From: Graham Percival <graham@percival-music.ca>
Date: Thu, 19 Aug 2010 11:26:09 +0000 (+0100)
Subject: Build: remove \cite{} from bibs.
X-Git-Tag: release/2.13.31-1~40
X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=e1c448cc333a6eb4c95b8618c3c7fb2e70443ebb;p=lilypond.git

Build: remove \cite{} from bibs.

The output has just been [] for a while, and nobody
noticed/complained, and nobody's particularly interested in our
bibliography stuff anyway.
---

diff --git a/Documentation/essay/computer-notation.bib b/Documentation/essay/computer-notation.bib
index 5ad0888b47..ba0fd5ce5b 100644
--- a/Documentation/essay/computer-notation.bib
+++ b/Documentation/essay/computer-notation.bib
@@ -16,7 +16,7 @@
   volume={17},
   pages ={292-309},
 
-  note = {Gourlay\cite{gourlay86} writes: A discussion of Smith's
+  note = {Gourlay [gourlay86] writes: A discussion of Smith's
 music-printing system SCORE}
 
 }
@@ -39,7 +39,7 @@ music-printing system SCORE}
   volume =	 9,
   number =	 6,
   pages =	 {291--298},
-  note = {Gourlay\cite{gourlay86} writes: A discussion of the design
+  note = {Gourlay [gourlay86] writes: A discussion of the design
   and potential uses of the DARMS music-description language.}
 }
 
@@ -60,7 +60,7 @@ music-printing system SCORE}
   year = {1977},
   pages = {63-80},
 
-  note = {Gourlay \cite{gourlay86} writes: "A discussion of the
+  note = {Gourlay [gourlay86] writes: "A discussion of the
   problems of representing the conventions of musical notation in
   computer algorithms."}
 }
@@ -396,7 +396,7 @@ The Ohio State University},
   note = {Describes the "parser" which converts {MusiCopy} MDL to
   MusiCopy Simultaneities and columns.
 
-MDL is short for Music Description Language\cite{gourlay86}. It
+MDL is short for Music Description Language [gourlay86]. It
 accepts music descriptions that are organised into measures filled
 with voices, which are filled with notes. The measures can be arranged
 simultaneously or sequentially.  To address the 2-dimensionality,
@@ -529,7 +529,7 @@ starts with a verbose description of music symbols.
 the author tries to extract dimensions for characters, whereas the
 rules of typesetting (in a particular font) follow from the dimensions
 of the symbols.  His symbols do not match (the stringent) constraints
-formulated by eg. \cite{wanske}} }
+formulated by eg. [wanske]} }
 
 @TechReport{grover89-twovoices,
   author = 	 {John Gr\/over},
@@ -543,7 +543,7 @@ formulated by eg. \cite{wanske}} }
 descriptions are long and verbose.  The verbosity shows that
 formulating specific rules is not the proper way to approach the
 problem.  Instead, the formulated rules should follow from more
-general rules, similar to\cite{parrish87-simultaneities}},
+general rules, similar to [parrish87-simultaneities]},
 }
 
 @TechReport{grover89-accidentals,
@@ -554,7 +554,7 @@ general rules, similar to\cite{parrish87-simultaneities}},
   number =	 135,
 
 note = {Placement of accidentals crystallised in an enormous set of
-rules.  Same remarks as for \cite{grover89-twovoices} applies} }
+rules.  Same remarks as for [grover89-twovoices] applies} }
 
 
 @PhdThesis{mueller90:_inter_bearb_musik,
diff --git a/Documentation/essay/engravingbib.bib b/Documentation/essay/engravingbib.bib
index cf4ec305a2..8b2b667fb4 100644
--- a/Documentation/essay/engravingbib.bib
+++ b/Documentation/essay/engravingbib.bib
@@ -48,8 +48,8 @@
 isbn ={0793508479},
 note={HWN writes: `Book' edition of lecture notes from XXX school of
 music.  The book looks like it is xeroxed from bad printouts.  The
-content has nothing you won't find in other books like\cite{read} or
-\cite{heussenstamm}.   }
+content has nothing you won't find in other books like [read] or
+[heussenstamm].   }
 }
 
 @Book{ross,
@@ -136,7 +136,7 @@ of print. }
   year = 	 1923,
   note = {This patriotic book was an attempt to promote and help
   British music engravers.  It is somewhat similar to Hader's
-  book\cite{hader48} in scope and style, but Gamble focuses more on
+  book [hader48] in scope and style, but Gamble focuses more on
   technical details (Which French punch cutters are worth buying from,
   etc.), and does not treat typographical details, such as optical
   illusions.  It is available as reprint from Da Capo Press, New York
@@ -193,7 +193,7 @@ of print. }
   author = {Glen Rosecrans},
   publisher={Passantino},
   address={New York},
-  note={Heussenstamm writes: Limited in scope, similar to \cite{Roemer84}}
+  note={Heussenstamm writes: Limited in scope, similar to [Roemer84]}
 }
 
 @Book {donemus1982,