From: Graham Percival Date: Fri, 16 Jun 2006 22:15:29 +0000 (+0000) Subject: Minor fixes from mailist. X-Git-Tag: release/2.10.0-2~509 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=b9e6310d0dc97d70d57266c24bc4bc7b910cafae;p=lilypond.git Minor fixes from mailist. --- diff --git a/ChangeLog b/ChangeLog index f464a1aa66..35f0e4cafe 100644 --- a/ChangeLog +++ b/ChangeLog @@ -1,3 +1,7 @@ +2006-06-16 Graham Percival + + * Documentation/user/ various: small fixes from mailist. + 2006-06-16 Han-Wen Nienhuys * lily/breathing-sign.cc (offset_callback): idem. diff --git a/Documentation/user/advanced-notation.itely b/Documentation/user/advanced-notation.itely index f76889e93a..91893292e1 100644 --- a/Documentation/user/advanced-notation.itely +++ b/Documentation/user/advanced-notation.itely @@ -163,7 +163,8 @@ The @code{\mark} command is primarily used for @ref{Rehearsal marks}, but it can also be used to put signs like coda, segno, and fermata on a bar line. Use @code{\markup} to -access the appropriate symbol +access the appropriate symbol (symbols are listed in +@ref{The Feta font}) @lilypond[fragment,quote,ragged-right,verbatim,relative=2] c1 \mark \markup { \musicglyph #"scripts.ufermata" } diff --git a/Documentation/user/basic-notation.itely b/Documentation/user/basic-notation.itely index 401dd33ce9..d667712e39 100644 --- a/Documentation/user/basic-notation.itely +++ b/Documentation/user/basic-notation.itely @@ -414,7 +414,7 @@ begins on concert D, one would write \transpose c bes @{ e4 @dots{} @} @end example -To print this music in B-flat again (i.e. producing a trumpet part, +To print this music in B-flat again (i.e., producing a trumpet part, instead of a concert pitch conductor's score) you would wrap the existing music with another @code{transpose} @@ -1474,7 +1474,9 @@ This is internally translated into @end example The property @code{measurePosition} contains a rational number -indicating how much of the measure has passed at this point. +indicating how much of the measure has passed at this point. Note +that this is a negative number; @code{\partial 4} is internally +translated to mean ``there is a quarter note left in the bar''. @refbugs diff --git a/Documentation/user/instrument-notation.itely b/Documentation/user/instrument-notation.itely index 3876110947..b6f89f7e61 100644 --- a/Documentation/user/instrument-notation.itely +++ b/Documentation/user/instrument-notation.itely @@ -884,7 +884,7 @@ Program reference: @internalsref{LyricHyphen}, @internalsref{LyricExtender}. @node The Lyrics context @subsection The Lyrics context -Lyrics are printed by interpreting them in the context caleld +Lyrics are printed by interpreting them in the context called @internalsref{Lyrics}. @example diff --git a/Documentation/user/invoking.itely b/Documentation/user/invoking.itely index df1c72e9e4..2208b70c93 100644 --- a/Documentation/user/invoking.itely +++ b/Documentation/user/invoking.itely @@ -199,10 +199,6 @@ When LilyPond formatting is available through a web server, either the @code{--safe} option will prevent inline Scheme code from wreaking havoc, for example -When LilyPond formatting is available through a web server, the -@code{--safe} @b{MUST} be passed. This will prevent inline Scheme -code from wreaking havoc, for example - @quotation @verbatim #(system "rm -rf /") diff --git a/Documentation/user/page.itely b/Documentation/user/page.itely index 12f98b03df..a8bcbf9640 100644 --- a/Documentation/user/page.itely +++ b/Documentation/user/page.itely @@ -428,7 +428,7 @@ This manual: @ref{Changing context default settings} @cindex spacing, vertical Vertical spacing is controlled by three things: the amount of -space available (i.e. paper size and margins), the amount of +space available (i.e., paper size and margins), the amount of space between systems, and the amount of space between staves inside a system. diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely index 274ce3e0e3..71dd29d7f8 100644 --- a/Documentation/user/tutorial.itely +++ b/Documentation/user/tutorial.itely @@ -298,8 +298,8 @@ available package for viewing and printing PDF and PostScript files.} @node More about pitches @section More about pitches -A @rglos{sharp} (@texisharp{}) pitch is made by adding @samp{is} to -the name, a @rglos{flat} (@texiflat{}) pitch by adding @samp{es}. As +A @rglos{sharp} pitch is made by adding @samp{is} to +the name, a @rglos{flat} pitch by adding @samp{es}. As you might expect, a @rglos{double sharp} or @rglos{double flat} is made by adding @samp{isis} or @samp{eses}@footnote{This syntax derived from note naming conventions in Nordic and Germanic languages, @@ -489,7 +489,7 @@ This makes the input less readable, and it is a source of errors. The solution is to use `relative octave' mode. This is the most convenient way to copy existing music. -In relative mode, a note without octavation quotes (i.e. the @code{'} +In relative mode, a note without octavation quotes (i.e., the @code{'} or @code{,} after a note) is chosen so that it is closest to the previous one. For example, @samp{c f} goes up while @samp{c g} goes down. @@ -1002,7 +1002,8 @@ resulting in a centered hyphen between two syllables Twin -- kle twin -- kle @end example -@lilypond[fragment,quote,ragged-right] +@c no ragged-right here, because otherwise the hypens get lost. +@lilypond[fragment,quote] << \relative { \time 2/4 diff --git a/Documentation/user/working.itely b/Documentation/user/working.itely index a5345b251a..1b85582393 100644 --- a/Documentation/user/working.itely +++ b/Documentation/user/working.itely @@ -568,7 +568,7 @@ ragged-bottom = ##f @end example @item -You may force the number of systems (i.e. if LilyPond wants +You may force the number of systems (i.e., if LilyPond wants to typeset some music with 11 systems, you could force it to use 10). diff --git a/THANKS b/THANKS index 6e9aad52e6..6ca6bc7963 100644 --- a/THANKS +++ b/THANKS @@ -42,6 +42,7 @@ Juergen Reuter BUG HUNTERS/SUGGESTIONS Albert Frantz +Anthony Youngman Aurèle Duda Bernie Arai Cameron Horsburgh