From: Werner Lemberg <wl@gnu.org>
Date: Sun, 9 Aug 2009 09:08:28 +0000 (+0200)
Subject: Minor formatting.
X-Git-Tag: release/2.13.4-1~179^2~157
X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=f0c8472e58eaf15aee6ca1c1f2ace1266237b035;hp=4230254aa4e89d48ec1a83071550f60b9198cbb6;p=lilypond.git

Minor formatting.
---

diff --git a/Documentation/notation/changing-defaults.itely b/Documentation/notation/changing-defaults.itely
index bb1013e249..8cb0e90ae7 100644
--- a/Documentation/notation/changing-defaults.itely
+++ b/Documentation/notation/changing-defaults.itely
@@ -1417,8 +1417,11 @@ such as
 
 
 @seealso
-Internals: @rinternals{OverrideProperty}, @rinternals{RevertProperty},
-@rinternals{PropertySet}, @rinternals{Backend}, and
+Internals:
+@rinternals{OverrideProperty},
+@rinternals{RevertProperty},
+@rinternals{PropertySet},
+@rinternals{Backend},
 @rinternals{All layout objects}.
 
 
@@ -2026,6 +2029,7 @@ The default order in which contexts are laid out and the
 Learning Manual:
 @rlearning{An extra staff appears}.
 
+
 @node Distances and measurements
 @subsection Distances and measurements
 
@@ -2412,8 +2416,10 @@ hairpins with @code{\!}.
 
 
 @seealso
-Internals Reference: @rinternals{TextSpanner},
-@rinternals{Glissando}, @rinternals{VoiceFollower},
+Internals Reference:
+@rinternals{TextSpanner},
+@rinternals{Glissando},
+@rinternals{VoiceFollower},
 @rinternals{TrillSpanner},
 @rinternals{line-spanner-interface}.
 
@@ -2561,7 +2567,7 @@ beginning of a line.  Or to be more precise, before a line break,
 where there is no line break, or after a line break.
 
 Alternatively, these eight combinations may be specified
-by pre-defined functions, defined in @file{scm/output-lib.scm},
+by pre-defined functions, defined in @file{scm/@/output@/-lib@/.scm},
 where the last three columns indicate whether the layout objects
 will be visible in the positions shown at the head of the columns:
 
diff --git a/Documentation/notation/chords.itely b/Documentation/notation/chords.itely
index 0619f02b24..7d9f1390ae 100644
--- a/Documentation/notation/chords.itely
+++ b/Documentation/notation/chords.itely
@@ -84,7 +84,7 @@ Notation Reference:
 @ref{Input modes}.
 
 Snippets:
-@rlsr{Chords}
+@rlsr{Chords}.
 
 
 @knownissues
@@ -233,6 +233,7 @@ Notation Reference:
 Snippets:
 @rlsr{Chords}.
 
+
 @knownissues
 Only one quality modifier should be used per chord, typically on the
 highest step present in the chord.  Chords with more than quality
@@ -383,7 +384,7 @@ Notation Reference:
 @ref{Common chord modifiers}.
 
 Snippets:
-@rlsr{Chords}
+@rlsr{Chords}.
 
 
 @knownissues
@@ -774,7 +775,7 @@ Music Glossary:
 @rglos{figured bass}.
 
 Snippets:
-@rlsr{Chords}
+@rlsr{Chords}.
 
 
 @node Entering figured bass
diff --git a/Documentation/notation/expressive.itely b/Documentation/notation/expressive.itely
index 696816ca29..161a6d4ed3 100644
--- a/Documentation/notation/expressive.itely
+++ b/Documentation/notation/expressive.itely
@@ -633,6 +633,7 @@ g4( e c2)
 @lilypondfile[verbatim,lilyquote,texidoc,doctitle]
 {making-slurs-with-complex-dash-structure.ly}
 
+
 @seealso
 Music Glossary:
 @rglos{slur}.
diff --git a/Documentation/notation/fretted-strings.itely b/Documentation/notation/fretted-strings.itely
index 1f153e3d9b..4ef9de7c09 100644
--- a/Documentation/notation/fretted-strings.itely
+++ b/Documentation/notation/fretted-strings.itely
@@ -343,7 +343,7 @@ mynotes = {
 
 @seealso
 Installed Files:
-@file{scm/output-lib.scm}.
+@file{scm/@/output@/-lib@/.scm}.
 
 Snippets:
 @rlsr{Fretted strings}.
@@ -970,6 +970,7 @@ predefined fret diagram, the interface properties belong to
 @lilypondfile[verbatim,lilyquote,texidoc,doctitle]
 {chordchanges-for-fretboards.ly}
 
+
 @seealso
 Notation Reference:
 @ref{Custom tablatures},
@@ -978,8 +979,8 @@ Notation Reference:
 @ref{Predefined fretboard diagrams}.
 
 Installed Files:
-@file{ly/predefined-guitar-fretboards.ly},
-@file{ly/predefined-guitar-ninth-fretboards.ly}.
+@file{ly/@/predefined@/-guitar@/-fretboards@/.ly},
+@file{ly/@/predefined@/-guitar@/-ninth@/-fretboards@/.ly}.
 
 Snippets:
 @rlsr{Fretted strings}.
@@ -1060,7 +1061,7 @@ commands:
 
 
 Sometimes the fretboard calculator will be unable to find
-an accceptable diagram.  This can often be remedied by
+an acceptable diagram.  This can often be remedied by
 manually assigning a note to a string.  In many cases, only one
 note need be manually placed on a string; the rest of
 the notes will then be placed appropriately by the @code{FretBoards}
@@ -1331,4 +1332,5 @@ These tunings may be converted to four-string banjo tunings using the
 Snippets:
 @rlsr{Fretted strings}.
 
-The file @file{scm/@/output@/-lib@/.scm} contains predefined banjo tunings.
+Installed Files:
+@file{scm/@/output@/-lib@/.scm} contains predefined banjo tunings.
diff --git a/Documentation/notation/input.itely b/Documentation/notation/input.itely
index c61abbf4f6..e37be74cd4 100644
--- a/Documentation/notation/input.itely
+++ b/Documentation/notation/input.itely
@@ -245,7 +245,7 @@ A @code{\score} block.  This score will be collected with other
 toplevel scores, and combined as a single @code{\book}.
 This behavior can be changed by setting the variable
 @code{toplevel-score-handler} at toplevel.  The default handler is
-defined in the init file @file{../scm/@/lily@/.scm}.
+defined in the init file @file{../@/scm/@/lily@/.scm}.
 
 @item
 A @code{\book} block logically combines multiple movements
@@ -260,7 +260,7 @@ a @code{\book} block if you want more than a single @code{\score}
 or @code{\markup} in the same example.  This behavior can be
 changed by setting the variable @code{toplevel-book-handler} at
 toplevel.  The default handler is defined in the init file
-@file{../scm/@/lily@/.scm}.
+@file{../@/scm/@/lily@/.scm}.
 
 @item
 A @code{\bookpart} block.  A book may be divided into several parts,
@@ -294,7 +294,7 @@ music expression will be translated into
 
 This behavior can be changed by setting the variable
 @code{toplevel-music-handler} at toplevel.  The default handler is
-defined in the init file @file{../scm/@/lily@/.scm}.
+defined in the init file @file{../@/scm/@/lily@/.scm}.
 
 @item
 A markup text, a verse for example
@@ -376,6 +376,7 @@ after the entire command.
 
 @end itemize
 
+
 @seealso
 Learning Manual:
 @rlearning{How LilyPond input files work}.
@@ -586,7 +587,7 @@ Headers may be completely removed by setting them to false.
 
 A more advanced option is to change the definitions of the following
 variables in the @code{\paper} block.  The init file
-@file{../ly/titling-init.ly} lists the default layout.
+@file{../@/ly/@/titling@/-init@/.ly} lists the default layout.
 
 @table @code
 @funindex bookTitleMarkup
@@ -800,7 +801,7 @@ tocAct =
 
 
 @seealso
-Init files: @file{../ly/@/toc@/-init@/.ly}.
+Init files: @file{../@/ly/@/toc@/-init@/.ly}.
 
 
 @predefined
@@ -1625,7 +1626,7 @@ tempoWholesPerMinute = #(ly:make-moment 270 8)
 Context definitions follow precisely the same syntax as those
 within a @code{\layout} block.  Translation modules for sound are
 called performers.  The contexts for MIDI output are defined in
-@file{../ly/@/performer@/-init@/.ly},
+@file{../@/ly/@/performer@/-init@/.ly},
 see @rlearning{Other sources of information}.
 For example, to remove the effect of dynamics
 from the MIDI output, insert the following lines in the
@@ -1762,7 +1763,7 @@ Dynamic marks are translated to a fixed fraction of the available
 MIDI volume range.  The default fractions range from 0.25 for
 @notation{ppppp} to 0.95 for @notation{fffff}.  The set of dynamic
 marks and the associated fractions can be seen in
-@file{../scm/midi.scm}, see @rlearning{Other sources of information}.
+@file{../@/scm/@/midi.scm}, see @rlearning{Other sources of information}.
 This set of fractions may be changed or extended by providing a
 function which takes a dynamic mark as its argument and returns the
 required fraction, and setting
@@ -1802,7 +1803,7 @@ found, or calls the default function otherwise.
 Alternatively, if the whole table of fractions needs to be
 redefined, it would be better to use the
 @notation{default-dynamic-absolute-volume} procedure in
-@file{../scm/midi.scm} and the associated table as a model.
+@file{../@/scm/@/midi.scm} and the associated table as a model.
 The final example in this section shows how this might be done.
 
 @unnumberedsubsubsec Overall MIDI volume
@@ -1913,7 +1914,7 @@ If the MIDI minimum and maximum volume properties are not set
 LilyPond will, by default, apply a small degree of equalization
 to a few instruments.  The instruments and the equalization
 applied are shown in the table @notation{instrument-equalizer-alist}
-in @file{../scm/midi.scm}.
+in @file{../@/scm/@/midi.scm}.
 
 This basic default equalizer can be replaced by setting
 @code{instrumentEqualizer} in the @code{Score} context to a new
@@ -1923,7 +1924,7 @@ maximum volumes to be applied to that instrument.  This replacement
 is done in the same way as shown for resetting the
 @code{dynamicAbsoluteVolumeFunction} at the start of this section.
 The default equalizer, @notation{default-instrument-equalizer}, in
-@file{../scm/midi.scm} shows how such a procedure might be written.
+@file{../@/scm/@/midi.scm} shows how such a procedure might be written.
 
 The following example sets the relative flute and clarinet volumes
 to the same values as the previous example.
diff --git a/Documentation/notation/keyboards.itely b/Documentation/notation/keyboards.itely
index c1adb583b6..2ee35b3603 100644
--- a/Documentation/notation/keyboards.itely
+++ b/Documentation/notation/keyboards.itely
@@ -595,7 +595,7 @@ Some common characteristics of harp music are covered elsewhere:
 @ref{Glissando}.
 
 @item A @notation{bisbigliando} is written as a tremelo @ref{Tremolo
-repeats}
+repeats}.
 
 @item Natural harmonics are covered under @ref{Harmonics}.
 
@@ -605,10 +605,10 @@ repeats}
 
 @seealso
 Notation Reference:
-@ref{Tremolo repeats}
-@ref{Glissando}
-@ref{Arpeggio}
-@ref{Harmonics}
+@ref{Tremolo repeats},
+@ref{Glissando},
+@ref{Arpeggio},
+@ref{Harmonics}.
 
 @node Harp pedals
 @unnumberedsubsubsec Harp pedals
@@ -627,8 +627,10 @@ The position of the pedals may be indicated with text marks:
 
 @lilypond[quote,verbatim,relative=2]
 \textLengthOn
-cis1_\markup \concat \vcenter { [D \flat C \sharp B|E \sharp F \sharp G A \flat] }
-c!1_\markup \concat \vcenter {[ C \natural ]}
+cis1_\markup \concat \vcenter {
+  [D \flat C \sharp B|E \sharp F \sharp G A \flat] }
+c!1_\markup \concat \vcenter {
+  [ C \natural ] }
 @end lilypond
 
 or pedal diagrams:
@@ -647,5 +649,5 @@ position (sharpened pitch), and @code{|} is the divider. A prefixed
 
 @seealso
 Notation Reference:
-@ref{Text scripts}
-@ref{Instrument Specific Markup}
+@ref{Text scripts},
+@ref{Instrument Specific Markup}.
diff --git a/Documentation/notation/notation-appendices.itely b/Documentation/notation/notation-appendices.itely
index b3d6071b58..b5552bb485 100644
--- a/Documentation/notation/notation-appendices.itely
+++ b/Documentation/notation/notation-appendices.itely
@@ -934,11 +934,13 @@ character, or a combination of two characters formating a ligature.
 A set of glyphs with a single style and shape comprise a font, and
 a set of fonts covering several styles and sizes comprise a typeface.
 
+
 @seealso
 Notation Reference:
 @ref{Fonts},
 @ref{Text encoding}.
 
+
 @node grob
 @unnumberedsubsec grob
 
@@ -951,6 +953,7 @@ output such as note heads, stems, slurs, ties, fingering, clefs,
 etc are called @q{Layout objects}, often known as @q{GRaphical
 OBjects}, or @strong{grobs} for short.
 
+
 @seealso
 Learning Manual:
 @rlearning{Objects and interfaces},
@@ -960,6 +963,7 @@ Learning Manual:
 Internals Reference:
 @rinternals{All layout objects}.
 
+
 @node interface
 @unnumberedsubsec interface
 
@@ -971,6 +975,7 @@ Actions and properties which are common to a number of grobs are
 grouped together in an object called a @code{grob-interface}, or
 just @q{interface} for short.
 
+
 @seealso
 Learning Manual:
 @rlearning{Objects and interfaces},
@@ -983,6 +988,7 @@ Notation Reference:
 Internals Reference:
 @rinternals{Graphical Object Interfaces}.
 
+
 @node lexer
 @unnumberedsubsec lexer
 
diff --git a/Documentation/notation/percussion.itely b/Documentation/notation/percussion.itely
index f182b78a9a..0ba1d7cbe1 100644
--- a/Documentation/notation/percussion.itely
+++ b/Documentation/notation/percussion.itely
@@ -54,7 +54,8 @@ Notation Reference:
 @ref{Instantiating new staves}.
 @ref{Percussion in MIDI}.
 
-Snippets: @rlsr{Percussion}.
+Snippets:
+@rlsr{Percussion}.
 
 
 @node Basic percussion notation
@@ -98,11 +99,15 @@ instruments; for details please see @ref{Percussion in MIDI}.
 
 
 @seealso
-Notation Reference: @ref{Percussion in MIDI}, @ref{Percussion notes}.
+Notation Reference:
+@ref{Percussion in MIDI},
+@ref{Percussion notes}.
 
-File: @file{ly/@/drumpitch@/-init@/.ly}
+File:
+@file{ly/@/drumpitch@/-init@/.ly}
 
-Snippets: @rlsr{Percussion}.
+Snippets:
+@rlsr{Percussion}.
 
 
 @node Drum rolls
@@ -140,7 +145,8 @@ overridden to achieve a pleasing baseline.
 
 
 @seealso
-Snippets: @rlsr{Percussion}.
+Snippets:
+@rlsr{Percussion}.
 
 
 @node Pitched percussion
@@ -155,9 +161,11 @@ This is covered in other sections of the manual.
 @c TODO: possibly link to an alternate section of NR 3.5, if
 @c "percussion in MIDI" gets a separate subsubsection for
 @c pitched percussion sounds.  -gp
-Notation Reference: @ref{Percussion in MIDI}.
+Notation Reference:
+@ref{Percussion in MIDI}.
 
-Snippets: @rlsr{Percussion}.
+Snippets:
+@rlsr{Percussion}.
 
 
 @node Percussion staves
@@ -487,7 +495,7 @@ bellstaff = {
 }
 @end lilypond
 
-Here an short example by maestro Stravinsky (from @q{L'histoire du Soldat})
+Here a short example taken from Stravinsky's @q{L'histoire du Soldat}.
 
 @lilypond[quote,verbatim]
 #(define mydrums '((bassdrum   default #t  4)
@@ -550,9 +558,12 @@ drumsB = {
 
 
 @seealso
-Snippets: @rlsr{Percussion}.
+Snippets:
+@rlsr{Percussion}.
 
-Internals Reference: @rinternals{DrumStaff}, @rinternals{DrumVoice}.
+Internals Reference:
+@rinternals{DrumStaff},
+@rinternals{DrumVoice}.
 
 
 @c TODO: check name -gp
@@ -592,4 +603,5 @@ around each @code{\parenthesize} statement.
 
 
 @seealso
-Snippets: @rlsr{Percussion}.
+Snippets:
+@rlsr{Percussion}.
diff --git a/Documentation/notation/pitches.itely b/Documentation/notation/pitches.itely
index f6e853d14b..ddeb8b27af 100644
--- a/Documentation/notation/pitches.itely
+++ b/Documentation/notation/pitches.itely
@@ -930,7 +930,8 @@ c2 c
 
 @seealso
 Notation Reference:
-@ref{Mensural clefs}, @ref{Gregorian clefs}.
+@ref{Mensural clefs},
+@ref{Gregorian clefs}.
 
 Snippets:
 @rlsr{Pitches}.
@@ -1179,7 +1180,8 @@ Music Glossary:
 @rglos{transposing instrument}.
 
 Notation Reference:
-@ref{Quoting other voices}, @ref{Transpose}.
+@ref{Quoting other voices},
+@ref{Transpose}.
 
 Snippets:
 @rlsr{Pitches}.
@@ -2166,7 +2168,7 @@ Snippets:
 Internals Reference:
 @rinternals{Accidental},
 @rinternals{Accidental_engraver},
-@rinternals{GrandStaff} and
+@rinternals{GrandStaff},
 @rinternals{PianoStaff},
 @rinternals{Staff},
 @rinternals{AccidentalSuggestion},
diff --git a/Documentation/notation/repeats.itely b/Documentation/notation/repeats.itely
index 9ffea946cb..302f1ca047 100644
--- a/Documentation/notation/repeats.itely
+++ b/Documentation/notation/repeats.itely
@@ -172,14 +172,21 @@ c1
 
 
 @seealso
-Music Glossary: @rglos{repeat}, @rglos{volta}.
+Music Glossary:
+@rglos{repeat},
+@rglos{volta}.
 
-Notation Reference: @ref{Bar lines}, @ref{Modifying context plug-ins}.
+Notation Reference:
+@ref{Bar lines},
+@ref{Modifying context plug-ins}.
 
-Snippets: @rlsr{Repeats}.
+Snippets:
+@rlsr{Repeats}.
 
-Internals Reference: @rinternals{VoltaBracket},
-@rinternals{RepeatedMusic}, @rinternals{VoltaRepeatedMusic},
+Internals Reference:
+@rinternals{VoltaBracket},
+@rinternals{RepeatedMusic},
+@rinternals{VoltaRepeatedMusic},
 @rinternals{UnfoldedRepeatedMusic}.
 
 
@@ -379,9 +386,11 @@ c1
 
 
 @seealso
-Snippets: @rlsr{Repeats}.
+Snippets:
+@rlsr{Repeats}.
 
-Internals Reference: @rinternals{RepeatedMusic},
+Internals Reference:
+@rinternals{RepeatedMusic},
 @rinternals{UnfoldedRepeatedMusic}.
 
 
@@ -439,14 +448,20 @@ where @var{musicexpr} is a music expression.
 
 
 @seealso
-Music Glossary: @rglos{percent repeat}, @rglos{simile}.
+Music Glossary:
+@rglos{percent repeat},
+@rglos{simile}.
 
-Snippets: @rlsr{Repeats}.
+Snippets:
+@rlsr{Repeats}.
 
-Internals Reference: @rinternals{RepeatSlash},
-@rinternals{PercentRepeat}, @rinternals{DoublePercentRepeat},
+Internals Reference:
+@rinternals{RepeatSlash},
+@rinternals{PercentRepeat},
+@rinternals{DoublePercentRepeat},
 @rinternals{DoublePercentRepeatCounter},
-@rinternals{PercentRepeatCounter}, @rinternals{PercentRepeatedMusic}.
+@rinternals{PercentRepeatCounter},
+@rinternals{PercentRepeatedMusic}.
 
 
 @knownissues
@@ -528,7 +543,8 @@ c: c:
 
 
 @seealso
-Snippets: @rlsr{Repeats}.
+Snippets:
+@rlsr{Repeats}.
 
 @cindex tremolo, cross-staff
 @cindex cross-staff tremolo
diff --git a/Documentation/notation/rhythms.itely b/Documentation/notation/rhythms.itely
index da1b87744d..733b9820c3 100644
--- a/Documentation/notation/rhythms.itely
+++ b/Documentation/notation/rhythms.itely
@@ -265,7 +265,8 @@ Music Glossary:
 @rglos{tuplet},
 @rglos{polymetric}.
 
-Learning Manual: @rlearning{Tweaking methods}.
+Learning Manual:
+@rlearning{Tweaking methods}.
 
 Notation Reference:
 @ref{Time administration},
@@ -281,6 +282,7 @@ Internals Reference:
 @rinternals{TupletNumber},
 @rinternals{TimeScaledMusic}.
 
+
 @cindex grace notes within tuplet brackets
 
 @knownissues
@@ -1381,7 +1383,8 @@ much each measure is off.
 
 
 @seealso
-Music Glossary: @rglos{tie}
+Music Glossary:
+@rglos{tie}
 
 Learning Manual:
 @rlearning{Engravers explained},
@@ -1579,7 +1582,8 @@ Installed Files:
 Snippets:
 @rlsr{Rhythms}.
 
-Internals Reference: @rinternals{Beam}.
+Internals Reference:
+@rinternals{Beam}.
 
 
 @knownissues
@@ -1647,7 +1651,7 @@ information about this function, see @ref{Time administration}.
 
 Autobeam and beam subdivide settings are stored in the
 @code{beamSettings} property.  Default values of @code{beamSettings}
-are determined in @file{scm/beam-settings.scm}.  Entries in
+are determined in @file{scm/@/beam@/-settings@/.scm}.  Entries in
 @code{beamSettings} are indexed by time signature and
 rule type.
 
@@ -2107,10 +2111,10 @@ Notation Reference:
 Snippets:
 @rlsr{Rhythms}.
 
-Internals Reference: @rinternals{BarLine} (created at
-@rinternals{Staff} level), @rinternals{SpanBar} (across
-staves), @rinternals{Timing_translator} (for Timing
-properties).
+Internals Reference:
+@rinternals{BarLine} (created at @code{Staff} level),
+@rinternals{SpanBar} (across staves),
+@rinternals{Timing_translator} (for Timing properties).
 
 
 @node Bar numbers
@@ -2189,7 +2193,8 @@ c1 | c | c | c
 Snippets:
 @rlsr{Rhythms}.
 
-Internals Reference: @rinternals{BarNumber}.
+Internals Reference:
+@rinternals{BarNumber}.
 
 
 @cindex bar number collision
@@ -2418,7 +2423,8 @@ other formatting functions.
 Snippets:
 @rlsr{Rhythms}.
 
-Internals Reference: @rinternals{RehearsalMark}.
+Internals Reference:
+@rinternals{RehearsalMark}.
 
 
 @node Special rhythmic concerns
@@ -2568,11 +2574,14 @@ Music Glossary:
 @rglos{acciaccatura},
 @rglos{appoggiatura}.
 
-Installed Files: @file{ly/@/grace@/-init@/.ly}.
+Installed Files:
+@file{ly/@/grace@/-init@/.ly}.
 
-Snippets: @rlsr{Rhythms}.
+Snippets:
+@rlsr{Rhythms}.
 
-Internals Reference: @rinternals{GraceMusic}.
+Internals Reference:
+@rinternals{GraceMusic}.
 
 
 @knownissues
@@ -2733,11 +2742,14 @@ notes.
 
 
 @seealso
-This manual: @ref{Bar numbers}, @ref{Unmetered music}
+Notation Reference:
+@ref{Bar numbers},
+@ref{Unmetered music}.
 
 Snippets:
 @rlsr{Rhythms}.
 
-Internals Reference: @rinternals{Timing_translator},
-@rinternals{Score}
+Internals Reference:
+@rinternals{Timing_translator},
+@rinternals{Score}.
 
diff --git a/Documentation/notation/spacing.itely b/Documentation/notation/spacing.itely
index 70ef916fc0..f2a568916d 100644
--- a/Documentation/notation/spacing.itely
+++ b/Documentation/notation/spacing.itely
@@ -331,7 +331,7 @@ This second example centers page numbers at the bottom of every page.
 
 You can also define these values in Scheme.  In that case @code{mm},
 @code{in}, @code{pt}, and @code{cm} are variables defined in
-@file{paper-defaults.ly} with values in millimeters.  That is why the
+@file{paper@/-defaults@/.ly} with values in millimeters.  That is why the
 value must be multiplied in the example
 
 @example
@@ -2540,7 +2540,9 @@ edge and @var{b} the upper edge of the interval.
 
 
 @seealso
-@ref{Setting the staff size}
+Notation Reference:
+@ref{Setting the staff size}.
+
 Snippets:
 @rlsr{Spacing}.
 
diff --git a/Documentation/notation/staff.itely b/Documentation/notation/staff.itely
index 6489782175..58539e0fa2 100644
--- a/Documentation/notation/staff.itely
+++ b/Documentation/notation/staff.itely
@@ -1339,6 +1339,7 @@ g4 ees8 f4 g8
 d2. d2.
 @end lilypond
 
+
 @seealso
 Notation Reference:
 @ref{Instrument transpositions},
diff --git a/Documentation/notation/text.itely b/Documentation/notation/text.itely
index d1870fe067..cab401bb16 100644
--- a/Documentation/notation/text.itely
+++ b/Documentation/notation/text.itely
@@ -105,6 +105,7 @@ Snippets:
 Internals Reference:
 @rinternals{TextScript}.
 
+
 @cindex text outside margin
 @cindex margin, text running over
 @cindex text, keeping inside margin
@@ -346,8 +347,10 @@ requires, are described in @ref{Multi-page markup}.
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
 {stand-alone-two-column-markup.ly}
 
+
 @seealso
-Notation Reference: @ref{Formatting text},
+Notation Reference:
+@ref{Formatting text},
 @ref{File structure},
 @ref{Multiple scores in a book},
 @ref{Multi-page markup}.
@@ -355,7 +358,8 @@ Notation Reference: @ref{Formatting text},
 Snippets:
 @rlsr{Text}.
 
-Internals Reference: @rinternals{TextScript}.
+Internals Reference:
+@rinternals{TextScript}.
 
 
 @node Formatting text
@@ -920,7 +924,8 @@ Notation Reference:
 Snippets:
 @rlsr{Text}.
 
-Internals Reference: @rinternals{TextScript}.
+Internals Reference:
+@rinternals{TextScript}.
 
 Installed files:
 @file{scm/@/define@/-markup@/-commands@/.scm}.
@@ -1100,7 +1105,8 @@ Notation Reference:
 Snippets:
 @rlsr{Text}.
 
-Internals Reference: @rinternals{TextScript}.
+Internals Reference:
+@rinternals{TextScript}.
 
 Installed files:
 @file{scm/@/define@/-markup@/-commands@/.scm},
@@ -1231,7 +1237,8 @@ Notation Reference:
 Snippets:
 @rlsr{Text}.
 
-Internals Reference: @rinternals{TextScript}.
+Internals Reference:
+@rinternals{TextScript}.
 
 Installed files:
 @file{scm/@/define@/-markup@/-commands@/.scm},
@@ -1294,11 +1301,13 @@ Notation Reference:
 Snippets:
 @rlsr{Text}.
 
-Internals Reference: @rinternals{TextScript}.
+Internals Reference:
+@rinternals{TextScript}.
 
 Installed files:
 @file{scm/@/define@/-markup@/-commands@/.scm}.
 
+
 @funindex \markuplines
 @funindex markuplines
 
diff --git a/Documentation/notation/vocal.itely b/Documentation/notation/vocal.itely
index db0fcfbebc..e253d2f971 100644
--- a/Documentation/notation/vocal.itely
+++ b/Documentation/notation/vocal.itely
@@ -624,6 +624,7 @@ glyph.}
 Internals Reference:
 @rinternals{LyricCombineMusic}.
 
+
 @c Here come the section which used to be "Melismata"
 @c the new title might be more self-explanatory
 
diff --git a/Documentation/notation/wind.itely b/Documentation/notation/wind.itely
index 6507197554..44d85c43a8 100644
--- a/Documentation/notation/wind.itely
+++ b/Documentation/notation/wind.itely
@@ -95,7 +95,7 @@ Notation Reference:
 @ref{Special note heads},
 
 Snippets:
-@rlsr{Winds}
+@rlsr{Winds}.
 
 
 @node Fingerings
@@ -169,7 +169,7 @@ music.
 
 
 @seealso
-@rlsr{Winds}
+@rlsr{Winds}.
 
 
 @node Bagpipe example
@@ -220,4 +220,4 @@ notation.
 
 
 @seealso
-@rlsr{Winds}
+@rlsr{Winds}.
diff --git a/Documentation/notation/world.itely b/Documentation/notation/world.itely
index 8550f4b291..b2459bd4a6 100644
--- a/Documentation/notation/world.itely
+++ b/Documentation/notation/world.itely
@@ -335,7 +335,7 @@ intervals and unusual modes that are discussed in this section.
 
 @seealso
 Snippets:
-@rlsr{World music}
+@rlsr{World music}.
 
 
 @node Further reading