From 9d121902824db73a3f14daf93acecb86b0a259d7 Mon Sep 17 00:00:00 2001
From: Francisco Vila <francisco.vila@hispalinux.es>
Date: Mon, 20 Aug 2012 20:26:42 +0200
Subject: [PATCH] Doc-es: full update of manuals and texidocs.

---
 Documentation/es/changes.tely                 |  41 +-
 .../es/extending/programming-interface.itely  |  12 +-
 .../es/extending/scheme-tutorial.itely        |  22 +-
 Documentation/es/learning/fundamental.itely   |   4 +-
 Documentation/es/learning/tweaks.itely        |   6 +-
 Documentation/es/notation/ancient.itely       |  14 +-
 .../es/notation/changing-defaults.itely       | 374 +++++++++++++++---
 Documentation/es/notation/chords.itely        |   5 +-
 Documentation/es/notation/editorial.itely     |   3 +-
 .../es/notation/fretted-strings.itely         |  12 +-
 Documentation/es/notation/input.itely         | 121 ++++--
 Documentation/es/notation/keyboards.itely     |  43 +-
 .../es/notation/notation-appendices.itely     |  67 ++--
 Documentation/es/notation/pitches.itely       |   6 +-
 Documentation/es/notation/repeats.itely       |  25 +-
 Documentation/es/notation/rhythms.itely       |  62 ++-
 Documentation/es/notation/simultaneous.itely  |  10 +-
 Documentation/es/notation/spacing.itely       |  24 +-
 Documentation/es/notation/staff.itely         |   6 +-
 Documentation/es/notation/wind.itely          |  13 +-
 Documentation/es/notation/world.itely         |   4 +-
 .../accordion-discant-symbols.texidoc         |   2 +-
 ...ured-bass-above-or-below-the-notes.texidoc |   2 +-
 .../texidocs/adding-ambitus-per-voice.texidoc |   2 +-
 ...ing-an-extra-staff-at-a-line-break.texidoc |   2 +-
 .../es/texidocs/adding-an-extra-staff.texidoc |   2 +-
 ...ng-bar-lines-to-chordnames-context.texidoc |   2 +-
 ...sing-tuplet-and-non-tuplet-rhythms.texidoc |   2 +-
 .../es/texidocs/adding-drum-parts.texidoc     |   2 +-
 .../adding-fingerings-to-tablatures.texidoc   |   2 +-
 ...g-orchestral-cues-to-a-vocal-score.texidoc |   2 +-
 ...an-expressive-mark-or-chordal-note.texidoc |   2 +-
 ...adding-the-current-date-to-a-score.texidoc |   2 +-
 ...olta-brackets-to-additional-staves.texidoc |   2 +-
 ...itional-voices-to-avoid-collisions.texidoc |   2 +-
 .../adjusting-grace-note-spacing.texidoc      |   2 +-
 .../adjusting-lyrics-vertical-spacing.texidoc |   2 +-
 ...sting-the-shape-of-falls-and-doits.texidoc |   2 +-
 ...ing-and-centering-instrument-names.texidoc |   2 +-
 .../es/texidocs/aligning-bar-numbers.texidoc  |   2 +-
 ...arks-with-various-notation-objects.texidoc |   2 +-
 ...ngs-to-be-printed-inside-the-staff.texidoc |   2 +-
 ...ltering-the-length-of-beamed-stems.texidoc |   2 +-
 .../alternative-bar-numbering.texidoc         |   2 +-
 .../texidocs/alternative-breve-note.texidoc   |   2 +-
 .../ambitus-with-multiple-voices.texidoc      |   2 +-
 .../analysis-brackets-above-the-staff.texidoc |   2 +-
 .../es/texidocs/ancient-fonts.texidoc         |   2 +-
 ...n-transcription-of-gregorian-music.texidoc |   2 +-
 ...rn-transcription-of-mensural-music.texidoc |   2 +-
 .../texidocs/ancient-time-signatures.texidoc  |   2 +-
 .../texidocs/anglican-psalm-template.texidoc  |   2 +-
 ...depending-on-the-step-of-the-scale.texidoc |   2 +-
 .../es/texidocs/arabic-improvisation.texidoc  |   2 +-
 .../es/texidocs/asymmetric-slurs.texidoc      |   2 +-
 .../automatic-beam-subdivisions.texidoc       |   2 +-
 ...g-collisions-with-chord-fingerings.texidoc |   2 +-
 ...tion-for-guitar--with-text-spanner.texidoc |   2 +-
 .../beam-endings-in-score-context.texidoc     |   2 +-
 .../beam-grouping-in-7-8-time.texidoc         |   2 +-
 .../texidocs/beams-across-line-breaks.texidoc |   2 +-
 ...-lines-using-the--whiteout-command.texidoc |   2 +-
 .../texidocs/broken-crescendo-hairpin.texidoc |   2 +-
 .../caesura-railtracks-with-fermata.texidoc   |   2 +-
 ...center-text-below-hairpin-dynamics.texidoc |   2 +-
 .../changing--flageolet-mark-size.texidoc     |   2 +-
 ...ing-a-single-notes-size-in-a-chord.texidoc |   2 +-
 .../texidocs/changing-beam-knee-gap.texidoc   |   2 +-
 .../texidocs/changing-chord-separator.texidoc |   2 +-
 ...anging-form-of-multi-measure-rests.texidoc |   2 +-
 .../changing-fret-orientations.texidoc        |   2 +-
 ...di-output-to-one-channel-per-voice.texidoc |   2 +-
 .../changing-partcombine-texts.texidoc        |   2 +-
 ...d-spanner-styles-for-text-dynamics.texidoc |   2 +-
 .../texidocs/changing-the-ambitus-gap.texidoc |   2 +-
 ...lur-from-solid-to-dotted-or-dashed.texidoc |   2 +-
 .../changing-the-breath-mark-symbol.texidoc   |   2 +-
 ...-to-german-or-semi-german-notation.texidoc |   2 +-
 ...mber-of-augmentation-dots-per-note.texidoc |   2 +-
 ...itions-of-figured-bass-alterations.texidoc |   2 +-
 ...ging-the-size-of-woodwind-diagrams.texidoc |   2 +-
 ...the-tempo-without-a-metronome-mark.texidoc |   2 +-
 ...ging-the-text-for-sustain-markings.texidoc |   2 +-
 .../changing-the-tuplet-number.texidoc        |   2 +-
 ...tric-section-using--scaledurations.texidoc |   2 +-
 .../texidocs/chant-or-psalms-notation.texidoc |   2 +-
 .../chord-glissando-in-tablature.texidoc      |   2 +-
 .../es/texidocs/chord-name-exceptions.texidoc |   2 +-
 .../es/texidocs/chord-name-major7.texidoc     |   2 +-
 .../chordchanges-for-fretboards.texidoc       |   2 +-
 .../es/texidocs/clip-systems.texidoc          |   2 +-
 Documentation/es/texidocs/clusters.texidoc    |   2 +-
 ...mbining-dynamics-with-markup-texts.texidoc |   2 +-
 ...bining-two-parts-on-the-same-staff.texidoc |   2 +-
 .../texidocs/compound-time-signatures.texidoc |   2 +-
 ...ting-signs,-measure-grouping-signs.texidoc |   2 +-
 .../texidocs/contemporary-glissando.texidoc   |   2 +-
 ...nner-visibility-after-a-line-break.texidoc |   2 +-
 ...-the-placement-of-chord-fingerings.texidoc |   2 +-
 ...g-the-vertical-ordering-of-scripts.texidoc |   2 +-
 ...trolling-tuplet-bracket-visibility.texidoc |   2 +-
 .../texidocs/creating-a-delayed-turn.texidoc  |   2 +-
 ...quence-of-notes-on-various-pitches.texidoc |   2 +-
 ...s-across-notes-in-different-voices.texidoc |   2 +-
 .../es/texidocs/creating-blank-staves.texidoc |   2 +-
 ...s-staff-arpeggios-in-a-piano-staff.texidoc |   2 +-
 ...-staff-arpeggios-in-other-contexts.texidoc |   2 +-
 ...ing-metronome-marks-in-markup-mode.texidoc |   2 +-
 ...eating-real-parenthesized-dynamics.texidoc |   2 +-
 ...ating-simultaneous-rehearsal-marks.texidoc |   2 +-
 .../creating-slurs-across-voices.texidoc      |   2 +-
 .../texidocs/creating-text-spanners.texidoc   |   2 +-
 .../es/texidocs/cross-staff-tremolos.texidoc  |   2 +-
 Documentation/es/texidocs/custodes.texidoc    |   2 +-
 ...ustomizing-fretboard-fret-diagrams.texidoc |   2 +-
 .../customizing-markup-fret-diagrams.texidoc  |   2 +-
 ...ms-on-the-center-line-of-the-staff.texidoc |   2 +-
 ...d-fretboards-for-other-instruments.texidoc |   2 +-
 ...et-with-only-one-staff-in-a-system.texidoc |   2 +-
 .../displaying-complex-chords.texidoc         |   2 +-
 .../texidocs/displaying-grob-ancestry.texidoc |   2 +-
 ...namics-custom-text-spanner-postfix.texidoc |   2 +-
 .../dynamics-text-spanner-postfix.texidoc     |   2 +-
 ...tive-postscript-in-a--markup-block.texidoc |   2 +-
 .../es/texidocs/engravers-one-by-one.texidoc  |   2 +-
 .../texidocs/engraving-ties-manually.texidoc  |   2 +-
 ...lets-using-only-one--times-command.texidoc |   2 +-
 .../faking-a-hammer-in-tablatures.texidoc     |   2 +-
 ...ering-symbols-for-wind-instruments.texidoc |   2 +-
 ...cations,-and-right-hand-fingerings.texidoc |   2 +-
 .../es/texidocs/flamenco-notation.texidoc     |   2 +-
 .../texidocs/flat-flags-and-beam-nibs.texidoc |   2 +-
 .../forcing-horizontal-shift-of-notes.texidoc |   2 +-
 .../forcing-hyphens-to-be-shown.texidoc       |   2 +-
 .../formatting-lyrics-syllables.texidoc       |   2 +-
 .../fretboards-alternate-tables.texidoc       |   2 +-
 ...tted-string-harmonics-in-tablature.texidoc |   2 +-
 .../texidocs/generating-random-notes.texidoc  |   2 +-
 .../texidocs/glissandi-can-skip-grobs.texidoc |   2 +-
 ...aphical-and-text-woodwind-diagrams.texidoc |   2 +-
 ...d-lines--changing-their-appearance.texidoc |   2 +-
 ...-rhythms-and-notes-synchronization.texidoc |   2 +-
 .../es/texidocs/guitar-slides.texidoc         |   2 +-
 .../es/texidocs/guitar-strum-rhythms.texidoc  |   2 +-
 ...airpins-with-different-line-styles.texidoc |   2 +-
 ...notes-at-the-start-of-a-new-system.texidoc |   2 +-
 ...he-extender-line-for-text-dynamics.texidoc |   2 +-
 .../es/texidocs/hymn-template.texidoc         |   2 +-
 Documentation/es/texidocs/incipit.texidoc     |   2 +-
 ...staff-chords-with-arpeggio-bracket.texidoc |   2 +-
 .../es/texidocs/inserting-a-caesura.texidoc   |   2 +-
 .../texidocs/isolated-percent-repeats.texidoc |   2 +-
 .../es/texidocs/jazz-combo-template.texidoc   |   2 +-
 .../keep-change-clefs-full-sized.texidoc      |   2 +-
 .../letter-tablature-formatting.texidoc       |   2 +-
 Documentation/es/texidocs/line-arrows.texidoc |   2 +-
 .../es/texidocs/lyrics-alignment.texidoc      |   2 +-
 .../es/texidocs/makam-example.texidoc         |   2 +-
 ...-slurs-with-complex-dash-structure.texidoc |   2 +-
 ...taff-lines-thicker-than-the-others.texidoc |   2 +-
 .../es/texidocs/measure-counter.texidoc       |   2 +-
 ...ayout-bar-lines-between-the-staves.texidoc |   2 +-
 ...or-articulation-shorthand-notation.texidoc |   2 +-
 .../moving-dotted-notes-in-polyphony.texidoc  |   2 +-
 .../moving-slur-positions-vertically.texidoc  |   2 +-
 .../multi-measure-rest-markup.texidoc         |   2 +-
 .../es/texidocs/nesting-staves.texidoc        |   2 +-
 .../non-default-tuplet-numbers.texidoc        |   2 +-
 .../non-traditional-key-signatures.texidoc    |   2 +-
 .../numbers-as-easy-note-heads.texidoc        |   2 +-
 ...2-lyrics-spacing-in-newer-versions.texidoc |   2 +-
 ...open-string-harmonics-in-tablature.texidoc |   2 +-
 ...rchestra,-choir-and-piano-template.texidoc |   2 +-
 Documentation/es/texidocs/ottava-text.texidoc |   2 +-
 .../partcombine-and-autobeamoff.texidoc       |   2 +-
 .../percent-repeat-count-visibility.texidoc   |   2 +-
 .../texidocs/percent-repeat-counter.texidoc   |   2 +-
 ...-line-breaks-within-beamed-tuplets.texidoc |   2 +-
 .../es/texidocs/piano-template-simple.texidoc |   2 +-
 ...iano-template-with-centered-lyrics.texidoc |   2 +-
 ...no-template-with-melody-and-lyrics.texidoc |   2 +-
 ...placement-of-right-hand-fingerings.texidoc |   2 +-
 .../texidocs/polyphony-in-tablature.texidoc   |   2 +-
 .../es/texidocs/positioning-arpeggios.texidoc |   2 +-
 ...at-the-height-of-normal-note-beams.texidoc |   2 +-
 ...ng-grace-notes-with-floating-space.texidoc |   2 +-
 .../positioning-multi-measure-rests.texidoc   |   2 +-
 ...itioning-text-markups-inside-slurs.texidoc |   2 +-
 ...als-from-being-automatically-added.texidoc |   2 +-
 ...ted-when-the-key-signature-changes.texidoc |   2 +-
 ...t-sign-at-the-beginning-of-a-piece.texidoc |   2 +-
 ...g-bar-numbers-at-regular-intervals.texidoc |   2 +-
 ...ar-numbers-inside-boxes-or-circles.texidoc |   2 +-
 ...-hairpins-using-al-niente-notation.texidoc |   2 +-
 ...rinting-marks-at-the-end-of-a-line.texidoc |   2 +-
 .../printing-marks-on-every-staff.texidoc     |   2 +-
 ...nd-rehearsal-marks-below-the-staff.texidoc |   2 +-
 ...-with-and-without-an-octave-marker.texidoc |   2 +-
 ...e-bar-number-for-the-first-measure.texidoc |   2 +-
 ...g-another-voice-with-transposition.texidoc |   2 +-
 .../es/texidocs/quoting-another-voice.texidoc |   2 +-
 .../texidocs/recorder-fingering-chart.texidoc |   2 +-
 ...efining-grace-note-global-defaults.texidoc |   2 +-
 .../removing-bar-numbers-from-a-score.texidoc |   2 +-
 ...ffgroup,-pianostaff,-or-grandstaff.texidoc |   2 +-
 .../removing-the-first-empty-line.texidoc     |   2 +-
 Documentation/es/texidocs/rest-styles.texidoc |   2 +-
 .../reverting-default-beam-endings.texidoc    |   2 +-
 .../satb-choir-template---four-staves.texidoc |   2 +-
 ...ting-hairpin-behavior-at-bar-lines.texidoc |   2 +-
 .../setting-system-separators.texidoc         |   2 +-
 ...he-double-repeat-default-for-volte.texidoc |   2 +-
 ...ing-the-minimum-length-of-hairpins.texidoc |   2 +-
 .../shortening-volta-brackets.texidoc         |   2 +-
 .../showing-chords-at-changes.texidoc         |   2 +-
 .../es/texidocs/simple-lead-sheet.texidoc     |   2 +-
 ...ate-with-notes,-lyrics,-and-chords.texidoc |   2 +-
 ...th-notes,-lyrics,-chords-and-frets.texidoc |   2 +-
 ...aff-template-with-notes-and-chords.texidoc |   2 +-
 ...aff-template-with-notes-and-lyrics.texidoc |   2 +-
 ...gle-staff-template-with-only-notes.texidoc |   2 +-
 .../es/texidocs/slides-in-tablature.texidoc   |   2 +-
 .../stand-alone-two-column-markup.texidoc     |   2 +-
 ...tem-and-beam-behavior-in-tablature.texidoc |   2 +-
 .../es/texidocs/strict-beat-beaming.texidoc   |   2 +-
 .../string-quartet-template-simple.texidoc    |   2 +-
 ...artet-template-with-separate-parts.texidoc |   2 +-
 .../es/texidocs/subdividing-beams.texidoc     |   2 +-
 ...s-a-number-instead-of-the-fraction.texidoc |   2 +-
 ...tion-of-ancient-music-with-incipit.texidoc |   2 +-
 ...inimum-accidentals-smart-transpose.texidoc |   2 +-
 .../texidocs/tweaking-clef-properties.texidoc |   2 +-
 ...tweaking-grace-layout-within-music.texidoc |   2 +-
 ...cket-at-the-start-of-a-staff-group.texidoc |   2 +-
 .../using-alternative-flag-styles.texidoc     |   2 +-
 ...racket-to-make-divisi-more-visible.texidoc |   2 +-
 ...ing-double-slurs-for-legato-chords.texidoc |   2 +-
 ...ace-note-slashes-with-normal-heads.texidoc |   2 +-
 ...object-to-access-grobs-with--tweak.texidoc |   2 +-
 .../using-the-whiteout-property.texidoc       |   2 +-
 .../using-ties-with-arpeggios.texidoc         |   2 +-
 ...y-aligned-dynamics-and-textscripts.texidoc |   2 +-
 ...ing-dynamics-across-multiple-notes.texidoc |   2 +-
 ...tically-aligning-ossias-and-lyrics.texidoc |   2 +-
 ...ring-paired-figured-bass-extenders.texidoc |   2 +-
 ...ate-with-automatic-piano-reduction.texidoc |   2 +-
 ...aligned-below-and-above-the-staves.texidoc |   2 +-
 ...le-template-with-verse-and-refrain.texidoc |   2 +-
 .../texidocs/vocal-ensemble-template.texidoc  |   2 +-
 .../es/texidocs/volta-below-chords.texidoc    |   2 +-
 .../woodwind-diagrams-key-lists.texidoc       |   2 +-
 .../woodwind-diagrams-listing.texidoc         |   2 +-
 Documentation/es/usage/running.itely          |   4 +-
 Documentation/es/usage/suggestions.itely      |   6 +-
 Documentation/es/web/download.itexi           |   4 +-
 255 files changed, 881 insertions(+), 469 deletions(-)

diff --git a/Documentation/es/changes.tely b/Documentation/es/changes.tely
index 7c8db73dbe..d735612141 100644
--- a/Documentation/es/changes.tely
+++ b/Documentation/es/changes.tely
@@ -1,6 +1,6 @@
 \input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 @ignore
-    Translation of GIT committish: 17270930d34bbbc9a837585fcc84d6eabda67010
+    Translation of GIT committish: 2e3c5412eacdbfd976d2cd6c5cc90f272ddfc263
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -68,6 +68,39 @@ which scares away people.
 * only show user-visible changes.
 
 @end ignore
+@item
+Se contemplan las plicas de pentagrama cruzado en acordes, utilizando
+@code{crossStaff} y el grabador @code{Span_stem_engraver}.  Éste
+efectúa el cálculo de la longitud de las plicas de pentagrama cruzado
+de forma automática.
+@lilypondfile[quote]
+{cross-staff-stems.ly}
+
+@item
+La sintaxis de las palabras (secuencias de caracteres que se reconocen
+sin encerrarlas entre comillas) y las instrucciones (que ahora son
+siempre una barra invertida @samp{\} seguida de una palabra) se ha
+unificado para todos los modos: ahora consiste en caracteres
+alfabéticos, posiblemente comprendiendo guiones aislados @samp{-} y
+guiones bajos @samp{_}.
+
+Una consecuencia es que la utilización de guiones de texto sin
+entrecomillar como (literalmente)
+@example
+@{ c-script c\f_script @}
+@end example
+ahora tienden a producir una música no válida.  La omisión de las
+comillas para texto arbitrario en lugar de palabras clave nunca ha
+sido una buena práctica o se ha documentado, y es poco probable que se
+haya utilizado mucho.
+
+Quedarse con las convenciones establecidas (como no utilizar guiones o
+guiones bajos para los nombres de instrucción orientados a ser
+utilizados dentro de la música) sigue siendo recomendable.  El motivo
+de este cambio es el reconocimiento más robusto de las unidades
+léxicas de LilyPond para sí mismo así como para las herramientas
+externas que interpretan su sintaxis.
+
 @item
 Se contempla el canto kievano en notación cuadrada:
 @lilypond[quote,relative=1,verbatim]
@@ -258,6 +291,12 @@ la evaluación prematura.  También están los operadores de @q{división
 de cadenas} @code{$@@} y @code{#@@} para la interpretación de los
 miembros de una lista de forma individual.
 
+@item
+Para reducir la necesidad de utilizar @code{$}, las expresiones de
+Scheme escritas con @code{#} se interpretan como música dentro de las
+listas de música, y como elementos de marcado o de listas de marcado
+dentro de los elementos de marcado.
+
 @item
 Se ha mejorado el soporte de acordes de tipo jazz: se reconocen los
 acordes lidios y alterados; ahora se tratan los separadores entre
diff --git a/Documentation/es/extending/programming-interface.itely b/Documentation/es/extending/programming-interface.itely
index e13bed7a97..8ac0eb4bdf 100644
--- a/Documentation/es/extending/programming-interface.itely
+++ b/Documentation/es/extending/programming-interface.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 @c This file is part of extending.tely
 @ignore
-    Translation of GIT committish: 1f0a00b69403290b7fc7527b9ab100f95533f954
+    Translation of GIT committish: 3c169262c8f580c0f42c09f3a61b9ae9f0d6261c
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  See TRANSLATION for details.
@@ -476,7 +476,7 @@ withAlt =
      \override Stem #'length = #(* 7.0 mag)
      \override NoteHead #'font-size =
        #(inexact->exact (* (/ 6.0 (log 2.0)) (log mag)))
-     $music
+     #music
      \revert Stem #'length
      \revert NoteHead #'font-size
    #})
@@ -834,7 +834,7 @@ rectángulos y añade una separación.
   "Trazar un rectángulo doble rodeando el texto."
   (interpret-markup layout props
     #@{\markup \override #'(box-padding . 0.4) \box
-            \override #'(box-padding . 0.6) \box @{ $text @}#@}))
+            \override #'(box-padding . 0.6) \box @{ #text @}#@}))
 @end lisp
 
 or, equivalently
@@ -880,7 +880,7 @@ Ahora el código nuevo es como se ve a continuación:
   (interpret-markup layout props
     #@{\markup \override #`(box-padding . ,inter-box-padding) \box
                \override #`(box-padding . ,box-padding) \box
-               @{ $text @} #@}))
+               @{ #text @} #@}))
 @end lisp
 
 De nuevo, la versión equivalente que utiliza la macro de marcado sería:
@@ -917,7 +917,7 @@ y el relleno de los rectángulos se puede personalizar:
   (interpret-markup layout props
     #{\markup \override #`(box-padding . ,inter-box-padding) \box
               \override #`(box-padding . ,box-padding) \box
-              { $text } #}))
+              { #text } #}))
 
 \markup \double-box A
 \markup \override #'(inter-box-padding . 0.8) \double-box A
@@ -1033,7 +1033,7 @@ del argumento @code{props}.
 #(define-markup-list-command (paragraph layout props args) (markup-list?)
    #:properties ((par-indent 2))
    (interpret-markup-list layout props
-     #@{\markuplist \justified-lines @{ \hspace #par-indent $args @} #@}))
+     #@{\markuplist \justified-lines @{ \hspace #par-indent #args @} #@}))
 @end example
 
 
diff --git a/Documentation/es/extending/scheme-tutorial.itely b/Documentation/es/extending/scheme-tutorial.itely
index 8a96fc89f8..da97b7302f 100644
--- a/Documentation/es/extending/scheme-tutorial.itely
+++ b/Documentation/es/extending/scheme-tutorial.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: 6e765bb786fddd2e655315f9bde94968952b99ca
+    Translation of GIT committish: 3c169262c8f580c0f42c09f3a61b9ae9f0d6261c
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -710,7 +710,11 @@ consistentes con el modo actual de LilyPond.
 La acción inmediata de @code{$} puede llevar a alguna que otra
 sorpresa, véase @ref{Variables de entrada y Scheme}.  La utilización
 de @code{#} donde el analizador sintáctico lo contempla es normalmente
-preferible.
+preferible.  Dentro de las expresiones musicales, aquellas que se
+crean utilizando @code{#} @emph{se interprentan} como música.  Sin
+embargo, @emph{no se copian} antes de ser utilizadas.  Si forman parte
+de alguna estructura que aún podría tener algún uso, quizá tenga que
+utilizar explícitamente @code{ly:music-deep-copy}.
 
 @funindex $@@
 @funindex #@@
@@ -910,14 +914,14 @@ como
 
 @example
 ...
-@{ $@@newLa @}
+@{ #@@newLa @}
 @end example
 
 Aquí, cada elemento de la lista que está almacenado en @code{newLa} se
 toma en secuencia y se inserta en la lista, como si hubiésemos escrito
 
 @example
-@{ $(first newLa) $(second newLa) @}
+@{ #(first newLa) #(second newLa) @}
 @end example
 
 Ahora bien, en todas esas formas, el código de Scheme se evalúa en el
@@ -1177,7 +1181,7 @@ hacer que LilyPond dirija solamente esta salida a su propio archivo:
 
 @example
 @{
-  $(with-output-to-file "display.txt"
+  #(with-output-to-file "display.txt"
       (lambda () #@{ \displayMusic @{ c'4\f @} #@}))
 @}
 @end example
@@ -1615,16 +1619,16 @@ Lo podemos usar para crear instrucciones nuevas:
 
 @lilypond[quote,verbatim,ragged-right]
 tempoPadded = #(define-music-function (parser location padding tempotext)
-  (number? string?)
+  (number? markup?)
 #{
-  \once \override Score.MetronomeMark #'padding = $padding
+  \once \override Score.MetronomeMark #'padding = #padding
   \tempo \markup { \bold #tempotext }
 #})
 
 \relative c'' {
   \tempo \markup { "Low tempo" }
   c4 d e f g1
-  \tempoPadded #4.0 #"High tempo"
+  \tempoPadded #4.0 "High tempo"
   g4 f e d c1
 }
 @end lilypond
@@ -1635,7 +1639,7 @@ Incluso se le pueden pasar expresiones musicales:
 @lilypond[quote,verbatim,ragged-right]
 pattern = #(define-music-function (parser location x y) (ly:music? ly:music?)
 #{
-  $x e8 a b $y b a e
+  #x e8 a b #y b a e
 #})
 
 \relative c''{
diff --git a/Documentation/es/learning/fundamental.itely b/Documentation/es/learning/fundamental.itely
index b1ec29d64c..3996185e35 100644
--- a/Documentation/es/learning/fundamental.itely
+++ b/Documentation/es/learning/fundamental.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: 6b9b2c2e3e701852485c24bc71f404effc6d83ec
+    Translation of GIT committish: 3c169262c8f580c0f42c09f3a61b9ae9f0d6261c
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -3186,7 +3186,7 @@ padText =
      (parser location padding)
      (number?)
    #{
-     \once \override TextScript #'padding = $padding
+     \once \override TextScript #'padding = #padding
    #})
 
 \relative c''' {
diff --git a/Documentation/es/learning/tweaks.itely b/Documentation/es/learning/tweaks.itely
index 0aeb1a2ebe..35297b6b8a 100644
--- a/Documentation/es/learning/tweaks.itely
+++ b/Documentation/es/learning/tweaks.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: ce1c0fabb3d5ac18e61fb8fcc91a3990714553c2
+    Translation of GIT committish: 2936a7a6c5bca895dfd5725ab2422ad1c6b3ff11
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -4181,7 +4181,7 @@ echarles un vistazo, en primer lugar debe buscar la carpeta
 correspondiente a su sistema.  La ubicación de esta carpeta depende
 (a) de si consiguió el programa LilyPond descargando un binario
 precompilado desde el sitio web lilypond.org o si lo instaló mediante
-un gestor de paquetes (es decir, distribuido con Linux, o instalado
+un gestor de paquetes (es decir, distribuido con GNU/Linux, o instalado
 bajo fink o cygwin) o fue compilado a partir de la fuente, y (b) de
 qué sistema operativo está utilizando:
 
@@ -4189,7 +4189,7 @@ qué sistema operativo está utilizando:
 @strong{Descargado de lilypond.org}
 
 @itemize @bullet
-@item Linux
+@item GNU/Linux
 
 Diríjase a
 @example
diff --git a/Documentation/es/notation/ancient.itely b/Documentation/es/notation/ancient.itely
index 49f078cc5d..5e25345602 100644
--- a/Documentation/es/notation/ancient.itely
+++ b/Documentation/es/notation/ancient.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 @c vim: foldmethod=marker
 @ignore
-    Translation of GIT committish: bbd26f33a3141a7e7399cf669bb3eb68d445356c
+    Translation of GIT committish: 844e5387a003bde2c10389ad863184defe893b6c
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -867,8 +867,10 @@ controlan a través de la propiedad @code{glyph-name-alist} de los
 elementos gráficos @code{Accidental} y
 @code{KeySignature}, respectivamente; p.ej.:
 
-@code{\override Staff.Accidental #'glyph-name-alist =
-#alteration-mensural-glyph-name-alist}
+@example
+\override Staff.Accidental #'glyph-name-alist =
+  #alteration-mensural-glyph-name-alist
+@end example
 
 @seealso
 Glosario musical:
@@ -1311,8 +1313,10 @@ a través de la propiedad @code{glyph-name-alist} de los grobs (objetos
 gráficos) @rinternals{Accidental} y @rinternals{KeySignature},
 respectivamente; p.ej.:
 
-@code{\override Staff.Accidental #'glyph-name-alist =
-#alteration-mensural-glyph-name-alist}
+@example
+\override Staff.Accidental #'glyph-name-alist =
+  #alteration-mensural-glyph-name-alist
+@end example
 
 @seealso
 Glosario musical:
diff --git a/Documentation/es/notation/changing-defaults.itely b/Documentation/es/notation/changing-defaults.itely
index 8035f2fdc4..5141c12658 100644
--- a/Documentation/es/notation/changing-defaults.itely
+++ b/Documentation/es/notation/changing-defaults.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-Translation of GIT committish: bcd9d85bfc1dd6cc2dd3e98901b4df33fd6d0989
+Translation of GIT committish: 47abfd11dbf3902963836c42db1c38a7137af16e
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -662,102 +662,349 @@ compás independiente.
 @end lilypond
 
 @knownissues
-Normalmente, el orden en que se especifican los grabadores no tiene
-importancia, pero en algunos casos especiales sí la tiene, por ejemplo
-donde un grabador escribe una propiedad y otro la lee, o donde un
-grabador crea un groby otro debe procesarlo.  El orden en que los
-grabadores se especifican es el orden en que se llaman para realizar
-su tarea de procesamiento.
 
-Las siguientes ordenaciones son importantes: el grabador de compases
-@code{Bar_engraver} debe ir normalmente en primer lugar, y el grabador
-de digitaciones @code{New_fingering_engraver} debe ir antes del
-grabador @code{Script_column_engraver} de columnas de inscripciones.
-Podría haber otros que tengan dependencias de ordenación.
+El orden en que los grabadores se especifican es el orden en que se
+llaman para realizar su tarea de procesamiento.  Normalmente, el orden
+en que se especifican los grabadores no tiene importancia, pero en
+algunos casos especiales sí la tiene, por ejemplo donde un grabador
+escribe una propiedad y otro la lee, o donde un grabador crea un groby
+otro debe procesarlo.
+
+Las siguientes ordenaciones son importantes:
+
+@itemize
+@item
+el grabador de compases @code{Bar_engraver} debe ir normalmente en
+primer lugar,
+
+@item
+el grabador de digitaciones @code{New_fingering_engraver} debe ir
+antes del grabador @code{Script_column_engraver} de columnas de
+inscripciones,
+
+@item
+el @code{Timing_translator} debe ir antes del grabador de números de
+compás @code{Bar_number_engraver}.
+
+@end itemize
+
+@seealso
+Archivos instalados:
+@file{ly/engraver-init.ly}.
 
 
 @node Cambiar los valores por omisión de los contextos
 @subsection Cambiar los valores por omisión de los contextos
 @translationof Changing context default settings
 
-Los ajustes de contexto que están preparados para usarse de forma
-predeterminada en los contextos @code{Score}, @code{Staff} y
-@code{Voice}, se pueden especificar dentro de un bloque
-@code{\layout}, como se ilustra en el ejemplo siguiente.  El bloque
-@code{\layout} se debe colocar dentro del bloque @code{\score} en que
-se quiere que haga efecto, pero fuera de la música.
+@cindex predeterminadas, cambio de propiedades de contexto
+@cindex contexto, cambiar propiedades predeterminadas de
+
+Se pueden cambiar las propiedades de contexto y de grob con las
+instrucciones @code{\set} y @code{\override}, tal y como se describe
+en @ref{Modificar las propiedades}.  Estas instrucciones crean eventos
+musicales, haciendo que los cambios tengan efecto en el punto temporal
+en que la música se está procesando.
 
-Observe que la propia instrucción @code{\set} y el contexto se deben
-omitir cuando se especifican de esta manera los valores de contexto
-predeterminados:
+Por contra, esta sección explica la forma de cambiarlos valores
+@emph{predeterminados} de las propiedades de contexto y de grob en el
+momento en que se crea el contexto.  Existen dos formas de hacerlo.
+Una modifica los valores predeterminados en todos los contextos de un
+tipo dado, y el otro modifica los valores predeterminados solamente en
+una instancia concreta de un contexto.
+
+@menu
+* Cambiar todos los contextos del mismo tipo::
+* Cambiar solamente un contexto determinado::
+* Orden de precedencia::
+@end menu
+
+@node Cambiar todos los contextos del mismo tipo
+@unnumberedsubsubsec Cambiar todos los contextos del mismo tipo
+@translationof Changing all contexts of the same type
+
+@cindex \context dentro de un bloque \layout
+@funindex \context
+@funindex \layout
+
+Los ajustes de contexto que se han de usar de forma predeterminada
+dentro de @code{Score}, @code{Staff}, @code{Voice} y otros contextos
+se pueden especificar en un bloque @code{\context} dentro de cualquier
+bloque @code{\layout}.  El bloque @code{\layout} se debe colocar
+dentro del bloque @code{\score} al que se aplica, después de la
+música.
+
+@example
+\layout @{
+  \context @{
+    \Voice
+    [ajustes de contexto para todos los contextos Voice]
+  @}
+  \context @{
+    \Staff
+    [ajustes de contexto para todos los contextos Staff]
+  @}
+@}
+@end example
+
+Se pueden especificar los siguientes tipos de ajustes:
+
+@itemize
+@item
+Una instrucción @code{\override}, pero omitiendo el nombre del contexto
 
 @lilypond[quote,verbatim]
 \score {
   \relative c'' {
-    a4^"Really small, thicker stems, no time signature" a a a
-    a a a a
+    a4^"Thicker stems" a a a
+    a4 a a\ff a
   }
   \layout {
     \context {
       \Staff
-      fontSize = #-4
       \override Stem #'thickness = #4.0
-      \remove "Time_signature_engraver"
     }
   }
 }
 @end lilypond
 
-En este ejemplo, la instrucción @code{\Staff} especifica que los
-ajustes siguientes se apliquen a todos los pentagramas dentro del
-bloque de partitura.
+@item
+Estableciendo una propiedad de contexto directamente
 
-Se pueden realizar de forma similar modificaciones al contexto
-@code{Score} o a todos los contextos @code{Voice}.
+@lilypond[quote,verbatim]
+\score {
+  \relative c'' {
+    a4^"Smaller font" a a a
+    a4 a a\ff a
+  }
+  \layout {
+    \context {
+      \Staff
+      fontSize = #-4
+    }
+  }
+}
+@end lilypond
 
-Los cambios de contexto se pueden poner dentro de una variable y
-aplicarse a una definición de contexto @code{\context} anteponiendo la
-modificación mediante @code{\with}:
+@item
+Una instrucción predefinida tal como @code{\dynamicUp} o una expresión
+musical como @code{\accidentalStyle "dodecaphonic"}
 
 @lilypond[quote,verbatim]
-blubb = \with {
-  fontSize = #-4
-  \override Stem #'thickness = #4.0
-  \remove "Time_signature_engraver"
+\score {
+  \relative c'' {
+    a4^"Dynamics above" a a a
+    a4 a a\ff a
+  }
+  \layout {
+    \context {
+      \Voice
+      \dynamicUp
+    }
+    \context {
+      \Staff
+      \accidentalStyle "dodecaphonic"
+    }
+  }
 }
+@end lilypond
 
-bla = \with {
-  fontSize = #3
-  \override Stem #'thickness = #-2.0
-}
+@item
+Una variable definida por el usuario que contenga un bloque
+@code{\with}; para ver detalles acerca del bloque @code{\with},
+consulte @ref{Cambiar solamente un contexto determinado}.
 
-melody = \relative c'' {
-  a4 a a a |
-  a4 a a a |
+@lilypond[quote,verbatim]
+StaffDefaults = \with {
+  fontSize = #-4
 }
 
 \score {
-  <<
-    \new Staff <<
-      \melody
-      s4^"Small, thicker stems, no time signature"
-    >>
-    \new Staff \bla <<
-      \melody
-      s4^"Different"
-    >>
-  >>
+  \new Staff {
+    \relative c'' {
+      a4^"Smaller font" a a a
+      a4 a a a
+    }
+  }
   \layout {
     \context {
       \Staff
-      \blubb
+      \StaffDefaults
+    }
+  }
+}
+@end lilypond
+
+@end itemize
+
+Las instrucciones de ajuste de propiedades se pueden disponer dentro
+de un bloque @code{\layout} sin que estén encerradas en un bloque
+@code{\context}.  Tales ajustes son equivalentes a incluir las mismas
+instrucciones de ajuste de propiedades al comienzo de cada uno de los
+contextos del tipo especificado.  Si no se especifica ningún contexto,
+@emph{todos y cada uno} de los contextos del nivel inferior quedan
+afectados, véase @ref{Contextos del nivel más bajo. Voces}.  La
+sintaxis de una instrucción de ajuste de propiedades dentro de un
+bloque @code{\layout} es la misma que si la misma instrucción
+estuviera escrita en el propio flujo musical.
+
+@lilypond[quote,verbatim]
+\score {
+  \new Staff {
+    \relative c'' {
+      a4^"Smaller font" a a a
+      a4 a a a
     }
   }
+  \layout {
+    \accidentalStyle "dodecaphonic"
+    \set fontSize = #-4
+    \override Voice.Stem #'thickness = #4.0
+  }
 }
 @end lilypond
 
-@c TODO: add \with in here.
 
+@node Cambiar solamente un contexto determinado
+@unnumberedsubsubsec Cambiar solamente un contexto determinado
+@translationof Changing just one specific context
+
+@cindex \with
+@funindex \with
+
+Las propiedades de contexto de una única instancia de contexto pueden
+cambiarse dentro de un bloque @code{\with}.  Todas las demás
+instancias de contexto del mismo tipo retienen los ajustes
+predeterminados que LilyPond tiene programados y que se modifican por
+parte de cualquier bloque @code{\layout} que se encuentre dentro del
+ámbito.  El bloque @code{\with} se debe situar inmediatamente después
+de las instrucciones @code{\new} @var{context-type}:
+
+@example
+\new Staff
+\with @{
+  [ajustes de contexto para esta única instancia de contexto]
+@} @{
+...
+@}
+@end example
+
+Se pueden especificar los siguientes tipos de ajustes:
+
+@itemize
+@item
+Una instrucción @code{\override}, pero omitiendo el nombre del
+contexto
+
+@lilypond[quote,verbatim]
+\score {
+  \new Staff {
+    \new Voice
+    \with {
+      \override Stem #'thickness = #4.0
+    }
+    {
+      \relative c'' {
+        a4^"Thick stems" a a a
+        a4 a a a
+      }
+    }
+  }
+}
+@end lilypond
+
+@item
+Estableciendo una propiedad de contexto directamente
+
+@lilypond[quote,verbatim]
+\score {
+  <<
+    \new Staff {
+      \relative c'' {
+        a4^"Default font" a a a
+        a4 a a a
+      }
+    }
+    \new Staff
+    \with {
+      fontSize = #-4
+    } {
+      \relative c'' {
+        a4^"Smaller font" a a a
+        a4 a a a
+      }
+    }
+  >>
+}
+@end lilypond
+
+@item
+Una instrucción predefinida tal como @code{\dynamicUp}
+
+@lilypond[quote,verbatim]
+\score {
+  <<
+    \new Staff {
+      \new Voice {
+        \relative c'' {
+          a4^"Dynamics below" a a a
+          a4 a a\ff a
+        }
+      }
+    }
+    \new Staff
+    \with { \accidentalStyle "dodecaphonic" }
+    {
+      \new Voice
+      \with { \dynamicUp }
+      {
+        \relative c'' {
+          a4^"Dynamics above" a a a
+          a4 a a\ff a
+        }
+      }
+    }
+  >>
+}
+@end lilypond
+
+@end itemize
+
+@node Orden de precedencia
+@unnumberedsubsubsec Orden de precedencia
+@translationof Order of precedence
+
+El valor de una propiedad que se aplica en un momento determinado se
+determina de la siguiente forma:
+
+@itemize
+@item
+si está en efecto una instrucción @code{\override} o @code{\set}
+dentro del flujo musical, se usa dicho valor,
+
+@item
+de lo contrario, se usa el valor predeterminado tomado de un enunciado
+@code{\with} en las instrucciones de inicio del contexto,
+
+@item
+de lo contrario, se usa el valor tomado del bloque @code{\context} más
+reciente que corresponda dentro de los bloques @code{\layout},
+
+@item
+de lo contrario se usa el valor predeterminado que LilyPond lleva
+preprogramado.
+@end itemize
+
+@seealso
+Manual de aprendizaje:
+@rlearning{Modificar las propiedades de los contextos}.
+
+Referencia de la notación:
+@ref{Explicación de los contextos},
+@ref{Contextos del nivel más bajo. Voces},
+@ref{La instrucción set},
+@ref{La instrucción override},
+@ref{El bloque \layout}.
 
 
 @node Definir contextos nuevos
@@ -2010,8 +2257,10 @@ Manual de extensión:
 @cindex trucar puntos de control
 @cindex control, trucar puntos de
 
-La instrucción @code{\tweak} solamente se aplica a la primera de
-varias ligaduras generadas dentro de un acorde.
+No se puede usar la instrucción @code{\tweak} para modificar los
+puntos de control de una sola de varias ligaduras de unión dentro de
+un acorde, aparte de la primera que se encuentre en el código de
+entrada.
 
 
 @node set frente a override
@@ -2950,7 +3199,7 @@ combinaciones mediante funciones predefinidas cuya definición está en
 los objetos de presentación serán visibles en las posiciones que se
 muestran en el encabezamiento de cada columna:
 
-@multitable {@code{begin-of-line-invisible}} {@code{'#(#t #t #t)}} {yes} {yes} {yes}
+@multitable {@code{begin-of-line-invisible}} {@code{'#(#t #t #t)}} {Antes del} {Si no hay} {Después del}
 @headitem Forma                   @tab Forma                  @tab Antes del @tab Si no hay    @tab Después del
 @headitem de función              @tab de vector              @tab salto     @tab salto        @tab salto
 
@@ -3991,8 +4240,9 @@ debe devolver @code{#t}.
 @item @code{@var{@dots{}música@dots{}}}
 @tab código de entrada normal de LilyPond, que utiliza @code{$} (en los
 lugares en que sólo se permiten construcciones de Lilypond) o @code{#}
-(para usarlo como un valor de Scheme o un argumento de función
-musical) para referenciar argumentos (p.ej. @samp{#arg1}).
+(para usarlo como un valor de Scheme o un argumento de función musical
+o música dentro de listas de música) para referenciar argumentos
+(p.ej. @samp{#arg1}).
 @end multitable
 
 Los argumentos @code{parser} y @code{location} son necesarios, y se
@@ -4077,7 +4327,7 @@ custosNote =
      \tweak NoteHead #'text
         \markup \musicglyph #"custodes.mensural.u0"
      \tweak Stem #'stencil ##f
-     $note
+     #note
    #})
 
 \relative c' { c4 d e f \custosNote g }
diff --git a/Documentation/es/notation/chords.itely b/Documentation/es/notation/chords.itely
index a26eae5f27..e941796bf5 100644
--- a/Documentation/es/notation/chords.itely
+++ b/Documentation/es/notation/chords.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: 80340bdefc128536c79733d8c6f3467d91b01f72
+    Translation of GIT committish: 844e5387a003bde2c10389ad863184defe893b6c
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -821,7 +821,8 @@ myChords = \relative c' {
 @subsection Bajo cifrado
 @translationof Figured bass
 
-@lilypondfile[quote]{figured-bass-headword.ly}
+@c Line width hack because of instrument names
+@lilypondfile[quote,staffsize=18,line-width=14.5\cm]{figured-bass-headword.ly}
 
 Se puede imprimir notación de bajo cifrado.
 
diff --git a/Documentation/es/notation/editorial.itely b/Documentation/es/notation/editorial.itely
index 65a1a88507..56befec873 100644
--- a/Documentation/es/notation/editorial.itely
+++ b/Documentation/es/notation/editorial.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 @c This file is included from notation.itely
 @ignore
-    Translation of GIT committish: 80340bdefc128536c79733d8c6f3467d91b01f72
+    Translation of GIT committish: c28baa15608b96e15ae3971ac2a70cc65282c110
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -410,6 +410,7 @@ ver más detalles.
 @cindex notas fantasma
 @cindex notas entre paréntesis
 @cindex paréntesis
+@cindex corchetes
 
 @funindex \parenthesize
 @funindex parenthesize
diff --git a/Documentation/es/notation/fretted-strings.itely b/Documentation/es/notation/fretted-strings.itely
index eba749f513..dd7d875e5c 100644
--- a/Documentation/es/notation/fretted-strings.itely
+++ b/Documentation/es/notation/fretted-strings.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: 9b95b5452f689f330178ff142fc3847193ef19a5
+    Translation of GIT committish: 9f1c61a1ea1f5c01e7beb5da14b947a6ae0fb3db
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -1166,7 +1166,7 @@ predefinidos se pueden añadir para otros instrumentos u otras
 afinaciones siguiendo los ejemplos que aparecen en
 @file{predefined-guitar-fretboards.ly}.
 
-Los diagramas de posiciones para el ukelele están en el archivo
+Los diagramas de posiciones para el ukelele están en el archivo @*
 @file{predefined-ukulele-fretboards.ly}.
 
 @lilypond[verbatim, ragged-right, quote]
@@ -1185,7 +1185,7 @@ myChords = \chordmode { a1 a:m a:aug }
 @end lilypond
 
 Los diagramas de posiciones para la mandolina
-están contenidos en el archivo
+están contenidos en el archivo @*
 @file{predefined-mandolin-fretboards.ly}.
 
 @lilypond[verbatim, ragged-right, quote]
@@ -1445,9 +1445,9 @@ Referencia de la notación:
 @ref{Diagramas predefinidos de trastes}.
 
 Archivos de inicio:
-@file{ly/predefined-guitar-fretboards.ly},
-@file{ly/predefined-guitar-ninth-fretboards.ly},
-@file{ly/predefined-ukulele-fretboards.ly},
+@file{ly/predefined-guitar-fretboards.ly}, @*
+@file{ly/predefined-guitar-ninth-fretboards.ly}, @*
+@file{ly/predefined-ukulele-fretboards.ly}, @*
 @file{ly/predefined-mandolin-fretboards.ly}.
 
 Fragmentos de código:
diff --git a/Documentation/es/notation/input.itely b/Documentation/es/notation/input.itely
index 70df6d34d3..443bdb2209 100644
--- a/Documentation/es/notation/input.itely
+++ b/Documentation/es/notation/input.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: 73255e50558a62841500aa947ff7cad28636d144
+    Translation of GIT committish: 4c2851d28c0a94a30cc7652b9b0052ce7f0ade7e
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -669,50 +669,84 @@ Referencia de la notación:
 @unnumberedsubsubsec Presentación predeterminada de los bloques de título del libro y la partitura
 @translationof Default layout of book and score title blocks
 
-La disposición y formato de los bloques de título están controlados
-por medio de dos variables de @code{\paper}: @code{bookTitleMarkup}
-para el bloque de título @code{\header} principal y
-@code{scoreTitleMarkup} para los bloques @code{\header} individuales
-dentro de un bloque @code{\score}.
+Este ejemplo muestra todas las variables de @code{\header}:
 
-@lilypond[papersize=a6,quote,verbatim,noragged-right]
-\header {
-  % The following fields are centered
-  dedication = "Dedication"
-  title = "Title"
-  subtitle = "Subtitle"
-  subsubtitle = "Subsubtitle"
-  instrument = "Instrument"
-
-  % The following fields are left-aligned on the left side
-  poet = "Poet"
-  meter = "Meter"
-
-  % The following fields are right-aligned on the right side
-  composer = "Composer"
-  arranger = "Arranger"
-}
-
-\score {
-  { s1 }
+@c KEEP LY
+@lilypond[papersize=a7,quote,verbatim,noragged-right]
+\book {
   \header {
-    % The following fields are placed at opposite ends of the same line
-    piece = "Piece"
-    opus = "Opus"
+      % Los siguientes campos están centrados
+    dedication = "Dedication (dedicatoria)"
+    title = "Title (título)"
+    subtitle = "Subtitle (subtítulo)"
+    subsubtitle = "Subsubtitle (sub-subtítulo)"
+      % Los siguientes campos se distribuyen regularmente sobre una línea
+      % el campo "instrument" también aparece en las siguientes páginas
+    instrument = \markup \with-color #green "Instrument (instrumento)"
+    poet = "Poet (poeta)"
+    composer = "Composer (autor)"
+      % Los siguientes campos se sitúan en los extremos opuestos de la misma línea
+    meter = "Meter (metro)"
+    arranger = "Arranger (arreglista)"
+      % Los siguientes campos están centrados en la parte inferior
+    tagline = "la tagline o línea de etiqueta va al final de la úitlma página"
+    copyright = "el copyright va al final de la primera página"
+  }
+  \score {
+    { s1 }
+    \header {
+        % Los siguientes campos se colocan en los extremos de una línea
+      piece = "Piece (pieza) 1"
+      opus = "Opus 1"
+    }
+  }
+  \score {
+    { s1 }
+    \header {
+        % Los siguientes campos se sitúan en los extremos de una línea
+      piece = "Piece (pieza) 2 en la misma página"
+      opus = "Opus 2"
+    }
+  }
+  \pageBreak
+  \score {
+    { s1 }
+    \header {
+        % Los siguientes campos se sitúan en los extremos de una línea
+      piece = "Piece (pieza) 3 en una página nueva"
+      opus = "Opus 3"
+    }
   }
 }
 @end lilypond
 
-@c Is the bit about \null markups true? -mp
+Observe que
+
+@itemize
+@item
+El nombre de instrumento se repite en todas las páginas.
+
+@item
+Solamente @code{piece} (la pieza) y @code{opus} se imprimen en una
+@code{\score} cuando la variable de papel @code{print-all-headers} se
+establece a @code{##f} (el valor predeterminado).
 
+@item
+@c Is the bit about \null markups true? -mp
 Los campos de texto que se dejan sin establecer dentro de un bloque
 @code{\header} se sustituyen por elementos de marcado nulos
 @code{\null} de manera que no ocupen espacio innecesariamente.
 
+@item
 Los ajustes predeterminados para @code{scoreTitleMarkup} sitúan los
 campos de texto @code{piece} y @code{opus} en extremos opuestos de la
 misma línea.
 
+@end itemize
+
+Para cambiar la disposición predeterminada, véase
+@ref{Personalización de los bloques de título}.
+
 @cindex breakbefore
 
 Utilice la variable @code{breakbefore} dentro de un bloque
@@ -721,17 +755,18 @@ para hacer que los títulos del bloque @code{\header} del nivel
 superior aparezcan ocupando toda la primera página, empezando la
 música (definida en el bloque @code{\score}) en la página siguiente.
 
+@c KEEP LY
 @lilypond[papersize=a8landscape,verbatim,noragged-right]
 \book {
   \header {
-    title = "This is my Title"
-    subtitle = "This is my Subtitle"
-    copyright = "This is the bottom of the first page"
+    title = "Este es mi Title (título)"
+    subtitle = "Este es mi Subtitle (subtítulo)"
+    copyright = "Este es el final de la primera página"
   }
   \score {
     \repeat unfold 4 { e'' e'' e'' e'' }
     \header {
-      piece = "This is the Music"
+      piece = "Esto es la música"
       breakbefore = ##t
     }
   }
@@ -743,6 +778,7 @@ Manual de aprendizaje:
 @rlearning{Cómo funcionan los archivos de entrada de LilyPond}
 
 Referencia de la notación:
+@ref{Personalización de los bloques de título},
 @ref{Estructura del archivo}.
 
 Archivos de inicio:
@@ -862,10 +898,15 @@ Referencia de la notación:
 @unnumberedsubsubsec Personalización de los bloques de título
 @translationof Custom layout for title blocks
 
+@cindex bookTitleMarkup
+@cindex scoreTitleMarkup
+@funindex bookTitleMarkup
+@funindex scoreTitleMarkup
+
 Las instrucciones @code{\markup} dentro del bloque @code{\header} son
 útiles para dar un formato simple al texto, pero no permiten un
 control preciso sobre la colocación de los títulos.  Para personalizar
-la colocación de los campos de texto, use una o las dos variables de
+la colocación de los campos de texto, cambie una o las dos variables de
 @code{\paper} siguientes:
 
 @itemize
@@ -873,7 +914,9 @@ la colocación de los campos de texto, use una o las dos variables de
 @item @code{scoreTitleMarkup} (marcado de título de la partitura)
 @end itemize
 
-Estas variables de marcado se estudian en
+La colocación de los títulos cuando se utilizan los valores
+predeterminados de estas variables de @code{\markup} se muestra en los
+ejemplos de
 @ref{Presentación predeterminada de los bloques de título del libro y la partitura}.
 
 Los ajustes predeterminados para @code{scoreTitleMarkup} tal y como
@@ -1428,7 +1471,7 @@ dentro de un elemento de marcado, para obtener el número de la página
 en la que se sitúa el punto señalizado, usando la instrucción de
 marcado @code{\page-ref}.
 
-@lilypond[verbatim]
+@lilypond[verbatim,papersize=a8landscape]
 \header { tagline = ##f }
 \book {
   \label #'firstScore
@@ -1550,7 +1593,7 @@ tocAct =
    (add-toc-item! 'tocActMarkup text))
 @end verbatim
 
-@lilypond[line-width=11.0\cm]
+@lilypond[line-width=10.0\cm]
 \header { tagline = ##f }
 \paper {
   tocActMarkup = \markup \large \column {
@@ -1578,7 +1621,7 @@ tocAct =
 
 Se pueden añadir puntos de relleno entre un elemento y su número de página:
 
-@lilypond[verbatim,quote]
+@lilypond[verbatim,line-width=10.0\cm]
 \header { tagline = ##f }
 \paper {
   tocItemMarkup = \tocItemWithDotsMarkup
diff --git a/Documentation/es/notation/keyboards.itely b/Documentation/es/notation/keyboards.itely
index 11351c3a13..f125eaa815 100644
--- a/Documentation/es/notation/keyboards.itely
+++ b/Documentation/es/notation/keyboards.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: 4ab6e4df934e57c51dbbdbf2c209273c6cb5b888
+    Translation of GIT committish: 2e3c5412eacdbfd976d2cd6c5cc90f272ddfc263
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -439,40 +439,17 @@ Referencia de funcionamiento interno:
 @cindex acordes de pentagrama cruzado
 
 @funindex Stem
-@funindex cross-staff
-@funindex length
-@funindex flag-style
+@funindex \crossStaff
+@funindex \autoBeamOff
+@funindex Span_stem_engraver
 
-Se pueden hacer acordes que cruzan los pentagramas:
+Se pueden hacer acordes que cruzan los pentagramas usando el grabador
+@code{Span_stem_engraver}.  Debe tenerse cuidado para estar seguro de
+que las barras automáticas no unen las notas de una pauta cuando no es
+necesario que estén unidas en la otra pauta.
 
-@lilypond[verbatim,quote]
-\new PianoStaff <<
-  \new Staff {
-    \relative c' {
-      f8 e4 d8 d f e4
-    }
-  }
-  \new Staff {
-    \relative c' {
-      << {
-        \clef bass
-        % stems may overlap the other staff
-        \override Stem #'cross-staff = ##t
-        % extend the stems to reach the other staff
-        \override Stem #'length = #12
-        % do not print extra flags
-        \override Flag #'style = #'no-flag
-        % prevent beaming as needed
-        a8 g4 f8 f bes\noBeam g4
-      }
-      \\
-      {
-        f,2 bes4 c
-      } >>
-    }
-  }
->>
-@end lilypond
+@lilypondfile[verbatim,quote]
+{cross-staff-stems.ly}
 
 @snippets
 @lilypondfile[verbatim,quote,texidoc,doctitle]
diff --git a/Documentation/es/notation/notation-appendices.itely b/Documentation/es/notation/notation-appendices.itely
index f5509924a5..b55687f6bc 100644
--- a/Documentation/es/notation/notation-appendices.itely
+++ b/Documentation/es/notation/notation-appendices.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: a001627a9609221f05631aaf0366795ce28f8437
+    Translation of GIT committish: 844e5387a003bde2c10389ad863184defe893b6c
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -39,6 +39,7 @@
 @end menu
 
 
+
 @node Cuadro de nombres de acordes
 @appendixsec Cuadro de nombres de acordes
 @translationof Chord name chart
@@ -46,8 +47,8 @@
 La siguiente tabla muestra dos sistemas estándar para imprimir los
 nombres de los acordes, junto a las notas que representan.
 
-@lilypondfile{chord-names-jazz.ly}
-
+@c The line width is a hack to allow space for instrument names
+@lilypondfile[quote,line-width=15\cm]{chord-names-jazz.ly}
 
 @node Modificadores de acorde más usuales
 @appendixsec Modificadores de acorde más usuales
@@ -76,7 +77,7 @@ Tercera mayor y quinta justa
 @tab
 @code{5} o nada
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:5
 }
@@ -89,7 +90,7 @@ Tercera menor y quinta justa
 @tab
 @code{m} o @code{m5}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:m
 }
@@ -102,7 +103,7 @@ Tercera mayor y quinta aumentada
 @tab
 @code{aug}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:aug
 }
@@ -115,7 +116,7 @@ Tercera menor y quinta disminuida
 @tab
 @code{dim}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:dim
 }
@@ -128,7 +129,7 @@ Tríada mayor con séptima menor
 @tab
 @code{7}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:7
 }
@@ -141,7 +142,7 @@ Tríada mayor y séptima mayor
 @tab
 @code{maj7} ó @code{maj}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:maj7
 }
@@ -154,7 +155,7 @@ Tríada menor y séptima menor
 @tab
 @code{m7}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:m7
 }
@@ -167,7 +168,7 @@ Tríada disminuida y séptima disminuida
 @tab
 @code{dim7}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:dim7
 }
@@ -180,7 +181,7 @@ Tríada aumentada y séptima menor
 @tab
 @code{aug7}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:aug7
 }
@@ -193,7 +194,7 @@ Tríada disminuida y séptima menor
 @tab
 @code{m7.5-}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:m7.5-
 }
@@ -206,7 +207,7 @@ Tríada menor con séptima mayor
 @tab
 @code{m7+}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:m7+
 }
@@ -219,7 +220,7 @@ Tríada mayor y sexta
 @tab
 @code{6}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:6
 }
@@ -232,7 +233,7 @@ Tríada menor y sexta
 @tab
 @code{m6}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:m6
 }
@@ -245,7 +246,7 @@ Séptima dominante con novena mayor
 @tab
 @code{9}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:9
 }
@@ -258,7 +259,7 @@ Séptima mayor y novena mayor
 @tab
 @code{maj9}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:maj9
 }
@@ -271,7 +272,7 @@ Séptima menor y novena mayor
 @tab
 @code{m9}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:m9
 }
@@ -284,7 +285,7 @@ Novena dominante con oncena justa
 @tab
 @code{11}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:11
 }
@@ -297,7 +298,7 @@ Novena mayor y oncena justa
 @tab
 @code{maj11}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:maj11
 }
@@ -310,7 +311,7 @@ Novena menor y oncena justa
 @tab
 @code{m11}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:m11
 }
@@ -323,7 +324,7 @@ Novena dominante y trecena mayor
 @tab
 @code{13}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:13
 }
@@ -336,7 +337,7 @@ Oncena dominante y trecena mayor
 @tab
 @code{13.11}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:13.11
 }
@@ -349,7 +350,7 @@ Oncena mayor y trecena mayor
 @tab
 @code{maj13.11}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:maj13.11
 }
@@ -362,7 +363,7 @@ Oncena menor y trecena mayor
 @tab
 @code{m13.11}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:m13.11
 }
@@ -375,7 +376,7 @@ Segunda mayor y quinta justa
 @tab
 @code{sus2}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:sus2
 }
@@ -388,7 +389,7 @@ Cuarta justa y quinta justa
 @tab
 @code{sus4}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   c1:sus4
 }
@@ -401,7 +402,7 @@ Perfect fifth
 @tab
 @code{1.5}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   \powerChords
   c1:1.5
@@ -415,7 +416,7 @@ Perfect fifth, octave
 @tab
 @code{1.5.8}
 @tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
 \chordmode {
   \powerChords
   c1:1.5.8
@@ -441,16 +442,16 @@ El cuadro de abajo muestra las afinaciones predefinidas de cuerdas.
 El cuadro siguiente presenta los diagramas de posiciones de acordes
 predefinidos para guitarra.
 
-@lilypondfile{display-predefined-fretboards.ly}
+@lilypondfile[line-width=15.5\cm]{display-predefined-fretboards.ly}
 
 El cuadro siguiente presenta los diagramas de traste predefinidos para ukelele.
 
-@lilypondfile{display-predefined-ukulele-fretboards.ly}
+@lilypondfile[line-width=15.5\cm]{display-predefined-ukulele-fretboards.ly}
 
 El siguiente cuadro presenta los diagramas de posiciones predefinidas
 para la mandolina.
 
-@lilypondfile{display-predefined-mandolin-fretboards.ly}
+@lilypondfile[line-width=15.5\cm]{display-predefined-mandolin-fretboards.ly}
 
 
 @node Tamaños de página predefinidos
diff --git a/Documentation/es/notation/pitches.itely b/Documentation/es/notation/pitches.itely
index 16a4b1434f..fc9d4c8960 100644
--- a/Documentation/es/notation/pitches.itely
+++ b/Documentation/es/notation/pitches.itely
@@ -1,6 +1,6 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 @ignore
-    Translation of GIT committish: e061d65d89f0b0e48edbfc4e9674703cc05eeea1
+    Translation of GIT committish: 3c169262c8f580c0f42c09f3a61b9ae9f0d6261c
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -2365,7 +2365,7 @@ automáticamente.  Las alteraciones se imprimen como en el estilo
 las notas sostenidas o bemoles especificadas por la armadura, excepto
 si la nota se repite inmediatamente.
 
-@lilypond[quote]
+@lilypond[quote,staffsize=18]
 musicA = {
   <<
     \relative c' {
@@ -2587,7 +2587,7 @@ cambie localmente el estilo de alteraciones a @code{forget}:
 @lilypond[verbatim,quote]
 forget = #(define-music-function (parser location music) (ly:music?) #{
   \accidentalStyle "forget"
-  $music
+  #music
   \accidentalStyle "modern"
 #})
 {
diff --git a/Documentation/es/notation/repeats.itely b/Documentation/es/notation/repeats.itely
index 4cdc8dac85..f19a46fd0e 100644
--- a/Documentation/es/notation/repeats.itely
+++ b/Documentation/es/notation/repeats.itely
@@ -1,6 +1,6 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 @ignore
-    Translation of GIT committish: 80340bdefc128536c79733d8c6f3467d91b01f72
+    Translation of GIT committish: f3cacac4bafd2bace7dd23033618895cf11ef695
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -251,6 +251,26 @@ g1 |
 La propiedad @code{measureLength} se describe en @ref{Gestión del
 tiempo}.
 
+@funindex \inStaffSegno
+
+La instrucción @code{\inStaffSegno} se puede utilizar para colocar el
+símbolo del segno en colaboración con la instrucción @code{\repeat
+volta}.  Se pueden establecer símbolos alternativos de línea divisoria
+en el contexto de Score mediante la sobreescritura de las propiedades
+@code{segnoType}, @code{startRepeatSegnoType},
+@code{endRepeatSegnoType} o @code{doubleRepeatSegnoType} según sea
+necesario.
+
+@lilypond[verbatim,quote,relative=1]
+e1
+\repeat volta 2 {
+  \inStaffSegno
+  f2 g a b
+}
+c1_"D.S." \bar "|."
+@end lilypond
+
+
 @cindex repeticiones, con ligaduras
 @cindex primera y segunda vez, con ligaduras
 @cindex ligaduras, en repeticiones
@@ -436,7 +456,8 @@ una lista de Scheme.
 voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
 \relative c'' {
   c1
-  \set Score.repeatCommands = #(list(list 'volta voltaAdLib) 'start-repeat)
+  \set Score.repeatCommands =
+    #(list(list 'volta voltaAdLib) 'start-repeat)
   c4 b d e
   \set Score.repeatCommands = #'((volta #f) (volta "4.") end-repeat)
   f1
diff --git a/Documentation/es/notation/rhythms.itely b/Documentation/es/notation/rhythms.itely
index 8afb312247..9d0c28647e 100644
--- a/Documentation/es/notation/rhythms.itely
+++ b/Documentation/es/notation/rhythms.itely
@@ -1,6 +1,6 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 @ignore
-    Translation of GIT committish: f6b1f6ebcd527e6262add9c9cf3e4df5b3e5d63f
+    Translation of GIT committish: bc573af397a1b54f35fb1f95b3ee2e5360d4152f
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -2039,13 +2039,36 @@ barra nueva.
 @funindex \set
 @funindex set
 
+Cuando está habilitado el barrado automático, la colocación de las
+barras automñaticas viene determinada por tres propiedades de
+contexto: @code{baseMoment}, @code{beatStructure} y
+@code{beamExceptions}.  Si hay definida una regla de
+@code{beamExceptions} para el compás en curso, se usa dicha regla para
+determinar la colocación de las barras.  Si no está definida ninguna
+regla de @code{beamExceptions} para el tipo de compás en curso, la
+colocación de las barras está determinada por los ajustes de
+@code{baseMoment} y @code{beatStructure}.
+
+De forma predeterminada, las reglas de @code{beamExceptions} están
+definidas para los compases más comunes, y así las reglas de
+@code{beamException} se deben desactivar si pretendemos que el barrado
+automático esté basado en @code{baseMoment} y @code{beatStructure}.
+Las reglas de @code{beamExceptions} se desactivan mediante
+
+@example
+\set Timing.beamExceptions = #'()
+@end example
+
+
+@subsubheading @i{Barrado basado en @code{baseMoment} y @code{beatStructure}}
+
 En la mayor parte de los casos, las barras automáticas terminan al
 final de un pulso.  Los puntos finales de las barras vienen
 determinados por las propiedades de contexto @code{baseMoment} y
 @code{beatStructure}.  @code{beatStructure} es una lista de Scheme que
 define la longitud de cada pulso dentro del compás en unidades de
 @code{baseMoment}.  De forma predeterminada, @code{baseMoment} es una
-unidad más que el numerador del compás.  De forma predeterminada
+unidad más que el denominador del compás.  De forma predeterminada
 también, cada unidad de longitud @code{baseMoment} es un único pulso.
 
 @lilypond[quote,relative=2,verbatim]
@@ -2057,6 +2080,26 @@ c16^"(2+3)" c c c c |
 c16^"(3+2)" c c c c |
 @end lilypond
 
+Si es está utilizando una indicación de compás común, @emph{se debe}
+desactivar @code{beamExceptions} para habilitar el funcionamiento de
+@code{beatStructure}.  Siempre se puede incluir la instrucción
+@code{\set Timing.beamExceptions = #'()} si el barrado está
+determinado por @code{beatStructure}.
+
+@lilypond[quote,relative=2,verbatim]
+\time 4/4
+a8^"default" a a a a a a a
+
+\set Timing.baseMoment = #(ly:make-moment 1 4)
+\set Timing.beatStructure = #'(1 1 1 1)
+a8^"no change" a a a a a a a
+
+\set Timing.beamExceptions = #'()
+\set Timing.baseMoment = #(ly:make-moment 1 4)
+\set Timing.beatStructure = #'(1 1 1 1)
+a8^"changed" a a a a a a a
+@end lilypond
+
 Los cambios en los ajustes de barrado se pueden limitar a contextos
 específicos.  Si no se incluye ningún ajuste en un contexto de nivel
 más bajo, se aplican los ajustes del contexto circundante.
@@ -2122,6 +2165,8 @@ que el denominador del compás.  Todas las excepciones a este valor
 predeterminado están en
 @file{scm/time-signature-settings.scm}.
 
+@subsubheading @i{Barrado basado en @code{beamExceptions}}
+
 Las reglas de autobarrado especiales (distintas de terminar una barra
 sobre un pulso) están definidas en la propiedad @code{beamExceptions}.
 
@@ -2238,7 +2283,7 @@ r4. a8 a a |
 r4. a8 a a |
 @end lilypond
 
-@i{@strong{Cómo funciona el barrado automático}}
+@subsubheading @i{Cómo funciona el barrado automático}
 
 Cuando se habilita el barrado automático, la colocación de las barras
 de corchea automáticas viene determinada por las propiedades de
@@ -2749,6 +2794,11 @@ c4 c c c \break
 c1
 @end lilypond
 
+Además, existe una instrucción @code{\inStaffSegno} que crea un
+símbolo de segno, situado en colaboración con la instrucción
+@code{\repeat volta}.
+
+
 En las partituras con muchos pentagramas, una instrucción @code{\bar}
 en uno de ellos se aplica automáticamente a todos los demás.  Las
 líneas resultantes se conectan entre los distintos pentagramas de un
@@ -3431,7 +3481,7 @@ Véase @ref{Escalar las duraciones}.
 En un contexto orquestal, las cadenzas presentan un problema especial:
 al construir una partitura que tiene una cadenza, todos los demás
 instrumentos deben saltar tantas notas como la longitud de la cadenza,
-pues en caso contrario empezarán demasiado pronto o tarde.
+pues en caso contrario empezarán demasiado pronto o demasiado tarde.
 
 Una solución a este problema son las funciones @code{mmrest-of-length}
 y @code{skip-of-length}.  Estas funciones de Scheme toman un fragmento
@@ -3450,9 +3500,9 @@ MyCadenza = \relative c' {
     \MyCadenza c'1
   }
   \new Staff {
-    $(mmrest-of-length MyCadenza)
+    #(mmrest-of-length MyCadenza)
     c'1
-    $(skip-of-length MyCadenza)
+    #(skip-of-length MyCadenza)
     c'1
   }
 >>
diff --git a/Documentation/es/notation/simultaneous.itely b/Documentation/es/notation/simultaneous.itely
index cb2ae9a69c..45445defd3 100644
--- a/Documentation/es/notation/simultaneous.itely
+++ b/Documentation/es/notation/simultaneous.itely
@@ -1,6 +1,6 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 @ignore
-    Translation of GIT committish: e765ccfb78a8fd117c55773b4cfb8606484bcab9
+    Translation of GIT committish: 844e5387a003bde2c10389ad863184defe893b6c
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -15,7 +15,7 @@
 @section Notas simultáneas
 @translationof Simultaneous notes
 
-@lilypondfile[quote]{simultaneous-headword.ly}
+@lilypondfile[quote,ragged-right,line-width=16\cm]{simultaneous-headword.ly}
 
 La polifonía en música hace referencia a tener más de una voz en una
 pieza cualquiera de música.  En LilyPond la polifonía hace referencia
@@ -69,7 +69,8 @@ Las notas dentro del propio acorde también pueden ir seguidas
 de articulaciones y ornamentos.
 
 @lilypond[verbatim,quote,relative=2]
-<a c\prall e>1 <a-> c-^ e>2 <f-. a c-. e-.>4 <a-+ c-->8. <g\fermata c e\turn>16
+<a c\prall e>1 <a-> c-^ e>2 <f-. a c-. e-.>4
+<a-+ c-->8. <g\fermata c e\turn>16
 @end lilypond
 
 Sin embargo, algunos elementos de notación tales como las
@@ -78,7 +79,8 @@ ligaduras de espresión, se deben unir al acorde y no a las notas que integran
 el mismo, pues en caso contrario no se imprimirán.
 
 @lilypond[verbatim,quote,relative=2]
-<a\f c( e>1 <a c) e>\f <a\< c e>( <a\! c e>) <a c e>\< <a c e> <a c e>\!
+<a\f c( e>1 <a c) e>\f <a\< c e>( <a\! c e>)
+<a c e>\< <a c e> <a c e>\!
 @end lilypond
 
 @cindex acordes vacíos
diff --git a/Documentation/es/notation/spacing.itely b/Documentation/es/notation/spacing.itely
index 2ca09bf76b..8d18cbdb82 100644
--- a/Documentation/es/notation/spacing.itely
+++ b/Documentation/es/notation/spacing.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: 73255e50558a62841500aa947ff7cad28636d144
+    Translation of GIT committish: 844e5387a003bde2c10389ad863184defe893b6c
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -972,7 +972,8 @@ Referencia de la notación:
 @ref{Saltos de página},
 @ref{Saltos de página óptimos},
 @ref{Paso de página óptimo},
-@ref{Saltos de página mínimos}.
+@ref{Saltos de página mínimos},
+@ref{Saltos de página de una línea}.
 
 Archivos de inicio:
 @file{ly/paper-defaults-init.ly}.
@@ -1396,6 +1397,7 @@ del pentagrama.
 * Saltos de página óptimos::
 * Paso de página óptimo::
 * Saltos de página mínimos::
+* Saltos de página de una línea::
 * Saltos de línea explícitos::
 * Utilizar una voz adicional para los saltos de línea::
 @end menu
@@ -1757,6 +1759,22 @@ de memoria, o con una gran cantidad de textos.  Se habilita utilizando:
 Fragmentos de código:
 @rlsr{Spacing}.
 
+@node Saltos de página de una línea
+@subsection Saltos de página de una línea
+@translationof One-line page breaking
+
+@funindex ly:one-line-breaking
+
+La función @code{ly:one-line-breaking} es un algoritmo de saltos de
+página para uso especial que pone cada partitura en una página y en
+una sola línea.  Esta función de salto de página no compone los
+títulos ni los márgenes; solamente se imprime la partitura.
+
+El ancho de la página se ajusta de forma que la partitura más larga
+quepa en una línea.  Concretamente, las variables @code{paper-width},
+@code{line-width} y @code{indent} del bloque @code{\paper} se ignoran,
+aunque @code{left-margin} y @code{right-margin} aún se respetan.  La
+altura de la página se deja sin cambios.
 
 @node Saltos de línea explícitos
 @subsection Saltos de línea explícitos
@@ -2804,7 +2822,7 @@ El relleno vertical entre un objeto fuera del pentagrama y los grobs
 posicionados previamente se puede controlar con
 @code{outside-staff-padding}.
 
-@lilypond[quote,ragged-right,relative=2,verbatim]
+@lilypond[quote,ragged-right,relative=2,verbatim,staffsize=18]
 \once \override TextScript #'outside-staff-padding = #0
 a'^"This text is placed very close to the note"
 \once \override TextScript #'outside-staff-padding = #3
diff --git a/Documentation/es/notation/staff.itely b/Documentation/es/notation/staff.itely
index 6888184fb6..82545c6812 100644
--- a/Documentation/es/notation/staff.itely
+++ b/Documentation/es/notation/staff.itely
@@ -1,6 +1,6 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 @ignore
-    Translation of GIT committish: 4ab6e4df934e57c51dbbdbf2c209273c6cb5b888
+    Translation of GIT committish: bc918b0b39c7e432a6be7ecb4c5b9b2b0ed9dabc
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -13,7 +13,9 @@
 @section Notación de los pentagramas
 @translationof Staff notation
 
-@lilypondfile[quote]{staff-headword.ly}
+@c The line width is a bit of a hack to allow space for the
+@c  instrument names.
+@lilypondfile[quote,ragged-right,line-width=14.5\cm,staffsize=16]{staff-headword.ly}
 
 Esta sección explica cómo influir sobre la apariencia de los
 pentagramas, cómo imprimir partituras con más de un pentagrama y cómo
diff --git a/Documentation/es/notation/wind.itely b/Documentation/es/notation/wind.itely
index e7655f0443..0fe45d3567 100644
--- a/Documentation/es/notation/wind.itely
+++ b/Documentation/es/notation/wind.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: 80340bdefc128536c79733d8c6f3467d91b01f72
+    Translation of GIT committish: 844e5387a003bde2c10389ad863184defe893b6c
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -398,11 +398,10 @@ instrumento dado se puede imprimir en la consola usando
 usando @code{#(print-keys-verbose 'flute (current-error-port))},
 aunque no se pueden mostrar en la salida de música impresa.
 
-Se pueden crear diagramas nuevos siguiendo los patrones que están en
-@file{scm/define-woodwind-diagrams.scm} y en
-@file{scm/display-woodwind-diagrams.scm}.  Sin embargo, esto requiere
-conocimientos de Scheme y quizá no esté al alcance de todos los
-usuarios.
+Es posible crear diagramas nuevos, aunque requiere conocimientos de
+Scheme y quizá no esté al alcance de todos los usuarios.  Los patrones
+de los diagramas están en @file{scm/define-woodwind-diagrams.scm} y en
+@file{scm/display-woodwind-diagrams.scm}.
 
 @predefined
 @endpredefined
@@ -422,7 +421,7 @@ usuarios.
 
 @seealso
 Archivos de inicio:
-@file{scm/define-woodwind-diagrams.scm},
+@file{scm/define-woodwind-diagrams.scm}, @*
 @file{scm/display-woodwind-diagrams.scm}.
 
 Fragmentos de código:
diff --git a/Documentation/es/notation/world.itely b/Documentation/es/notation/world.itely
index 1410a110ef..ac49f8efc9 100644
--- a/Documentation/es/notation/world.itely
+++ b/Documentation/es/notation/world.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: 7ae1e99ff67432c96faf743bc28ac7b90a47a852
+    Translation of GIT committish: 844e5387a003bde2c10389ad863184defe893b6c
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -293,7 +293,7 @@ más importante del grupo, y podemos verlo como el maqam básico.
 A continuación presentamos una posibilidad de agrupación que asigna
 los maqams más comunes a armaduras de tonalidad:
 
-@multitable @columnfractions 0.1 0.1 0.1 0.6
+@multitable @columnfractions 0.15 0.1 0.1 0.6
 @headitem grupo de maqam
   @tab tono
   @tab final
diff --git a/Documentation/es/texidocs/accordion-discant-symbols.texidoc b/Documentation/es/texidocs/accordion-discant-symbols.texidoc
index 6163841c7f..4889779dc0 100644
--- a/Documentation/es/texidocs/accordion-discant-symbols.texidoc
+++ b/Documentation/es/texidocs/accordion-discant-symbols.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Los símbolos específicos de acordeón discanto se escriben mediante
 @code{\\markup}.  Se puede trucar la colocación vertical de los
diff --git a/Documentation/es/texidocs/adding-a-figured-bass-above-or-below-the-notes.texidoc b/Documentation/es/texidocs/adding-a-figured-bass-above-or-below-the-notes.texidoc
index 84d4dc19bd..29424b4ad4 100644
--- a/Documentation/es/texidocs/adding-a-figured-bass-above-or-below-the-notes.texidoc
+++ b/Documentation/es/texidocs/adding-a-figured-bass-above-or-below-the-notes.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Al escribir un bajo cifrado, podemos situar las cifras encima o debajo
diff --git a/Documentation/es/texidocs/adding-ambitus-per-voice.texidoc b/Documentation/es/texidocs/adding-ambitus-per-voice.texidoc
index a14fbd3d9f..13aa196064 100644
--- a/Documentation/es/texidocs/adding-ambitus-per-voice.texidoc
+++ b/Documentation/es/texidocs/adding-ambitus-per-voice.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   doctitlees = "Añadir un ámbito por voz"
   texidoces = "
 Se puede añadir un ámbito por cada voz. En este caso, el ámbito se
diff --git a/Documentation/es/texidocs/adding-an-extra-staff-at-a-line-break.texidoc b/Documentation/es/texidocs/adding-an-extra-staff-at-a-line-break.texidoc
index 9749b89a2a..37bbb4d119 100644
--- a/Documentation/es/texidocs/adding-an-extra-staff-at-a-line-break.texidoc
+++ b/Documentation/es/texidocs/adding-an-extra-staff-at-a-line-break.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Al añadir un pentagrama nuevo en un salto de línea, por desgracia
 se añade un espacio adicional al final de la línea antes del salto
diff --git a/Documentation/es/texidocs/adding-an-extra-staff.texidoc b/Documentation/es/texidocs/adding-an-extra-staff.texidoc
index 8e9a875791..18ab25d8d1 100644
--- a/Documentation/es/texidocs/adding-an-extra-staff.texidoc
+++ b/Documentation/es/texidocs/adding-an-extra-staff.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede añadir (posiblemente de forma temporal) un pentagrama
 nuevo una vez que la pieza ha comenzado.
diff --git a/Documentation/es/texidocs/adding-bar-lines-to-chordnames-context.texidoc b/Documentation/es/texidocs/adding-bar-lines-to-chordnames-context.texidoc
index cede154c0f..b7dcb1c77c 100644
--- a/Documentation/es/texidocs/adding-bar-lines-to-chordnames-context.texidoc
+++ b/Documentation/es/texidocs/adding-bar-lines-to-chordnames-context.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Para añadir indicaciones de línea divisoria dentro del contexto de
 los nombres de acorde @code{ChordNames}, incluya el grabador
diff --git a/Documentation/es/texidocs/adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rhythms.texidoc b/Documentation/es/texidocs/adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rhythms.texidoc
index 24e1519f39..2d00523f54 100644
--- a/Documentation/es/texidocs/adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rhythms.texidoc
+++ b/Documentation/es/texidocs/adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rhythms.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 La sintaxis de LilyPond puede implicar muchas colocaciones poco
 comunes para los paréntesis, corchetes, etc, que a veces se tienen
diff --git a/Documentation/es/texidocs/adding-drum-parts.texidoc b/Documentation/es/texidocs/adding-drum-parts.texidoc
index 28e57eecce..59487c17ca 100644
--- a/Documentation/es/texidocs/adding-drum-parts.texidoc
+++ b/Documentation/es/texidocs/adding-drum-parts.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Mediante la utilización de las potentes herramientas preconfiguradas
 como la función @code{\\drummode} y el contexto @code{DrumStaff}, la
diff --git a/Documentation/es/texidocs/adding-fingerings-to-tablatures.texidoc b/Documentation/es/texidocs/adding-fingerings-to-tablatures.texidoc
index add6b2dc1d..cda19a1db1 100644
--- a/Documentation/es/texidocs/adding-fingerings-to-tablatures.texidoc
+++ b/Documentation/es/texidocs/adding-fingerings-to-tablatures.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Para añadir digitaciones a las tablaturas, utilice una combinación de
 @code{\\markup} y @code{\\finger}.
diff --git a/Documentation/es/texidocs/adding-orchestral-cues-to-a-vocal-score.texidoc b/Documentation/es/texidocs/adding-orchestral-cues-to-a-vocal-score.texidoc
index 03fac8ec2f..85bdd1c253 100644
--- a/Documentation/es/texidocs/adding-orchestral-cues-to-a-vocal-score.texidoc
+++ b/Documentation/es/texidocs/adding-orchestral-cues-to-a-vocal-score.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
    Este ejemplo muestra una forma de simplificar la adición de muchas
diff --git a/Documentation/es/texidocs/adding-parentheses-around-an-expressive-mark-or-chordal-note.texidoc b/Documentation/es/texidocs/adding-parentheses-around-an-expressive-mark-or-chordal-note.texidoc
index acdf213b48..fe84c86fc3 100644
--- a/Documentation/es/texidocs/adding-parentheses-around-an-expressive-mark-or-chordal-note.texidoc
+++ b/Documentation/es/texidocs/adding-parentheses-around-an-expressive-mark-or-chordal-note.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 La función @code{\\parenthesize} es un truco especial que encierra
 objetos entre paréntesis.  El grob asociado es @code{ParenthesesItem}.
diff --git a/Documentation/es/texidocs/adding-the-current-date-to-a-score.texidoc b/Documentation/es/texidocs/adding-the-current-date-to-a-score.texidoc
index e3fb05b321..c4fafa3559 100644
--- a/Documentation/es/texidocs/adding-the-current-date-to-a-score.texidoc
+++ b/Documentation/es/texidocs/adding-the-current-date-to-a-score.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Con algo de código de Scheme, se puede añadir fácilmente la fecha
 actual a una partitura.
diff --git a/Documentation/es/texidocs/adding-volta-brackets-to-additional-staves.texidoc b/Documentation/es/texidocs/adding-volta-brackets-to-additional-staves.texidoc
index b388737372..fc7b66c4b0 100644
--- a/Documentation/es/texidocs/adding-volta-brackets-to-additional-staves.texidoc
+++ b/Documentation/es/texidocs/adding-volta-brackets-to-additional-staves.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 El grabador @code{Volta_engraver} reside de forma predeterminada
 dentro del contexto de @code{Score}, y los corchetes de la repetición
diff --git a/Documentation/es/texidocs/additional-voices-to-avoid-collisions.texidoc b/Documentation/es/texidocs/additional-voices-to-avoid-collisions.texidoc
index ea51d2feec..8e57c69027 100644
--- a/Documentation/es/texidocs/additional-voices-to-avoid-collisions.texidoc
+++ b/Documentation/es/texidocs/additional-voices-to-avoid-collisions.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
  doctitlees = "Voces adicionales para evitar colisiones"
  texidoces = "
 En ciertos casos de polifonía compleja, se necesitan voces adicionales
diff --git a/Documentation/es/texidocs/adjusting-grace-note-spacing.texidoc b/Documentation/es/texidocs/adjusting-grace-note-spacing.texidoc
index bf082ae8df..82edcb0c05 100644
--- a/Documentation/es/texidocs/adjusting-grace-note-spacing.texidoc
+++ b/Documentation/es/texidocs/adjusting-grace-note-spacing.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede ajustar la separación entre las notas de adorno utilizando la
 propiedad @code{spacing-increment} de @code{Score.GraceSpacing}.
diff --git a/Documentation/es/texidocs/adjusting-lyrics-vertical-spacing.texidoc b/Documentation/es/texidocs/adjusting-lyrics-vertical-spacing.texidoc
index 50ac722e0e..20548a9526 100644
--- a/Documentation/es/texidocs/adjusting-lyrics-vertical-spacing.texidoc
+++ b/Documentation/es/texidocs/adjusting-lyrics-vertical-spacing.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Este fragmento de código muestra cómo situar la línea de base de la
 letra más cerca del pentagrama.
diff --git a/Documentation/es/texidocs/adjusting-the-shape-of-falls-and-doits.texidoc b/Documentation/es/texidocs/adjusting-the-shape-of-falls-and-doits.texidoc
index 9e0317ef5d..caa1bec920 100644
--- a/Documentation/es/texidocs/adjusting-the-shape-of-falls-and-doits.texidoc
+++ b/Documentation/es/texidocs/adjusting-the-shape-of-falls-and-doits.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Puede ser necesario trucar la propiedad
 @code{shortest-duration-space} para poder ajustar el tamaño de las
diff --git a/Documentation/es/texidocs/aligning-and-centering-instrument-names.texidoc b/Documentation/es/texidocs/aligning-and-centering-instrument-names.texidoc
index ed96e783bd..7207fdf216 100644
--- a/Documentation/es/texidocs/aligning-and-centering-instrument-names.texidoc
+++ b/Documentation/es/texidocs/aligning-and-centering-instrument-names.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 La alineación horizontal de los nombres de instrumento se puede
 trucar modificando la propiedad @code{Staff.InstrumentName
diff --git a/Documentation/es/texidocs/aligning-bar-numbers.texidoc b/Documentation/es/texidocs/aligning-bar-numbers.texidoc
index d835491453..bdf40b01b0 100644
--- a/Documentation/es/texidocs/aligning-bar-numbers.texidoc
+++ b/Documentation/es/texidocs/aligning-bar-numbers.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Los números de compás se alinean de forma predeterminada por la
diff --git a/Documentation/es/texidocs/aligning-marks-with-various-notation-objects.texidoc b/Documentation/es/texidocs/aligning-marks-with-various-notation-objects.texidoc
index 67f5b91db5..040c535175 100644
--- a/Documentation/es/texidocs/aligning-marks-with-various-notation-objects.texidoc
+++ b/Documentation/es/texidocs/aligning-marks-with-various-notation-objects.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Si están especificadas, las marcas de texto se pueden alinear con
 objetos de notación distintos a las líneas divisorias.  Entre estos
diff --git a/Documentation/es/texidocs/allowing-fingerings-to-be-printed-inside-the-staff.texidoc b/Documentation/es/texidocs/allowing-fingerings-to-be-printed-inside-the-staff.texidoc
index 90882d532d..fad424fd8f 100644
--- a/Documentation/es/texidocs/allowing-fingerings-to-be-printed-inside-the-staff.texidoc
+++ b/Documentation/es/texidocs/allowing-fingerings-to-be-printed-inside-the-staff.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 Las cifras de digitación orientadas verticalmente se colocan de forma
diff --git a/Documentation/es/texidocs/altering-the-length-of-beamed-stems.texidoc b/Documentation/es/texidocs/altering-the-length-of-beamed-stems.texidoc
index fa599d7bbf..d010c59f4b 100644
--- a/Documentation/es/texidocs/altering-the-length-of-beamed-stems.texidoc
+++ b/Documentation/es/texidocs/altering-the-length-of-beamed-stems.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede variar la longitud de las plicas de las figuras unidas por
 una barra mediante la sobreescritura de la propiedad
diff --git a/Documentation/es/texidocs/alternative-bar-numbering.texidoc b/Documentation/es/texidocs/alternative-bar-numbering.texidoc
index 48f0219776..3448bc1a12 100644
--- a/Documentation/es/texidocs/alternative-bar-numbering.texidoc
+++ b/Documentation/es/texidocs/alternative-bar-numbering.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 Se pueden seleccionar dos métodos alternativos para la numeración de
diff --git a/Documentation/es/texidocs/alternative-breve-note.texidoc b/Documentation/es/texidocs/alternative-breve-note.texidoc
index 7dd1d6f253..198015de54 100644
--- a/Documentation/es/texidocs/alternative-breve-note.texidoc
+++ b/Documentation/es/texidocs/alternative-breve-note.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Este código muestra cómo usar la forma alternativa de la breve o
 cuadrada con dos líneas verticales a los lados de la cabeza, en lugar
diff --git a/Documentation/es/texidocs/ambitus-with-multiple-voices.texidoc b/Documentation/es/texidocs/ambitus-with-multiple-voices.texidoc
index 33949c0d97..adeea57c20 100644
--- a/Documentation/es/texidocs/ambitus-with-multiple-voices.texidoc
+++ b/Documentation/es/texidocs/ambitus-with-multiple-voices.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   doctitlees = "Ámbitos con varias voces"
   texidoces = "
 La adición del grabador @code{Ambitus_engraver} al contexto de
diff --git a/Documentation/es/texidocs/analysis-brackets-above-the-staff.texidoc b/Documentation/es/texidocs/analysis-brackets-above-the-staff.texidoc
index 88da12febe..61af25ab12 100644
--- a/Documentation/es/texidocs/analysis-brackets-above-the-staff.texidoc
+++ b/Documentation/es/texidocs/analysis-brackets-above-the-staff.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 De forma predeterminada se añaden corchetes de análisis sencillos
 debajo del pentagrama.  El ejemplo siguiente muestra una manera de
diff --git a/Documentation/es/texidocs/ancient-fonts.texidoc b/Documentation/es/texidocs/ancient-fonts.texidoc
index ff6d9446a0..a1526d22ee 100644
--- a/Documentation/es/texidocs/ancient-fonts.texidoc
+++ b/Documentation/es/texidocs/ancient-fonts.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Aquí se muestran muchos de (¿o quizá todos?) los símbolos que
 están contemplados por la capacidad de LilyPond para la música
diff --git a/Documentation/es/texidocs/ancient-notation-template----modern-transcription-of-gregorian-music.texidoc b/Documentation/es/texidocs/ancient-notation-template----modern-transcription-of-gregorian-music.texidoc
index c68a1d2056..e9592c73da 100644
--- a/Documentation/es/texidocs/ancient-notation-template----modern-transcription-of-gregorian-music.texidoc
+++ b/Documentation/es/texidocs/ancient-notation-template----modern-transcription-of-gregorian-music.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Este ejemplo muestra cómo hacer una transcripción moderna de canto
 gregoriano. El canto gregoriano no tiene compás ni plicas; utiliza
diff --git a/Documentation/es/texidocs/ancient-notation-template----modern-transcription-of-mensural-music.texidoc b/Documentation/es/texidocs/ancient-notation-template----modern-transcription-of-mensural-music.texidoc
index 14baf13f82..2c1c24c3c8 100644
--- a/Documentation/es/texidocs/ancient-notation-template----modern-transcription-of-mensural-music.texidoc
+++ b/Documentation/es/texidocs/ancient-notation-template----modern-transcription-of-mensural-music.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Al transcribir música mensural, es útil un «incipit» al compienzo
 de la pieza para indicar la tonalidad y el tempo
diff --git a/Documentation/es/texidocs/ancient-time-signatures.texidoc b/Documentation/es/texidocs/ancient-time-signatures.texidoc
index 3ad80386d4..20a5217816 100644
--- a/Documentation/es/texidocs/ancient-time-signatures.texidoc
+++ b/Documentation/es/texidocs/ancient-time-signatures.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Las indicaciones de compás también se pueden grabar en estilo antiguo.
 
diff --git a/Documentation/es/texidocs/anglican-psalm-template.texidoc b/Documentation/es/texidocs/anglican-psalm-template.texidoc
index 104e8f46cb..ff5f7952d3 100644
--- a/Documentation/es/texidocs/anglican-psalm-template.texidoc
+++ b/Documentation/es/texidocs/anglican-psalm-template.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Esta plantilla muestra una forma de preparar un cántico salmódico
 anglicano.  También muestra cómo se pueden añadir estrofas adicionales
diff --git a/Documentation/es/texidocs/applying-note-head-styles-depending-on-the-step-of-the-scale.texidoc b/Documentation/es/texidocs/applying-note-head-styles-depending-on-the-step-of-the-scale.texidoc
index 376a11ddd5..ec0aa848ce 100644
--- a/Documentation/es/texidocs/applying-note-head-styles-depending-on-the-step-of-the-scale.texidoc
+++ b/Documentation/es/texidocs/applying-note-head-styles-depending-on-the-step-of-the-scale.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   doctitlees = "Aplicar estilos de cabeza según la nota de la escala"
   texidoces = "
 La propiedad @code{shapeNoteStyles} se puede usar para definir varios
diff --git a/Documentation/es/texidocs/arabic-improvisation.texidoc b/Documentation/es/texidocs/arabic-improvisation.texidoc
index c03d7127ce..55bdc16abe 100644
--- a/Documentation/es/texidocs/arabic-improvisation.texidoc
+++ b/Documentation/es/texidocs/arabic-improvisation.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Para las improvisaciones o @emph{taqasim} que son libres durante unos
 momentos, se puede omitir la indicación de compás y se puede usar
diff --git a/Documentation/es/texidocs/asymmetric-slurs.texidoc b/Documentation/es/texidocs/asymmetric-slurs.texidoc
index 492b281c30..3f6bf23c05 100644
--- a/Documentation/es/texidocs/asymmetric-slurs.texidoc
+++ b/Documentation/es/texidocs/asymmetric-slurs.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede hacer que una ligadura de expresión sea asimétrica para
 adaptarse mejor a un patrón asimétrico de notas.
diff --git a/Documentation/es/texidocs/automatic-beam-subdivisions.texidoc b/Documentation/es/texidocs/automatic-beam-subdivisions.texidoc
index 46f4a6524b..abbe337d17 100644
--- a/Documentation/es/texidocs/automatic-beam-subdivisions.texidoc
+++ b/Documentation/es/texidocs/automatic-beam-subdivisions.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se pueden subdividir las barras automáticamente.  Estableciendo la
 propiedad @code{subdivideBeams}, las barras se subdividen en
diff --git a/Documentation/es/texidocs/avoiding-collisions-with-chord-fingerings.texidoc b/Documentation/es/texidocs/avoiding-collisions-with-chord-fingerings.texidoc
index 5dc2fad5af..560d08ea56 100644
--- a/Documentation/es/texidocs/avoiding-collisions-with-chord-fingerings.texidoc
+++ b/Documentation/es/texidocs/avoiding-collisions-with-chord-fingerings.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 
diff --git a/Documentation/es/texidocs/bar-chords-notation-for-guitar--with-text-spanner.texidoc b/Documentation/es/texidocs/bar-chords-notation-for-guitar--with-text-spanner.texidoc
index f1974a2287..ea71227892 100644
--- a/Documentation/es/texidocs/bar-chords-notation-for-guitar--with-text-spanner.texidoc
+++ b/Documentation/es/texidocs/bar-chords-notation-for-guitar--with-text-spanner.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 He aquí cómo imprimir acordes con cejilla o con media cejilla (quite
 la marca de comentario de la línea adecuada para seleccionar uno de
diff --git a/Documentation/es/texidocs/beam-endings-in-score-context.texidoc b/Documentation/es/texidocs/beam-endings-in-score-context.texidoc
index dc5ad7b128..b51b8de777 100644
--- a/Documentation/es/texidocs/beam-endings-in-score-context.texidoc
+++ b/Documentation/es/texidocs/beam-endings-in-score-context.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Las reglas de final de barra especificadas en el contexto
 @code{Score} se aplican a todos los pentagramas, pero se pueden
diff --git a/Documentation/es/texidocs/beam-grouping-in-7-8-time.texidoc b/Documentation/es/texidocs/beam-grouping-in-7-8-time.texidoc
index 52252dcc21..f01c314e67 100644
--- a/Documentation/es/texidocs/beam-grouping-in-7-8-time.texidoc
+++ b/Documentation/es/texidocs/beam-grouping-in-7-8-time.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 No está especificada ninguna agrupación predeterminada automática de
 las barras para el compás de 7/8, de forma que si se requieren barras
diff --git a/Documentation/es/texidocs/beams-across-line-breaks.texidoc b/Documentation/es/texidocs/beams-across-line-breaks.texidoc
index 6fcba0dc23..6bef192d9f 100644
--- a/Documentation/es/texidocs/beams-across-line-breaks.texidoc
+++ b/Documentation/es/texidocs/beams-across-line-breaks.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Normalmente están prohibidos los saltos de línea si las barras
 atraviesan las líneas divisorias.  Se puede cambiar este
diff --git a/Documentation/es/texidocs/blanking-staff-lines-using-the--whiteout-command.texidoc b/Documentation/es/texidocs/blanking-staff-lines-using-the--whiteout-command.texidoc
index 583c714783..c763259b9a 100644
--- a/Documentation/es/texidocs/blanking-staff-lines-using-the--whiteout-command.texidoc
+++ b/Documentation/es/texidocs/blanking-staff-lines-using-the--whiteout-command.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 La instrucción @code{\\whiteout} intercala un rectángulo blanco
 debajo de un elemento de marcado.  Este rectángulo blanco no tapa
diff --git a/Documentation/es/texidocs/broken-crescendo-hairpin.texidoc b/Documentation/es/texidocs/broken-crescendo-hairpin.texidoc
index 56fde147d2..d5dee860f2 100644
--- a/Documentation/es/texidocs/broken-crescendo-hairpin.texidoc
+++ b/Documentation/es/texidocs/broken-crescendo-hairpin.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Para hacer invisibles partes de un regulador de crescendo, se usa
 el método de dibujar un rectángulo blanco encima de la parte
diff --git a/Documentation/es/texidocs/caesura-railtracks-with-fermata.texidoc b/Documentation/es/texidocs/caesura-railtracks-with-fermata.texidoc
index 94431abcc9..df2301066a 100644
--- a/Documentation/es/texidocs/caesura-railtracks-with-fermata.texidoc
+++ b/Documentation/es/texidocs/caesura-railtracks-with-fermata.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 A veces se denota una «cesura» mediante una doble marca de respiración
 parecida a las vías del tren, con un calderón encima. Este fragmento
diff --git a/Documentation/es/texidocs/center-text-below-hairpin-dynamics.texidoc b/Documentation/es/texidocs/center-text-below-hairpin-dynamics.texidoc
index f482348d38..e63fcf40a1 100644
--- a/Documentation/es/texidocs/center-text-below-hairpin-dynamics.texidoc
+++ b/Documentation/es/texidocs/center-text-below-hairpin-dynamics.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Este ejemplo proporciona una función para tipografiar un regulador con
 texto por debajo, como @qq{molto} o @qq{poco}. El ejemplo ilustra
diff --git a/Documentation/es/texidocs/changing--flageolet-mark-size.texidoc b/Documentation/es/texidocs/changing--flageolet-mark-size.texidoc
index 64b355a45a..434320ce04 100644
--- a/Documentation/es/texidocs/changing--flageolet-mark-size.texidoc
+++ b/Documentation/es/texidocs/changing--flageolet-mark-size.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Para hacer más pequeño el círculo de @code{\\flageolet} (armónico)
 utilice la siguiente función de Scheme.
diff --git a/Documentation/es/texidocs/changing-a-single-notes-size-in-a-chord.texidoc b/Documentation/es/texidocs/changing-a-single-notes-size-in-a-chord.texidoc
index 0e8d4eb9c7..5755c72f94 100644
--- a/Documentation/es/texidocs/changing-a-single-notes-size-in-a-chord.texidoc
+++ b/Documentation/es/texidocs/changing-a-single-notes-size-in-a-chord.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se pueden modificar notas individuales de un acorde con la instrucción
 @code{\\tweak}, alterando la propiedad @code{font-size}.
diff --git a/Documentation/es/texidocs/changing-beam-knee-gap.texidoc b/Documentation/es/texidocs/changing-beam-knee-gap.texidoc
index 42fb9f1156..87c7fbc7a9 100644
--- a/Documentation/es/texidocs/changing-beam-knee-gap.texidoc
+++ b/Documentation/es/texidocs/changing-beam-knee-gap.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se insertan automáticamente barras en ángulo cuando se detecta un
 intervalo muy grande entre las notas.  Se puede hacer un ajuste
diff --git a/Documentation/es/texidocs/changing-chord-separator.texidoc b/Documentation/es/texidocs/changing-chord-separator.texidoc
index 63c7c654fb..0448f8bf10 100644
--- a/Documentation/es/texidocs/changing-chord-separator.texidoc
+++ b/Documentation/es/texidocs/changing-chord-separator.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede establecer el separador entre las distintas partes del
 nombre de un acorde para que sea cualquier elemento de marcado.
diff --git a/Documentation/es/texidocs/changing-form-of-multi-measure-rests.texidoc b/Documentation/es/texidocs/changing-form-of-multi-measure-rests.texidoc
index 087010fd76..05a7a1bbe2 100644
--- a/Documentation/es/texidocs/changing-form-of-multi-measure-rests.texidoc
+++ b/Documentation/es/texidocs/changing-form-of-multi-measure-rests.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
  doctitlees = "Cambiar la forma de los silencios multicompás"
  texidoces = "
 Si hay diez compases de silencio o menos, se imprime en el pentagrama
diff --git a/Documentation/es/texidocs/changing-fret-orientations.texidoc b/Documentation/es/texidocs/changing-fret-orientations.texidoc
index fedc5381f5..88da50cff7 100644
--- a/Documentation/es/texidocs/changing-fret-orientations.texidoc
+++ b/Documentation/es/texidocs/changing-fret-orientations.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 
diff --git a/Documentation/es/texidocs/changing-midi-output-to-one-channel-per-voice.texidoc b/Documentation/es/texidocs/changing-midi-output-to-one-channel-per-voice.texidoc
index 4f14c6daf2..ba7eb395dd 100644
--- a/Documentation/es/texidocs/changing-midi-output-to-one-channel-per-voice.texidoc
+++ b/Documentation/es/texidocs/changing-midi-output-to-one-channel-per-voice.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Al producir una salida MIDI, el comportamiento predeterminado es que
 cada pentagrama representa un canal MIDI, con todas las voces de dicho
diff --git a/Documentation/es/texidocs/changing-partcombine-texts.texidoc b/Documentation/es/texidocs/changing-partcombine-texts.texidoc
index 9d5ccddc51..6fe1e5edcb 100644
--- a/Documentation/es/texidocs/changing-partcombine-texts.texidoc
+++ b/Documentation/es/texidocs/changing-partcombine-texts.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Al utilizar la posibilidad de combinación automática de partes, se
 puede modificar el texto que se imprime para las secciones de solo
diff --git a/Documentation/es/texidocs/changing-text-and-spanner-styles-for-text-dynamics.texidoc b/Documentation/es/texidocs/changing-text-and-spanner-styles-for-text-dynamics.texidoc
index 7c4fad003c..83a24fe110 100644
--- a/Documentation/es/texidocs/changing-text-and-spanner-styles-for-text-dynamics.texidoc
+++ b/Documentation/es/texidocs/changing-text-and-spanner-styles-for-text-dynamics.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede modificar el texto empleado para los crescendos y
 decrescendos modificando las propiedades de contexto
diff --git a/Documentation/es/texidocs/changing-the-ambitus-gap.texidoc b/Documentation/es/texidocs/changing-the-ambitus-gap.texidoc
index b8c0353f88..ec90ecbd51 100644
--- a/Documentation/es/texidocs/changing-the-ambitus-gap.texidoc
+++ b/Documentation/es/texidocs/changing-the-ambitus-gap.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 Es posible ajustar la separación en las indicaciones de tesitura.
diff --git a/Documentation/es/texidocs/changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.texidoc b/Documentation/es/texidocs/changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.texidoc
index c18d2dc852..8353464ffa 100644
--- a/Documentation/es/texidocs/changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.texidoc
+++ b/Documentation/es/texidocs/changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede cambiar el aspecto de las ligaduras de expresión de
 continuas a punteadas o intermitentes.
diff --git a/Documentation/es/texidocs/changing-the-breath-mark-symbol.texidoc b/Documentation/es/texidocs/changing-the-breath-mark-symbol.texidoc
index 03ee420d36..93cc93daa3 100644
--- a/Documentation/es/texidocs/changing-the-breath-mark-symbol.texidoc
+++ b/Documentation/es/texidocs/changing-the-breath-mark-symbol.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 El glifo de la marca de respiración se puede ajustar
 sobreescribiendo la propiedad de texto del objeto de presentación
diff --git a/Documentation/es/texidocs/changing-the-chord-names-to-german-or-semi-german-notation.texidoc b/Documentation/es/texidocs/changing-the-chord-names-to-german-or-semi-german-notation.texidoc
index 87ff546f08..44e9cd9c1b 100644
--- a/Documentation/es/texidocs/changing-the-chord-names-to-german-or-semi-german-notation.texidoc
+++ b/Documentation/es/texidocs/changing-the-chord-names-to-german-or-semi-german-notation.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 La nomenclatura inglesa (predeterminada) para los acordes del cifrado
 americano se puede cambiar por la alemana (@code{\\germanChords}
diff --git a/Documentation/es/texidocs/changing-the-number-of-augmentation-dots-per-note.texidoc b/Documentation/es/texidocs/changing-the-number-of-augmentation-dots-per-note.texidoc
index 3c9340548d..2b9b017fd3 100644
--- a/Documentation/es/texidocs/changing-the-number-of-augmentation-dots-per-note.texidoc
+++ b/Documentation/es/texidocs/changing-the-number-of-augmentation-dots-per-note.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 Este código muestra cómo cambiar la cantidad de puntillos de una nota.
diff --git a/Documentation/es/texidocs/changing-the-positions-of-figured-bass-alterations.texidoc b/Documentation/es/texidocs/changing-the-positions-of-figured-bass-alterations.texidoc
index a59aa7be23..4c7a6d2d1a 100644
--- a/Documentation/es/texidocs/changing-the-positions-of-figured-bass-alterations.texidoc
+++ b/Documentation/es/texidocs/changing-the-positions-of-figured-bass-alterations.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Las alteraciones y los signos «más» pueden aparecer antes o
 después de los números, según el valor de las propiedades
diff --git a/Documentation/es/texidocs/changing-the-size-of-woodwind-diagrams.texidoc b/Documentation/es/texidocs/changing-the-size-of-woodwind-diagrams.texidoc
index c66df3d6ca..8637e20781 100644
--- a/Documentation/es/texidocs/changing-the-size-of-woodwind-diagrams.texidoc
+++ b/Documentation/es/texidocs/changing-the-size-of-woodwind-diagrams.texidoc
@@ -1,4 +1,4 @@
-%%%    Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%%%    Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 
diff --git a/Documentation/es/texidocs/changing-the-tempo-without-a-metronome-mark.texidoc b/Documentation/es/texidocs/changing-the-tempo-without-a-metronome-mark.texidoc
index 8e28cbc722..af83284f70 100644
--- a/Documentation/es/texidocs/changing-the-tempo-without-a-metronome-mark.texidoc
+++ b/Documentation/es/texidocs/changing-the-tempo-without-a-metronome-mark.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Para cambiar el tempo en la salida MIDI sin
 imprimir nada, hacemos invisible la indicación metronómica:
diff --git a/Documentation/es/texidocs/changing-the-text-for-sustain-markings.texidoc b/Documentation/es/texidocs/changing-the-text-for-sustain-markings.texidoc
index dd98b7db5a..c20b1a5418 100644
--- a/Documentation/es/texidocs/changing-the-text-for-sustain-markings.texidoc
+++ b/Documentation/es/texidocs/changing-the-text-for-sustain-markings.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede usar @code{Staff.pedalSustainStrings} para fijar el texto de
 las indicaciones de pisar pedal y levantar pedal.  Observe que las
diff --git a/Documentation/es/texidocs/changing-the-tuplet-number.texidoc b/Documentation/es/texidocs/changing-the-tuplet-number.texidoc
index 2456c06a72..a4d219c118 100644
--- a/Documentation/es/texidocs/changing-the-tuplet-number.texidoc
+++ b/Documentation/es/texidocs/changing-the-tuplet-number.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
  doctitlees = "Cambiar el número del grupo especial"
  texidoces = "
 
diff --git a/Documentation/es/texidocs/changing-time-signatures-inside-a-polymetric-section-using--scaledurations.texidoc b/Documentation/es/texidocs/changing-time-signatures-inside-a-polymetric-section-using--scaledurations.texidoc
index b159d32cb4..d4cbf887db 100644
--- a/Documentation/es/texidocs/changing-time-signatures-inside-a-polymetric-section-using--scaledurations.texidoc
+++ b/Documentation/es/texidocs/changing-time-signatures-inside-a-polymetric-section-using--scaledurations.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 La propiedad @code{measureLength}, junto con
 @code{measurePosition}, determina cuándo es necesario dibujar una
diff --git a/Documentation/es/texidocs/chant-or-psalms-notation.texidoc b/Documentation/es/texidocs/chant-or-psalms-notation.texidoc
index 380cbcf67a..6e96d1fbbd 100644
--- a/Documentation/es/texidocs/chant-or-psalms-notation.texidoc
+++ b/Documentation/es/texidocs/chant-or-psalms-notation.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Este tipo de notación se utiliza para el canto de los Salmos, en
 que las estrofas no siempre tienen la misma longitud.
diff --git a/Documentation/es/texidocs/chord-glissando-in-tablature.texidoc b/Documentation/es/texidocs/chord-glissando-in-tablature.texidoc
index 2928782ff1..85b7b0dc7a 100644
--- a/Documentation/es/texidocs/chord-glissando-in-tablature.texidoc
+++ b/Documentation/es/texidocs/chord-glissando-in-tablature.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 Los deslizamientos para acordes se pueden indicar tanto en el contexto
diff --git a/Documentation/es/texidocs/chord-name-exceptions.texidoc b/Documentation/es/texidocs/chord-name-exceptions.texidoc
index 8111eeb496..ed2c158ced 100644
--- a/Documentation/es/texidocs/chord-name-exceptions.texidoc
+++ b/Documentation/es/texidocs/chord-name-exceptions.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede usar la propiedad @code{chordNameExceptions} para
 almacenar una lista de notaciones espaciales para acordes
diff --git a/Documentation/es/texidocs/chord-name-major7.texidoc b/Documentation/es/texidocs/chord-name-major7.texidoc
index 485d7897c0..3bc9ae411d 100644
--- a/Documentation/es/texidocs/chord-name-major7.texidoc
+++ b/Documentation/es/texidocs/chord-name-major7.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 La presentación del acorde de séptima mayor se
 puede ajustar mediante majorSevenSymbol.
diff --git a/Documentation/es/texidocs/chordchanges-for-fretboards.texidoc b/Documentation/es/texidocs/chordchanges-for-fretboards.texidoc
index 7f2688872f..99ec8c8c69 100644
--- a/Documentation/es/texidocs/chordchanges-for-fretboards.texidoc
+++ b/Documentation/es/texidocs/chordchanges-for-fretboards.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede hacer que los diagramas de posiciones se muestren sólo
 cuando el acorde cambia o al comienzo de una nueva línea.
diff --git a/Documentation/es/texidocs/clip-systems.texidoc b/Documentation/es/texidocs/clip-systems.texidoc
index 860a62f974..8b560f0a7e 100644
--- a/Documentation/es/texidocs/clip-systems.texidoc
+++ b/Documentation/es/texidocs/clip-systems.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Este código muestra cómo recortar (extraer) fragmentos a partir de una
 partitura completa.
diff --git a/Documentation/es/texidocs/clusters.texidoc b/Documentation/es/texidocs/clusters.texidoc
index 47126024ce..c654c34c31 100644
--- a/Documentation/es/texidocs/clusters.texidoc
+++ b/Documentation/es/texidocs/clusters.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Los «clusters» o racimos son un mecanismo para indicar la
 interpretación de un ámbito de notas al mismo tiempo.
diff --git a/Documentation/es/texidocs/combining-dynamics-with-markup-texts.texidoc b/Documentation/es/texidocs/combining-dynamics-with-markup-texts.texidoc
index 4cf6dee4ec..ed0e1c2903 100644
--- a/Documentation/es/texidocs/combining-dynamics-with-markup-texts.texidoc
+++ b/Documentation/es/texidocs/combining-dynamics-with-markup-texts.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Ciertas indicaciones dinámicas pueden llevar textos (como @qq{più
 forte} o @qq{piano subito}). Se pueden producir usando un bloque
diff --git a/Documentation/es/texidocs/combining-two-parts-on-the-same-staff.texidoc b/Documentation/es/texidocs/combining-two-parts-on-the-same-staff.texidoc
index 88e7e6d75a..cd411fd0fd 100644
--- a/Documentation/es/texidocs/combining-two-parts-on-the-same-staff.texidoc
+++ b/Documentation/es/texidocs/combining-two-parts-on-the-same-staff.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 La herramienta de combinación de partes (instrucción
diff --git a/Documentation/es/texidocs/compound-time-signatures.texidoc b/Documentation/es/texidocs/compound-time-signatures.texidoc
index e2d00ff60d..8af1dafd85 100644
--- a/Documentation/es/texidocs/compound-time-signatures.texidoc
+++ b/Documentation/es/texidocs/compound-time-signatures.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
  doctitlees = "Indicaciones de compases compuestos"
  texidoces = "
 Las indicaciones de compás poco frecuentes como @qq{5/8} se pueden
diff --git a/Documentation/es/texidocs/conducting-signs,-measure-grouping-signs.texidoc b/Documentation/es/texidocs/conducting-signs,-measure-grouping-signs.texidoc
index c4f9cac544..6d9436811b 100644
--- a/Documentation/es/texidocs/conducting-signs,-measure-grouping-signs.texidoc
+++ b/Documentation/es/texidocs/conducting-signs,-measure-grouping-signs.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 La agrupación de pulsos dentro de un compás está controlada por la
 propiedad de contexto @code{beatStructure}.  Hay establecidos valores
diff --git a/Documentation/es/texidocs/contemporary-glissando.texidoc b/Documentation/es/texidocs/contemporary-glissando.texidoc
index 75021e76af..af3bd0da47 100644
--- a/Documentation/es/texidocs/contemporary-glissando.texidoc
+++ b/Documentation/es/texidocs/contemporary-glissando.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede tipografiar un gissando contemporáneo sin nota final
 utilizando una nota oculta y temporalización de cadenza.
diff --git a/Documentation/es/texidocs/controlling-spanner-visibility-after-a-line-break.texidoc b/Documentation/es/texidocs/controlling-spanner-visibility-after-a-line-break.texidoc
index da5dd30e77..296a50277f 100644
--- a/Documentation/es/texidocs/controlling-spanner-visibility-after-a-line-break.texidoc
+++ b/Documentation/es/texidocs/controlling-spanner-visibility-after-a-line-break.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 La visibilidad de los objetos de extensión que acaban en la primera
diff --git a/Documentation/es/texidocs/controlling-the-placement-of-chord-fingerings.texidoc b/Documentation/es/texidocs/controlling-the-placement-of-chord-fingerings.texidoc
index bbd322adc8..9b8de6f775 100644
--- a/Documentation/es/texidocs/controlling-the-placement-of-chord-fingerings.texidoc
+++ b/Documentation/es/texidocs/controlling-the-placement-of-chord-fingerings.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede controlar con precisión la colocación de los números de
 digitación.  Para que se tenga en cuenta la orientación de las
diff --git a/Documentation/es/texidocs/controlling-the-vertical-ordering-of-scripts.texidoc b/Documentation/es/texidocs/controlling-the-vertical-ordering-of-scripts.texidoc
index 09755a1aaa..92da004f67 100644
--- a/Documentation/es/texidocs/controlling-the-vertical-ordering-of-scripts.texidoc
+++ b/Documentation/es/texidocs/controlling-the-vertical-ordering-of-scripts.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 El orden vertical que ocupan las inscripciones gráficas está
 controlado con la propiedad @code{'script-priority}. Cuanto más
diff --git a/Documentation/es/texidocs/controlling-tuplet-bracket-visibility.texidoc b/Documentation/es/texidocs/controlling-tuplet-bracket-visibility.texidoc
index d011dc846a..faf0dcdf37 100644
--- a/Documentation/es/texidocs/controlling-tuplet-bracket-visibility.texidoc
+++ b/Documentation/es/texidocs/controlling-tuplet-bracket-visibility.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 El comportamiento predeterminado de la visibilidad de los corchetes de
diff --git a/Documentation/es/texidocs/creating-a-delayed-turn.texidoc b/Documentation/es/texidocs/creating-a-delayed-turn.texidoc
index e3fb8789c0..f19e33eb87 100644
--- a/Documentation/es/texidocs/creating-a-delayed-turn.texidoc
+++ b/Documentation/es/texidocs/creating-a-delayed-turn.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 texidoces = "
 La creación de un grupeto circular de anticipación entre dos notas,
 donde la nota inferior del grupeto utiliza una alteración, requiere
diff --git a/Documentation/es/texidocs/creating-a-sequence-of-notes-on-various-pitches.texidoc b/Documentation/es/texidocs/creating-a-sequence-of-notes-on-various-pitches.texidoc
index 7df02d2801..968d152e4f 100644
--- a/Documentation/es/texidocs/creating-a-sequence-of-notes-on-various-pitches.texidoc
+++ b/Documentation/es/texidocs/creating-a-sequence-of-notes-on-various-pitches.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 En una música que tenga muchas apariciones de la
 misma secuencia de notas a distintas alturas, podría ser de
diff --git a/Documentation/es/texidocs/creating-arpeggios-across-notes-in-different-voices.texidoc b/Documentation/es/texidocs/creating-arpeggios-across-notes-in-different-voices.texidoc
index d37ca1b427..dc60c1cad1 100644
--- a/Documentation/es/texidocs/creating-arpeggios-across-notes-in-different-voices.texidoc
+++ b/Documentation/es/texidocs/creating-arpeggios-across-notes-in-different-voices.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede trazar un símbolo de arpegio entre notas de distintas
 voces que están sobre el mismo pentagrama si el grabador
diff --git a/Documentation/es/texidocs/creating-blank-staves.texidoc b/Documentation/es/texidocs/creating-blank-staves.texidoc
index a6399ce84c..73f174a805 100644
--- a/Documentation/es/texidocs/creating-blank-staves.texidoc
+++ b/Documentation/es/texidocs/creating-blank-staves.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Para crear pentagramas en blanco, genere compases vacíos y después
 elimine el grabador de números de compás @code{Bar_number_engraver}
diff --git a/Documentation/es/texidocs/creating-cross-staff-arpeggios-in-a-piano-staff.texidoc b/Documentation/es/texidocs/creating-cross-staff-arpeggios-in-a-piano-staff.texidoc
index dbff35bb23..591f754a6f 100644
--- a/Documentation/es/texidocs/creating-cross-staff-arpeggios-in-a-piano-staff.texidoc
+++ b/Documentation/es/texidocs/creating-cross-staff-arpeggios-in-a-piano-staff.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Dentro de un @code{PianoStaff}, es posible hacer que un arpegio
 cruce entre los pentagramas ajustando la propiedad
diff --git a/Documentation/es/texidocs/creating-cross-staff-arpeggios-in-other-contexts.texidoc b/Documentation/es/texidocs/creating-cross-staff-arpeggios-in-other-contexts.texidoc
index a7f8de557b..53d1718236 100644
--- a/Documentation/es/texidocs/creating-cross-staff-arpeggios-in-other-contexts.texidoc
+++ b/Documentation/es/texidocs/creating-cross-staff-arpeggios-in-other-contexts.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se pueden crear arpegios que se cruzan entre pentagramas dentro de
 contextos distintos a @code{GrandStaff}, @code{PianoStaff} y
diff --git a/Documentation/es/texidocs/creating-metronome-marks-in-markup-mode.texidoc b/Documentation/es/texidocs/creating-metronome-marks-in-markup-mode.texidoc
index c5e8b4258b..17715f14b7 100644
--- a/Documentation/es/texidocs/creating-metronome-marks-in-markup-mode.texidoc
+++ b/Documentation/es/texidocs/creating-metronome-marks-in-markup-mode.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se pueden crear indicaciones metronómicas nuevas en modo de
 marcado, pero no cambian el tempo en la salida MIDI.
diff --git a/Documentation/es/texidocs/creating-real-parenthesized-dynamics.texidoc b/Documentation/es/texidocs/creating-real-parenthesized-dynamics.texidoc
index f52a1e9536..c7a3d02611 100644
--- a/Documentation/es/texidocs/creating-real-parenthesized-dynamics.texidoc
+++ b/Documentation/es/texidocs/creating-real-parenthesized-dynamics.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Aunque la manera más fácil de añadir paréntesis a una indicación
 de dinámica es utilizar un bloque @code{\\markup}, este método
diff --git a/Documentation/es/texidocs/creating-simultaneous-rehearsal-marks.texidoc b/Documentation/es/texidocs/creating-simultaneous-rehearsal-marks.texidoc
index e1e083d4ae..61d81daf2a 100644
--- a/Documentation/es/texidocs/creating-simultaneous-rehearsal-marks.texidoc
+++ b/Documentation/es/texidocs/creating-simultaneous-rehearsal-marks.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 A diferencia de las inscripciones de texto, las lestras de ensayo
 no se pueden apilar en un punto concreto de la partitura: sólo se
diff --git a/Documentation/es/texidocs/creating-slurs-across-voices.texidoc b/Documentation/es/texidocs/creating-slurs-across-voices.texidoc
index 64c3a75a97..b4ec7011eb 100644
--- a/Documentation/es/texidocs/creating-slurs-across-voices.texidoc
+++ b/Documentation/es/texidocs/creating-slurs-across-voices.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 En determinadas situaciones es necesario crear ligaduras de
 expresión entre notas que están en voces distintas.
diff --git a/Documentation/es/texidocs/creating-text-spanners.texidoc b/Documentation/es/texidocs/creating-text-spanners.texidoc
index 07ca398eb3..f35aa983f3 100644
--- a/Documentation/es/texidocs/creating-text-spanners.texidoc
+++ b/Documentation/es/texidocs/creating-text-spanners.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Las instrucciones @code{\\startTextSpan} y @code{\\stopTextSpan}
 permiten la creación de elementos de extensión textuales tan
diff --git a/Documentation/es/texidocs/cross-staff-tremolos.texidoc b/Documentation/es/texidocs/cross-staff-tremolos.texidoc
index 227f12ce90..4784e95692 100644
--- a/Documentation/es/texidocs/cross-staff-tremolos.texidoc
+++ b/Documentation/es/texidocs/cross-staff-tremolos.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 
diff --git a/Documentation/es/texidocs/custodes.texidoc b/Documentation/es/texidocs/custodes.texidoc
index 5829a8483b..4da5a6957d 100644
--- a/Documentation/es/texidocs/custodes.texidoc
+++ b/Documentation/es/texidocs/custodes.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se pueden tipografiar «custos» en diferentes estilos.
 
diff --git a/Documentation/es/texidocs/customizing-fretboard-fret-diagrams.texidoc b/Documentation/es/texidocs/customizing-fretboard-fret-diagrams.texidoc
index 08ba2946cd..30fe944b81 100644
--- a/Documentation/es/texidocs/customizing-fretboard-fret-diagrams.texidoc
+++ b/Documentation/es/texidocs/customizing-fretboard-fret-diagrams.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se pueden establecer las propiedades de los diagramas de
 posiciones de acordes por medio de @code{'fret-diagram-details}.
diff --git a/Documentation/es/texidocs/customizing-markup-fret-diagrams.texidoc b/Documentation/es/texidocs/customizing-markup-fret-diagrams.texidoc
index cb6f959d40..6d85532de1 100644
--- a/Documentation/es/texidocs/customizing-markup-fret-diagrams.texidoc
+++ b/Documentation/es/texidocs/customizing-markup-fret-diagrams.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se pueden establecer las propiedades de los diagramas de
 posiciones a través de @code{'fret-diagram-details}.  Para los
diff --git a/Documentation/es/texidocs/default-direction-of-stems-on-the-center-line-of-the-staff.texidoc b/Documentation/es/texidocs/default-direction-of-stems-on-the-center-line-of-the-staff.texidoc
index bf088f850a..a7333a6415 100644
--- a/Documentation/es/texidocs/default-direction-of-stems-on-the-center-line-of-the-staff.texidoc
+++ b/Documentation/es/texidocs/default-direction-of-stems-on-the-center-line-of-the-staff.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 La dirección predeterminada de las plicas sobre la tercera línea
 del pentagrama está determinada por la propiedad
diff --git a/Documentation/es/texidocs/defining-predefined-fretboards-for-other-instruments.texidoc b/Documentation/es/texidocs/defining-predefined-fretboards-for-other-instruments.texidoc
index 735377e2a9..82c47ce26d 100644
--- a/Documentation/es/texidocs/defining-predefined-fretboards-for-other-instruments.texidoc
+++ b/Documentation/es/texidocs/defining-predefined-fretboards-for-other-instruments.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Se pueden añadir diagramas de posiciones predefinidas para
diff --git a/Documentation/es/texidocs/display-bracket-with-only-one-staff-in-a-system.texidoc b/Documentation/es/texidocs/display-bracket-with-only-one-staff-in-a-system.texidoc
index 6dcb3fc950..f19c0df064 100644
--- a/Documentation/es/texidocs/display-bracket-with-only-one-staff-in-a-system.texidoc
+++ b/Documentation/es/texidocs/display-bracket-with-only-one-staff-in-a-system.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Si hay un solo pentagrama en un de los tipos de sistema
 @code{ChoirStaff} o @code{StaffGroup}, el comportamiento
diff --git a/Documentation/es/texidocs/displaying-complex-chords.texidoc b/Documentation/es/texidocs/displaying-complex-chords.texidoc
index b0e1e8c40e..04414a6465 100644
--- a/Documentation/es/texidocs/displaying-complex-chords.texidoc
+++ b/Documentation/es/texidocs/displaying-complex-chords.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 He aquí una forma de imprimir un acorde en el que suena la misma nota
diff --git a/Documentation/es/texidocs/displaying-grob-ancestry.texidoc b/Documentation/es/texidocs/displaying-grob-ancestry.texidoc
index ea024182bd..da6d5f5ebe 100644
--- a/Documentation/es/texidocs/displaying-grob-ancestry.texidoc
+++ b/Documentation/es/texidocs/displaying-grob-ancestry.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 Al trabajar con los callbacks de un grob, puede ser de mucha ayuda
diff --git a/Documentation/es/texidocs/dynamics-custom-text-spanner-postfix.texidoc b/Documentation/es/texidocs/dynamics-custom-text-spanner-postfix.texidoc
index c07280370d..f689fccd43 100644
--- a/Documentation/es/texidocs/dynamics-custom-text-spanner-postfix.texidoc
+++ b/Documentation/es/texidocs/dynamics-custom-text-spanner-postfix.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 Funciones postfijas para la creación de objetos de extensión de texto
diff --git a/Documentation/es/texidocs/dynamics-text-spanner-postfix.texidoc b/Documentation/es/texidocs/dynamics-text-spanner-postfix.texidoc
index 480689dd03..c6f9c6d3e2 100644
--- a/Documentation/es/texidocs/dynamics-text-spanner-postfix.texidoc
+++ b/Documentation/es/texidocs/dynamics-text-spanner-postfix.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 Los objetos de extensión \cresc, \dim y \decresc ahora se pueden
diff --git a/Documentation/es/texidocs/embedding-native-postscript-in-a--markup-block.texidoc b/Documentation/es/texidocs/embedding-native-postscript-in-a--markup-block.texidoc
index b7064b7448..783d42d538 100644
--- a/Documentation/es/texidocs/embedding-native-postscript-in-a--markup-block.texidoc
+++ b/Documentation/es/texidocs/embedding-native-postscript-in-a--markup-block.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede insertar códico PostScript directamente dentro de un
 bloque @code{\\markup}.
diff --git a/Documentation/es/texidocs/engravers-one-by-one.texidoc b/Documentation/es/texidocs/engravers-one-by-one.texidoc
index bb914ade38..45f71044c2 100644
--- a/Documentation/es/texidocs/engravers-one-by-one.texidoc
+++ b/Documentation/es/texidocs/engravers-one-by-one.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Del problema central de la notación, esto es, crear un determinado
 símbolo, se encargan los «plugins» o complementos añadidos.  Cada
diff --git a/Documentation/es/texidocs/engraving-ties-manually.texidoc b/Documentation/es/texidocs/engraving-ties-manually.texidoc
index cf75112717..4f56204530 100644
--- a/Documentation/es/texidocs/engraving-ties-manually.texidoc
+++ b/Documentation/es/texidocs/engraving-ties-manually.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
  doctitlees = "Grabado manual de las ligaduras"
  texidoces = "
 Se pueden grabar a mano las ligaduras modificando la propiedad
diff --git a/Documentation/es/texidocs/entering-several-tuplets-using-only-one--times-command.texidoc b/Documentation/es/texidocs/entering-several-tuplets-using-only-one--times-command.texidoc
index a4a5f42de9..1caf28fc3c 100644
--- a/Documentation/es/texidocs/entering-several-tuplets-using-only-one--times-command.texidoc
+++ b/Documentation/es/texidocs/entering-several-tuplets-using-only-one--times-command.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
  doctitlees = "Escribir varios grupos especiales usando una sola instrucción \\times"
  texidoces = "
 La propiedad @code{tupletSpannerDuration} establece cuánto debe durar
diff --git a/Documentation/es/texidocs/faking-a-hammer-in-tablatures.texidoc b/Documentation/es/texidocs/faking-a-hammer-in-tablatures.texidoc
index c51cd682a6..01ab004afa 100644
--- a/Documentation/es/texidocs/faking-a-hammer-in-tablatures.texidoc
+++ b/Documentation/es/texidocs/faking-a-hammer-in-tablatures.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 Se puede simular un @qq{hammer} o ligado ascendente con ligaduras de
diff --git a/Documentation/es/texidocs/fingering-symbols-for-wind-instruments.texidoc b/Documentation/es/texidocs/fingering-symbols-for-wind-instruments.texidoc
index 36a3f963b9..7b785e3c0e 100644
--- a/Documentation/es/texidocs/fingering-symbols-for-wind-instruments.texidoc
+++ b/Documentation/es/texidocs/fingering-symbols-for-wind-instruments.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se pueden conseguir símbolos especiales combinando glifos existentes,
 lo que es de utilidad para la notación de instrumentos de viento.
diff --git a/Documentation/es/texidocs/fingerings,-string-indications,-and-right-hand-fingerings.texidoc b/Documentation/es/texidocs/fingerings,-string-indications,-and-right-hand-fingerings.texidoc
index 672774636c..5873776ed6 100644
--- a/Documentation/es/texidocs/fingerings,-string-indications,-and-right-hand-fingerings.texidoc
+++ b/Documentation/es/texidocs/fingerings,-string-indications,-and-right-hand-fingerings.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 En este ejemplo se combinan las digitaciones de la mano izquierda,
 indicaciones del número de cuerda y digitaciones de la mano
diff --git a/Documentation/es/texidocs/flamenco-notation.texidoc b/Documentation/es/texidocs/flamenco-notation.texidoc
index a18055fadb..2a45601a66 100644
--- a/Documentation/es/texidocs/flamenco-notation.texidoc
+++ b/Documentation/es/texidocs/flamenco-notation.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 
diff --git a/Documentation/es/texidocs/flat-flags-and-beam-nibs.texidoc b/Documentation/es/texidocs/flat-flags-and-beam-nibs.texidoc
index 4ead0ec5e8..1adc9689db 100644
--- a/Documentation/es/texidocs/flat-flags-and-beam-nibs.texidoc
+++ b/Documentation/es/texidocs/flat-flags-and-beam-nibs.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Son posibles tanto los corchetes rectos sobre notas sueltas como
 extremos de barra sueltos en figuras unidas, con una combinación de
diff --git a/Documentation/es/texidocs/forcing-horizontal-shift-of-notes.texidoc b/Documentation/es/texidocs/forcing-horizontal-shift-of-notes.texidoc
index 9d7f24cf46..0ea88a1918 100644
--- a/Documentation/es/texidocs/forcing-horizontal-shift-of-notes.texidoc
+++ b/Documentation/es/texidocs/forcing-horizontal-shift-of-notes.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
  doctitlees = "Forzar el desplazamiento horizontal de las notas"
 
diff --git a/Documentation/es/texidocs/forcing-hyphens-to-be-shown.texidoc b/Documentation/es/texidocs/forcing-hyphens-to-be-shown.texidoc
index 435156d56c..5e7e195d3e 100644
--- a/Documentation/es/texidocs/forcing-hyphens-to-be-shown.texidoc
+++ b/Documentation/es/texidocs/forcing-hyphens-to-be-shown.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Si LilyPond no cree que haya sitio suficiente para un guión separador
diff --git a/Documentation/es/texidocs/formatting-lyrics-syllables.texidoc b/Documentation/es/texidocs/formatting-lyrics-syllables.texidoc
index f2d00deaf3..c4f18acf11 100644
--- a/Documentation/es/texidocs/formatting-lyrics-syllables.texidoc
+++ b/Documentation/es/texidocs/formatting-lyrics-syllables.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Es posible usar el modo de marcado para dar formato a sílabas
 individuales dentro de la letra.
diff --git a/Documentation/es/texidocs/fretboards-alternate-tables.texidoc b/Documentation/es/texidocs/fretboards-alternate-tables.texidoc
index 14a4cab17d..c80324b66b 100644
--- a/Documentation/es/texidocs/fretboards-alternate-tables.texidoc
+++ b/Documentation/es/texidocs/fretboards-alternate-tables.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 Se pueden crear tablas alternativas de diagramas de posiciones.  Se
diff --git a/Documentation/es/texidocs/fretted-string-harmonics-in-tablature.texidoc b/Documentation/es/texidocs/fretted-string-harmonics-in-tablature.texidoc
index e44069391d..35c7fe1965 100644
--- a/Documentation/es/texidocs/fretted-string-harmonics-in-tablature.texidoc
+++ b/Documentation/es/texidocs/fretted-string-harmonics-in-tablature.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Armónicos sobre cuerdas pisadas (armónicos artificiales):
 "
diff --git a/Documentation/es/texidocs/generating-random-notes.texidoc b/Documentation/es/texidocs/generating-random-notes.texidoc
index b4e49f29a5..a7938067d7 100644
--- a/Documentation/es/texidocs/generating-random-notes.texidoc
+++ b/Documentation/es/texidocs/generating-random-notes.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Este fragmento de código basado en Scheme genera
 24 notas aleatorias (o tantas como se necesiten), basándose en la
diff --git a/Documentation/es/texidocs/glissandi-can-skip-grobs.texidoc b/Documentation/es/texidocs/glissandi-can-skip-grobs.texidoc
index 8fda9df1ec..7dc9317867 100644
--- a/Documentation/es/texidocs/glissandi-can-skip-grobs.texidoc
+++ b/Documentation/es/texidocs/glissandi-can-skip-grobs.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Los objetos gráficos de columna de nota (los grobs @code{NoteColumn})
 pueden ser sobrepasados por los glissandos.
diff --git a/Documentation/es/texidocs/graphical-and-text-woodwind-diagrams.texidoc b/Documentation/es/texidocs/graphical-and-text-woodwind-diagrams.texidoc
index d674d551dc..cee29b2176 100644
--- a/Documentation/es/texidocs/graphical-and-text-woodwind-diagrams.texidoc
+++ b/Documentation/es/texidocs/graphical-and-text-woodwind-diagrams.texidoc
@@ -1,4 +1,4 @@
-%%%    Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%%%    Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 En muchos casos, las llaves que no están en la columna central se
diff --git a/Documentation/es/texidocs/grid-lines--changing-their-appearance.texidoc b/Documentation/es/texidocs/grid-lines--changing-their-appearance.texidoc
index 540b3589d5..6845b3401d 100644
--- a/Documentation/es/texidocs/grid-lines--changing-their-appearance.texidoc
+++ b/Documentation/es/texidocs/grid-lines--changing-their-appearance.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede cambiar el aspecto de las líneas de rejilla
 sobreescribiendo algunas de sus propiedades.
diff --git a/Documentation/es/texidocs/grid-lines--emphasizing-rhythms-and-notes-synchronization.texidoc b/Documentation/es/texidocs/grid-lines--emphasizing-rhythms-and-notes-synchronization.texidoc
index be26436769..0ced1b7cd5 100644
--- a/Documentation/es/texidocs/grid-lines--emphasizing-rhythms-and-notes-synchronization.texidoc
+++ b/Documentation/es/texidocs/grid-lines--emphasizing-rhythms-and-notes-synchronization.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se pueden trazar líneas verticales normales entre pentagramas para
 mostrar la relación entre notas; sin embargo, en caso de música
diff --git a/Documentation/es/texidocs/guitar-slides.texidoc b/Documentation/es/texidocs/guitar-slides.texidoc
index 0e7d164529..7426b92b2f 100644
--- a/Documentation/es/texidocs/guitar-slides.texidoc
+++ b/Documentation/es/texidocs/guitar-slides.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
 
   texidoces = "
diff --git a/Documentation/es/texidocs/guitar-strum-rhythms.texidoc b/Documentation/es/texidocs/guitar-strum-rhythms.texidoc
index 7a3e3655ab..c61c8b9087 100644
--- a/Documentation/es/texidocs/guitar-strum-rhythms.texidoc
+++ b/Documentation/es/texidocs/guitar-strum-rhythms.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Para la música de guitarra, es posible mostrar los ritmos de rasgueo,
 además de las notas de la melodía, acordes y diagramas de posiciones.
diff --git a/Documentation/es/texidocs/hairpins-with-different-line-styles.texidoc b/Documentation/es/texidocs/hairpins-with-different-line-styles.texidoc
index eec59f66c7..83e33dd8e4 100644
--- a/Documentation/es/texidocs/hairpins-with-different-line-styles.texidoc
+++ b/Documentation/es/texidocs/hairpins-with-different-line-styles.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Los reguladores pueden imprimirse en uno cualquiera de los estilos de
 @code{line-interface}: discontinuo, punteado, línea, trino o zig-zag.
diff --git a/Documentation/es/texidocs/hiding-accidentals-on-tied-notes-at-the-start-of-a-new-system.texidoc b/Documentation/es/texidocs/hiding-accidentals-on-tied-notes-at-the-start-of-a-new-system.texidoc
index ea453555aa..c2f1ba11ee 100644
--- a/Documentation/es/texidocs/hiding-accidentals-on-tied-notes-at-the-start-of-a-new-system.texidoc
+++ b/Documentation/es/texidocs/hiding-accidentals-on-tied-notes-at-the-start-of-a-new-system.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 Aquí se muestra la manera de ocultar las alteraciones de las notas
diff --git a/Documentation/es/texidocs/hiding-the-extender-line-for-text-dynamics.texidoc b/Documentation/es/texidocs/hiding-the-extender-line-for-text-dynamics.texidoc
index 08b0d418c0..048085229c 100644
--- a/Documentation/es/texidocs/hiding-the-extender-line-for-text-dynamics.texidoc
+++ b/Documentation/es/texidocs/hiding-the-extender-line-for-text-dynamics.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Los cambios de dinámica con estilo de texto (como cresc. y dim.)
 se imprimen con una línea intermitente que muestra su alcance.
diff --git a/Documentation/es/texidocs/hymn-template.texidoc b/Documentation/es/texidocs/hymn-template.texidoc
index e6f6dcd98c..a0508ae5c8 100644
--- a/Documentation/es/texidocs/hymn-template.texidoc
+++ b/Documentation/es/texidocs/hymn-template.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
   Este fragmento de código muestra una forma de preparar un himno cuando
 cada línea comienza con un compás parcial.  También muestra cómo
diff --git a/Documentation/es/texidocs/incipit.texidoc b/Documentation/es/texidocs/incipit.texidoc
index 97094db62a..861a6b6881 100644
--- a/Documentation/es/texidocs/incipit.texidoc
+++ b/Documentation/es/texidocs/incipit.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Los «incipit» se pueden escribir utilizando el grob del nombre del
 instruemento, pero manteniendo independientes las definiciones del
diff --git a/Documentation/es/texidocs/indicating-cross-staff-chords-with-arpeggio-bracket.texidoc b/Documentation/es/texidocs/indicating-cross-staff-chords-with-arpeggio-bracket.texidoc
index b2b989d119..f269ec5c9b 100644
--- a/Documentation/es/texidocs/indicating-cross-staff-chords-with-arpeggio-bracket.texidoc
+++ b/Documentation/es/texidocs/indicating-cross-staff-chords-with-arpeggio-bracket.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Un corchete de arpegio puede indicar que se tienen que tocar con la
 misma mano notas que están en dos pentagramas distintos. Para hacerlo,
diff --git a/Documentation/es/texidocs/inserting-a-caesura.texidoc b/Documentation/es/texidocs/inserting-a-caesura.texidoc
index 8e59c805a5..6c05148b8c 100644
--- a/Documentation/es/texidocs/inserting-a-caesura.texidoc
+++ b/Documentation/es/texidocs/inserting-a-caesura.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Las marcas de cesura se pueden crear sobreescribiendo la propiedad
 @code{'text} del objeto @code{BreathingSign}.  También está disponible
diff --git a/Documentation/es/texidocs/isolated-percent-repeats.texidoc b/Documentation/es/texidocs/isolated-percent-repeats.texidoc
index 33bdec6cab..a85dd609f9 100644
--- a/Documentation/es/texidocs/isolated-percent-repeats.texidoc
+++ b/Documentation/es/texidocs/isolated-percent-repeats.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 También se pueden imprimir símbolos de porcentaje sueltos.
 
diff --git a/Documentation/es/texidocs/jazz-combo-template.texidoc b/Documentation/es/texidocs/jazz-combo-template.texidoc
index 4e429a29e0..b64fddf9c8 100644
--- a/Documentation/es/texidocs/jazz-combo-template.texidoc
+++ b/Documentation/es/texidocs/jazz-combo-template.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Ésta es una plantilla bastante avanzada, para un conjunto de
 jazz. Observe que la notación de todos los instrumentos está en
diff --git a/Documentation/es/texidocs/keep-change-clefs-full-sized.texidoc b/Documentation/es/texidocs/keep-change-clefs-full-sized.texidoc
index 250075f7cb..a75b6af0eb 100644
--- a/Documentation/es/texidocs/keep-change-clefs-full-sized.texidoc
+++ b/Documentation/es/texidocs/keep-change-clefs-full-sized.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Cuando se produce un cambio de clave, el símbolo de clave se imprime a
 un tamaño menor que la clave inicial.  Esto se puede ajustar con
diff --git a/Documentation/es/texidocs/letter-tablature-formatting.texidoc b/Documentation/es/texidocs/letter-tablature-formatting.texidoc
index ea4d9add42..fb216c4ff8 100644
--- a/Documentation/es/texidocs/letter-tablature-formatting.texidoc
+++ b/Documentation/es/texidocs/letter-tablature-formatting.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 La tablatura se puede formatear utilizando letras en lugar de números.
 
diff --git a/Documentation/es/texidocs/line-arrows.texidoc b/Documentation/es/texidocs/line-arrows.texidoc
index 421bbf441e..6ba10089d3 100644
--- a/Documentation/es/texidocs/line-arrows.texidoc
+++ b/Documentation/es/texidocs/line-arrows.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se pueden aplicar puntas de flecha a los elementos de extensión de
 texto y de línea (como el Glissando).
diff --git a/Documentation/es/texidocs/lyrics-alignment.texidoc b/Documentation/es/texidocs/lyrics-alignment.texidoc
index a9488fbb5f..34ca18d342 100644
--- a/Documentation/es/texidocs/lyrics-alignment.texidoc
+++ b/Documentation/es/texidocs/lyrics-alignment.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 La alineación horizontal de la letra se puede ajustar sobreescribiendo
 la propiedad @code{self-alignment-X} del objeto @code{LyricText}.
diff --git a/Documentation/es/texidocs/makam-example.texidoc b/Documentation/es/texidocs/makam-example.texidoc
index 5d2c07bde7..65956cc935 100644
--- a/Documentation/es/texidocs/makam-example.texidoc
+++ b/Documentation/es/texidocs/makam-example.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 El «Makam» es un tipo de melodía de Turquía que
 utiliza alteraciones microtonales de 1/9 de tono.  Consulte el
diff --git a/Documentation/es/texidocs/making-slurs-with-complex-dash-structure.texidoc b/Documentation/es/texidocs/making-slurs-with-complex-dash-structure.texidoc
index 34ade71384..5805c65e70 100644
--- a/Documentation/es/texidocs/making-slurs-with-complex-dash-structure.texidoc
+++ b/Documentation/es/texidocs/making-slurs-with-complex-dash-structure.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Las ligaduras de expresión se pueden construir con patrones de
diff --git a/Documentation/es/texidocs/making-some-staff-lines-thicker-than-the-others.texidoc b/Documentation/es/texidocs/making-some-staff-lines-thicker-than-the-others.texidoc
index eedb9e6fe3..15d9e1eb5e 100644
--- a/Documentation/es/texidocs/making-some-staff-lines-thicker-than-the-others.texidoc
+++ b/Documentation/es/texidocs/making-some-staff-lines-thicker-than-the-others.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede engrosar una línea del pentagrama con fines pedagógicos
 (p.ej. la tercera línea o la de la clave de Sol).  Esto se puede
diff --git a/Documentation/es/texidocs/measure-counter.texidoc b/Documentation/es/texidocs/measure-counter.texidoc
index 641f6b3c40..74dd906434 100644
--- a/Documentation/es/texidocs/measure-counter.texidoc
+++ b/Documentation/es/texidocs/measure-counter.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Este fragmento de código proporciona una solución alternativa a la
 producción de contadores de compás utilizando repeticiones
diff --git a/Documentation/es/texidocs/mensurstriche-layout-bar-lines-between-the-staves.texidoc b/Documentation/es/texidocs/mensurstriche-layout-bar-lines-between-the-staves.texidoc
index cedde01555..12f7cd304d 100644
--- a/Documentation/es/texidocs/mensurstriche-layout-bar-lines-between-the-staves.texidoc
+++ b/Documentation/es/texidocs/mensurstriche-layout-bar-lines-between-the-staves.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 La disposición «mensurstriche» en que las líneas divisorias no
 están dibujadas sobre los pentagramas, sino entre ellos, se puede
diff --git a/Documentation/es/texidocs/modifying-default-values-for-articulation-shorthand-notation.texidoc b/Documentation/es/texidocs/modifying-default-values-for-articulation-shorthand-notation.texidoc
index 1cbbc33d6b..e69ae2ffcd 100644
--- a/Documentation/es/texidocs/modifying-default-values-for-articulation-shorthand-notation.texidoc
+++ b/Documentation/es/texidocs/modifying-default-values-for-articulation-shorthand-notation.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Las abreviaturas se encuentran definidas dentro del archivo
 @file{ly/script-init.ly}, donde las variables @code{dashHat},
diff --git a/Documentation/es/texidocs/moving-dotted-notes-in-polyphony.texidoc b/Documentation/es/texidocs/moving-dotted-notes-in-polyphony.texidoc
index 18d2754a7d..04d5d0ca12 100644
--- a/Documentation/es/texidocs/moving-dotted-notes-in-polyphony.texidoc
+++ b/Documentation/es/texidocs/moving-dotted-notes-in-polyphony.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Cuando se puede una nota en la voz superior para evitar la colisión
 con una nota de otra voz, el comportamiento predeterminado es
diff --git a/Documentation/es/texidocs/moving-slur-positions-vertically.texidoc b/Documentation/es/texidocs/moving-slur-positions-vertically.texidoc
index 425ad27b6b..e326584f02 100644
--- a/Documentation/es/texidocs/moving-slur-positions-vertically.texidoc
+++ b/Documentation/es/texidocs/moving-slur-positions-vertically.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede ajustar la posición vertical de una ligadura de
 expresión utilizando la propiedad @code{positions} del objeto
diff --git a/Documentation/es/texidocs/multi-measure-rest-markup.texidoc b/Documentation/es/texidocs/multi-measure-rest-markup.texidoc
index 34059d4d4e..1794a3b673 100644
--- a/Documentation/es/texidocs/multi-measure-rest-markup.texidoc
+++ b/Documentation/es/texidocs/multi-measure-rest-markup.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 texidoces = "
 Los elementos de marcado aplicados a un silencio multicompás se
 centran encima o debajo de éste.  Los elementos de marcado extensos
diff --git a/Documentation/es/texidocs/nesting-staves.texidoc b/Documentation/es/texidocs/nesting-staves.texidoc
index c6283f2472..408e77c70a 100644
--- a/Documentation/es/texidocs/nesting-staves.texidoc
+++ b/Documentation/es/texidocs/nesting-staves.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede utilizar la propiedad
 @code{systemStartDelimiterHierarchy} para crear grupos de
diff --git a/Documentation/es/texidocs/non-default-tuplet-numbers.texidoc b/Documentation/es/texidocs/non-default-tuplet-numbers.texidoc
index 9c8c599e31..b5f0504c0b 100644
--- a/Documentation/es/texidocs/non-default-tuplet-numbers.texidoc
+++ b/Documentation/es/texidocs/non-default-tuplet-numbers.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 LilyPond también proporciona funciones de formato para imprimir
 números de grupo especial diferentes a la propia fracción, así
diff --git a/Documentation/es/texidocs/non-traditional-key-signatures.texidoc b/Documentation/es/texidocs/non-traditional-key-signatures.texidoc
index 3760a64755..364e1a5b75 100644
--- a/Documentation/es/texidocs/non-traditional-key-signatures.texidoc
+++ b/Documentation/es/texidocs/non-traditional-key-signatures.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   doctitlees = "Armaduras de tonalidad no tradicionales"
   texidoces = "
 
diff --git a/Documentation/es/texidocs/numbers-as-easy-note-heads.texidoc b/Documentation/es/texidocs/numbers-as-easy-note-heads.texidoc
index 0bd3a9fed8..0916ef2012 100644
--- a/Documentation/es/texidocs/numbers-as-easy-note-heads.texidoc
+++ b/Documentation/es/texidocs/numbers-as-easy-note-heads.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Las cabezas de nota de notación fácil utilizan la propiedad
diff --git a/Documentation/es/texidocs/obtaining-2.12-lyrics-spacing-in-newer-versions.texidoc b/Documentation/es/texidocs/obtaining-2.12-lyrics-spacing-in-newer-versions.texidoc
index c25713b927..38c882efb6 100644
--- a/Documentation/es/texidocs/obtaining-2.12-lyrics-spacing-in-newer-versions.texidoc
+++ b/Documentation/es/texidocs/obtaining-2.12-lyrics-spacing-in-newer-versions.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 El motor de espaciado vertical cambió en la versión 2.14.  Esto puede
 hacer que se altere el espaciado de la letra de las canciones.  Es
diff --git a/Documentation/es/texidocs/open-string-harmonics-in-tablature.texidoc b/Documentation/es/texidocs/open-string-harmonics-in-tablature.texidoc
index 29b6780cb5..3e9ae9245d 100644
--- a/Documentation/es/texidocs/open-string-harmonics-in-tablature.texidoc
+++ b/Documentation/es/texidocs/open-string-harmonics-in-tablature.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Referencia para armónicos sobre cuerdas al aire (armónicos naturales):
 
diff --git a/Documentation/es/texidocs/orchestra,-choir-and-piano-template.texidoc b/Documentation/es/texidocs/orchestra,-choir-and-piano-template.texidoc
index 262c1cae09..61344ad310 100644
--- a/Documentation/es/texidocs/orchestra,-choir-and-piano-template.texidoc
+++ b/Documentation/es/texidocs/orchestra,-choir-and-piano-template.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Esta plantilla muestra el uso de contextos @code{StaffGroup} y
 @code{GrandStaff} anidados para sub-agrupar instrumentos del mismo
diff --git a/Documentation/es/texidocs/ottava-text.texidoc b/Documentation/es/texidocs/ottava-text.texidoc
index 5f93a5a29d..23cbb5d0c8 100644
--- a/Documentation/es/texidocs/ottava-text.texidoc
+++ b/Documentation/es/texidocs/ottava-text.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Internamente, @code{\\ottava} establece las propiedades
diff --git a/Documentation/es/texidocs/partcombine-and-autobeamoff.texidoc b/Documentation/es/texidocs/partcombine-and-autobeamoff.texidoc
index f957bc7ad1..77e38dd8bb 100644
--- a/Documentation/es/texidocs/partcombine-and-autobeamoff.texidoc
+++ b/Documentation/es/texidocs/partcombine-and-autobeamoff.texidoc
@@ -1,4 +1,4 @@
-%%   Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%%   Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 
diff --git a/Documentation/es/texidocs/percent-repeat-count-visibility.texidoc b/Documentation/es/texidocs/percent-repeat-count-visibility.texidoc
index 5519e8e529..fd9d9b33c1 100644
--- a/Documentation/es/texidocs/percent-repeat-count-visibility.texidoc
+++ b/Documentation/es/texidocs/percent-repeat-count-visibility.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se pueden mostrar los contadores de las repeticiones del tipo
 porcentaje a intervalos regulares mediante el establecimiento de
diff --git a/Documentation/es/texidocs/percent-repeat-counter.texidoc b/Documentation/es/texidocs/percent-repeat-counter.texidoc
index 07dd515421..1133f15e4a 100644
--- a/Documentation/es/texidocs/percent-repeat-counter.texidoc
+++ b/Documentation/es/texidocs/percent-repeat-counter.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Las repeticiones de compases completos de más de dos repeticiones
 pueden llevar un contador si se activa la propiedad adecuada, como se
diff --git a/Documentation/es/texidocs/permitting-line-breaks-within-beamed-tuplets.texidoc b/Documentation/es/texidocs/permitting-line-breaks-within-beamed-tuplets.texidoc
index 2e84c1d0e5..21d5c9e956 100644
--- a/Documentation/es/texidocs/permitting-line-breaks-within-beamed-tuplets.texidoc
+++ b/Documentation/es/texidocs/permitting-line-breaks-within-beamed-tuplets.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
  doctitlees = "Permitir saltos de línea dentro de grupos especiales con barra"
  texidoces = "
 Este ejemplo artificial muestra cómo se pueden permitir tanto los
diff --git a/Documentation/es/texidocs/piano-template-simple.texidoc b/Documentation/es/texidocs/piano-template-simple.texidoc
index 5184467d0e..d8f83f3e2b 100644
--- a/Documentation/es/texidocs/piano-template-simple.texidoc
+++ b/Documentation/es/texidocs/piano-template-simple.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Presentamos a continuación una plantilla de piano sencilla con algunas
 notas.
diff --git a/Documentation/es/texidocs/piano-template-with-centered-lyrics.texidoc b/Documentation/es/texidocs/piano-template-with-centered-lyrics.texidoc
index 013a5de29a..a31c0ad052 100644
--- a/Documentation/es/texidocs/piano-template-with-centered-lyrics.texidoc
+++ b/Documentation/es/texidocs/piano-template-with-centered-lyrics.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 En lugar de tener un pentagrama dedicado a la melodía y la letra, ésta
 se puede centrar entre los pentagramas de un sistema de piano.
diff --git a/Documentation/es/texidocs/piano-template-with-melody-and-lyrics.texidoc b/Documentation/es/texidocs/piano-template-with-melody-and-lyrics.texidoc
index 92c6feef0a..00864d72e6 100644
--- a/Documentation/es/texidocs/piano-template-with-melody-and-lyrics.texidoc
+++ b/Documentation/es/texidocs/piano-template-with-melody-and-lyrics.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 He aquí el típico formato dde una canción: un pentagrama con la
 melodía y la letra, y el acompañamiento de piano por debajo.
diff --git a/Documentation/es/texidocs/placement-of-right-hand-fingerings.texidoc b/Documentation/es/texidocs/placement-of-right-hand-fingerings.texidoc
index cd642e5e79..5e2d1e1aec 100644
--- a/Documentation/es/texidocs/placement-of-right-hand-fingerings.texidoc
+++ b/Documentation/es/texidocs/placement-of-right-hand-fingerings.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Es posible ejercer un mayor control sobre la colocación de las
 digitaciones de la mano derecha estableciendo el valor de una
diff --git a/Documentation/es/texidocs/polyphony-in-tablature.texidoc b/Documentation/es/texidocs/polyphony-in-tablature.texidoc
index 604434e3ee..836e0e9d1f 100644
--- a/Documentation/es/texidocs/polyphony-in-tablature.texidoc
+++ b/Documentation/es/texidocs/polyphony-in-tablature.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 La polifonía se crea de la misma forma en un @code{TabStaff} que
 en una pauta normal.
diff --git a/Documentation/es/texidocs/positioning-arpeggios.texidoc b/Documentation/es/texidocs/positioning-arpeggios.texidoc
index 9529b50ccd..44e3ac6d2f 100644
--- a/Documentation/es/texidocs/positioning-arpeggios.texidoc
+++ b/Documentation/es/texidocs/positioning-arpeggios.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Si necesitamos alargar o acortar un símbolo de arpegio, podemos
 modificar independientemente los extremos superior e inferior.
diff --git a/Documentation/es/texidocs/positioning-grace-note-beams-at-the-height-of-normal-note-beams.texidoc b/Documentation/es/texidocs/positioning-grace-note-beams-at-the-height-of-normal-note-beams.texidoc
index 558d82e165..4dd3e52fa0 100644
--- a/Documentation/es/texidocs/positioning-grace-note-beams-at-the-height-of-normal-note-beams.texidoc
+++ b/Documentation/es/texidocs/positioning-grace-note-beams-at-the-height-of-normal-note-beams.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Cuando se colocan figuras sobre líneas adicionales, sus barras se
diff --git a/Documentation/es/texidocs/positioning-grace-notes-with-floating-space.texidoc b/Documentation/es/texidocs/positioning-grace-notes-with-floating-space.texidoc
index ea498fd95f..943f28cae3 100644
--- a/Documentation/es/texidocs/positioning-grace-notes-with-floating-space.texidoc
+++ b/Documentation/es/texidocs/positioning-grace-notes-with-floating-space.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Al establecer la propiedad @code{'strict-grace-spacing} hacemos que
diff --git a/Documentation/es/texidocs/positioning-multi-measure-rests.texidoc b/Documentation/es/texidocs/positioning-multi-measure-rests.texidoc
index f642a71802..a8e8284d5c 100644
--- a/Documentation/es/texidocs/positioning-multi-measure-rests.texidoc
+++ b/Documentation/es/texidocs/positioning-multi-measure-rests.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
  doctitlees = "Posicionar los silencios multicompás"
  texidoces = "
 A diferencia de los silencios normales, no existe una instrucción
diff --git a/Documentation/es/texidocs/positioning-text-markups-inside-slurs.texidoc b/Documentation/es/texidocs/positioning-text-markups-inside-slurs.texidoc
index 35f1121a65..3cc44f0a9d 100644
--- a/Documentation/es/texidocs/positioning-text-markups-inside-slurs.texidoc
+++ b/Documentation/es/texidocs/positioning-text-markups-inside-slurs.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Los elementos de marcado de texto deben tener la propiedad
diff --git a/Documentation/es/texidocs/preventing-extra-naturals-from-being-automatically-added.texidoc b/Documentation/es/texidocs/preventing-extra-naturals-from-being-automatically-added.texidoc
index fb5e0f1815..17b0ddd868 100644
--- a/Documentation/es/texidocs/preventing-extra-naturals-from-being-automatically-added.texidoc
+++ b/Documentation/es/texidocs/preventing-extra-naturals-from-being-automatically-added.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 doctitlees = "Evitar que se añadan becuadros adicionales automáticamente"
 
 texidoces = "
diff --git a/Documentation/es/texidocs/preventing-natural-signs-from-being-printed-when-the-key-signature-changes.texidoc b/Documentation/es/texidocs/preventing-natural-signs-from-being-printed-when-the-key-signature-changes.texidoc
index 1548c8cc81..9dfd909d12 100644
--- a/Documentation/es/texidocs/preventing-natural-signs-from-being-printed-when-the-key-signature-changes.texidoc
+++ b/Documentation/es/texidocs/preventing-natural-signs-from-being-printed-when-the-key-signature-changes.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 doctitlees = "Evitar que se impriman becuadros cuando cambia la armadura"
 
 texidoces = "
diff --git a/Documentation/es/texidocs/printing-a-repeat-sign-at-the-beginning-of-a-piece.texidoc b/Documentation/es/texidocs/printing-a-repeat-sign-at-the-beginning-of-a-piece.texidoc
index f2b6a33be9..137654594a 100644
--- a/Documentation/es/texidocs/printing-a-repeat-sign-at-the-beginning-of-a-piece.texidoc
+++ b/Documentation/es/texidocs/printing-a-repeat-sign-at-the-beginning-of-a-piece.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede imprimir una línea divisoria de la forma @code{|:} al
 principio de la pieza, sobreescribiendo la propiedad correspondiente:
diff --git a/Documentation/es/texidocs/printing-bar-numbers-at-regular-intervals.texidoc b/Documentation/es/texidocs/printing-bar-numbers-at-regular-intervals.texidoc
index bcc7fc8239..8fcac99115 100644
--- a/Documentation/es/texidocs/printing-bar-numbers-at-regular-intervals.texidoc
+++ b/Documentation/es/texidocs/printing-bar-numbers-at-regular-intervals.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Se pueden imprimir los números de compás a intervalos regulares
diff --git a/Documentation/es/texidocs/printing-bar-numbers-inside-boxes-or-circles.texidoc b/Documentation/es/texidocs/printing-bar-numbers-inside-boxes-or-circles.texidoc
index fc4d5a7efa..deb8055e01 100644
--- a/Documentation/es/texidocs/printing-bar-numbers-inside-boxes-or-circles.texidoc
+++ b/Documentation/es/texidocs/printing-bar-numbers-inside-boxes-or-circles.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Los números de compás también se pueden imprimir dentro de rectángulos o de circunferencias.
diff --git a/Documentation/es/texidocs/printing-hairpins-using-al-niente-notation.texidoc b/Documentation/es/texidocs/printing-hairpins-using-al-niente-notation.texidoc
index e6b0a13312..fa7ffb8efd 100644
--- a/Documentation/es/texidocs/printing-hairpins-using-al-niente-notation.texidoc
+++ b/Documentation/es/texidocs/printing-hairpins-using-al-niente-notation.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se pueden imprimir reguladores con un círculo en la punta (notación
 «al niente») estableciendo la propiedad @code{circled-tip} del objeto
diff --git a/Documentation/es/texidocs/printing-marks-at-the-end-of-a-line.texidoc b/Documentation/es/texidocs/printing-marks-at-the-end-of-a-line.texidoc
index 4c43357d97..dbfcf4d98a 100644
--- a/Documentation/es/texidocs/printing-marks-at-the-end-of-a-line.texidoc
+++ b/Documentation/es/texidocs/printing-marks-at-the-end-of-a-line.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 
diff --git a/Documentation/es/texidocs/printing-marks-on-every-staff.texidoc b/Documentation/es/texidocs/printing-marks-on-every-staff.texidoc
index 340a82988c..1574dca7da 100644
--- a/Documentation/es/texidocs/printing-marks-on-every-staff.texidoc
+++ b/Documentation/es/texidocs/printing-marks-on-every-staff.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Aunque normalmente las marcas de ensayo textuales sólo se imprimen
 sobre el pentagrama superior, también se pueden imprimir en otro
diff --git a/Documentation/es/texidocs/printing-metronome-and-rehearsal-marks-below-the-staff.texidoc b/Documentation/es/texidocs/printing-metronome-and-rehearsal-marks-below-the-staff.texidoc
index 026be5a0e0..bcf62ec5af 100644
--- a/Documentation/es/texidocs/printing-metronome-and-rehearsal-marks-below-the-staff.texidoc
+++ b/Documentation/es/texidocs/printing-metronome-and-rehearsal-marks-below-the-staff.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 De forma predeterminada, las indicaciones metronómicas y las
 letras de ensayo se imprimen encima del pentagrama.  Para
diff --git a/Documentation/es/texidocs/printing-note-names-with-and-without-an-octave-marker.texidoc b/Documentation/es/texidocs/printing-note-names-with-and-without-an-octave-marker.texidoc
index 384af7ffa3..ce9283fbc5 100644
--- a/Documentation/es/texidocs/printing-note-names-with-and-without-an-octave-marker.texidoc
+++ b/Documentation/es/texidocs/printing-note-names-with-and-without-an-octave-marker.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede usar el contexto @code{NoteNames} para imprimir el valor
 textual de las notas.  La propiedad @code{printOctaveNames} activa o
diff --git a/Documentation/es/texidocs/printing-the-bar-number-for-the-first-measure.texidoc b/Documentation/es/texidocs/printing-the-bar-number-for-the-first-measure.texidoc
index a96f1d6885..0b7f9f0cef 100644
--- a/Documentation/es/texidocs/printing-the-bar-number-for-the-first-measure.texidoc
+++ b/Documentation/es/texidocs/printing-the-bar-number-for-the-first-measure.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 De forma predeterminada se suprime el número del primer compás de una
diff --git a/Documentation/es/texidocs/quoting-another-voice-with-transposition.texidoc b/Documentation/es/texidocs/quoting-another-voice-with-transposition.texidoc
index f03a5cb276..8ae99af253 100644
--- a/Documentation/es/texidocs/quoting-another-voice-with-transposition.texidoc
+++ b/Documentation/es/texidocs/quoting-another-voice-with-transposition.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Los pasajes citados tienen en cuenta la transposición de la fuente
 tanto como la del destino.  En este ejemplo, todos los
diff --git a/Documentation/es/texidocs/quoting-another-voice.texidoc b/Documentation/es/texidocs/quoting-another-voice.texidoc
index e27002239f..55bbeb626c 100644
--- a/Documentation/es/texidocs/quoting-another-voice.texidoc
+++ b/Documentation/es/texidocs/quoting-another-voice.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 La propiedad @code{quotedEventTypes} determina los tipos de eventos
diff --git a/Documentation/es/texidocs/recorder-fingering-chart.texidoc b/Documentation/es/texidocs/recorder-fingering-chart.texidoc
index 2550fe2ed8..aaa14404a2 100644
--- a/Documentation/es/texidocs/recorder-fingering-chart.texidoc
+++ b/Documentation/es/texidocs/recorder-fingering-chart.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 El ejemplo siguiente muestra cómo se pueden realizar diagramas de
diff --git a/Documentation/es/texidocs/redefining-grace-note-global-defaults.texidoc b/Documentation/es/texidocs/redefining-grace-note-global-defaults.texidoc
index e88b012207..ad98fbc6a0 100644
--- a/Documentation/es/texidocs/redefining-grace-note-global-defaults.texidoc
+++ b/Documentation/es/texidocs/redefining-grace-note-global-defaults.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Los valores predeterminados para las notas de adorno están
diff --git a/Documentation/es/texidocs/removing-bar-numbers-from-a-score.texidoc b/Documentation/es/texidocs/removing-bar-numbers-from-a-score.texidoc
index 448f1f6265..d7cefd0b32 100644
--- a/Documentation/es/texidocs/removing-bar-numbers-from-a-score.texidoc
+++ b/Documentation/es/texidocs/removing-bar-numbers-from-a-score.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Se pueden eliminar completamente los números de compás quitando el
diff --git a/Documentation/es/texidocs/removing-connecting-bar-lines-on-staffgroup,-pianostaff,-or-grandstaff.texidoc b/Documentation/es/texidocs/removing-connecting-bar-lines-on-staffgroup,-pianostaff,-or-grandstaff.texidoc
index 7a93fc200a..2ebe341596 100644
--- a/Documentation/es/texidocs/removing-connecting-bar-lines-on-staffgroup,-pianostaff,-or-grandstaff.texidoc
+++ b/Documentation/es/texidocs/removing-connecting-bar-lines-on-staffgroup,-pianostaff,-or-grandstaff.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 De forma predeterminada, las líneas divisorias en los grupos
 StaffGroup, PianoStaff o GrandStaff se conectan entre los pentagramas.
diff --git a/Documentation/es/texidocs/removing-the-first-empty-line.texidoc b/Documentation/es/texidocs/removing-the-first-empty-line.texidoc
index e419de99f1..54a381855d 100644
--- a/Documentation/es/texidocs/removing-the-first-empty-line.texidoc
+++ b/Documentation/es/texidocs/removing-the-first-empty-line.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 El primer pentagrama vacío también se puede suprimir de la
 partitura estableciendo la propiedad @code{remove-first} de
diff --git a/Documentation/es/texidocs/rest-styles.texidoc b/Documentation/es/texidocs/rest-styles.texidoc
index 41aacd6bf8..78e48c2bd4 100644
--- a/Documentation/es/texidocs/rest-styles.texidoc
+++ b/Documentation/es/texidocs/rest-styles.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   doctitlees = "Estilos de silencios"
   texidoces = "
 Los silencios se pueden imprimir en distintos estilos.
diff --git a/Documentation/es/texidocs/reverting-default-beam-endings.texidoc b/Documentation/es/texidocs/reverting-default-beam-endings.texidoc
index d85a2f9649..a44ad82a51 100644
--- a/Documentation/es/texidocs/reverting-default-beam-endings.texidoc
+++ b/Documentation/es/texidocs/reverting-default-beam-endings.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Para tipografiar las barras agrupadas en la forma @code{3-4-3-2} sólo
 es necesario modificar la estructura de pulsos:
diff --git a/Documentation/es/texidocs/satb-choir-template---four-staves.texidoc b/Documentation/es/texidocs/satb-choir-template---four-staves.texidoc
index 81cf67cf58..a5f7de8bc4 100644
--- a/Documentation/es/texidocs/satb-choir-template---four-staves.texidoc
+++ b/Documentation/es/texidocs/satb-choir-template---four-staves.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 Plantilla de coro SATB (en cuatro pentagramas)
diff --git a/Documentation/es/texidocs/setting-hairpin-behavior-at-bar-lines.texidoc b/Documentation/es/texidocs/setting-hairpin-behavior-at-bar-lines.texidoc
index 4f6f9872a4..248f184626 100644
--- a/Documentation/es/texidocs/setting-hairpin-behavior-at-bar-lines.texidoc
+++ b/Documentation/es/texidocs/setting-hairpin-behavior-at-bar-lines.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Si la nota que da fin a un regulador cae sobre la primera parte de
 un compás, el regulador se detiene en la línea divisoria
diff --git a/Documentation/es/texidocs/setting-system-separators.texidoc b/Documentation/es/texidocs/setting-system-separators.texidoc
index dacb3315ac..b50578ce58 100644
--- a/Documentation/es/texidocs/setting-system-separators.texidoc
+++ b/Documentation/es/texidocs/setting-system-separators.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se pueden insertar separadores sistema entre los sistemas de una
 página.  Se puede usar cualquier elemento de marcado, pero
diff --git a/Documentation/es/texidocs/setting-the-double-repeat-default-for-volte.texidoc b/Documentation/es/texidocs/setting-the-double-repeat-default-for-volte.texidoc
index 4d5b2e3394..4e11db8548 100644
--- a/Documentation/es/texidocs/setting-the-double-repeat-default-for-volte.texidoc
+++ b/Documentation/es/texidocs/setting-the-double-repeat-default-for-volte.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 
diff --git a/Documentation/es/texidocs/setting-the-minimum-length-of-hairpins.texidoc b/Documentation/es/texidocs/setting-the-minimum-length-of-hairpins.texidoc
index eb5cce2a8b..802cb3f186 100644
--- a/Documentation/es/texidocs/setting-the-minimum-length-of-hairpins.texidoc
+++ b/Documentation/es/texidocs/setting-the-minimum-length-of-hairpins.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Si los reguladores son demasiado cortos, se pueden alargar
 modificando la propiedad @code{minimum-length} del objeto
diff --git a/Documentation/es/texidocs/shortening-volta-brackets.texidoc b/Documentation/es/texidocs/shortening-volta-brackets.texidoc
index 9c7bc34b2e..e1a505c7db 100644
--- a/Documentation/es/texidocs/shortening-volta-brackets.texidoc
+++ b/Documentation/es/texidocs/shortening-volta-brackets.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 De forma predeterminada, los corchetes de primera y segunda vez se
 trazan encima de los finales alternativos completos, pero es posible
diff --git a/Documentation/es/texidocs/showing-chords-at-changes.texidoc b/Documentation/es/texidocs/showing-chords-at-changes.texidoc
index c83308b487..9a50e0bc2e 100644
--- a/Documentation/es/texidocs/showing-chords-at-changes.texidoc
+++ b/Documentation/es/texidocs/showing-chords-at-changes.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se pueden imprimir los acordes exclusivamente al comienzo de las
 líneas y cuando cambia el acorde.
diff --git a/Documentation/es/texidocs/simple-lead-sheet.texidoc b/Documentation/es/texidocs/simple-lead-sheet.texidoc
index 0dabf7d7de..3ce22f24ed 100644
--- a/Documentation/es/texidocs/simple-lead-sheet.texidoc
+++ b/Documentation/es/texidocs/simple-lead-sheet.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Al juntar nombres de acorde en cifrado americano, melodía y letra,
 obtenemos una hoja guía de acordes o «lead sheet»:
diff --git a/Documentation/es/texidocs/single-staff-template-with-notes,-lyrics,-and-chords.texidoc b/Documentation/es/texidocs/single-staff-template-with-notes,-lyrics,-and-chords.texidoc
index 523141e597..bb17924399 100644
--- a/Documentation/es/texidocs/single-staff-template-with-notes,-lyrics,-and-chords.texidoc
+++ b/Documentation/es/texidocs/single-staff-template-with-notes,-lyrics,-and-chords.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Esta plantilla facilita la preparación de una canción con melodía,
 letra y acordes.
diff --git a/Documentation/es/texidocs/single-staff-template-with-notes,-lyrics,-chords-and-frets.texidoc b/Documentation/es/texidocs/single-staff-template-with-notes,-lyrics,-chords-and-frets.texidoc
index de9213d851..55ffb8b5c1 100644
--- a/Documentation/es/texidocs/single-staff-template-with-notes,-lyrics,-chords-and-frets.texidoc
+++ b/Documentation/es/texidocs/single-staff-template-with-notes,-lyrics,-chords-and-frets.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Presentamos a continuación un ejemplo de plantilla para una hoja
 guía de acordes con melodía, letra, acordes y diagramas de
diff --git a/Documentation/es/texidocs/single-staff-template-with-notes-and-chords.texidoc b/Documentation/es/texidocs/single-staff-template-with-notes-and-chords.texidoc
index d3cd4759db..47a55f69dc 100644
--- a/Documentation/es/texidocs/single-staff-template-with-notes-and-chords.texidoc
+++ b/Documentation/es/texidocs/single-staff-template-with-notes-and-chords.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 ¿Quiere preparar una hoja guía de acordes (o «lead sheet») con
 melodía y acordes?  ¡No busque más!
diff --git a/Documentation/es/texidocs/single-staff-template-with-notes-and-lyrics.texidoc b/Documentation/es/texidocs/single-staff-template-with-notes-and-lyrics.texidoc
index c1bf6dddbd..b6f82c3daf 100644
--- a/Documentation/es/texidocs/single-staff-template-with-notes-and-lyrics.texidoc
+++ b/Documentation/es/texidocs/single-staff-template-with-notes-and-lyrics.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Esta pequeña plantilla muestra una melodía sencilla con letra. Córtela
 y péguela, escriba las notas y luego la letra. Este ejemplo desactiva
diff --git a/Documentation/es/texidocs/single-staff-template-with-only-notes.texidoc b/Documentation/es/texidocs/single-staff-template-with-only-notes.texidoc
index b70f42d6b1..f320cc4b40 100644
--- a/Documentation/es/texidocs/single-staff-template-with-only-notes.texidoc
+++ b/Documentation/es/texidocs/single-staff-template-with-only-notes.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Esta plantilla simple prepara un pentagrama con notas, adecuado para
 un instrumento solista o un fragmento melódico. Córtelo y péguelo en
diff --git a/Documentation/es/texidocs/slides-in-tablature.texidoc b/Documentation/es/texidocs/slides-in-tablature.texidoc
index 7c0fc36907..ed76563ddd 100644
--- a/Documentation/es/texidocs/slides-in-tablature.texidoc
+++ b/Documentation/es/texidocs/slides-in-tablature.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Los deslizamientos se pueden componer tipográficamente tanto en los
diff --git a/Documentation/es/texidocs/stand-alone-two-column-markup.texidoc b/Documentation/es/texidocs/stand-alone-two-column-markup.texidoc
index 6be71e8307..767f538569 100644
--- a/Documentation/es/texidocs/stand-alone-two-column-markup.texidoc
+++ b/Documentation/es/texidocs/stand-alone-two-column-markup.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Los textos independientes se pueden disponer en varias columnas
 utilizando instrucciones @code{\\markup}:
diff --git a/Documentation/es/texidocs/stem-and-beam-behavior-in-tablature.texidoc b/Documentation/es/texidocs/stem-and-beam-behavior-in-tablature.texidoc
index 8e19556c63..ce1119ebdb 100644
--- a/Documentation/es/texidocs/stem-and-beam-behavior-in-tablature.texidoc
+++ b/Documentation/es/texidocs/stem-and-beam-behavior-in-tablature.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 La dirección de las plicas se contola de la misma forma en la
 tablatura que en la notación tradicional. Las barras se pueden
diff --git a/Documentation/es/texidocs/strict-beat-beaming.texidoc b/Documentation/es/texidocs/strict-beat-beaming.texidoc
index 6bed6852dd..7668d8a4f9 100644
--- a/Documentation/es/texidocs/strict-beat-beaming.texidoc
+++ b/Documentation/es/texidocs/strict-beat-beaming.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede hacer que las barras secundarias apunten en la dirección del
 pulso o fracción a que pertenecen.  La primera barra evita los
diff --git a/Documentation/es/texidocs/string-quartet-template-simple.texidoc b/Documentation/es/texidocs/string-quartet-template-simple.texidoc
index 54b661591d..e26f67af76 100644
--- a/Documentation/es/texidocs/string-quartet-template-simple.texidoc
+++ b/Documentation/es/texidocs/string-quartet-template-simple.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Esta plantilla muestra un cuarteto de cuerda normal. También utiliza
 una sección @code{\\global} para el compás y la armadura
diff --git a/Documentation/es/texidocs/string-quartet-template-with-separate-parts.texidoc b/Documentation/es/texidocs/string-quartet-template-with-separate-parts.texidoc
index 7c29d203c1..e43c1cdd1a 100644
--- a/Documentation/es/texidocs/string-quartet-template-with-separate-parts.texidoc
+++ b/Documentation/es/texidocs/string-quartet-template-with-separate-parts.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 El fragmento de código @qq{Plantilla de cuarteto de cuerda} produce un
 resultado satisfactorio para el cuarteto, pero ¿y si tenemos que
diff --git a/Documentation/es/texidocs/subdividing-beams.texidoc b/Documentation/es/texidocs/subdividing-beams.texidoc
index 59eaf39e34..c98614d4c5 100644
--- a/Documentation/es/texidocs/subdividing-beams.texidoc
+++ b/Documentation/es/texidocs/subdividing-beams.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 
diff --git a/Documentation/es/texidocs/time-signature-printing-only-the-numerator-as-a-number-instead-of-the-fraction.texidoc b/Documentation/es/texidocs/time-signature-printing-only-the-numerator-as-a-number-instead-of-the-fraction.texidoc
index eacc322671..1fd6058c4d 100644
--- a/Documentation/es/texidocs/time-signature-printing-only-the-numerator-as-a-number-instead-of-the-fraction.texidoc
+++ b/Documentation/es/texidocs/time-signature-printing-only-the-numerator-as-a-number-instead-of-the-fraction.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 A veces, la indicación de compás no debe imprimir la fracción completa
diff --git a/Documentation/es/texidocs/transcription-of-ancient-music-with-incipit.texidoc b/Documentation/es/texidocs/transcription-of-ancient-music-with-incipit.texidoc
index 352d42d411..22b440cbe0 100644
--- a/Documentation/es/texidocs/transcription-of-ancient-music-with-incipit.texidoc
+++ b/Documentation/es/texidocs/transcription-of-ancient-music-with-incipit.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 A modo de alternativa para obtener auténticos «incipit»
 independientes de la partitura principal, se incluyen como
diff --git a/Documentation/es/texidocs/transposing-pitches-with-minimum-accidentals-smart-transpose.texidoc b/Documentation/es/texidocs/transposing-pitches-with-minimum-accidentals-smart-transpose.texidoc
index ab6b7a2ce0..5ef2d0939b 100644
--- a/Documentation/es/texidocs/transposing-pitches-with-minimum-accidentals-smart-transpose.texidoc
+++ b/Documentation/es/texidocs/transposing-pitches-with-minimum-accidentals-smart-transpose.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 doctitlees = "Transportar música con el menor número de alteraciones"
 texidoces = "
 Este ejemplo utiliza código de Scheme para forzar las
diff --git a/Documentation/es/texidocs/tweaking-clef-properties.texidoc b/Documentation/es/texidocs/tweaking-clef-properties.texidoc
index 5e71a07f8c..9c646ffdc2 100644
--- a/Documentation/es/texidocs/tweaking-clef-properties.texidoc
+++ b/Documentation/es/texidocs/tweaking-clef-properties.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   doctitlees = "Trucaje de las propiedades de clave"
   texidoces = "
 La instrucción @code{\\clef \"treble_8\"} equivale a un ajuste de
diff --git a/Documentation/es/texidocs/tweaking-grace-layout-within-music.texidoc b/Documentation/es/texidocs/tweaking-grace-layout-within-music.texidoc
index 2787378b9c..04fcfed85c 100644
--- a/Documentation/es/texidocs/tweaking-grace-layout-within-music.texidoc
+++ b/Documentation/es/texidocs/tweaking-grace-layout-within-music.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 La disposición de las expresiones de adorno se puede cambiar a lo
diff --git a/Documentation/es/texidocs/use-square-bracket-at-the-start-of-a-staff-group.texidoc b/Documentation/es/texidocs/use-square-bracket-at-the-start-of-a-staff-group.texidoc
index 7ef2a81acb..3d89496736 100644
--- a/Documentation/es/texidocs/use-square-bracket-at-the-start-of-a-staff-group.texidoc
+++ b/Documentation/es/texidocs/use-square-bracket-at-the-start-of-a-staff-group.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Se puede usar el delimitador de comienzo de un sistema
 @code{SystemStartSquare} estableciéndolo explícitamente dentro de
diff --git a/Documentation/es/texidocs/using-alternative-flag-styles.texidoc b/Documentation/es/texidocs/using-alternative-flag-styles.texidoc
index e1ee91a140..8d03043c19 100644
--- a/Documentation/es/texidocs/using-alternative-flag-styles.texidoc
+++ b/Documentation/es/texidocs/using-alternative-flag-styles.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Se pueden imprimir estilos alternativos del corchete o gancho de las
diff --git a/Documentation/es/texidocs/using-arpeggiobracket-to-make-divisi-more-visible.texidoc b/Documentation/es/texidocs/using-arpeggiobracket-to-make-divisi-more-visible.texidoc
index cef9235f1b..69be54314c 100644
--- a/Documentation/es/texidocs/using-arpeggiobracket-to-make-divisi-more-visible.texidoc
+++ b/Documentation/es/texidocs/using-arpeggiobracket-to-make-divisi-more-visible.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 El corchete de arpegios @code{arpeggioBracket} se puede usar para
 indicar la división de voces cuando no hay plicas que puedan ofrecer
diff --git a/Documentation/es/texidocs/using-double-slurs-for-legato-chords.texidoc b/Documentation/es/texidocs/using-double-slurs-for-legato-chords.texidoc
index b599446869..ee9462e372 100644
--- a/Documentation/es/texidocs/using-double-slurs-for-legato-chords.texidoc
+++ b/Documentation/es/texidocs/using-double-slurs-for-legato-chords.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Algunos compositores escriben dos ligaduras cuando quieren acordes
 legato.  Esto se puede conseguir estableciendo @code{doubleSlurs}.
diff --git a/Documentation/es/texidocs/using-grace-note-slashes-with-normal-heads.texidoc b/Documentation/es/texidocs/using-grace-note-slashes-with-normal-heads.texidoc
index 3ce91fa9fc..44a7c02e48 100644
--- a/Documentation/es/texidocs/using-grace-note-slashes-with-normal-heads.texidoc
+++ b/Documentation/es/texidocs/using-grace-note-slashes-with-normal-heads.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Es posible aplicar la barrita que cruza la barra de las
diff --git a/Documentation/es/texidocs/using-ly-grob-object-to-access-grobs-with--tweak.texidoc b/Documentation/es/texidocs/using-ly-grob-object-to-access-grobs-with--tweak.texidoc
index f9ddd85ff1..998bf84a2a 100644
--- a/Documentation/es/texidocs/using-ly-grob-object-to-access-grobs-with--tweak.texidoc
+++ b/Documentation/es/texidocs/using-ly-grob-object-to-access-grobs-with--tweak.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 
diff --git a/Documentation/es/texidocs/using-the-whiteout-property.texidoc b/Documentation/es/texidocs/using-the-whiteout-property.texidoc
index d6d3b66bf6..56cd3b51ed 100644
--- a/Documentation/es/texidocs/using-the-whiteout-property.texidoc
+++ b/Documentation/es/texidocs/using-the-whiteout-property.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 
diff --git a/Documentation/es/texidocs/using-ties-with-arpeggios.texidoc b/Documentation/es/texidocs/using-ties-with-arpeggios.texidoc
index 2442dae1c7..97af523850 100644
--- a/Documentation/es/texidocs/using-ties-with-arpeggios.texidoc
+++ b/Documentation/es/texidocs/using-ties-with-arpeggios.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
  doctitlees = "Uso de ligaduras en los arpegios"
  texidoces = "
 En ocasiones se usan ligaduras de unión para escribir los arpegios.
diff --git a/Documentation/es/texidocs/vertically-aligned-dynamics-and-textscripts.texidoc b/Documentation/es/texidocs/vertically-aligned-dynamics-and-textscripts.texidoc
index e2b31ba09f..4632e6fb48 100644
--- a/Documentation/es/texidocs/vertically-aligned-dynamics-and-textscripts.texidoc
+++ b/Documentation/es/texidocs/vertically-aligned-dynamics-and-textscripts.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Mediante el establecimiento de la propiedad @code{'Y-extent} a un valor
 adecuado, todos los objetos @code{DynamicLineSpanner} (reguladores e
diff --git a/Documentation/es/texidocs/vertically-aligning-dynamics-across-multiple-notes.texidoc b/Documentation/es/texidocs/vertically-aligning-dynamics-across-multiple-notes.texidoc
index fd5f0386da..ea38fc791c 100644
--- a/Documentation/es/texidocs/vertically-aligning-dynamics-across-multiple-notes.texidoc
+++ b/Documentation/es/texidocs/vertically-aligning-dynamics-across-multiple-notes.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Las expresiones dinámicas que se comienzan, terminan o se producen
 en la misma nota se alinean verticalmente.  Para asegurar que las
diff --git a/Documentation/es/texidocs/vertically-aligning-ossias-and-lyrics.texidoc b/Documentation/es/texidocs/vertically-aligning-ossias-and-lyrics.texidoc
index 74e170e5cf..349f641162 100644
--- a/Documentation/es/texidocs/vertically-aligning-ossias-and-lyrics.texidoc
+++ b/Documentation/es/texidocs/vertically-aligning-ossias-and-lyrics.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Este fragmento de código muestra el uso de las propiedades de
 contexto @code{alignBelowContext} y @code{alignAboveContext} para
diff --git a/Documentation/es/texidocs/vertically-centering-paired-figured-bass-extenders.texidoc b/Documentation/es/texidocs/vertically-centering-paired-figured-bass-extenders.texidoc
index 006cca7e8f..f239bc6c25 100644
--- a/Documentation/es/texidocs/vertically-centering-paired-figured-bass-extenders.texidoc
+++ b/Documentation/es/texidocs/vertically-centering-paired-figured-bass-extenders.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Allí donde se utilicen líneas extensoras para el bajo cifrado mediante
 el establecimiento de @code{useBassFigureExtenders} al valor
diff --git a/Documentation/es/texidocs/vocal-ensemble-template-with-automatic-piano-reduction.texidoc b/Documentation/es/texidocs/vocal-ensemble-template-with-automatic-piano-reduction.texidoc
index 72d620b732..35a8c87d68 100644
--- a/Documentation/es/texidocs/vocal-ensemble-template-with-automatic-piano-reduction.texidoc
+++ b/Documentation/es/texidocs/vocal-ensemble-template-with-automatic-piano-reduction.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 
 Esta plantilla añade una reducción de piano automática a la partitura
diff --git a/Documentation/es/texidocs/vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.texidoc b/Documentation/es/texidocs/vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.texidoc
index 28d607bee4..446ef1cf99 100644
--- a/Documentation/es/texidocs/vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.texidoc
+++ b/Documentation/es/texidocs/vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Esta plantilla es, básicamente, la misma que la sencilla plantilla
 @qq{Conjunto vocal}, excepto que aquí todas las líneas de letra se
diff --git a/Documentation/es/texidocs/vocal-ensemble-template-with-verse-and-refrain.texidoc b/Documentation/es/texidocs/vocal-ensemble-template-with-verse-and-refrain.texidoc
index 44057fed5d..6c4e3b3f1a 100644
--- a/Documentation/es/texidocs/vocal-ensemble-template-with-verse-and-refrain.texidoc
+++ b/Documentation/es/texidocs/vocal-ensemble-template-with-verse-and-refrain.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 Esta plantilla crea una partitura que comienza con una estrofa para
diff --git a/Documentation/es/texidocs/vocal-ensemble-template.texidoc b/Documentation/es/texidocs/vocal-ensemble-template.texidoc
index dfab5b1e96..d0a8ebf94f 100644
--- a/Documentation/es/texidocs/vocal-ensemble-template.texidoc
+++ b/Documentation/es/texidocs/vocal-ensemble-template.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 He aquí una partitura vocal estándar para cuatro voces SATB. Con
 grupos mayores, suele ser útil incluir una sección que aparezca en
diff --git a/Documentation/es/texidocs/volta-below-chords.texidoc b/Documentation/es/texidocs/volta-below-chords.texidoc
index 64da20a059..673ae70a9b 100644
--- a/Documentation/es/texidocs/volta-below-chords.texidoc
+++ b/Documentation/es/texidocs/volta-below-chords.texidoc
@@ -1,4 +1,4 @@
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%% Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 Mediante la adición del grabador @code{Volta_engraver} al
 pentagrama pertinente, se pueden poner los corchetes de primera y
diff --git a/Documentation/es/texidocs/woodwind-diagrams-key-lists.texidoc b/Documentation/es/texidocs/woodwind-diagrams-key-lists.texidoc
index e7b4a6a0a4..c0627b0dcf 100644
--- a/Documentation/es/texidocs/woodwind-diagrams-key-lists.texidoc
+++ b/Documentation/es/texidocs/woodwind-diagrams-key-lists.texidoc
@@ -1,4 +1,4 @@
-%%%    Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%%%    Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
 
   texidoces = "
 
diff --git a/Documentation/es/texidocs/woodwind-diagrams-listing.texidoc b/Documentation/es/texidocs/woodwind-diagrams-listing.texidoc
index c3c9ab5401..72bc637fe9 100644
--- a/Documentation/es/texidocs/woodwind-diagrams-listing.texidoc
+++ b/Documentation/es/texidocs/woodwind-diagrams-listing.texidoc
@@ -1,4 +1,4 @@
-%%%    Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
+%%%    Translation of GIT committish: 596761e4a1c62fc2e85fe3396a378b814504e7b1
   texidoces = "
 El fragmento de música que aparece a continuación presenta todos los
 diagramas de viento madera que se encuentran definidos en LilyPond por
diff --git a/Documentation/es/usage/running.itely b/Documentation/es/usage/running.itely
index eb17cbf331..a4d452399d 100644
--- a/Documentation/es/usage/running.itely
+++ b/Documentation/es/usage/running.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: c610645cc9a77cba1a2798280965db142d649ac5
+    Translation of GIT committish: 2936a7a6c5bca895dfd5725ab2422ad1c6b3ff11
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -772,7 +772,7 @@ predeterminado es @code{70}.
 La preparación del servidor para que ejecute LilyPond en una jaula de
 chroot es una tarea muy complicada.  Los pasos están relacionados más
 abajo.  Los ejemplos que aparecen en cada uno de los pasos son válidos
-para Ubuntu Linux, y pueden requerir el uso de @code{sudo} según
+para Ubuntu GNU/Linux, y pueden requerir el uso de @code{sudo} según
 corresponda.
 
 @itemize
diff --git a/Documentation/es/usage/suggestions.itely b/Documentation/es/usage/suggestions.itely
index 762f45e04e..d20fc426db 100644
--- a/Documentation/es/usage/suggestions.itely
+++ b/Documentation/es/usage/suggestions.itely
@@ -1,7 +1,7 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: de9ddc8183a93f28d167af8f195be95e5fbc91b9
+    Translation of GIT committish: 2936a7a6c5bca895dfd5725ab2422ad1c6b3ff11
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -296,10 +296,10 @@ solamente una pincelada de todo lo que es capaz de hacer.
 
 Las instrucciones que definen las reglas en un archivo de make
 difieren en función de la plataforma; por ejemplo, las distintas
-formas de Linux y MacOS usan @code{bash}, mientras que Windows usa
+formas de GNU/Linux y MacOS usan @code{bash}, mientras que Windows usa
 @code{cmd}.  Observeque en MacOS X, tenemos que configurar el sistema
 para que utilice el intérprete de órdenes. A continuación presentamos
-algunos makefiles de ejemplo, con versiones tanto para Linux/MacOS
+algunos makefiles de ejemplo, con versiones tanto para GNU/Linux/MacOS
 como para Windows.
 
 El primer ejemplo es para una obra orquestal en cuatro movimientos con
diff --git a/Documentation/es/web/download.itexi b/Documentation/es/web/download.itexi
index b2af06151f..26ba204e4a 100644
--- a/Documentation/es/web/download.itexi
+++ b/Documentation/es/web/download.itexi
@@ -1,6 +1,6 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 @ignore
-    Translation of GIT committish: 9d3a999b3ae3502633858c50185c0180949d405c
+    Translation of GIT committish: 2936a7a6c5bca895dfd5725ab2422ad1c6b3ff11
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
@@ -48,7 +48,7 @@ infórmese sobre nuestra @ref{Entrada de texto}.}
 @c ref is duplicated to avoid underlining ref as image.
 @ref{Unix, @sourceimage{logo-linux,,,}
 @sourceimage{logo-freebsd,,,}}
-@ref{Unix, Unix (Linux y FreeBSD)}
+@ref{Unix, Unix (GNU/Linux y FreeBSD)}
 
 @item
 @ref{MacOS X, @sourceimage{logo-macosx,,,}}
-- 
2.39.2