From: Graham Percival Date: Sat, 26 Jan 2008 22:56:29 +0000 (-0800) Subject: Update from Kurt. X-Git-Tag: release/2.11.38-1~13^2~5 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=bcbe8bce86a86887d3f670226d72aa68025b9e57;p=lilypond.git Update from Kurt. --- diff --git a/Documentation/user/music-glossary.tely b/Documentation/user/music-glossary.tely index b8471041e1..49e40c5f1f 100644 --- a/Documentation/user/music-glossary.tely +++ b/Documentation/user/music-glossary.tely @@ -176,7 +176,7 @@ Languages in this order. * beat:: * bind:: * brace:: -* bracket:: +* bracket:: * brass:: * breath mark:: * breve:: @@ -263,9 +263,9 @@ Languages in this order. * forefall:: * forte:: * fourth:: -* Frenched score:: -* Frenched staff:: -* Frenched staves:: +* Frenched score:: +* Frenched staff:: +* Frenched staves:: * fugue:: * functional harmony:: * G:: @@ -313,6 +313,7 @@ Languages in this order. * meter:: * metronome:: * metronomic indication:: +* metronome mark:: * mezzo-soprano:: * middle C:: * minor:: @@ -4293,9 +4294,9 @@ Other recurrence patterns are possible: Other than quadruple and sextuple meters, these other recurrence patterns were not frequently used prior to the 20th Century. -In addition to classification by @emph{tactus}, meters can be further -classified by how the tactus is subdivided: in two, the meter is -@emph{simple}; in three, the meter is @emph{compound}. +In addition to classification by primary beat grouping, meters can be further +classified by how the primary beat is subdivided: if in two, the meter is +@emph{simple}; if in three, the meter is @emph{compound}. @itemize @@ -4359,7 +4360,7 @@ Simple quintuple meter (B. Marcello, 1686-1739): aes4 bes8 aes ges4 aes f8 es \bar "||"} @end lilypond -Compound duple meter: +Compound duple meter (unknown): @lilypond[fragment,line-width=13.0\cm] \relative c' { @@ -4387,7 +4388,7 @@ Compound quadruple meter (P. Yon, 1886-1943): \relative c' { \time 12/8 \key e \major - b8.( a16) gis8 a8.( gis16) fis8 gis8.( fis16) e8 fis4 b,8 | + b'8.( a16) gis8 a8.( gis16) fis8 gis8.( fis16) e8 fis4 b,8 | e4 e8 fis( gis) a b4.~ b4 b8 \bar "||"} @end lilypond @@ -4411,14 +4412,28 @@ FI: metronomi. Device indicating the exact tempo of a piece. +Invented ca. 1812 by Dietrich Nikolaus Winkler of Amsterdam, but takes its name +from Johann Nepomuk Mälzel, who copied the device, added a scale of tempo +divisions, and patented it as a "metronome". The inevitable lawsuit that +followed acknowledged Winkler as the creator, but by then Mälzel had already +sold many of them, and people had taken to calling it a Mälzel Metronome. + @seealso -@ref{metronomic indication}. +@ref{metronome mark}. @node metronomic indication @section metronomic indication +@seealso + +@ref{metronome mark} + + +@node metronome mark +@section metronome mark + ES: indicación metronómica, I: indicazione metronomica, F: indication métronomique, @@ -4428,8 +4443,13 @@ DK: metronomtal, S: metronomangivelse, FI: metronomiosoitus. -Exact tempo indication (in beats per minute). Also denoted by -M.M.@: (Mälzels Metronom). +Exact tempo indication (in beats per minute). Abbreviated @samp{M.M.} or +@samp{MM}, which is short for Mälzels Metronom (or Mälzel's Mark, +@emph{anglice}). + +@seealso + +@ref{metronome} @node mezzo-soprano @@ -6858,27 +6878,21 @@ saxophone, and bassoon. @node Duration names notes and rests @chapter Duration names, notes and rests -@table @code -@item DURATION NAMES, NOTES AND RESTS -@end table - @multitable @columnfractions .15 .26 .33 .26 -@item +@headitem @strong{US} @tab @strong{UK} @tab @strong{I} @tab @strong{F (note name / rest name)} -@item +@headitem @tab @strong{D} @tab @strong{NL} @tab @strong{DK} -@item +@headitem @tab @strong{S} @tab @strong{FI} @tab @strong{ES} -@c extra @items make this table harder to read, so I removed them. - @item @strong{longa} @tab longa @tab longa