From: Graham Percival Date: Sun, 6 Jan 2008 02:57:14 +0000 (-0800) Subject: Update from Kurt. X-Git-Tag: release/2.11.38-1~122 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=b4dc6f9d5e9e26d5ca8abde3f48a89f27c82cf9f;p=lilypond.git Update from Kurt. --- diff --git a/Documentation/user/music-glossary.tely b/Documentation/user/music-glossary.tely index 7d0c961ac8..25d39cff37 100644 --- a/Documentation/user/music-glossary.tely +++ b/Documentation/user/music-glossary.tely @@ -40,7 +40,6 @@ and as @uref{source/Documentation/user/music-glossary-big-page.html,one big page Copyright @copyright{} 1999--2007 by the authors - Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.1 or any later version published by the Free Software Foundation, @@ -95,7 +94,6 @@ English glossary translations. @* Copyright 1999--2007 by the authors - Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.1 or any later version published by the Free Software Foundation, @@ -569,9 +567,9 @@ I: alterazione, F: altération, D: Alteration, NL: verhoging of verlaging, -DK: -S: -FI: +DK: ?, +S: ?, +FI: ?. An alteration is the modification, raising or lowering, of a note's pitch. It is established by an @ref{accidental}. @@ -626,7 +624,7 @@ DK: ambitus, S: ambitus, FI: ambitus, ääniala, soitinala. -The term ambit (from latin: ambitus, plural: ambitus) denotes a range +The term ambit (from Latin: ambitus, plural: ambitus) denotes a range of pitches for a given voice in a part of music. It may also denote the pitch range that a musical instrument is capable of playing. @@ -1629,7 +1627,6 @@ shown below, where the notes show an arpeggio on a C major chord. @end lilypond - @node cluster @section cluster @@ -1795,7 +1792,7 @@ DK: kontrapunkt, S: kontrapunkt, FI: kontrapunkti, ääni ääntä vastaan. -From latin @emph{punctus contra punctum}, note against note. The combination +From Latin @emph{punctus contra punctum}, note against note. The combination into a single musical fabric of lines or parts which have distinct melodic significance. A frequently used polyphonic technique is imitation, in its strictest form found in the canon needing only one part to be written down @@ -1912,11 +1909,11 @@ when to start playing. Usually printed in a smaller type. F: guidon, D: Notenzeiger, Custos. -A custos is a staff symbol that appears at the end of a staff line -with monophonic musical contents (i.e., with a single voice). It -anticipates the pitch of the first note of the following line and thus -helps the player or singer to manage line breaks during performance, -thus enhancing readability of a score. +A custos (plural: custodes) is a staff symbol that appears at the +end of a staff line with monophonic musical contents (i.e., with a +single voice). It anticipates the pitch of the first note of the +following line and thus helps the player or singer to manage line +breaks during performance, thus enhancing readability of a score. Custodes were frequently used in music notation until the 16th century. There were different appearences for different notation @@ -2247,6 +2244,7 @@ FI: diminuendo, hiljentyen. @ref{decrescendo}. + @node direct @section direct @@ -2263,6 +2261,7 @@ FI: ?. @ref{custos}. + @node disjunct movement @section disjunct movement @@ -2389,11 +2388,9 @@ DK: punkt, S: punkt, FI: piste. -@c TODO: fix double redirect -- to "dotted note", and thence to "note value"? - @seealso -@ref{dotted note}. +@ref{dotted note}, @ref{note value}. @node dotted note @@ -2655,7 +2652,18 @@ FI: kahdeksasosatauko. @node elision @section elision -TODO: languages, definition +@c TODO: add languages + +ES: ?, +I: ?, +F: ?, +D: ?, +NL: ?, +DK: ?, +S: ?, +FI: ?. + +@c TODO definition -- referenced from lyric tie @node embellishment @@ -3675,7 +3683,12 @@ A pond with lilies floating in it, also the name of a music typesetter. @section ligature ES: ligadura, +I: ?, +F: ligature, DE: Ligatur, +NL: ?, +DK: ?, +S: ?, FI: ligatuura. A ligature is a coherent graphical symbol that represents at least two @@ -3774,7 +3787,7 @@ DK: ?, S: ?, FI: ?. -TODO: add languages +@c TODO: add languages @seealso @@ -3890,7 +3903,7 @@ syllable in plainsong @node melisma line @section melisma line -TODO: add languages +@c TODO: add languages @seealso @@ -4480,9 +4493,28 @@ of the music, for example for small hands. @node ottava @section ottava -TODO +@c TODO -DE: Oktavierung. +ES: ?, +I: ottava, +F: octave, +DE: Oktavierung, +NL: ?, +DK: ?, +S: ?, +FI: ?. + +[From Italian] The interval of an octave, abbreviated 8va. + +@emph{All'ottava}, @emph{ottava alta}, @emph{ottava sopra}, or +@emph{8va} written above a passage indicates that it should be played +an octave higher than written. @emph{Ottava bassa}, @emph{ottava +sotto}, or @emph{8va} written below a passage indicates that it should +be played an octave lower than written. + +@seealso + +@ref{interval}. @node part @@ -5378,9 +5410,9 @@ DK: nodesystem, S: notsystem, FI: nuottiviivasto. -A staff (pl. staves) is a series of (normally five) horizontal lines -upon and between which the musical notes are written, thus indicating -(in connection with a @ref{clef}) their pitch. Staves for +A staff (plural: staves) is a series of (normally five) horizontal +lines upon and between which the musical notes are written, thus +indicating (in connection with a @ref{clef}) their pitch. Staves for @ref{percussion} instruments may have fewer lines. @@ -5629,7 +5661,6 @@ The collection of staves (@ref{staff}), two or more, as used for writing down of keyboard, chamber, choral, or orchestral music. - @node temperament @section temperament @@ -6248,8 +6279,6 @@ commonly used in a symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon. - - @node Duration names notes and rests @chapter Duration names, notes and rests