From: Graham Percival Date: Mon, 11 Feb 2008 14:55:03 +0000 (-0800) Subject: Update from Kurt. X-Git-Tag: release/2.11.40-1~3^2~20^2^2~1 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=a833558876b3d3816170c3bb3fa821ecdb54f144;p=lilypond.git Update from Kurt. --- diff --git a/Documentation/user/music-glossary.tely b/Documentation/user/music-glossary.tely index ca59d89575..0c100d79ab 100644 --- a/Documentation/user/music-glossary.tely +++ b/Documentation/user/music-glossary.tely @@ -130,12 +130,12 @@ Copyright 1999--2007 by the authors Languages in this order. @itemize +@item UK - British English (where it differs from American English) @item ES - Spanish @item I - Italian @item F - French @item D - German @item NL - Dutch -@item UK - British English @item DK - Danish @item S - Swedish @item FI - Finnish @@ -1196,6 +1196,7 @@ FI: hengitysmerkki. Indication of where to breathe in vocal and wind instrument parts. + @node breve @section breve @@ -2857,10 +2858,10 @@ FI: E, e. @node eighth note @section eighth note +UK: quaver, ES: corchea, I: croma, F: croche, -UK: quaver, D: Achtel, Achtelnote, NL: achtste noot, DK: ottendedelsnode, @@ -2875,10 +2876,10 @@ FI: kahdeksasosanuotti. @node eighth rest @section eighth rest +UK: quaver rest, ES: silencio de corchea, I: pausa di croma, F: demi-soupir, -UK: quaver rest, D: Achtelpause, NL: achtste rust, DK: ottendedelspause, @@ -3578,10 +3579,10 @@ usage. In the standard usage of these countries, @samp{B} means @node half note @section half note +UK: minim, ES: blanca, I: minima, F: blanche, -UK: minim, D: Halbe, halbe Note, NL: halve noot, DK: halvnode, @@ -3596,10 +3597,10 @@ FI: puolinuotti. @node half rest @section half rest +UK: minim rest, ES: silencio de blanca, I: pausa di minima, F: demi-pause, -UK: minim rest, D: halbe Pause, NL: halve, rust, DK: halvnodespause, @@ -4025,10 +4026,10 @@ notes, unlike (b) @emph{leggiero} or @emph{non-legato}, (c) @node lilypond @section lilypond +UK: lily pond, ES: estanque de nenúfares, I: stagno del giglio, -F: étang de lis, -UK: lily pond, +F: étang de nénuphars, étang de nymphéas, D: Seerosenteich, NL: le@-lie@-vij@-ver, DK: liliedam, @@ -4276,9 +4277,12 @@ mediant (variant tonic). @section melisma ES: melisma, +I: ?, F: mélisme, D: Melisma, NL: melisma, +DK: ?, +S: ?, FI: melisma, laulettavan tavun sävelkuvio. A melisma (plural, from Greek: melismata) is a group of notes or tones @@ -4290,6 +4294,15 @@ sung on one syllable, especially as applied to liturgical chant. @c TODO: add languages +ES: ?, +I: ?, +F: ?, +D: ?, +NL: ?, +DK: ?, +S: ?, +FI: ?. + @seealso @ref{extender line}. @@ -4306,7 +4319,7 @@ sung on one syllable, especially as applied to liturgical chant. @node mensural notation @section mensural notation -@c FIXME: add languages +@c TODO: add languages ES: ?, I: ?, @@ -4319,7 +4332,7 @@ FI: ?. @c TODO: add definition (inc. info on proportional notation) -@c FIXME: add cross-references. +@c TODO: add cross-references. @node meter @@ -5436,10 +5449,10 @@ FI: kvartoli. @node quarter note @section quarter note +UK: crotchet, ES: negra, I: semiminima, nera, F: noire, -UK: crotchet, D: Viertel, Viertelnote, NL: kwartnoot, DK: fjerdedelsnode, @@ -5454,10 +5467,10 @@ FI: neljännesosanuotti. @node quarter rest @section quarter rest +UK: crotchet rest, ES: silencio de negra, I: pausa di semiminima, F: soupir, -UK: crotchet rest, D: Viertelpause, NL: kwart rust, DK:@w{ }fjerdedelspause, @@ -5876,7 +5889,6 @@ FI: korotusmerkki. ES: ?, I: ?, F: ?, -UK: ?, D: ?, NL: ?, DK: ?, @@ -5894,10 +5906,10 @@ that does not include triplet subdivision of the beat. @node sixteenth note @section sixteenth note +UK: semiquaver, ES: semicorchea, I: semicroma, F: double croche, -UK: semiquaver, D: Sechzehntel, Sechzehntelnote, NL: zes@-ti@-ende noot, DK: sekstendedelsnode, @@ -5912,10 +5924,10 @@ FI: kuudestoistaosanuotti. @node sixteenth rest @section sixteenth rest +UK: semiquaver rest, ES: silencio de semicorchea, I: pausa di semicroma, F: quart de soupir, -UK: semiquaver rest, D: Sechzehntelpause, NL: zestiende rust, DK: sekstendedelspause, @@ -5947,10 +5959,10 @@ FI: seksti. @node sixty-fourth note @section sixty-fourth note +UK: hemidemisemiquaver, ES: semifusa, I: semibiscroma, F: quadruple croche, -UK: hemidemisemiquaver, D: Vierundsechzigstel, Vierundsechzigstelnote, NL: vierenzestigste noot, DK: fi@-re@-og@-tred@-sinds@-ty@-ven@-de@-dels@-no@-de, @@ -5965,10 +5977,10 @@ FI: kuudeskymmenesneljäsosanuotti. @node sixty-fourth rest @section sixty-fourth rest +UK: hemidemisemiquaver rest, ES: silencio de semifusa, I: pausa di semibiscroma, F: seizième de soupir, -UK: hemidemisemiquaver rest, D: Vierundsechzigstelpause, NL: vierenzestigste rust, DK: fi@-re@-og@-tred@-sinds@-ty@-ven@-de@-dels@-pau@-se, @@ -6476,10 +6488,10 @@ FI: terssi. @node thirty-second note @section thirty-second note +UK: demisemiquaver, ES: fusa, I: biscroma, F: triple croche, -UK: demisemiquaver, D: Zweiunddreissigstel, Zweiunddreissigstelnote, NL: twee-endertig@-ste noot, DK: toogtredivtedelsnode, @@ -6494,10 +6506,10 @@ FI: kolmanneskymmeneskahdesosanuotti. @node thirty-second rest @section thirty-second rest +UK: demisemiquaver rest, ES: silencio de fusa, I: pausa di biscroma, F: huitième de soupir, -UK: demisemiquaver rest, D: Zweiunddreissigstel@-pause, NL: 32e rust, DK: toogtredivtedelspause, @@ -6963,10 +6975,10 @@ FI: tahdin heikko isku. @node whole note @section whole note +UK: semibreve, ES: redonda, I: semibreve, F: ronde, -UK: semibreve, D: Ganze, ganze Note, NL: hele noot, DK: helnode, @@ -6981,10 +6993,10 @@ FI: kokonuotti. @node whole rest @section whole rest +UK: semibreve rest, ES: silencio de redonda, I: pausa di semibreve, F: pause, -UK: semibreve rest, D: ganze Pause, ganztaktige Pause, NL: hele rust, DK: helnodespause, @@ -7034,140 +7046,184 @@ saxophone, and bassoon. @node Duration names notes and rests @chapter Duration names notes and rests -@multitable @columnfractions .15 .26 .33 .26 +@multitable @columnfractions .07 .23 .23 .23 .24 @headitem @strong{US} - @tab @strong{UK} - @tab @strong{I} - @tab @strong{F (note name / rest name)} -@headitem - @tab @strong{D} - @tab @strong{NL} - @tab @strong{DK} -@headitem - @tab @strong{S} - @tab @strong{FI} - @tab @strong{ES} - -@item @strong{longa} - @tab longa - @tab longa - @tab longa -@item - @tab Longa - @tab longa - @tab longa -@item + @tab long + @tab breve + @tab whole + @tab half +@item @strong{UK} @tab longa + @tab breve + @tab semibreve + @tab minim +@item @strong{ES} @tab longa + @tab cuadrada + @tab redonda + @tab blanca +@item @strong{IT} @tab longa - -@item @strong{breve} - @tab breve @tab breve + @tab semibreve + @tab minima +@item @strong{FR} + @tab longa @tab brève / double-pause -@item - @tab Brevis - @tab brevis - @tab brevis -@item - @tab brevis - @tab brevis - @tab cuadrada - -@item @strong{whole} - @tab semi@-breve - @tab semi@-breve @tab ronde / pause -@item - @tab Ganze - @tab hele - @tab hel -@item - @tab hel - @tab koko@-nuotti/@w{-tauko} - @tab redonda - -@item @strong{half} - @tab minim - @tab minima @tab blanche / demi-pause -@item +@item @strong{DE} + @tab Longa + @tab Brevis + @tab Ganze @tab Halbe +@item @strong{NL} + @tab longa + @tab brevis + @tab hele @tab halve +@item @strong{DK} + @tab longa + @tab brevis + @tab hel @tab halv -@item +@item @strong{SE} + @tab longa + @tab brevis + @tab hel @tab halv +@item @strong{FI} + @tab longa + @tab brevis + @tab koko@-nuotti/@w{-tauko} @tab puoli@-nuotti/@w{-tauko} - @tab blanca -@item @strong{quarter} - @tab crotchet - @tab semiminima - @tab noire / soupir -@item - @tab Viertel - @tab kwart - @tab fjerdedel -@item - @tab fjärdedel - @tab neljännesosa@-nuotti/@w{-tauko} - @tab negra +@end multitable + +@multitable @columnfractions .07 .31 .31 .31 -@item @strong{eighth} +@headitem @strong{US} + @tab quarter + @tab eighth + @tab sixteenth +@item @strong{UK} + @tab crotchet @tab quaver + @tab semiquaver +@item @strong{ES} + @tab negra + @tab corchea + @tab semicorchea +@item @strong{IT} + @tab semiminima @tab croma + @tab semicroma +@item @strong{FR} + @tab noire / soupir @tab croche / demi-soupir -@item + @tab double* croche / quart de soupir +@item @strong{DE} + @tab Viertel @tab Achtel - @tab achtste - @tab ottendedel -@item - @tab åttondel - @tab kahdeksasosa@-nuotti/@w{-tauko} - @tab corchea - -@item @strong{sixteenth} - @tab semiquaver - @tab semicroma - @tab double croche / quart de soupir -@item @tab Sechzehntel +@item @strong{NL} + @tab kwart + @tab achtste @tab zestiende +@item @strong{DK} + @tab fjerdedel + @tab ottendedel @tab sekstendedel -@item +@item @strong{SE} + @tab fjärdedel + @tab åttondel @tab sextondel +@item @strong{FI} + @tab neljännesosa@-nuotti/@w{-tauko} + @tab kahdeksasosa@-nuotti/@w{-tauko} @tab kuudestoistaosa@-nuotti/@w{-tauko} - @tab semicorchea -@item @strong{thirty-second} - @tab demisemiquaver - @tab biscroma - @tab triple croche / huitième de soupir -@item - @tab Zweiunddreissigstel - @tab tweeendertigste - @tab toogtredivtedel -@item - @tab trettiotvåondel - @tab kolmaskymme@-neskahdesosa@-nuotti/@w{-tauko} - @tab fusa +@end multitable + +* About the French naming system: the word @emph{croche} refers to the +note's "hook". Therefore, from the eighth note on, the note names mean +@q{hook}, @q{doubled hook}, @q{trebled hook}, and so on. + +The rest names are based on the @emph{soupir}, or quarter rest. Subsequent +rests are expressed as fractions thereof: half a @emph{soupir}, a quarter of +a @emph{soupir}, and so on. -@item @strong{sixty-fourth} +@multitable @columnfractions .07 .46 .47 + +@headitem @strong{US} + @tab thirty-second + @tab sixty-fourth +@item @strong{UK} + @tab demisemiquaver @tab hemidemisemiquaver +@item @strong{ES} + @tab fusa* + @tab semifusa +@item @strong{IT} + @tab biscroma @tab semibiscroma +@item @strong{FR} + @tab triple croche / huitième de soupir @tab quadruple croche / seizième de soupir -@item +@item @strong{DE} + @tab Zweiunddreissigstel @tab Vierundsechzigstel +@item @strong{NL} + @tab tweeendertigste @tab vierenzestigste +@item @strong{DK} + @tab toogtredivtedel @tab fireogtred@-sindstyvendedel -@item +@item @strong{SE} + @tab trettiotvåondel @tab sextiofjärdedel +@item @strong{FI} + @tab kolmaskymme@-neskahdesosa@-nuotti/@w{-tauko} @tab kuudeskymme@-nesneljäsosa@-nuotti/@w{-tauko} + +@end multitable + +@multitable @columnfractions .07 .46 .47 + +@headitem @strong{US} @tab one-hundred-twenty-eighth + @tab two-hundred-fifty-sixth@item @strong{UK} + @tab semihemidemisemiquaver or + quasihemidemisemiquaver @tab demisemihemidemisemiquaver (?) +@item @strong{IT} + @tab fusa* @tab semifusa +@item @strong{ES} + @tab garrapatea @tab semigarrapatea@item @strong{FR} + @tab quintuple croche / trente-deuxième de soupir @tab sextuple croche / soixante-quatrième de soupir@item @strong{DE} + @tab Hundertundachtundzwanzigstel @tab Zweihundertundsechsundfünfzigstel@item @strong{NL} + @tab ? + @tab ? +@item @strong{DK} + @tab ? + @tab ? +@item @strong{SE} + @tab ? + @tab ? +@item @strong{FI} + @tab ? + @tab ? @end multitable +* The terms @emph{fusa} and @emph{semifusa}, which derive from mensural notation +(q.v), are used as note durations by the Italians and the Spanish, but for notes +of different durations. + +@seealso + +@ref{mensural notation} + @node Pitch names @chapter Pitch names