From: Werner Lemberg <wl@gnu.org>
Date: Mon, 5 Mar 2007 17:23:45 +0000 (+0100)
Subject: Use Unicode characters.  Other minor optical fixes.
X-Git-Tag: release/2.11.21-1~9^2~4
X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=e0505ae2c143e8a93cec3c52eac17630c6b0e115;p=lilypond.git

Use Unicode characters.  Other minor optical fixes.
---

diff --git a/Documentation/user/introduction.itely b/Documentation/user/introduction.itely
index 101772c95d..f1bf39a055 100644
--- a/Documentation/user/introduction.itely
+++ b/Documentation/user/introduction.itely
@@ -50,11 +50,11 @@ The images below illustrate the difference between traditional
 engraving and typical computer output, and the third picture shows how
 LilyPond mimics the traditional look.  The left picture shows a scan
 of a flat symbol from an edition published in 2000.  The center
-depicts a symbol from a hand-engraved B@"{a}renreiter edition of the
+depicts a symbol from a hand-engraved Bärenreiter edition of the
 same music.  The left scan illustrates typical flaws of computer
 print: the staff lines are thin, the weight of the flat symbol matches
 the light lines and it has a straight layout with sharp corners.  By
-contrast, the B@"{a}renreiter flat has a bold, almost voluptuous
+contrast, the Bärenreiter flat has a bold, almost voluptuous
 rounded look.  Our flat symbol is designed after, among others, this
 one.  It is rounded, and its weight harmonizes with the thickness of
 our staff lines, which are also much thicker than lines in the
@@ -95,7 +95,7 @@ computer edition.
 @item @tab
 Henle (2000)
 @tab
-B@"{a}renreiter (1950)
+Bärenreiter (1950)
 @tab
 LilyPond Feta font (2003)
 
diff --git a/Documentation/user/literature.itely b/Documentation/user/literature.itely
index 9501d7949d..ac170e44d0 100644
--- a/Documentation/user/literature.itely
+++ b/Documentation/user/literature.itely
@@ -17,7 +17,7 @@ interesting titles to read.
 
 @table @cite
 @item Ignatzek 1995
-Klaus Ignatzek, Die Jazzmethode f@"{u}r Klavier. Schott's S@"{o}hne
+Klaus Ignatzek, Die Jazzmethode für Klavier. Schott's Söhne
 1995. Mainz, Germany ISBN 3-7957-5140-3.
 
 A tutorial introduction to playing Jazz on the piano.  One of the first
diff --git a/Documentation/user/music-glossary.tely b/Documentation/user/music-glossary.tely
index 2478e45c1d..0220f41049 100644
--- a/Documentation/user/music-glossary.tely
+++ b/Documentation/user/music-glossary.tely
@@ -73,7 +73,7 @@ German glossary,
 Original author of LilyPond glossary, Danish glossary,
 @item David González
 Spanish glossary,
-@item Fran@,{c}ois Pinard
+@item François Pinard
 Original glossary of GNU music project, French glossary,
 @item Han-Wen Nienhuys
 Dutch glossary,
@@ -2244,7 +2244,7 @@ symbol indicates playing an octave lower (for example on double bass
 
 ES: calderón,
 I: corona,
-F: point d'orgue, point d'arr@^et,
+F: point d'orgue, point d'arrêt,
 D: Fermate,
 NL: fermate,
 DK: fermat,
@@ -3415,7 +3415,7 @@ and hears a tone.
 
 ES: cabeza,
 I: testa, testina, capocchia,
-F: t@^ete de la note,
+F: tête de la note,
 D: Notenkopf,
 NL: nootballetje,
 DK: nodehovede,
diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely
index e152f21a94..6301ffcfbc 100644
--- a/Documentation/user/tutorial.itely
+++ b/Documentation/user/tutorial.itely
@@ -412,7 +412,7 @@ is valid input; @code{ @{ C D E @} } will produce an error message.
 @item @strong{Whitespace insensitive}:
 it does not matter how many
 spaces (or new lines) you add.  @code{ @{ c d e @}} means the same thing
-as @code{ @{ c @ @ @ @ @  d e @} } and
+as @code{ @{ c @tie{} @tie{} @tie{} d e @} } and
 @example
           @{
 c                        d