From: gpercival Date: Wed, 26 Apr 2006 12:13:40 +0000 (+0000) Subject: First round of doc reorg. X-Git-Tag: release/2.8.2~9^2~72 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=cf670600e1a98411b3f660c5d23e2fa9beaca74e;p=lilypond.git First round of doc reorg. --- diff --git a/Documentation/user/basic-notation.itely b/Documentation/user/basic-notation.itely index 93ccabb0e3..430f548673 100644 --- a/Documentation/user/basic-notation.itely +++ b/Documentation/user/basic-notation.itely @@ -2202,6 +2202,7 @@ Examples: @inputfileref{input/@/regression,finger@/-chords@/.ly}. @subsection Dynamics @cindex Dynamics +@cindex @code{\pppp} @cindex @code{\ppp} @cindex @code{\pp} @cindex @code{\p} @@ -2220,9 +2221,10 @@ Examples: @inputfileref{input/@/regression,finger@/-chords@/.ly}. @cindex @code{\rfz} Absolute dynamic marks are specified using a command after a note -@code{c4\ff}. The available dynamic marks are @code{\ppp}, +@code{c4\ff}. The available dynamic marks are @code{\ppppp}, +@code{\pppp}, @code{\ppp}, @code{\pp}, @code{\p}, @code{\mp}, @code{\mf}, @code{\f}, @code{\ff}, -@code{\fff}, @code{\fff}, @code{\fp}, @code{\sf}, @code{\sff}, +@code{\fff}, @code{\ffff}, @code{\fp}, @code{\sf}, @code{\sff}, @code{\sp}, @code{\spp}, @code{\sfz}, and @code{\rfz}. @lilypond[quote,verbatim,ragged-right,fragment,relative=2] diff --git a/Documentation/user/examples.itely b/Documentation/user/examples.itely index 1a416ed3fc..10ae7a0e3b 100644 --- a/Documentation/user/examples.itely +++ b/Documentation/user/examples.itely @@ -1,6 +1,6 @@ @c -*- coding: utf-8; mode: texinfo; -*- @node Example templates -@chapter Example templates +@appendix Example templates This section of the manual contains templates with the LilyPond score already set up for you. Just add notes, run LilyPond, and enjoy @@ -19,8 +19,8 @@ beautiful printed scores! @node Single staff -@section Single staff -@subsection Notes only +@appendixsec Single staff +@appendixsubsec Notes only The first example gives you a staff with notes, suitable for a solo instrument or a melodic fragment. Cut and paste this into a file, @@ -43,7 +43,7 @@ melody = \relative c' { } @end lilypond -@subsection Notes and lyrics +@appendixsubsec Notes and lyrics The next example demonstrates a simple melody with lyrics. Cut and paste, add notes, then words for the lyrics. This example turns off @@ -78,7 +78,7 @@ text = \lyricmode { } @end lilypond -@subsection Notes and chords +@appendixsubsec Notes and chords Want to prepare a lead sheet with a melody and chords? Look no further! @@ -111,7 +111,7 @@ harmonies = \chordmode { } @end lilypond -@subsection Notes, lyrics, and chords. +@appendixsubsec Notes, lyrics, and chords. This template allows you to prepare a song with melody, words, and chords. @@ -151,8 +151,8 @@ harmonies = \chordmode { @end lilypond @node Piano templates -@section Piano templates -@subsection Solo piano +@appendixsec Piano templates +@appendixsubsec Solo piano Here is a simple piano staff. @@ -185,7 +185,7 @@ lower = \relative c { } @end lilypond -@subsection Piano and melody with lyrics +@appendixsubsec Piano and melody with lyrics Here is a typical song format: one staff with the melody and lyrics, with piano accompaniment underneath. @@ -241,7 +241,7 @@ lower = \relative c { @end lilypond -@subsection Piano centered lyrics +@appendixsubsec Piano centered lyrics Instead of having a full staff for the melody and lyrics, you can place the lyrics between the piano staff (and omit the separate melody staff). @@ -286,7 +286,7 @@ text = \lyricmode { @end lilypond -@subsection Piano centered dynamics +@appendixsubsec Piano centered dynamics Many piano scores have the dynamics centered between the two staffs. This requires a bit of tweaking to implement, but @@ -384,8 +384,8 @@ pedal = { @node String quartet -@section String quartet -@subsection String quartet +@appendixsec String quartet +@appendixsubsec String quartet This template demonstrates a string quartet. It also uses a @code{\global} section for time and key signatures. @@ -437,7 +437,7 @@ cello = \new Voice { \relative c' { } @end lilypond -@subsection String quartet parts +@appendixsubsec String quartet parts The previous example produces a nice string quartet, but what if you needed to print parts? This template demonstrates how to use the @@ -545,9 +545,9 @@ music = { @node Vocal ensembles -@section Vocal ensembles +@appendixsec Vocal ensembles -@subsection SATB vocal score +@appendixsubsec SATB vocal score Here is a standard four-part SATB vocal score. With larger ensembles, it's often useful to include a section which is included in all @@ -627,7 +627,7 @@ bassWords = \lyricmode { @end lilypond -@subsection SATB vocal score and automatic piano reduction +@appendixsubsec SATB vocal score and automatic piano reduction This template adds an automatic piano reduction to the SATB vocal score. This demonstrates one of the strengths of LilyPond -- you @@ -726,9 +726,9 @@ bassWords = \lyricmode { @c bad node name to avoid node name confict @node Ancient notation templates -@section Ancient notation templates +@appendixsec Ancient notation templates -@subsection Transcription of mensural music +@appendixsubsec Transcription of mensural music When transcribing mensural music, an incipit at the beginning of the piece is useful to indicate the original key and tempo. While today @@ -957,7 +957,7 @@ bassusLyrics = \lyricmode { @end lilypond -@subsection Gregorian transcription template +@appendixsubsec Gregorian transcription template This example demonstrates how to do modern transcription of Gregorian music. Gregorian music has no measure, no stems; it uses only half and @@ -1007,7 +1007,7 @@ verba = \lyricmode { @node Jazz combo -@section Jazz combo +@appendixsec Jazz combo This is a much more complicated template, for a jazz ensemble. Note that all instruments are notated in @code{\key c \major}. This refers to the key in @@ -1351,12 +1351,12 @@ violin concerto as TchaikovskyPI, whereas perhaps you wish to print @node Lilypond-book templates -@section Lilypond-book templates +@appendixsec Lilypond-book templates These templates are for use with @code{lilypond-book}. If you're not familiar with this program, please refer to @ref{LilyPond-book}. -@subsection LaTeX +@appendixsubsec LaTeX You can include LilyPond fragments in a LaTeX document. @@ -1383,7 +1383,7 @@ d4 c b a \end@{document@} @end example -@subsection Texinfo +@appendixsubsec Texinfo You can include LilyPond fragments in Texinfo; in fact, this entire manual is written in Texinfo. diff --git a/Documentation/user/invoking.itely b/Documentation/user/invoking.itely index 54cd553dab..53f573cca4 100644 --- a/Documentation/user/invoking.itely +++ b/Documentation/user/invoking.itely @@ -46,7 +46,7 @@ GUILE is not reset after processing a @code{.ly} file, so be careful not to change any system defaults from within Scheme.} -@section Command line options +@subsection Command line options The following options are supported: @@ -306,7 +306,7 @@ Show the warranty with which GNU LilyPond comes. (It comes with @end table -@section Environment variables +@subsection Environment variables @cindex LANG diff --git a/Documentation/user/putting.itely b/Documentation/user/putting.itely index c3edcd8af2..378d40cc24 100644 --- a/Documentation/user/putting.itely +++ b/Documentation/user/putting.itely @@ -86,6 +86,8 @@ best. @end itemize + + @node Extending the templates @section Extending the templates