From 04ff9fb5a09ec024abb32809cd240c9cb0e72c1a Mon Sep 17 00:00:00 2001 From: Graham Percival Date: Fri, 28 Sep 2007 19:57:14 -0700 Subject: [PATCH] Thoughts about Putting. --- Documentation/user/putting.itely | 20 ++++++++++++++++++-- 1 file changed, 18 insertions(+), 2 deletions(-) diff --git a/Documentation/user/putting.itely b/Documentation/user/putting.itely index 7bf45cf13a..e651197ef0 100644 --- a/Documentation/user/putting.itely +++ b/Documentation/user/putting.itely @@ -27,6 +27,14 @@ You've read the tutorial, you know how to write music. But how can you get the staves that you want? The templates are ok, but what if you want something that isn't covered? +@menu +* Soprano and cello:: +* Another example of extending templates:: +@end menu + +@node Soprano and cello +@unnumberedsubsec Soprano and cello + Start off with the template that seems closest to what you want to end up with. Let's say that you want to write something for soprano and cello. In this case, we would start with @q{Notes and lyrics} (for the @@ -206,11 +214,19 @@ celloMusic = \relative c { @end lilypond +@node Another example of extending templates +@unnumberedsubsec Another example of extending templates + +TODO: somebody else fill this in. You guys like vocal stuff, +right? Get to it. :) -gp + +@node Scores and parts +@section Scores and parts -@node An orchestral part -@section An orchestral part +TODO: this is really old stuff from the really old tutorial. +Rewrite, fix, etc. -gp In orchestral music, all notes are printed twice. Once in a part for the musicians, and once in a full score for the conductor. Identifiers can -- 2.39.5