From: fred Date: Wed, 27 Mar 2002 00:59:03 +0000 (+0000) Subject: lilypond-1.3.143 X-Git-Tag: release/1.5.59~825 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=ed106cef6f6e8cde083749af3c50122ad0ce92cf;p=lilypond.git lilypond-1.3.143 --- diff --git a/Documentation/user/lilypond-book.itely b/Documentation/user/lilypond-book.itely index d94fda2b8d..f324d0e567 100644 --- a/Documentation/user/lilypond-book.itely +++ b/Documentation/user/lilypond-book.itely @@ -6,9 +6,6 @@ @node lilypond-book @chapter lilypond-book -[ The tutorial part is at the moment commented out and moved to -the end of this document ] - [TODO: THIS MANUAL IS NOT FINISHED YET. FIXME.] @command{lilypond-book} is a script that helps integrating lilypond with @@ -226,11 +223,10 @@ careful, don't give the source file that ext, or the file will be overwritten. If you use @code{--outdir}, you should also @code{cd} to that directory -before running LaTeX or makeinfo. - -@strong{[UGH: IS THIS THE BEST WAY TO DO IT? MAYBE ADD A COMMENT LINE TO THE -GENERATED FILE, SO LILYPOND-BOOK CAN TEST IF THE FILE IT IS TO OVERWRITE -IS GENERATED.]} +before running LaTeX or makeinfo. This may seem a little kludgy, but +both Latex and makeinfo expect picture files (the music) to be in the +current working directory. Moreover, if you do this, LaTeX will not +clutter you normal working directory with output files. @strong{About the input} @@ -311,234 +307,3 @@ Ignores almost all La@TeX{} commands that changes margins and linewidths. @email{tca@@gnu.org, Tom Cato Amundsen} - - -@ignore - -So what does this look like? Well, here is an example: -@lilypond[veryverbatim, intertext="produces this music:"] -\score{ - \notes\relative c'{ - \time 5/8; - [e16( g b c a g][e a b d] | )e2 d,8 | - [e16( g b c a g][e a b d] | )b2 [a16( f] | - [e a b d] )e4 c8 | [es16( bes a as g es][d c b! )g] | - [f( a b d b a][f a b d] | )e2 - } -} -@end lilypond -If you are lucky, the above example show a nice feature of LilyPond -and La@TeX{}. Since LilyPond can output the music as @TeX{} graphics, -La@TeX{} can insert pagebreaks between the lines of music. - -Notice that there is no @code{\paper} statement in the example -above. Lilypond-book will insert some code for you that defines the -linewidth and the font to use. If you don't want to change the default, -there is no need to put an empty @code{\paper@{@}} inside the @code{\score}. -In the example above, something like -this might be inserted before your code: -@example -\include "paper16.ly" -\paper@{ \paper_sixteen - linewidth = 390.\pt; - castingalgorithm = \Gourlay; -@} -@end example -The actual values for linewidth will differ depending on papersize and -number of columns. Also, if you use a different fontsize for the -music, another file than @code{paper16.ly} will be included. - -If you want to make the music not so wide, you can insert a -@code{\paper} statement that set the linewidth: - -@lilypond[veryverbatim, intertext="produces this music:"] -\score{ - \notes\relative c'{ - \time 5/8; - [e16( g b c a g][e a b d] | )e2 d,8 | - [e16( g b c a g][e a b d] | )b2 [a16( f] | - [e a b d] )e4 c8 | [es16( bes a as g es][d c b! )g] | - [f( a b d b a][f a b d] | )e2 - } - \paper{linewidth = 10.\cm;} -} -@end lilypond - -Very often, if you mix music and text, the music is often only a -few notes or at most a few bars. This music should be as short as -possible and not stretched to be aligned to the right margin. - -If you only write voice-contents in the lilypond block, @command{lilypond-book} -will set the @code{linewidth} variable to -1, so Lilypond -will make the music as short as possible but without breaking the -line. Here is a well know harmonic progression: -@lilypond[veryverbatim, intertext="produce a well known harmonic progression:"] - \context Voice { } -@end lilypond - -If you want to place music examples in the text, -@lilypond[eps] -\context Voice { } -@end lilypond -, you can use the @code{eps} option. This will create the music as -eps graphics and include it into the document with the -@code{\includegraphics} command. - -The code used look like this: -@example -@@lilypond[eps] - \context Voice { } -@@end lilypond -@end example - -You can also use the @code{eps} option if the block is a complete -lilypond source. This 5 cm long empty line, -@lilypond[eps] -\score{ - \notes{s} - \paper{ linewidth = 5.\cm;} -} -@end lilypond -was created with this code: -@example -@@lilypond[eps] -\score@{ - \notes@{s@} - \paper@{ linewidth = 5.\cm;@} -@} -@@end lilypond -@end example - -To avoid that La@TeX{} places the music on a line of its one, there should -be no empty lines between the normal text and the lilypond -environment. - -You can also use @code{lilypondfile} (on a separate line, FIXME), to -include another file. - -@section Fontsize options You can use all lilypond fontsizes in -@command{lilypond-book}. The default 16pt fontsize is probably to big to be -included in the middle of the text, 11pt or 13pt is probably better. - -The code can look like this: -@example -@@lilypond[13pt, eps] - -@@end lilypond -@end example - -The following options set the fontsize: -@itemize -@item @code{11pt} -@lilypond[11pt, eps] - \relative c'{ - r16 [c d e][f d e c] [g'8 c][b-\prall c] | - [d16 g, a b][c a b g][d'8 g f-\prall g] - } -@end lilypond -@item @code{13pt} -@lilypond[13pt, eps] - \relative c'{ - r16 [c d e][f d e c] [g'8 c][b-\prall c] | - [d16 g, a b][c a b g][d'8 g f-\prall g] - } -@end lilypond -@item @code{16pt} -@lilypond[16pt, eps] - \relative c'{ - r16 [c d e][f d e c] [g'8 c][b-\prall c] | - [d16 g, a b][c a b g][d'8 g f-\prall g] - } -@end lilypond -@item @code{20pt} -@lilypond[20pt, eps] - \relative c'{ - r16 [c d e][f d e c] [g'8 c][b-\prall c] | - [d16 g, a b][c a b g][d'8 g f-\prall g] - } -@end lilypond -@item @code{26pt} -@lilypond[26pt, eps] - \relative c'{ - r16 [c d e][f d e c] [g'8 c][b-\prall c] | - [d16 g, a b][c a b g][d'8 g f-\prall g] - } -@end lilypond -@end itemize - - -@section More options -@itemize -@item The @code{singleline} option set @code{linewidth} to -1.0. -@item The @code{multiline} option set @code{linewidth} to a value letting -the music be aligned to the right margin. The music can span several -lines. -@end itemize - -@section Just in case... -The options @code{fragment} and @code{nonfragment} will override -@command{lilypond-book} when it scans the lilypond code to see if it is voice -contents or complete code. This might be useful if @command{lilypond-book} choose -wrong. - -Since there is no finder's fee which doubles every year, there is no -need to wait for the price money to grow. So send a bug report today -if you need this one of these options. - -@section Examples - -This was all options to @code{\begin}. The rest of the lilypond -document will show some ways you can use lilypond in -La@TeX{} documents. It will also act as a simple test-suite for -lilypond-book. You can place @code{eps} lilypond in and marginspars just -as any other included eps graphics. - -@lilypond -\score{ - \notes\relative c'{ - \time 12/8; - r4-\fermata [b16-.( )b-.] [f'8-- dis16-.( )dis-. gis8--] - [f16-.( )f-. dis8-- gis16-.( )gis-.] cis4.-\fermata | - - r4.-\fermata [cis,16 cis g'8 f16 f b8][g16 g f8 b16 b] dis4.-\fermata - } - \paper{linewidth = 7.\cm;} -} -@end lilypond - - -To the right you can see some bars from the trumpet fanfara from the -beginning of the fantastic street opera ``Houdini the Great'', by the -Danish composer Andy Pape. The music is put inside a -@code{floatingfigure} environment, and the music will be aligned by -the right marging if you set floatingfigure width and lilypond linewidth -to the same value. The code looks like this: - -@lilypond[verbatim] -\score{ - \notes\relative c'{ - \time 12/8; - r4.-\fermata [b16-.( )b-.] [f'8-- dis16-.( )dis-. gis8--] - [f16-.( )f-. dis8-- gis16-.( )gis-.] cis8.-\fermata | - - r4.-\fermata [cis,16 cis g'8 f16 f b8] - [g16 g f8 b16 b] dis4.-\fermata - } - \paper{linewidth = 7.\cm;} -} -@end lilypond - -If you have a lot of small music examples like this in the middle of -your text, you might get a nicer look by using ``double'' line -spacing. Put the @code{\linespread@{1.6@}} command into the preamble of -your document. Then the line spacing will not be increased between the -lines where you have music printed with the smallest font size. - -Lilypond-book does know about @code{\onecolumn} and @code{\twocolumn}. -So the music will be adjusted to the new linewith: - -Verbatim environments will also ignore the page margins. That is -a feature of La@TeX{}. (But you usually put things inside a verbatim -environment when you don't want La@TeX{} to do any linebreaking) - -@end ignore diff --git a/Documentation/user/lilypond.tely b/Documentation/user/lilypond.tely index d0034f88a7..96f3ae35b6 100644 --- a/Documentation/user/lilypond.tely +++ b/Documentation/user/lilypond.tely @@ -72,7 +72,6 @@ this and other documentation. * Tutorial:: A tutorial introduction to LilyPond. * Reference Manual:: Reference Manual. * Mutopia project:: Mutopia project. -* Tricks:: Features, tips and tricks. * Invoking LilyPond:: Operation. * Bug reports:: Where to report bugs. * ly2dvi:: Generating nice output with titles. @@ -97,7 +96,6 @@ this and other documentation. @mbinclude tutorial.itely @mbinclude refman.itely @mbinclude mutopia.itely -@mbinclude tricks.itely @mbinclude internals.itely @mbinclude invoking.itexi @mbinclude bugs.itexi diff --git a/Documentation/user/mutopia.itely b/Documentation/user/mutopia.itely index 810893784e..1ce696d77f 100644 --- a/Documentation/user/mutopia.itely +++ b/Documentation/user/mutopia.itely @@ -1,19 +1,26 @@ - @node Mutopia project @chapter Mutopia project @cindex mutopia project @cindex sheet music archive +[TODO: + +* different name. Ports sucks + +* drop for 1.4 + +* mutopia is rather offtopic in the lilypond manual -The Mutopia project needs your help. Mutopia is a collection of -public domain sheet music. All the music on Mutopia is completely -free to download, print out, perform and distribute. Mutopia is -similar in spirit to Project Gutenburg - but consists of a growing -collection of free music. You can help the project by entering music -(either by hand, or by converting from scans or MIDI) and submitting -it. Point your browser to the @uref{http://www.mutopiaproject.org}. +] +Mutopia is a collection of public domain sheet music. All the music +on Mutopia is completely free to download, print out, perform and +distribute. Mutopia is similar in spirit to Project Gutenburg. You can +help the project by entering music (either by hand, or by converting +from scans or MIDI) and submitting it. Point your browser to the +@uref{http://www.mutopiaproject.org}. + @menu * Mutopia ports collection:: @end menu @@ -23,22 +30,20 @@ it. Point your browser to the @uref{http://www.mutopiaproject.org}. @cindex mutopia ports collection -We're working on a ports collection for LilyPond. The aim is to make -all music in Mutopia very easily accessible for LilyPond users -to study, edit and print. - -A somewhat functional experimental tree will be available in version -1.3.141. It should then be very easy to +The ports collection to makes all music in Mutopia very easily +accessible for LilyPond users to study, edit and print. The +ports-system performs the following functions: @enumerate 1 - download anything from Mutopia - compile for printing or for Mutopia submission - publish and package for Mutopia +@item download anything from Mutopia +@item compile for printing or for Mutopia submission +@item publish and package for Mutopia @end enumerate Type @samp{make help} in @file{ports} directory to see possible targets. +@ignore [TODO] Now that we have the @samp{make sync} target, maybe we should @@ -73,3 +78,5 @@ $ make mutopia @end example Disadvantage: no clue of available titles. +@end ignore + diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely index f4172bdda1..0a23734104 100644 --- a/Documentation/user/tutorial.itely +++ b/Documentation/user/tutorial.itely @@ -12,6 +12,7 @@ * A piano excerpt:: Piano music * An orchestral score:: * Part extraction:: +* Latex and texinfo integration:: * end of tutorial:: The end * Pre-cooked makefile:: @end menu @@ -1819,6 +1820,238 @@ bars. skipBars = ##t @end example +@node Latex and texinfo integration +@section Latex and texinfo integration + +So what does this look like? Well, here is an example: +@lilypond[veryverbatim, intertext="produces this music:"] +\score{ + \notes\relative c'{ + \time 5/8; + [e16( g b c a g][e a b d] | )e2 d,8 | + [e16( g b c a g][e a b d] | )b2 [a16( f] | + [e a b d] )e4 c8 | [es16( bes a as g es][d c b! )g] | + [f( a b d b a][f a b d] | )e2 + } +} +@end lilypond +If you are lucky, the above example show a nice feature of LilyPond +and La@TeX{}. Since LilyPond can output the music as @TeX{} graphics, +La@TeX{} can insert pagebreaks between the lines of music. + +Notice that there is no @code{\paper} statement in the example +above. Lilypond-book will insert some code for you that defines the +linewidth and the font to use. If you don't want to change the default, +there is no need to put an empty @code{\paper@{@}} inside the @code{\score}. +In the example above, something like +this might be inserted before your code: +@example +\include "paper16.ly" +\paper@{ \paper_sixteen + linewidth = 390.\pt; + castingalgorithm = \Gourlay; +@} +@end example +The actual values for linewidth will differ depending on papersize and +number of columns. Also, if you use a different fontsize for the +music, another file than @code{paper16.ly} will be included. + +If you want to make the music not so wide, you can insert a +@code{\paper} statement that set the linewidth: + +@lilypond[veryverbatim, intertext="produces this music:"] +\score{ + \notes\relative c'{ + \time 5/8; + [e16( g b c a g][e a b d] | )e2 d,8 | + [e16( g b c a g][e a b d] | )b2 [a16( f] | + [e a b d] )e4 c8 | [es16( bes a as g es][d c b! )g] | + [f( a b d b a][f a b d] | )e2 + } + \paper{linewidth = 10.\cm;} +} +@end lilypond + +Very often, if you mix music and text, the music is often only a +few notes or at most a few bars. This music should be as short as +possible and not stretched to be aligned to the right margin. + +If you only write voice-contents in the lilypond block, @command{lilypond-book} +will set the @code{linewidth} variable to -1, so Lilypond +will make the music as short as possible but without breaking the +line. Here is a well know harmonic progression: +@lilypond[veryverbatim, intertext="produce a well known harmonic progression:"] + \context Voice { } +@end lilypond + +If you want to place music examples in the text, +@lilypond[eps] + \context Voice { } +@end lilypond +, you can use the @code{eps} option. This will create the music as +eps graphics and include it into the document with the +@code{\includegraphics} command. + +The code used look like this: +@example +@@lilypond[eps] + \context Voice @{ @} +@@end lilypond +@end example + +You can also use the @code{eps} option if the block is a complete +lilypond source. This 5 cm long empty line, +@lilypond[eps] +\score{ + \notes{s} + \paper{ linewidth = 5.\cm;} +} +@end lilypond +was created with this code: +@example +@@lilypond[eps] +\score@{ + \notes@{s@} + \paper@{ linewidth = 5.\cm;@} +@} +@@end lilypond +@end example + +To avoid that La@TeX{} places the music on a line of its one, there should +be no empty lines between the normal text and the lilypond +environment. + +You can also use @code{lilypondfile} (on a separate line, FIXME), to +include another file. + +@subsection Fontsize options + +You can use all lilypond fontsizes in @command{lilypond-book}. The +default 16pt fontsize is probably to big to be included in the middle of +the text, 11pt or 13pt is probably better. + +The code can look like this: +@example +@@lilypond[13pt, eps] + +@@end lilypond +@end example + +The following options set the fontsize: +@itemize +@item @code{11pt} +@lilypond[11pt, eps] + \relative c'{ + r16 [c d e][f d e c] [g'8 c][b-\prall c] | + [d16 g, a b][c a b g][d'8 g f-\prall g] + } +@end lilypond +@item @code{13pt} +@lilypond[13pt, eps] + \relative c'{ + r16 [c d e][f d e c] [g'8 c][b-\prall c] | + [d16 g, a b][c a b g][d'8 g f-\prall g] + } +@end lilypond +@item @code{16pt} +@lilypond[16pt, eps] + \relative c'{ + r16 [c d e][f d e c] [g'8 c][b-\prall c] | + [d16 g, a b][c a b g][d'8 g f-\prall g] + } +@end lilypond +@item @code{20pt} +@lilypond[20pt, eps] + \relative c'{ + r16 [c d e][f d e c] [g'8 c][b-\prall c] | + [d16 g, a b][c a b g][d'8 g f-\prall g] + } +@end lilypond +@item @code{26pt} +@lilypond[26pt, eps] + \relative c'{ + r16 [c d e][f d e c] [g'8 c][b-\prall c] | + } +@end lilypond +@end itemize + + +@subsection More options + +@itemize +@item The @code{singleline} option set @code{linewidth} to -1.0. +@item The @code{multiline} option set @code{linewidth} to a value letting +the music be aligned to the right margin. The music can span several +lines. +@end itemize + +@subsection Just in case... +The options @code{fragment} and @code{nofragment} will override +@command{lilypond-book} when it scans the lilypond code to see if it is voice +contents or complete code. This might be useful if @command{lilypond-book} choose +wrong. + +Since there is no finder's fee which doubles every year, there is no +need to wait for the price money to grow. So send a bug report today +if you need this one of these options. + +@subsection Examples + +This was all options to @code{\begin}. The rest of the lilypond +document will show some ways you can use lilypond in +La@TeX{} documents. It will also act as a simple test-suite for +lilypond-book. You can place @code{eps} lilypond in and marginspars just +as any other included eps graphics. + +@lilypond +\score{ + \notes\relative c'{ + \time 12/8; + r4-\fermata [b16-.( )b-.] [f'8-- dis16-.( )dis-. gis8--] + [f16-.( )f-. dis8-- gis16-.( )gis-.] cis4.-\fermata | + + r4.-\fermata [cis,16 cis g'8 f16 f b8][g16 g f8 b16 b] dis4.-\fermata + } + \paper{linewidth = 7.\cm;} +} +@end lilypond + + +To the right you can see some bars from the trumpet fanfara from the +beginning of the fantastic street opera ``Houdini the Great'', by the +Danish composer Andy Pape. The music is put inside a +@code{floatingfigure} environment, and the music will be aligned by +the right marging if you set floatingfigure width and lilypond linewidth +to the same value. The code looks like this: + +@lilypond[verbatim] +\score{ + \notes\relative c'{ + \time 12/8; + r4.-\fermata [b16-.( )b-.] [f'8-- dis16-.( )dis-. gis8--] + [f16-.( )f-. dis8-- gis16-.( )gis-.] cis8.-\fermata | + + r4.-\fermata [cis,16 cis g'8 f16 f b8] + [g16 g f8 b16 b] dis4.-\fermata + } + \paper{linewidth = 7.\cm;} +} +@end lilypond + +If you have a lot of small music examples like this in the middle of +your text, you might get a nicer look by using ``double'' line +spacing. Put the @code{\linespread@{1.6@}} command into the preamble of +your document. Then the line spacing will not be increased between the +lines where you have music printed with the smallest font size. + +Lilypond-book does know about @code{\onecolumn} and @code{\twocolumn}. +So the music will be adjusted to the new linewith: + +Verbatim environments will also ignore the page margins. That is +a feature of La@TeX{}. (But you usually put things inside a verbatim +environment when you don't want La@TeX{} to do any linebreaking) + + @node end of tutorial @section The end diff --git a/input/test/beam-dir-functions.ly b/input/test/beam-dir-functions.ly new file mode 100644 index 0000000000..613eec4d51 --- /dev/null +++ b/input/test/beam-dir-functions.ly @@ -0,0 +1,38 @@ +\header { +texidoc = " + +There are several ways to calculate the direction of a beam. +@table @code +@item majority +number count of up or down notes +@item mean +mean center distance of all notes +@item median +mean centre distance weighted per note +@end table + +You can spot the differences of these settings from these simple +examples: + +These beam direction functions are defined in @file{scm/beam.scm}. If +your favourite algorithm isn't one of these, you can hook up your own. +"; +} + +\paper { linewidth = -1.;} +\score { \notes \relative c { + [d''8 a] + \property Voice.Beam \set #'dir-function = #beam-dir-mean + [d a] + \property Voice.Beam \set #'dir-function = #beam-dir-median + [d a] +}} +\score { \notes \relative c { + \time 3/8; + [d''8 a a] + \property Voice.Beam \set #'dir-function = #beam-dir-mean + [d a a] + \property Voice.Beam \set #'dir-function = #beam-dir-median + [d a a] +}} + diff --git a/input/test/default-neutral-dir.ly b/input/test/default-neutral-dir.ly new file mode 100644 index 0000000000..5aeb134b12 --- /dev/null +++ b/input/test/default-neutral-dir.ly @@ -0,0 +1,12 @@ +\header { texidoc = " +The direction of a perfectly centred beams can be +controlled through @code{Voice.Beam}'s grob-property +@code{default-neutral-direction} +";} + +\paper { linewidth = -1.;} +\score {\notes \relative c { + [b''8 b] + \property Voice.Beam \set #'default-neutral-direction = #-1 + [b b] +}} diff --git a/input/test/stem-extend.ly b/input/test/stem-extend.ly new file mode 100644 index 0000000000..101e95ecfd --- /dev/null +++ b/input/test/stem-extend.ly @@ -0,0 +1,12 @@ +\header { texidoc = " +Conventionally, stems and beams extend to the middle staff line. This +extension can be controlled through @code{Voice.Stem}'s grob-property +@code{no-stem-extend}: +";} + +\paper { linewidth = -1.;} +\score {\notes \relative c { + \grace a'8 a4 + \property Voice.Stem \set #'no-stem-extend = ##t + \grace g8 g4 [g8 g] +}} diff --git a/input/tricks/embedded-postscript.ly b/input/tricks/embedded-postscript.ly index 491257bbb1..557c9ba403 100644 --- a/input/tricks/embedded-postscript.ly +++ b/input/tricks/embedded-postscript.ly @@ -1,3 +1,10 @@ +\header { + texidoc = "By inserting the @TeX{} command \embeddedps, you can +insert postscript directly into the output. + +TODO: make molecule-callback to do this. + "; +} \score { \notes \relative c'' { diff --git a/lily/rest-collision.cc b/lily/rest-collision.cc index bd4c308d0f..591d90b386 100644 --- a/lily/rest-collision.cc +++ b/lily/rest-collision.cc @@ -76,6 +76,10 @@ head_characteristic (Grob * col) /* TODO: fixme, fucks up if called twice on the same set of rests. + + TODO: look at horizontal-shift to determine ordering between rests + for more than two voices. + */ SCM Rest_collision::do_shift (Grob *me, SCM elts) diff --git a/scm/grob-property-description.scm b/scm/grob-property-description.scm index dbad3eee0a..b85ec0a97a 100644 --- a/scm/grob-property-description.scm +++ b/scm/grob-property-description.scm @@ -104,7 +104,19 @@ Align_interface::center_on_element). .") (grob-property-description 'dependencies list? "list of score-grob pointers that indicate who to compute first for certain global passes.") (grob-property-description 'details list? "alist of parameters for detailed grob behavior.") (grob-property-description 'dir-forced boolean? "set if direction has been forced; read by Beam.") -(grob-property-description 'dir-function procedure? "function of type (count total)->direction. Default value: beam-dir-majority, also available: beam-dir-mean, beam-dir-median.") +(grob-property-description 'dir-function procedure? "function of type (count total)->direction. Default value: beam-dir-majority, also available: beam-dir-mean, beam-dir-median. + +The ways to calculate the direction of a beam work as follows: +@table @code +@item majority +number count of up or down notes +@item mean +mean center distance of all notes +@item median +mean centre distance weighted per note +@end table + +") (grob-property-description 'dir-list list? "list of stem directions, needed for optical spacing correction.") (grob-property-description 'direction dir? "up or down, left or right?.") (grob-property-description 'direction-source ly-grob? "in case side-relative-direction is set, which grob to get the direction from .") diff --git a/scripts/lilypond-book.py b/scripts/lilypond-book.py index dfaf288dbb..e15ee356dd 100644 --- a/scripts/lilypond-book.py +++ b/scripts/lilypond-book.py @@ -42,7 +42,7 @@ import operator program_version = '@TOPLEVEL_VERSION@' if program_version == '@' + 'TOPLEVEL_VERSION' + '@': - program_version = '1.3.113' + program_version = '1.4pre' include_path = [os.getcwd()]