From 0c07aa626fc3b22771bc71445a54ecd85fc0f17a Mon Sep 17 00:00:00 2001 From: Graham Percival Date: Wed, 24 Oct 2007 13:50:07 -0700 Subject: [PATCH] Another update from Alard de Boer. --- Documentation/user/tutorial.itely | 19 +++++++++++++------ 1 file changed, 13 insertions(+), 6 deletions(-) diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely index 247d9f11b9..19bef7d6b7 100644 --- a/Documentation/user/tutorial.itely +++ b/Documentation/user/tutorial.itely @@ -260,7 +260,7 @@ Music glossary: @rglos{beam}, @rglos{duration}, @rglos{whole note}, The @notation{duration} of a note is specified by a number after the note name. @samp{1} for a @notation{whole note}, @samp{2} for a @notation{half note}, @samp{4} for a @notation{quarter note} and -so on. @notation{Beam}@tie{}s are added automatically. +so on. @notation{Beams} are added automatically. @lilypond[verbatim,quote,ragged-right] \relative c'' { @@ -592,7 +592,8 @@ signature only affects the @emph{printed} accidentals, not the note's newcomers, so let us explain it in more detail. LilyPond makes a sharp distinction between musical content and -layout. The alteration (@notation{flat}, @notation{natural} or @notation{sharp}) of a note is part of the pitch, and is therefore +layout. The alteration (@notation{flat}, @notation{natural} or +@notation{sharp}) of a note is part of the pitch, and is therefore musical content. Whether an accidental (a @emph{printed} flat, natural or sharp sign) is printed in front of the corresponding note is a question of layout. Layout is something that follows rules, so @@ -723,7 +724,7 @@ see @ruser{Phrasing slurs}. Music glossary: @rglos{articulation}. -Common @notation{articulation}@tie{}s can be added to a note using a +Common @notation{articulations} can be added to a note using a dash @samp{-} and a single character: @lilypond[verbatim,quote,ragged-right,fragment,relative=2] @@ -819,8 +820,10 @@ User manual: @ruser{Writing text}. @node Automatic and manual beams @subsection Automatic and manual beams +Music glossary: @rglos{beam}. + @cindex beams, by hand -All @rglos{beam}s are drawn automatically: +All @notation{beams} are drawn automatically: @lilypond[verbatim,quote,ragged-right,fragment,relative=2] a8 ais d ees r d c16 b a8 @@ -854,7 +857,9 @@ see @ruser{Manual beams}. @cindex partial measure @subheading Partial measure -A pickup (or @rglos{anacrusis}) is entered with the keyword +Music glossary: @rglos{anacrusis}. + +A pickup (or @notation{anacrusis}) is entered with the keyword @code{\partial}. It is followed by a duration: @code{\partial 4} is a quarter note pickup and @code{\partial 8} an eighth note. @@ -1249,6 +1254,8 @@ show that the music and lyrics are to occur at the same time. @node Aligning lyrics to a melody @subsection Aligning lyrics to a melody +Music glossary: @rglos{melisma}. + @cindex melisma @cindex extender line @cindex hyphens @@ -1274,7 +1281,7 @@ bright as day}. Let's extend it: We see the extra lyrics do not align properly with the notes. The word @q{shine} should be sung on two notes, not one. This is -called a @rglos{melisma}, a single syllable sung to more than one +called a @notation{melisma}, a single syllable sung to more than one note. There are several ways to spread a syllable over multiple notes, the simplest being to add a slur across them (see @ref{Ties and slurs}): -- 2.39.5