" } + >> +} @end lilypond @item Finale ha colocado todos los silencios en alturas fijas sobre el @@ -1453,13 +1460,19 @@ direcciones hacia abajo (o hacia la izquierda). El segundo acorde tiene todas las direcciones hacia arriba (o hacia la derecha). @lilypond[quote,ragged-right] -\new Score \with { - \override SpacingSpanner #'spacing-increment = #3 - \override TimeSignature #'transparent = ##t -} \relative c' { - \stemDown 4_>-\arpeggio - \override Arpeggio #'direction = #RIGHT - \stemUp 4^>-\arpeggio +\score { + \relative c' { + \stemDown 4_>-\arpeggio + \override Arpeggio #'direction = #RIGHT + \stemUp 4^>-\arpeggio + } + \layout { + \context { + \Score + \override SpacingSpanner #'spacing-increment = #3 + \override TimeSignature #'transparent = ##t + } + } } @end lilypond diff --git a/Documentation/es/learning/tweaks.itely b/Documentation/es/learning/tweaks.itely index b6899b281b..d212c8b023 100644 --- a/Documentation/es/learning/tweaks.itely +++ b/Documentation/es/learning/tweaks.itely @@ -1,7 +1,7 @@ @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*- @ignore - Translation of GIT committish: 0f160f02f8fcf7859e18ab1ea0be1e3d69953879 + Translation of GIT committish: cd6d449de0bfc3236b87fbec08389697be8cae81 When revising a translation, copy the HEAD committish of the version that you are working on. For details, see the Contributors' @@ -4277,17 +4277,21 @@ en la medida justa como para que encaje dentro de los márgenes. Para que sean efectivos bajo cualquier circunstancia, estas comprobaciones deben habilitarse colocando las instrucciones de -sobreescritura dentro del bloque @code{\with} dentro de un Score, y no +sobreescritura con @code{\context} dentro del bloque @code{\layout}, y no en línea con la música, de la forma siguiente: @example -\new Score \with @{ - % asegura que las marcas de texto y letras de las canciones se encuentran dentro de los márgenes de la página - \override PaperColumn #'keep-inside-line = ##t - \override NonMusicalPaperColumn #'keep-inside-line = ##t -@} @{ - .. +\score @{ + @{ @dots{}notes@dots{} @} + \layout @{ + \context @{ + \Score + % asegura que las marcas de texto y letras de las canciones se encuentran dentro de los márgenes de la página + \override PaperColumn #'keep-inside-line = ##t + \override NonMusicalPaperColumn #'keep-inside-line = ##t + @} + @} @} @end example diff --git a/Documentation/es/notation/changing-defaults.itely b/Documentation/es/notation/changing-defaults.itely index 68499af8d7..adde16ea49 100644 --- a/Documentation/es/notation/changing-defaults.itely +++ b/Documentation/es/notation/changing-defaults.itely @@ -1,7 +1,7 @@ @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*- @ignore -Translation of GIT committish: af3c4ca42e348ec53b5034c50f3eeb435f7db05e +Translation of GIT committish: cd6d449de0bfc3236b87fbec08389697be8cae81 When revising a translation, copy the HEAD committish of the version that you are working on. For details, see the Contributors' @@ -114,8 +114,7 @@ armaduras están siempre alineados entre los distintos pentagramas. Se crea implícitamente una instancia del contexto Score cuando se procesa un bloque @code{\score @{@dots{}@}} o @code{\layout -@{@dots{}@}}, o explícitamente cuando se ejecuta una instrucción -@code{\new Score}. +@{@dots{}@}}. @node Contextos del nivel superior. Contenedores de pentagramas @unnumberedsubsubsec Contextos del nivel superior: contenedores de pentagramas @@ -242,6 +241,8 @@ Tipografía nombres de acordes. @subsection Crear contextos @translationof Creating contexts +@c TODO more complete descriptions rather than learning style + Para partituras que sólo tienen una voz y un pentagrama, los contextos se crean automáticamente. Para partituras más complejas, es necesario crearlos a mano. Existen tres instrucciones que hacen esto. diff --git a/Documentation/es/notation/input.itely b/Documentation/es/notation/input.itely index 7f12557359..f56f886c15 100644 --- a/Documentation/es/notation/input.itely +++ b/Documentation/es/notation/input.itely @@ -1,7 +1,7 @@ @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*- @ignore - Translation of GIT committish: 9748b8a77001b73bfd2bf35e27172a63d780c78d + Translation of GIT committish: cd6d449de0bfc3236b87fbec08389697be8cae81 When revising a translation, copy the HEAD committish of the version that you are working on. For details, see the Contributors' @@ -1906,15 +1906,11 @@ siguientes en el bloque @code{\midi@{ @}}. La salida MIDI se crea sólo cuando se incluye un bloque @code{\midi} dentro de un bloque de partitura definido con una instrucción -@code{\score}. Si se sitúa dentro de un contexto de partitura -instanciado explícitamente (es decir, dentro de un bloque @code{\new -Score}) el archivo no funciona. Para resolverlo, encierre las -instrucciones @code{\new Score} y @code{\midi} dentro de un bloque @code{\score}. @example \score @{ - \new Score @{ @dots{}notas@dots{} @} + @{ @dots{}notas@dots{} @} \midi @{ @} @} @end example diff --git a/Documentation/es/notation/text.itely b/Documentation/es/notation/text.itely index 3818fd3096..2719f81ec4 100644 --- a/Documentation/es/notation/text.itely +++ b/Documentation/es/notation/text.itely @@ -1,13 +1,13 @@ @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*- @ignore - Translation of GIT committish: 4ecef06e22df3293a2bf246e1ebccb300ce90b3e + Translation of GIT committish: f021b1f3fa3a696a132dcdd6e27005c95e27176f When revising a translation, copy the HEAD committish of the version that you are working on. For details, see the Contributors' Guide, node Updating translation committishes.. @end ignore -@c \version "2.12.0" +@c \version "2.13.36" @node Texto @section Texto @@ -1255,10 +1255,10 @@ c^\markup { c c^\markup { \combine - \musicglyph #"accordion.accDiscant" + \musicglyph #"accordion.discant" \combine - \raise #0.5 \musicglyph #"accordion.accDot" - \raise #1.5 \musicglyph #"accordion.accDot" + \raise #0.5 \musicglyph #"accordion.dot" + \raise #1.5 \musicglyph #"accordion.dot" } @end lilypond diff --git a/Documentation/es/notation/wind.itely b/Documentation/es/notation/wind.itely index fb588c8d57..b1e3f1e5b9 100644 --- a/Documentation/es/notation/wind.itely +++ b/Documentation/es/notation/wind.itely @@ -1,15 +1,14 @@ @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*- @ignore - Translation of GIT committish: 671a0bcf734837eb45a942d377ac81e5d1450496 + Translation of GIT committish: 0e655d34188858edac8876696bd7bb229d8eac52 When revising a translation, copy the HEAD committish of the version that you are working on. For details, see the Contributors' Guide, node Updating translation committishes.. @end ignore -@c \version "2.12.0" - +@c \version "2.13.36" @node Instrumentos de viento @section Instrumentos de viento -- 2.39.2