From: fred Date: Tue, 26 Mar 2002 21:30:07 +0000 (+0000) Subject: lilypond-1.0.8 X-Git-Tag: release/1.5.59~2736 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=9ae6ccab7d6dbaede4f4f3442545485274ae8baf;p=lilypond.git lilypond-1.0.8 --- diff --git a/Documentation/tex/vocabulary-forms.el b/Documentation/tex/vocabulary-forms.el deleted file mode 100644 index e948938327..0000000000 --- a/Documentation/tex/vocabulary-forms.el +++ /dev/null @@ -1,23 +0,0 @@ -; Music vocabularies are Copyright (C) 1993 Free Software Foundation, Inc. -; Francois Pinard , -; Neil Jerram . -; Forms by Han-Wen Nienhuys - -(setq forms-file "vocabulary.data") -(setq forms-number-of-fields 7) -(setq forms-read-only nil) ; to make sure -(setq forms-field-sep ":") -(setq forms-multi-line nil) - -(setq forms-format-list - (list - "*** Musical vocabulary ***\n" - "\nItaliano: " 6 - "\nFrancais: " 2 - "\nUS English: " 1 - "\nDeutsch: " 3 - "\nBritish English: " 4 - "\nNederlands: " 5 - "\n\nExplanation\n\n" 7 - - )) diff --git a/Documentation/tex/vocabulary.data b/Documentation/tex/vocabulary.data deleted file mode 100644 index 12bf4062a2..0000000000 --- a/Documentation/tex/vocabulary.data +++ /dev/null @@ -1,251 +0,0 @@ -:comma enharmonique::::: -:doigté de pédale::::: -:doigté::::: -:indication de pédale::::: -:pointillés::::: -A:la::::: -accent:accent:Akzent::accent:accento: -accidental:altération accidentelle:Vorzeichen::toevallig teken:accidento: -adjacent keys:tons voisins::::: -alto:alto:::alt:: -ancient form??? (diatonic minor scale):forme du mode mineur ancien::::: -appoggiatura:appogiature, ports de voix, notes d'agr\'ement:langer Vorschl\"age:::appogiature: -arbitrary number of bars' rest):bâton de pause::::: -arpeggio:arpège, arpègement:Brechungen::gebroken akoord:arpeggio: -artificial measure:mesure artificielle::::: -artificial rest:respiration::::: -ascending interval:intervalle ascendant::::: -augmented (interval):augmenté (intervalle):::overmatig interval:: -B:si::::: -backfall, forefall:accent, chute, port de voix:Vorschlag::korte voorslag:appogiature: -bar line:barre (de mesure):Taktstrich::maatstreep:stanghetta: -bar; measure:mesure:::maat, maatstreep:: -baritone:bariton:::bariton:: -bass clef:clé de fa:F Schl\"ussel::F sleutel, bas sleutel:chiave di basso: -bass:basse:::bas:: -beam:barre:Balken::waardestreep/balk:barra: -beat:temps:::tel:: -brace:accolade:Klammer:::accolada:Symbol at the start of a system that connects staffs. -brass::::koper (blazers):: -C clef:clé d'ut:::C sleutel, alt sleutel:chiave di tenore: -C:do:::C:: -C:ut::::: -cadence:cadence:::cadens:: -cadenza:fioriture:::cadens:cadenza: -cent::::::1/1200 of an octave (1/100 of an equally tempered semitone) -chain of trills:chaîne de trilles:::triller:: -character:caractère::::: -chevron:chevron::::: -chord:accord:::akkoord:: -chromatic scale:gamme chromatique:::chromatische toonladder:: -chromatic semitone:demi-ton chromatique:::chromatische halve toon:: -chromatic transposition:transposition chromatique::::: -chromatic type:genre chromatique::::: -church mode, ecclesiastical mode:mode ecclésiastique::::: -clef:clé:Schl\"ussel::Sleutel:la chiave (pl. le chiavi): -comma:comma:::::Difference in pitch of a note when the note is derived from a different tuning system. -compound interval:intervalle composé::::: -compound measure:mesure composée::::: -conjunct movement:mouvement conjoint::::: -consonant interval; consonance:consonance:::consonant:: -contralto:contralto::::: -contro-time:contre-temps::::: -crescendo:crescendo::::crescendo:written with an extended opening angular bracket, indicates increasing volume -cue-notes::Stichnoten::stichnoten:: -D:ré::::: -dash over/below:pizzicato::::: -decrescendo:::::decrescendo:written with an extended closing angular bracket, indicates decreasing volume -degree [of the scale]:degré [de la gamme]:::trap [van de toonladder]:: -descending interval:intervalle descendant:::dalend interval:: -diatonic major scale:gamme diatonique majeure:::diatonische majeur toonladder:: -diatonic minor scale:gamme diatonique mineure::::: -diatonic semitone:demi-ton diatonique:::diatonische halve toon:: -diatonic type:genre diatonique::::: -diatonic:diatonique:::diatonisch::A diatonic scale is a scale consisting of whole and half tones. -diminished (interval):diminué (intervalle):::verminderd (interval):: -disjunct movement:mouvement disjoint::::: -dissonant interval; dissonance:dissonance:::dissonant interval; dissonant:: -dominant ninth chord:accord de neuvième dominante:::dominant noon akkoord:: -dominant seventh chord:accord de septième dominante:::dominant septiem akkoord:: -dominant:dominante:::dominant::A tone that creates tension;the fifth degree of the scale. -dorian mode::::::Mode obtained by raising the sixth in minor mode. A Dorian scale can be played from D to D with no sharps or flats. -dot (augmentation dot) :point:Punkt::punt:punto: -dot and curved line combined:point et liaison combinés::::: -dot over/below::::staccato:staccato: -dot:point:::punt:: -dotted note:note pointée::::: -double appoggiatura:appogiature double::::: -double bar line:double barre:Doppeltaktstrich::dubbele streep:doppia barra: -double dotted note:note doublement pointée::::: -double flat:double bémol:Doppel-Be::dubbelmol:doppio bemolle: -double sharp:double dièse:Doppelkreuz::dubbelkruis:doppio diesis: -double trill:trille double::::: -double triplet:double triolet:::dubbele triool:: -double whole note:::breve:brevis:breve: -duple meter:temps binaire:::tweedelige maatsoort:: -duplet:duolet:::duool:: -duration:durée:::duur, lengte:: -E:mi::::: -eighth note:croche::quaver:achtste noot:: -eighth rest:demi-soupir::quaver rest:achtste rust:: -engraving::notenstechen::steken:: -enharmonic:enharmonique:::enharmonisch::Two notes, intervals, or scales are enharmonic if they have different names but sound the same. Examples: C sharp and D flat, diminished fourth and major third -equal temperament:tempérament égal:::getempereerde stemming::Tuning system in which each semitone is precisely 100 cents. -essential alteration:altération essentielle::::: -expression mark:signe d'expressoin:Vortragszeichen::voordrachtsteken:segno d'espressione: -extension of interval:extension d'intervalle::::: -F:fa::::: -fermata:pauses:Fermate::fermate:fermata:Prolonged sound or silence of indefinite duration -fifth:quinte:::kwint:: -flag, hook, tail, pennant:crochet:F\"anchen::vlaggetje:coda uncinata: -flat:bémol:Be::mol:bemolle: -four-bar rest:bâton de pause::::: -fourth:quarte:::kwart:: -G:sol::::: -glissando:glissement:Glissando::glissando:glissando: -graces:petites notes:kurz Vorschl\"age, Manieren (?)::versieringen:appogiature: -grand staff::::piano systeem::A combination of two staffs with a brace. Usually used for piano music. -half note:blanche::minim:halve noot:: -half rest:demi-pause::minim rest:halve rust:: -harmonic cadence:cadence harmonique:::cadens:: -harmonic form (diatonic minor scale):forme harmonique::::: -harmonic interval:intervalle harmonique::::: -incomplete measure:mesure incomplète::::: -interval:intervalle:::interval::Difference in pitch between two notes -inversion of interval:renversement d'intervalle:::inversie:: -irregular contro-time:contre-temps irrégulier::::: -irregular group:groupe irrégulier::::: -irregular measure:mesure irrégulière::::: -irregular syncopation:syncope irrégulière:::onregelmatige syncope:: -just intonation::::::Tuning system in which the notes are obtained by adding and subtracting natural fifths and thirds. -key signature:armure, armature [de la clé], signes des accidentals:Vorzeichen::toonsoort (voortekens):segni di chiave: -kind of note:figure de note::::: -kind of rest:figure de silence::::: -leading note:sensible::::: -ledger line, leger line:ligne supplémentaire:Hilfslinien, Kopfstriche (?)::hulplijntje:lineette:A ledger line is an extension of the staff. -legato curve:liaison rythmique:::legato boog:: -lilypond:étang de lis:lilyteich:lily pond:lelievijver:stagno del giglio: -line:ligne:::lijn:: -long appoggiatura:appogiature longue::::: -lower number:chiffre inférieur::::: -major (interval):majeur (intervalle):::groot (interval):: -major mode:mode majeur::::: -meantone temperament:tempérament mésotonique:::::Tuning based on a fifth that is 16 cents smaller than the natural fifth. -mediant:médiante:::mediant::The third degree of a scale -melodic cadence:cadence mélodique:::cadens:: -melodic form (diatonic minor scale):forme mélodique::::: -meter, time:m\`etre:Takt, Metrum::maatsoort::A recurring pattern of stress -metronome:métronome:::metronoom:: -metronomic indication:indication métronomique::::: -mezzo-soprano:mezzo-soprano::::: -middle C:do central:::centrale C:: -minor (interval):mineur (intervalle)::::: -minor mode:mode mineur::::: -modal note:note modale::::: -mode:mode::::: -modulation:modulation:::modulatie:: -mordent:mordant, pinc\'e:Pralltriller, Mordent::mordent:mordente: -motive:incise:::motief:: -musical ladder:échelle musicale::::: -mixolydian mode::::::Mode obtained by lowering the seventh in major. A mixolydian scale can be obtained by playing G to G with no sharps or flats. -natural sign:bécarre:Aufl\"osungszeichen::herstellingsteken:bequadro: -ninth::::noon:: -note head::Notenkopf::noot balletje:: -note:note:Note::noot:nota: -octave line:échelle d'octave::::: -octave line:clé d'octave::::: -octave sign:octave:Oktave:::ottava: -octave:octave:::octaaf:: -ornament, embellishment; accessory:agr\'ement, ornement:Verzierungen:::fiorette, fioriture, abbellimenti: -part::::partij:: -pause:pause:Luftpause:::: -pause:point d'orgue::::: -perfect (interval):juste (intervalle):::rein (interval):: -perfect major chord:accord parfait majeur::::: -perfect minor chord:accord parfait mineur::::: -phrase member:membre de phrase::::: -phrase:phrase::::: -phrasing:phrasé::::: -pitch pipe; tuning fork:diapason:::stemfluitje; stemvork:: -pitch:hauteur:::toonhoogte:: -Pythagorean comma:comma pythagoricien:::komma van Pythagoras::A sequence of fifths starting on C eventually circles back to C (B sharp), but this B sharp is 24 cents higher than C. This gap is the Pythagorean comma. -quadruplet:quartolet:::kwartool:: -quarter note:noire::crotchet:kwartnoot:: -quarter rest:soupir::crotchet rest:kwart rust:: -register:registre:::register:: -regular contro-time:contre-temps régulier::::: -regular syncopation:syncope régulière::::: -relative scales:gammes relatives, tons relatifs::::: -repeat:barre de reprise:::herhaling:: -rest:silence::::: -rest:soupir:Pause::rust:pausa: -return sign:renvoi:::herstellingsteken:: -rhythm:rythme:Rhythmus::ritme:: -rhythmic curve:courbe rythmique::::: -scale:gamme:::toonladder:: -score:partition:::partituur:: -second:seconde::::secunde: -semitone:demi-ton:::halve toon:: -seventh:septième:::septiem:septime: -sextuplet:sextolet:::sextool:: -sextuplet:sixain:::sextool:: -shading signs:signes indicateurs de nuance::::: -shading:nuance::::: -sharp:dièse:::kruis:: -short appoggiatura:appogiature brève::::: -simple appoggiatura:appogiature simple::::: -simple interval:intervalle simple::::: -simple measure:mesure simple::::: -sixteenth note:double croche::semiquaver:zestiende noot:: -sixteenth rest:quart de soupir::semiquaver rest:zestiende rust:: -sixth:sixte:::sext:: -sixty-fourth note:quadruple croche::hemidemisemiquaver:vierenzestigste noot:: -sixty-fourth rest:seizième de soupir::hemidemisemiquaver rest::: -slur:liason, coulé:Bindungzeichen, Bindebogen::binding, bindingsboog:legatura: -soprano:soprano:::sopraan:: -space:espace::::: -staff:portée:::(noten)balk; partij::pl staves or staffs -stem:queue:Stiel, Hals::stok:asta, gamba: -strings::::strijkers:: -strong beat:temps fort:::thesis:: -subdominant:sous-dominante:::::The fourth degree of the scale -submediant::::::The sixth scale degree -subtonic:sous-tonique:::::The seventh degree of the scale -superdominant:sus-dominante:::::The sixth scale degree -supertonic:sus-tonique:::::The second scale degree -syncopation; upbeat:syncope:::syncope:: -syntonic comma:comma syntonique:::komma van Didymos, syntonische komma::Difference between the natural third and the third obtained by Pythagorean tuning, euqal to 22 cents. -system:syst\`eme:System::systeem:sitema: -tempo indication:signes de temps:Zeitmasse, Tempobezeichnung::tempo aanduiding:segno di tempo: -tempo; movement:mouvement::::: -tenor:ténor::::: -tenth::::deciem:decime: -tetrachord:tétracorde::::: -third:tierce:::terts:: -thirty-second note:triple croche::demisemiquaver:32e noot:: -thirty-second rest:huitième de soupir::demisemiquaver rest:32e rust:: -tie:liaison:Bindung::overbinding:legatura:A curve that shows the prolongation (as opposed to the repetition fo a note) -time signature:chiffrage (chiffres indicateurs), signe de valeur:Taktvorzeichnung, Taktvorzeichen::maatsoort:segni di tempo: -tonal note:note tonale::::: -tonality:tonalité:::tonaliteit:: -tone:ton:::toon:: -tonic:tonique:::tonica:: -transposition:transposition:::transpositie:: -treble clef:clé de sol:G Schl\"ussel::G sleutel, viool sleutel:chiave di violino: -tremolo:tr\'emolo:Tremolo::tremolo:tremolo: -trill; shake:trille, tremblement, battement (cadence):Triller::triller:trillo: -triple meter:temps ternaire:::driedelige maatsoort:: -triplet:triolet::::: -tritone:triton::::: -turn; gruppetto:bris\'e, groupe, doubl\'e, grupetto:Doppelschlag::dubbelslag:grupetto: -two-bar rest:bâton de pause::::: -underline over/below:portamento::::: -unison:unisson::::unisono: -unit of beat:unité de temps::::: -unit of measure:unité de mesure::::: -upper number:chiffre supérieur::::: -voice:voix:::stem:: -weak beat:temps faible:::arsis:: -whole note:ronde::semibreve:hele noot:: -whole rest:pause::semibreve rest::: -woodwind::::houtblazers:: diff --git a/lily/include/tie-engraver.hh b/lily/include/tie-engraver.hh deleted file mode 100644 index 8c7536392a..0000000000 --- a/lily/include/tie-engraver.hh +++ /dev/null @@ -1,43 +0,0 @@ -/* - tie-engraver.hh -- declare Tie_engraver - - source file of the GNU LilyPond music typesetter - - (c) 1997--1998 Han-Wen Nienhuys -*/ - - -#ifndef TIE_GRAV_HH -#define TIE_GRAV_HH - -#include "engraver.hh" - - -/** - Make a (one) tie from a request. To be used in conjunction with - the Note_head_engraver. Obsolete now that Thread context is junked. - */ -class Tie_engraver : public Engraver { - Tie * end_tie_p_; - Tie * tie_p_; - Moment end_mom_; - Tie_req * req_l_; - Direction dir_; - Tie_req *end_req_l_; - Melodic_req * end_melodic_req_l_; - Melodic_req * melodic_req_l_; - -protected: - virtual void do_removal_processing (); - virtual void acknowledge_element (Score_element_info); - virtual bool do_try_request (Request*); - virtual void do_process_requests(); - virtual void do_post_move_processing(); - virtual void do_pre_move_processing(); -public: - TRANSLATOR_CLONE(Tie_engraver); - Tie_engraver(); - DECLARE_MY_RUNTIME_TYPEINFO; -}; - -#endif // TIE_GRAV_HH diff --git a/lily/tie-engraver.cc b/lily/tie-engraver.cc deleted file mode 100644 index d6313a2856..0000000000 --- a/lily/tie-engraver.cc +++ /dev/null @@ -1,132 +0,0 @@ -/* - tie-reg.cc -- implement Tie_engraver - - source file of the GNU LilyPond music typesetter - - (c) 1997--1998 Han-Wen Nienhuys - - - essentially obsolete. -*/ - -#include "tie-engraver.hh" -#include "tie.hh" -#include "note-head.hh" -#include "musical-request.hh" -#include "music-list.hh" - -Tie_engraver::Tie_engraver() -{ - end_tie_p_ = 0; - tie_p_ = 0; - req_l_ =0; - end_req_l_ =0; - end_mom_ = -1; - melodic_req_l_ = 0; - end_melodic_req_l_ =0; - dir_ = CENTER; -} - -void -Tie_engraver::do_post_move_processing() -{ - if (tie_p_ && now_moment () == end_mom_) - { - end_tie_p_ = tie_p_; - end_req_l_ = req_l_; - end_melodic_req_l_ = melodic_req_l_; - tie_p_ =0; - req_l_ =0; - end_mom_ = -1; - } -} - -bool -Tie_engraver::do_try_request (Request*r) -{ - if (! (r->access_Musical_req () && r->access_Musical_req ()->access_Tie_req ())) - return false; - - if (req_l_) - { - return false; - } - req_l_ = r->access_Musical_req ()->access_Tie_req (); - end_mom_ = r->parent_music_l_->time_int().length () - + now_moment (); - return true; -} - -void -Tie_engraver::do_process_requests() -{ - Scalar dir (get_property ("tieydirection")); - Scalar dir2 (get_property ("ydirection")); - if (!dir.length_i () && dir2.length_i ()) - { - dir_ = (Direction) int(dir2); - } - else if (dir.length_i ()) - dir_ = (Direction) int (dir); - - if (req_l_ && ! tie_p_) - { - tie_p_ = new Tie; - Scalar prop = get_property ("tiedash"); - if (prop.isnum_b ()) - tie_p_->dash_i_ = prop; - } -} - -void -Tie_engraver::acknowledge_element (Score_element_info i) -{ - if (i.elem_l_->is_type_b (Note_head::static_name ())) - { - if (tie_p_) - { - tie_p_->set_head (LEFT, (Note_head*)i.elem_l_->access_Item ()); - melodic_req_l_ = i.req_l_->access_Musical_req ()->access_Melodic_req (); - } - - if (end_tie_p_) - { - end_tie_p_->set_head (RIGHT, (Note_head*)i.elem_l_->access_Item ()); - if (!Melodic_req::compare (*end_melodic_req_l_, *melodic_req_l_)) - end_tie_p_->same_pitch_b_ = true; - announce_element (Score_element_info (end_tie_p_,end_req_l_)); - } - } -} - -void -Tie_engraver::do_pre_move_processing() -{ - if (end_tie_p_) - { - if (dir_) - end_tie_p_->dir_ = dir_; - - typeset_element (end_tie_p_); - end_tie_p_ =0; - end_req_l_ =0; - } -} - -void -Tie_engraver::do_removal_processing () -{ - do_pre_move_processing (); - if (tie_p_) - { - req_l_->warning (_ ("lonely tie")); - tie_p_->unlink (); - delete tie_p_; - tie_p_ =0; - } -} - - - -IMPLEMENT_IS_TYPE_B1(Tie_engraver,Engraver); -ADD_THIS_TRANSLATOR(Tie_engraver); diff --git a/mutopia/J.S.Bach/Cembalo-Partitas/Partita_I_Sinfonia.ly b/mutopia/J.S.Bach/Cembalo-Partitas/Partita_I_Sinfonia.ly deleted file mode 100644 index 44d2904456..0000000000 --- a/mutopia/J.S.Bach/Cembalo-Partitas/Partita_I_Sinfonia.ly +++ /dev/null @@ -1,364 +0,0 @@ -\header { - filename = ""; - title = "Partita II"; - description = "6 Partite per il clavicembalo, Partita II (c-minor)"; - opus = "BWV 826"; - source = "Editio Musica Budapest (Urtext)"; - composer = "Johann Sebastian Bach (1685-1750)"; - enteredby = "Tom Cato Amundsen"; - copyright = "Public Domain"; -} - -\version "1.0.1"; -\include "a4.ly"; -global = \melodic { - \time 4/4; - \key es; - \skip 1*7; - \bar "||"; - \skip 1*22; - \time 3/4; - \skip 2.*62; - \bar "|."; -} - -hoyreOpp = \melodic \relative c'' { - \stemup - es4 r16 [es d. es32] f4 r16 [f16 f. g32] | - [as8. as16] [as16 g32 f g16. d32] es4 r16 [g g. as32] | -%3 - bes4 r16 [bes,16 bes. c32] [des8. des16] - \type Staff < - { \stemup e4 } - { \stemup \property Voice.hshift = 1 [des16 c32 bes c16. g32] } - > -%4 - f4 \stemboth r16 [f g. as32] \stemup d,4 r16 [d g. es32] | - c4 ~ [c32 es des c des16. f32] [b,16. c32 b16. c32] d4 ~ | - d2 ~ [d16. g,32 a16. b32] [c16. | - <[es8. c> - \type Staff < - { \stemup fis4 } - { \stemup \property Voice.hshift = 1 [es16 d32 c d16. a32] } - > g2 -} - -hoyreNed = \melodic \relative c'' { - \clef violin; - \stemdown - r16 [c b. c32] d4 r16 [d d. es32] | - [f8. f16] f8 r r16 [es16 es. f32] | - r16 [g16 g16. as32] [bes8. bes16] bes8 r | - r16 s16*3 r16 [f, f. g32] g4 | -%5 - r16 [es es. f32] f4 [g16. a32 g16. a32] b4 ~ | - [b8. d,16] [f8. as16] [g16. f32 es16. d32] [es16. d32 es16. f32] | - g4 r -} - -venstreOpp = \melodic \relative c' { - \clef bass; - \stemup - r r | - r r | - r r | - r r16 <[as d,> | -%5 - r16 <[g c,> -%{ \type Voice < - {f4() f} - {c4 d} - > -%} - r16 [f f. g32] | - [as8. as16]~ [as g32 f g16 d] r | - r -} - -venstreNed = \melodic{ \relative c{ - \stemdown - c4 r c r | r c c r | c r r c | c r r16 [c c. bes32] bes4 | - r16 [bes bes. as32] as4 g r16 [d' d. es32] | - \type Staff < - { \stemdown \property Voice.hshift = 1 [f8. f16] [b,8. b16] g4 r | } - { \stemdown r4 g} - > - r g g2 -}} - -andanteEn = \melodic \relative c''{ - [g16 c32 d es8~] [es16 d32 c es d c b] [c16 g as f] [g c g f] | - [es16 c'32 d es d c16] [g' c, as' c,] [b c d b] g16 r16 r8 | -%10 - \stemup [g'32 f es d c16 bes~] [bes des8 c16] - [as'32 g f e f8~] [f32 g as g f es d es] | - [f es d c bes16 as~] [as c8 bes16] - [g'32 f es d es8~] [es32 f g f es d c b] -%12 - \stemboth - [c bes as g f16 es'~] [es d32 c es d c b] - [c d es f g16 c,~] [c b32 c d c b c] | - [as'32 g f e f16 des~] [des c32 des es des c des] - [g f es d es16 c~] [c b32 c d c b c] -%14 - [f c b a b16 d] [f32 bes, as g as16 c] - [f32 as, g f g8~] [g32 f' g as g16 f] | - [g16 b,8 c16~] [c16 bes32 as g f es d] [es g f es f es d es] [d8 c] | -%16 - r8 g'~ [g32 as g f g16 as] [bes16 d es8~] [es32 bes es f g16 es] | - [des16 c f8~] [f32 c f g as16 f] [es c d8~] [d32 f g as bes as g as] | -%18 - [bes32 as g16~] [g32 f e16~] [e32 d c16~] [c32 g' as bes] - [as g f16~] [f32 es des16~] [des32 c bes16] [bes32 f' g as] | -%19 - [g f e f bes f e f] [as f e f g f e f] f4~ [f32 es d es f d es f] | - [bes,32 d f g as8~] [as32 g f as g f es d] - [es bes es f g8~] [g32 f es g f es d c] | -%21 - [c'32( a g )fis es16 d~] [d32 g a bes cis,16 d] ~ - [d32 fis g a c, es d c] [fis d e fis g a bes c] | -%22 - [bes32 a g fis ~ fis16 g~] [g d8 es16~] - [es16 b8 c16~] [c32 bes as g as16 c] -%23 - [fis,32 es' d c bes'16. a32] [g8( )fis16.-\prall g32] g4~ - [g32 f g as g f es d ] | - [f32 es d c g'8~] [g32 es f g f es d c] [es d c bes g'8~] - [g32 d es f es d c bes] | -%25 - [d c bes a g'8~] [g32 c, d es d c bes a] [c bes a g g'8~] - [g32 bes, c d c bes a g] | - as4~ [as32 as g as bes as g as] es'4~ [es32 c b c d c b c] | - [fis16 es8 d16] [g16 d8 c16] [a'16 c,8 bes16~] [bes32 d c bes g' bes, a g] -%28 - [bes'8-\fermata~ bes32 a g f] [g bes a g fis e d c] [bes d c es d g fis e] - [d c bes a bes d bes g] | - r16 [e'32 fis fis16.-\prall \[2/3 e64 fis g\]1/1 ] - \type Staff < - { \stemup - [bes,32 a g fis g32 bes16.~] [bes16 c32 bes a bes c a] [fis8. g16] } - { \stemdown s8 g8 ~ g4 d} - > -} -andanteTo = \melodic \relative c{ -%8 - \clef "bass"; - [c8 c'] [f, g] [es c] [es g] | - [c as] [es f] [g g,] - \stemdown \translator Staff = treble r16 [f''16 es d] | -%10 - [es8 g] [e c] [f as] [f c] | [d f] [d bes] [es g] [es c] | - \stemboth \translator Staff = bass - [as c] [f as,] [g c] [es g,] | [f as] [g f] [es g] [f es] | -%14 - [d f] [as c,] [b d] [g d] | - [es as,] [f g] c,4~ [c16 d32 es f g a b] | - [c8 c'] [bes as] [g bes] [g es] | - [as c] [as f] [bes as] [g f] | - [e g] [c e,] [f as] [f des] | - [bes g] [c c,] [f16 g32 as bes c d e] [f8 es] | - [d f] [d bes] [g' bes] [es, g] | - [a, fis'] [g g,] [d' a'] [c d,] | -%22 - [g a] [bes b] [c d] [es c] | - [a g] [d' d,] [g a] [b g] | - [c es] [c a] [bes d] [bes g] | - [a c] [a fis] [g bes] [g es] | -%26 - [c16 d32 es f g as bes] [c16 c, c'8~] [c32 c, d es f g as bes][c16 c, c'8~]| - [c c,] [bes bes'] [fis d] [g es] | - \type Staff < - { \stemup r | - cis4~ [cis8. cis16] [d8 c16 bes] - \type Staff < - { \stemup [a bes c8] } - { \stemdown a4 } > - | } - { \slurdown \stemdown cis,4 r d2( | )d1 \slurboth } - > -} - -allegroEn = \melodic \relative c''{ -%30 - [g8 g16 a] [b8 c d es] | - [f16 es d es] [f8 g as d,] | - [f b, d g,] [g'16 f es d] | - es8 c'4 [bes16 as] [g f es d] | - c4~ [c16 d e f] [g as bes g] | - [e8 des'~] [des16 g, as bes] [as g f e] | - [f g as8~] [as16 g f es] [d c d f] | -%37 - [es f g8~] [g16 f es d] [c b c es] | - [d as' d, c] [d es f g] [ f es d c] | - [b g' f es] [d f d c] [b d b a] | - [g a b c] [d c b c] [d es f d] | - [b c d es] [f as g f] [es d c b] | - [c d es c] [a8 c] [f, es'] | -%43 - [bes16 c d bes] [g8 bes] [es, d'] | - [a16 bes c a] [fis8 a] [d, c'] | - [g16 a b g] [es g d g] [cis, bes' a g] | - [fis e d e] [fis8 g a bes] | - [c16 bes a bes] [c8 d] [es a,] | - [c fis,] [a d,] [d'16 c bes a] -%49 - [bes a g a] [bes8 c d es] | - [f16 es d c] [bes f' c bes] [as f' bes, as] | - [g16 f es f] [g8 a b c] | - [d16 c b a] [g d' as g] [f d' g, f] | - [es c' g f] [es f g as] [g c g f] | - [es c' g f] [es f g as] [g c g f] -%55 - [e bes' g f] [e f g as] [g bes g f] | - [e bes' g f] [e g bes des] [c bes as g]| - [as f' c bes] \stemup [as bes c des] [ c f c bes] | - [as f' c bes] \stemboth [as bes c des] [c f c bes] | - [a es' c bes] \stemup [a bes c des] [c es c bes] | - [a es' c bes] \stemboth [a c es ges] [f es des c] | -%61 - [des8 bes c des es des] | - [c as bes c des c] [bes as bes g as bes] | - [e,16 d c d] [e8 f g as] | - [bes16 as g as] [bes8 c] [des g,] | - [bes e,] [g c,] [c'16 bes as g] -%67 - [as g f8~] [f16 as g f] [es d c bes] | - [g' f es8~] [es16 g f es] [d c b c] | - [f es d8~] [d16 f es d] [c b a g] | - [es' f g8~] [g f16 es] [d a' b c] | - [d c b c] [d g f es] [d c b a] | - g4~ [g16 a b c] [d es f d] -%73 - [b8 as'~] [as16 d, es f] [es d c b] | - c4~ [c16 g' des c] [bes es bes as] | - [g as bes c] [des8 bes] g'4~ | - [g8 c,16 bes] [as f' bes, as] [g des' g, f] | - [e f g as] [bes8 g] [e'.-\prallprall d32 e] | -%78 - [f8 f,16 g] [as8 bes c d] | - [es16 d c d] [es8 f g as] | - [b,16 g' d c] \stemup [b c d es] [d g d c] | - [b g' d c] [b c d es] [d g d c] | - [b f' d c] [b c d es] [d f d c] | - [b f' d c] [b d f as] [g f es d] | -%84 - [es f g es] [c g' f es] [d c bes as] | - \stemboth [g as bes8~] [bes16 c bes as] [g f e d] | - [c g' c, bes] [c d e f] [es g c, bes] | - [c g' f e] [f c f g] [as bes c d] | [es d c d] [es8 f16 g] [as8 des,] | - [f b,] [d g,] [g'16 f es d] | - \type Staff < - { \stemup [es8. c16] c4 ~ [b8.-\prall c16] | c2-\fermata } - { \stemdown r8 r16 | } - > -} -allegroTo = \melodic \relative c'{ - \clef bass; -%30 - \type Staff < - { \stemup r r4 r } - { \stemdown g,8 r8 r4 r } - > - r2. | r2. | - \clef treble; r8 [c16 d] [es8 f] [g as] | - [bes16 as g as][bes8 c] [des g,] - [bes e,][g c,][c'16 bes as g] | [as8 f g as][bes as] | - [g es f g as g] | [f es f d es f] | [g g,16 a] [b8 c] [d es] | - [f16 es d es][f8 g][as d,] | - [f b,][d g,][g'16 f es d] | \clef bass; - [es d c8~][c16 es d c][bes a g f] | -%43 - [d' c bes8~][bes16 d c bes][a g fis g] | - [c bes a8~][a16 c bes a][g fis e d] | [bes'8 d][g, bes][e, cis'] | - [d8 d,~][d c16 bes][a g fis e] | d4~ [d16 e fis g][a bes c a] -%48 - [fis8 es'~][es16 a, bes c][bes a g fis] | - g4 r16 [g' as bes][as g f es] | [d8 f][d bes][c d] | - [es es,] r16 [es' f g][f es d c] | [b8 d][b g][a b] | - [c c,] r16 [d''16 es f][es8 d] | [c c,] r16 [as' bes c][bes8 as] | - [g c,] r16 [d' e f][e8 d] | [c c,] r16 [d e f][e8 c] -%57 - [f f,] \stemdown \translator Staff = treble r16 [g'' as bes][as8 g] | - [f \stemboth \translator Staff = bass f,] r16 [des'16 es f][es8 des] | - [c f,] \stemdown \translator Staff = treble r16 [g' a bes][a8 g] | - [f \stemdown \translator Staff = bass f,] \stemboth r16 [g a bes][a8 f] | - [bes16 c des8~][des16 c bes as][g f g bes] | -%62 - [as bes c8~][c16 bes as g][f e f as] | - [g des' g, f][g as bes c][bes as g f] | - [c'8 bes16 as][g c bes as][g f e d] | - c4~ [c16 d e f][g as bes g] | - [e8 des'~][des16 g, as bes][as g f e] | -%67 - [f g as f][d8 f][bes, as'] | - [es16 f g es][c8 es][as, g'] | - [d16 es f d][b8 d][g, f'] | - [c16 d es c][as c g c][fis, es' d c] | - [b a g a][b8 c d es] | - [f16 es d es][f8 g as d,] | -%73 - [f b,][d g,][g'16 f es d] | - [es d c d][es8 f g as] | - [bes16 as g f][es bes' f es][des bes' es, des] | - [c bes as bes][c8 d e f] | - [g16 f e d][c g' des c][bes g' c, bes] | - [as f' as, g][f c' des g,][a es' f b,] -%79 - [c f es d][c g' as d,][es b' c f,] | - [g8 g,] \stemdown \translator Staff = treble r16 [a'' b c][b8 a] | - [g \translator Staff = bass g,] \translator Staff = treble - r16 [es' f g][f8 es] | - [d \stemboth \translator Staff = bass g,] r16 [a b c][b8 a] | - [g8 g,] \stemdown \translator Staff = treble r8 [g''16 f][es d c b] | - [c8 \stemboth \translator Staff = bass c,16 d][es8 f g as] | - [bes16 as g as][bes8 c des g,] | -%86 - [bes e,][g c,][c'16 bes as g] | as4~ [as16 bes as g][f g as f] | - [g f es d][c bes as g][f f' e f] | [as f e f][b, f' es d][es g c, es] | - [fis,8. fis'16] g4 g, | c,2-\fermata -} -a4 = \paper{ -% linewidth= 80.\mm; - Staff = \translator { - \type "Engraver_group_engraver"; - defaultclef = violin; - \consists "Bar_engraver"; - \consists "Clef_engraver"; - \consists "Key_engraver"; -% \consists "Meter_engraver"; - \consists "Local_key_engraver"; - \consists "Staff_sym_engraver"; - \consists "Collision_engraver"; - \consists "Rest_collision_engraver"; - \consists "Bar_column_engraver"; - \consists "Bar_number_engraver"; - \consists "Separating_line_group_engraver"; -% \consists "Line_group_engraver"; - \accepts "Voice"; - \accepts "Staff"; - \accepts "GrandStaff"; - } -} -\score { - \type GrandStaff < - \type Staff = treble < - \global - { \hoyreOpp \andanteEn \allegroEn } - \hoyreNed - > - \type Staff = bass < - \global - { \venstreOpp \andanteTo \allegroTo } - \venstreNed - > - > - - \paper { -% \a4 -% gourlay_maxmeasures =5.; -% castingalgorithm = \Wordwrap; - - } -} - -% EOF