From: hjunes Date: Sun, 13 Jul 2003 00:01:38 +0000 (+0000) Subject: Add periods and remove spaces. X-Git-Tag: release/1.7.25~30 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=f5db6a5605969ff7d991fd5d0ced8d1702098362;p=lilypond.git Add periods and remove spaces. --- diff --git a/ChangeLog b/ChangeLog index 80905e23a9..91b84bd8dc 100644 --- a/ChangeLog +++ b/ChangeLog @@ -1,3 +1,7 @@ +2003-07-13 Heikki Junes + + * Documentation/user/ {many}: Add periods and remove spaces. + 2003-07-11 Heikki Junes * lilypond-indent.el (LilyPond-paren-set-mode): From XEmacs' paren.el: diff --git a/Documentation/user/appendices.itely b/Documentation/user/appendices.itely index 753c719c85..9fe3cb5503 100644 --- a/Documentation/user/appendices.itely +++ b/Documentation/user/appendices.itely @@ -2,7 +2,7 @@ @appendix Reference manual details @menu -* American Chords :: +* American Chords:: * Jazz chords:: * MIDI instruments:: * The Feta font:: diff --git a/Documentation/user/introduction.itely b/Documentation/user/introduction.itely index bf0bb0f49f..6a29bb4636 100644 --- a/Documentation/user/introduction.itely +++ b/Documentation/user/introduction.itely @@ -448,7 +448,7 @@ programs. Once you are experienced, you can simply use the manual as reference: there is an extensive index@footnote{If you are looking for something, and you cannot find it by using the index, that is considered a bug. -In that case, please file a bug report}, but the document is also +In that case, please file a bug report.}, but the document is also available in @ifnothtml a big HTML page, diff --git a/Documentation/user/invoking.itexi b/Documentation/user/invoking.itexi index bf5138b596..9d36cf4ceb 100644 --- a/Documentation/user/invoking.itexi +++ b/Documentation/user/invoking.itexi @@ -44,7 +44,7 @@ block, then the rest of the scores will be output in numbered files, starting with @file{filename-1.tex}. Several files can be specified; they will each be processed independently. @footnote{The status of GUILE is not reset across invocations, so be careful not to change any - default settings from within Scheme .} + default settings from within Scheme.} @section Command line options @@ -108,7 +108,7 @@ web). Volunteers are welcome to do a new audit. @end ignore @item -v,--version -Show version information +Show version information. @item -V,--verbose Be verbose: show full paths of all files read, and give timing information. @@ -443,7 +443,7 @@ in the files. Possible keys: @code{language}, @code{latexheaders}, @code{pagenumber}, @code{linewidth}, @code{orientation}, @code{textheight}. @item -v,--version -Show version information . +Show version information. @item -V,--verbose Be verbose. @item --debug diff --git a/Documentation/user/lilypond.tely b/Documentation/user/lilypond.tely index fe42caac3f..a3fd84272a 100644 --- a/Documentation/user/lilypond.tely +++ b/Documentation/user/lilypond.tely @@ -127,7 +127,7 @@ this and other documentation. * Introduction:: What, Why, How. * Tutorial:: A tutorial introduction. * Notation manual:: All notation supported, and how to - produce it + produce it. * Literature:: Books about notation and engraving. * Technical manual:: How it all works. * Invoking LilyPond:: Operation. diff --git a/Documentation/user/literature.itely b/Documentation/user/literature.itely index c80c47458b..1fc9588080 100644 --- a/Documentation/user/literature.itely +++ b/Documentation/user/literature.itely @@ -9,56 +9,56 @@ the website. @table @cite @item Banter 1987 -Harald Banter, Akkord Lexikon. Schott's S@"{o}hne -1987. Mainz, Germany ISBN 3-7957-2095-8 +Harald Banter, Akkord Lexikon. Schott's S@"{o}hne +1987. Mainz, Germany ISBN 3-7957-2095-8. -Comprehensive overview of commonly used chords. Suggests (and uses) a +Comprehensive overview of commonly used chords. Suggests (and uses) a unification for all different kinds of chord names. @item Ignatzek 1995 -Klaus Ignatzek, Die Jazzmethode f@"{u}r Klavier. Schott's S@"{o}hne -1995. Mainz, Germany ISBN 3-7957-5140-3 +Klaus Ignatzek, Die Jazzmethode f@"{u}r Klavier. Schott's S@"{o}hne +1995. Mainz, Germany ISBN 3-7957-5140-3. A tutorial introduction to playing Jazz on the piano. One of the first -chapters contains an overview of chords in common use for Jazz music. +chapters contains an overview of chords in common use for Jazz music. @item Gerou 1996 Tom Gerou and Linda Lusk, Essential Dictionary of Music -Notation. Alfred Publishing, Van Nuys CA ISBN 0-88284-768-6 +Notation. Alfred Publishing, Van Nuys CA ISBN 0-88284-768-6. A concise, alphabetically ordered list of typesetting and music -(notation) issues which covers most of the normal cases. +(notation) issues which covers most of the normal cases. -@item Hader 1948, +@item Hader 1948 Karl Hader, Aus der Werkstatt eines Notenstechers. Waldheim--Eberle Verlag, Vienna 1948. Hader was the chief-engraver of the Waldheim-Eberle music publishers. This beautiful booklet was intended as an introduction for laymen on the -art of engraving. It contains a step by step, in-depth explanation of -how to cut and stamp music into zinc plates. It also contains a few +art of engraving. It contains a step by step, in-depth explanation of +how to cut and stamp music into zinc plates. It also contains a few compactly formulated rules on musical orthography. This book is out of print. @item Read 1968 -Gardner Read, Music Notation: a Manual of Modern Practice. +Gardner Read, Music Notation: a Manual of Modern Practice. Taplinger Publishing, New York (2nd edition). -A standard work on music notation. +A standard work on music notation. -@item Ross 1987, +@item Ross 1987 Ted Ross, Teach yourself the art of music engraving and processing. -Hansen House, Miami, Florida 1987 +Hansen House, Miami, Florida 1987. -This book is about music engraving, i.e. professional typesetting. +This book is about music engraving, i.e. professional typesetting. It contains directions on stamping, use of pens and notational -conventions. The sections on reproduction technicalities and history +conventions. The sections on reproduction technicalities and history are also interesting. @item Schirmer 2001 @@ -80,11 +80,11 @@ This book describes music notation for modern serious music, but starts out with a thorough overview of existing traditional notation practices. -@item Wanske 1988, +@item Wanske 1988 Helene Wanske, Musiknotation --- Von der Syntax des Notenstichs zum -EDV-gesteuerten Notensatz. Schott-Verlag, Mainz 1988. ISBN -3-7957-2886-x +EDV-gesteuerten Notensatz. Schott-Verlag, Mainz 1988. ISBN +3-7957-2886-x. A book in two parts: 1. A very thorough overview of engraving practices of various craftsmen. It includes detailed specs of diff --git a/Documentation/user/preface.itely b/Documentation/user/preface.itely index 55717cb341..ebcb609aa6 100644 --- a/Documentation/user/preface.itely +++ b/Documentation/user/preface.itely @@ -25,12 +25,12 @@ which translates into fewer bugs and more adjustment options. Special thanks for version 1.8 go out to Juergen Reuter for lots of work on the ancient notation engine, and to Amy Zapf for pushing us to -rewrite the chord name support +rewrite the chord name support. @c TODO [wie meer?] Han-Wen and Jan, -Utrecht/Eindhoven, April/May 2003 +Utrecht/Eindhoven, April/May 2003. @node Preface to version 1.6 @unnumberedsec Preface to version 1.6 diff --git a/Documentation/user/refman.itely b/Documentation/user/refman.itely index f889ddc243..4d315ade8e 100644 --- a/Documentation/user/refman.itely +++ b/Documentation/user/refman.itely @@ -549,7 +549,7 @@ shown on screen. See @ref{Point and click} for more information. * Relative octaves:: * Bar check:: * Skipping corrected music:: -* Automatic note splitting :: +* Automatic note splitting:: @end menu @@ -1636,7 +1636,7 @@ for the problematic notes. @section Expressive marks @menu -* Slurs :: +* Slurs:: * Phrasing slurs:: * Breath marks:: * Metronome marks:: @@ -4053,7 +4053,7 @@ two whole notes), regardless of the time signature. @cindex fermata on multi-measure rest Texts can be added to multi-measure rests by using the -@var{note}-@code{markup} syntax (see @ref{Text markup}) . In this case, the number is +@var{note}-@code{markup} syntax (see @ref{Text markup}). In this case, the number is replaced. If you need both texts and the number, you must add the number by hand. A variable (@code{\fermataMarkup}) is provided for adding fermatas. @@ -4189,7 +4189,7 @@ measure. > @end lilypond -The part combiner is slated to be rewritten [TODO: explain why] . +The part combiner is slated to be rewritten [TODO: explain why]. @cindex @code{Thread_devnull_engraver} @cindex @code{Voice_engraver} @@ -6655,7 +6655,7 @@ affecting a whole set of objects. Second, you can select one specific object, and set a object property in that object. @menu -* Tuning objects :: +* Tuning objects:: * Constructing a tweak:: * Applyoutput:: * Outputproperty:: diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely index c8e9f5862a..61bcb61b92 100644 --- a/Documentation/user/tutorial.itely +++ b/Documentation/user/tutorial.itely @@ -13,20 +13,20 @@ @end html @menu -* First steps:: Music language of LilyPond -* Running LilyPond:: Printing music +* First steps:: Music language of LilyPond. +* Running LilyPond:: Printing music. * More basics:: * Printing lyrics:: * A lead sheet:: * Listening to output:: -* Titling :: -* Single staff polyphony :: +* Titling:: +* Single staff polyphony:: * Piano staffs:: * Setting variables:: * Fine tuning layout:: * Organizing larger pieces:: * An orchestral part:: -* Integrating text and music:: Integrating text and music +* Integrating text and music:: Integrating text and music. @end menu Printing music with LilyPond is a two step process. First, the music @@ -101,7 +101,7 @@ A @rglos{sharp} (@texisharp{}) is made by adding @samp{is}, a a @rglos{double sharp} or @rglos{double flat} is made by adding @samp{isis} or @samp{eses}:@footnote{This syntax derived from note naming conventions in Nordic and Germanic languages, like German and -Dutch} +Dutch.} @example cis1 ees fisis aeses