From: fred Date: Sun, 24 Mar 2002 20:11:18 +0000 (+0000) Subject: lilypond-0.1.59 X-Git-Tag: release/1.5.59~3121 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=99c1d32c1765a560922885c09d94adc61049501e;p=lilypond.git lilypond-0.1.59 --- diff --git a/Documentation/Rules.make b/Documentation/Rules.make deleted file mode 100644 index b8e14d7d8c..0000000000 --- a/Documentation/Rules.make +++ /dev/null @@ -1,60 +0,0 @@ -# special rules for the documentation section. -# There are too many to add to the general rules - -.SUFFIXES: .pod .txt .1 .html - -pod2html=pod2html -pod2groff=pod2man --center="LilyPond documentation" --section="0"\ - --release="LilyPond $(VERSION)" $< > $@ - -$(outdir)/%.gif: %.xpm - xpmtoppm $< | ppmtogif > $@ - - -$(outdir)/%.ps: $(outdir)/%.dvi - dvips -o $@ $< - -$(outdir)/%.dvi: $(outdir)/%.mudtex - latex '\nonstopmode \input $<' - mv $(notdir $@) $(outdir) - -$(outdir)/%.mudtex: %.doc - $(depth)/bin/out/mudela-book --noindex --outdir=$(outdir)/ --outname=$(notdir $@) $< - -$(outdir)/%.txt: $(outdir)/%.1 - troff -man -Tascii $< | grotty -b -u -o > $@ - -$(depth)/%.txt: $(outdir)/%.txt - cp $< $@ - -# perl 5.003/4 - -POD2HTML5004=$(POD2HTML) --noindex --infile $< --outfile=$@; sh $(depth)/bin/add-URLs.sh $@ - -POD2HTML5003=$(POD2HTML) $< ; mv $(notdir $@) $(outdir)/ - - -do_pod2html=$(POD2HTML5003) - - -$(outdir)/%.html: %.pod $(depth)/VERSION - $(do_pod2html) - -$(outdir)/%.5: %.pod - $(pod2groff) - -$(outdir)/%.1: %.pod - $(pod2groff) - -$(outdir)/%.gz: $(outdir)/% - gzip -c9 $< > $@ - -name-stem= $(notdir $(basename $<)) - -$(outdir)/%.gif: $(outdir)/%.ps - sh $(depth)/bin/ps-to-gifs.sh $< - mv $(name-stem)-page*.gif $(outdir)/ - touch $@ - -$(outdir)/%.ly.txt: $(depth)/input/%.ly - ln -f $< $@ diff --git a/Documentation/convert-mudela.pod b/Documentation/convert-mudela.pod deleted file mode 100644 index 8ba3d04e5f..0000000000 --- a/Documentation/convert-mudela.pod +++ /dev/null @@ -1,49 +0,0 @@ -=head1 NAME - -convert-mudela - convert mudela to newer versions - -=head1 SYNOPSIS - - convert-mudela [options] [files] - -=head1 DESCRIPTION - -convert-mudela sequentially applies different mudela-conversions to -upgrade a Mudela input file from FROM_PATCHLEVEL to TO_PATCHLEVEL. -If no files are given, the standard input and output are used - -=head1 OPTIONS - -=over 4 - -=item B<--output> - -The output file to write - -=item B<--edit> - -Do an inline edit of the input file. override B<--output> - -=item B<--show-rules> - -shows all known conversions. - -=item B<--from>=FROM_PATCHLEVEL - -Set the level to convert from. If this is not set, convert-mudela will -guess this, on the basis of C<\version> strings in the file - -=item B<--to>=TO_PATCHLEVEL - -Set the goal version of the conversion. It defaults to the latest -available version. - -=back - -=head1 BUGS - -Not all language changes are handled. Multiple output options won't work - -=head1 AUTHOR - -Han-Wen Nienhuys diff --git a/Documentation/lilypond.pod b/Documentation/lilypond.pod deleted file mode 100644 index 8742d2ec6b..0000000000 --- a/Documentation/lilypond.pod +++ /dev/null @@ -1,329 +0,0 @@ -=head1 NAME - -lilypond - the GNU music typesetter - -=head1 SYNOPSIS - - lilypond [options] [inputfiles] - -=head1 DESCRIPTION - -LilyPond is the GNU Project music typesetter. The program generates -visual or auditive output from a music definition file: it can typeset -formatted sheet music to a TeX file and play (mechanical) performances -to a MIDI file. - -=head1 OPTIONS - -=over 5 - -=item B<-I,--include>=F, - -add F to the search path for input files. - -=item B<-M,--midi> - -This disables TeX output. If you have a \midi definition, it will do -the midi output only. - -=item B<-d,--debug>, - -Turn debugging info on. GNU LilyPond reads the file F<.dstreamrc>, -which lists what functions and classes may produce copious debugging -output. - -=item B<-t,--test>, - -Switch on any experimental features. Not for general public use. - -=item B<-w,--warranty>, - -Show the warranty with which GNU LilyPond comes. (It comes with B!) - -=item B<-o,--output=>F, - -Set the default output file to F. - -=item B<-h,--help>, - -Show a summary of usage. - -=item B<-i,--init=>F, - -Set init file to F (default: F). - -=item B<--include, -I>=F, - -Add F to the search path for input files. - -=item B<--ignore-version, -V>, - -Make incompatible mudela version non-fatal. - -=item B<--no-postscript, -P>, - -Don't generate embedded PostScript (or MetaFont) symbols, but resort to -less beautiful fixed-size versions. - -LilyPond uses PostScript for variable symbols where possible. (For some -of these symbols runtime MetaFont source will be genarated too. These are -not used unless you also include the appropriate TeX file too. See -F.) - -=back - -=head1 FEATURES - -This is an overview of the features that GNU LilyPond supports. For -details on how to use them, you should consult mudela(5). - -=over 5 - -=item * - -ASCII script input, with identifiers (for music reuse), -customizable notenames, customisable fontset. - -=item * - -MIDI output lets you check if you have entered the correct notes. - -=item * - -MIDI to Mudela conversion through the mi2mu program. - -=item * - -Multiple staffs in one score. Each staff can have different meters. - -=item * - -Beams, slurs, ties, chords, super/subscripts (accents and text) -triplets, general n-plet (triplet, quadruplets, etc.), lyrics, -transposition dynamics (both absolute and hairpin style). - -=item * - -Multiple voices within one staff; beams optionally shared -between voices. Up to four voices is handled cleanly. - -=item * - -Multiple scores within one input file. Each score is output to -a different file. - -=item * - -Clef changes, meter changes, cadenza-mode, key changes, repeat bars. - -=back - -=head1 DISCLAIMER AND COPYING POLICY - -GNU LilyPond is copyright 1996-1998 by its authors. GNU LilyPond is -distributed under the terms of the GNU General Public License. GNU LilyPond -is provided without any warranty what so ever. -GNU LilyPond may be freely distributed. For further information consult -the GNU General Public License, from the file F. - -=head1 AUTHORS - -Please consult the documentation file AUTHORS for more detailed -information, and small contributions. - -=over 4 - -=item * - -Han-Wen Nienhuys , http://www.cs.ruu.nl/people/hanwen - -=item * - -Jan Nieuwenhuizen , http://www.digicash.com/~jan. - -=back - - -=head1 PROBLEMS - - -There is an extensive list of todoes and bugs. See F. If you -have a problem you should try to find out - -=over 4 - -=item * - -If the bug has been fixed in a newer release. - -=item * - -If the bug has been found earlier, consult F and F. - -=back - -If you have found a bug, then you should send a bugreport. - -=over 4 - -=item * -Send a copy of the input which causes the error. - -=item * -Send a description of the platform you use. - -=item * -Send a description of the LilyPond version you use (with -compile/configure options please). - -=item * -Send a description of the bug itself. - -=item * -Send it to bug-gnu-music@gnu.org (you don't have to subscribe -to this mailinglist). - -=back - -It does help if you can find out where the bug comes from: if GNU -LilyPond bombs out, then please recompile using with debugging info -turned on, and send gdb stacktrace of the crash. It also helps if you -can print the values of the objects. So if your trace is - - received SIGSEGV - (gdb) backtrace 12 - #0 Interval::operator+= (this=0x11fffec60..) - at ../flower/interval.hh:50 - #1 0x12005195c in Item::width (this=0x14008a680) at src/item.cc:39 - #2 0x12008fdbc in itemlist_width (its=0x11fffed58 .. - : - : - -Than it would help if you send a dump of the Interval and the Item -(use: C or use LilyPond C methods). - - -=head1 FILES - -=over 5 - -=item F - -The initialisation file with symbol tables etc. It -includes files from the directory F. - -=back - -=head1 ENVIRONMENT - -B an (one) additional directory for finding lilypond data. - -=head1 BUGS - -Lots of them. See F and F - -=head1 SEE ALSO - -=over 4 - -=item internals - -On technical details of LilyPond - -=item mudela-man - -On the input format. This is a LilyPond-enhanced LaTeX document. - -=item MANIFESTO - -Goals of the GNU LilyPond project. - -=item FAQ - -The GNU LilyPond FAQ list - -=item http://www.cs.ruu.nl/people/hanwen/lilypond/index.html - -GNU LilyPond has her own webpage. This webpage contains the MIDI, GIF -and PS files for some standard music files. It also has the complete -LilyPond documentation - -=back - -GNU LilyPond is -updated very frequently, the latest version is always available at: -ftp://pcnov095.win.tue.nl/pub/lilypond and -ftp://alpha.gnu.org/gnu/lilypond/ - - -For programs which are part of the GNU music project, the following -mailing list have been setup: - - -=over 4 - -=item info-gnu-music@gnu.org - -For information on the GNU Music project, to subscribe: send mail with -subject "subscribe" to info-gnu-music-request@gnu.org - -=item help-gnu-music@gnu.org - -For help with programs from the GNU music project. To subscribe: send -mail with subject "subscribe" to -help-gnu-music-request@gnu.org - -=item bug-gnu-music@gnu.org - -If you have bugreports, you should send them to this list. If you want -to read all bugreports, you should subscribe to this list. To -subscribe: send mail with subject "subscribe" to -bug-gnu-music-request@gnu.org - -=item gnu-music-discuss@gnu.org, - -For discussions concerning the GNU Music project, to subscribe: send -mail with subject "subscribe" to -gnu-music-discuss-request@gnu.org, - - -=back - -Announces of new versions will be sent to info-gnu-music and -gnu-music-discuss. - -=head1 REMARKS - -GNU LilyPond has no connection with the music package Rosegarden, other -than the names being similar :-) - -=head1 HISTORY - -(for a detailed changelog, see F) - -GNU LilyPond's roots lie in MPP, a preprocessor to the rather arcane -MusiXTeX macro package for TeX. A friend of mine, Jan Nieuwenhuizen -wrote the first 44 versions (0.01 to 0.44), then his program caught my -attention, and I was slowly sucked in to the interesting problem of -easily producing beautifully printed music. I contributed some -code. We soon realised that MPP's design was too fundamentally broken -to be repaired, so it was decided to rewrite MPP. We debated a lot about -the requirements to an inputformat (fall 1995). I sat down and started -with a parser-first, bottom-up rewrite called mpp95 (which totally -failed, obviously). - -After long and hard thinking, I came up with an algorithm for the -horizontal spacing of multiple staffs (april 1996) I coded it (and did -not test it). After starting with this fundamental piece, I slowly -added the stages which come before spacing, and after. A half year -later, I had a first working version, (october 1996). I announced -Patchlevel 0.0.7 (or 8) to the mutex list after asking some technical -details on spacing; it was downloaded approximately 4 times. Then I -got the hang of it, and in the subsequent two months, I coded until it -had doubled in size (pl 23). - -Most the other history is described in the NEWS file. The first large -scale release (0.1) was done after approximately 78 patchlevels on -August 1, 1997. - diff --git a/Documentation/ly2dvi.pod b/Documentation/ly2dvi.pod deleted file mode 100644 index c9a749d710..0000000000 --- a/Documentation/ly2dvi.pod +++ /dev/null @@ -1,206 +0,0 @@ -=head1 NAME - -ly2dvi - convert mudela to DVI - -=head1 SYNOPSIS - - ly2dvi [options] inputfile[.ly] [....] - -=head1 DESCRIPTION - -ly2dvi is a shell script which creates input file for LaTeX, -based on information from the output files from lilypond. -The script handles multiple files. If a mudela file name is -specified lilypond is run to make an output (TeX) file. - -One or more LaTeX files are created, based on information found -in the output (TeX) files, and latex is finally run to create -one or more DVI files. - -=head1 OPTIONS - -=over 5 - -=item B<-D,--debug> - -Set debug mode. There are two levels - in level one some debug -info is written, in level two the command C is run, which -echoes every command in the ly2dvi script. - -=item B<-O,--orientation=> - -Set orientation - portrait is the default. -(C<-O> landscape produces C<\usepackage[landscape]{article}>) - -=item B<-o,--output=> - -Set output directory. - -=item B<-h,--help> - -Print help. - -=item B<-k,--keep> - -Keep the LaTeX file after the run. - -=item B<-l,--language> - -Specify LaTeX language. -(C<-l norsk> produces C<\usepackage[norsk]{babel}>). - -=item B<-p,--papersize=> - -Specify papersize. -(C<-p a4paper> produces C<\usepackage[a4paper]{article}>) - -=item B<-s,--separate> - -Normally all output files are included into one LaTeX file. -With this switch all files are run separately, to produce one -DVI file for each. - -=back - -=head1 FEATURES - -ly2dvi responds to several parameters specified in the mudela -file. They are overridden by corresponding command line options. - -=over 5 - -=item B - -Specify papersize. - -=item B - -Set orientation. - -=item B - -Specify LaTeX language - -=item B - -Specify the width (pt, mm or cm) of the printed lines. - -=back - -=head1 ENVIRONMENT - -=over 5 - -=item B - -Additional directories for input files. - -=item B - -Temporary directory name. Default is /tmp - -=back - -=head1 FILES - -F is inspected for definitions used to extract -additional text definitions from the mudela file. In the current -version the following are defined: - -=over 5 - -=item B - -The title of the music. Centered on top of the first page. - -=item B<subtitle> - -Subtitle, centered below the title. - -=item B<composer> - -Name of the composer, rightflushed below the subtitle. - -=item B<arranger> - -Name of the arranger, rightflushed below the composer. - -=item B<instrument> - -Name of the instrument, leftflushed at same level as the composer. - -=back - -F</usr/local/share/lilyrc /etc/lilyrc $HOME/.lilyrc ./.lilyrc> -are files to set up default running conditions/variables, Bourne shell -syntax. All files are parsed, in the shown sequence. The variables are -overridden by variables in the mudela file, and by command line options. -In the current version the following are allowed: - -=over 5 - -=item B<ORIENTATION> - -Set orientation - portrait is the default. - -=item B<LANGUAGE> - -Specify LaTeX language. - -=item B<OUTPUTDIR> - -Set output directory. - -=item B<PAPERSIZE> - -Specify papersize. - -=item B<LILYINCLUDE> - -Additional directories for input files. - -=item B<TMP> - -Temporary directory name. - -=back - -=head1 SEE ALSO - -lilypond(1), tex(1), latex(1) - -=head1 AUTHOR - -Jan Arne Fagertun <Jan.A.Fagertun@energy.sintef.no>, -http://www.termo.unit.no/mtf/people/janaf/ - -=head1 BUGS - -If you have found a bug, you should send a bugreport. - -=over 4 - -=item * -Send a copy of the input which causes the error. - -=item * -Send a description of the platform you use. - -=item * -Send a description of the LilyPond and ly2dvi version you use. - -=item * -Send a description of the bug itself. - -=item * -Send it to bug-gnu-music@gnu.org (you don't have to subscribe -to this mailinglist). - -=back - -=head1 REMARKS - -Only one papersize is supported, A4. Information on other sizes -(LaTeX names, horizontal and vertical sizes) should be mailed to -the author or to the mailing list. - diff --git a/Documentation/mi2mu.pod b/Documentation/mi2mu.pod deleted file mode 100644 index 6ee3e13a16..0000000000 --- a/Documentation/mi2mu.pod +++ /dev/null @@ -1,120 +0,0 @@ -=head1 NAME - -mi2mu - convert MIDI to mudela(5) - -=head1 SYNOPSIS - - mi2mu [options] midi-file - -=head1 DESCRIPTION - -Mi2mu translates a MIDI input file to Mudela (GNU LilyPond source -format). Mi2mu is part of the GNU LilyPond music typesetting package. - -=head1 OPTIONS - -=over 4 - -=item B<-b, --no-quantify>, - -Write exact durations, e.g.: `a4*385/384'. - -=item B<-d, --debug>, - -Print lots of debugging stuff. - -=item B<-h, --help>, - -Show a summary of usage. - -=item B<-I, --include>=F<DIR>, - -Add DIR to search path. - -=item B<-k, --key>=ACC[:MINOR], - -Set default key. ACC > 0 sets number of sharps; ACC < 0 sets number -of flats. A minor key is indicated by ":1". - -=item B<-n, --no-silly>, - -Assume no plets or double dots, assume smallest (reciprocal) duration 16. - -=item B<-o, --output>=F<FILE>, - -Set FILE as default output. - -=item B<-p, --no-plets>, - -Assume no plets. - -=item B<-q, --quiet>, - -Be quiet. - -=item B<-s, --smallest=N>, - -Assume no shorter (reciprocal) durations than N. - -=item B<-v, --verbose>, - -Be verbose. - -=item B<-w, --warranty>, - -Show the warranty with which mi2mu comes. (It comes with B<NO WARRANTY>!) - -=item B<-x, --no-double-dots>, - -Assume no double dotted notes. - -=back - -=head1 FEATURES - -This is an overview of the features that Mi2mu supports. - -=over 4 - -=item * - -[todo] - -=back - -=head1 -DISCLAIMER & COPYING POLICY - -Mi2mu is copyright 1996, 1997 by its authors. Mi2mu is distributed -as part of GNU LilyPond, under the terms of the GNU General Public -License. Mi2mu is provided without any warranty what so ever. -Mi2mu may be freely distributed. For further information consult -the GNU General Public License, from the file F<COPYING>. - -=head1 AUTHORS - -Please consult the documentation file AUTHORS for more detailed -information, and small contributions. - -=over 4 - -=item * - -Jan Nieuwenhuizen <jan@digicash.com>, http://www.digicash.com/~jan. - -=back - -=head1 SEE ALSO - -=over 4 - -=item lilypond(1) - -The GNU LilyPond music typesetter. - -=item mudela-man - -On the input format. This is a LilyPond-enhanced LaTeX document. - -=back - diff --git a/Documentation/mudela-book.pod b/Documentation/mudela-book.pod deleted file mode 100644 index f44c60b354..0000000000 --- a/Documentation/mudela-book.pod +++ /dev/null @@ -1,58 +0,0 @@ -=head1 NAME - -mudela-book - integrate LaTeX and mudela - -=head1 SYNOPSIS - - mudela-book [options] [file] - -=head1 DESCRIPTION - -If no file is given, input is taken from the standard input - -mudela-book runs LilyPond on fragments of mudela in your source file, -and produces a LaTeXable document, with formatted music. - - \begin{mudela} - CONTENTS - \end{mudela} - -runs LilyPond on CONTENTS, and puts the result back, surrounded by -\preexample and \postexample commands. The \begin takes the -following options: - -=over 4 - -=item fragment - -mudela-book adds some redtape. You -can substitute voice-contents for CONTENTS in this case. - -=item verbatim - -CONTENTS is copied into the TeX source enclosed in a verbatim block. - -=back - -=head1 OPTIONS - -=over 4 - -=item B<--outname> - -The name of TeX file to output. If none is given, the output is -printed on stdout. - -=item B<--outdir> - -The directory to output lilypond output and input to - -=back - -=head1 BUGS - -Doesn't handle incorrect input sanely. - -=head1 AUTHOR - -Han-Wen Nienhuys <hanwen@gnu.org> diff --git a/Documentation/mudela-man.doc b/Documentation/mudela-man.doc deleted file mode 100644 index 4434920ed7..0000000000 --- a/Documentation/mudela-man.doc +++ /dev/null @@ -1,624 +0,0 @@ -% -*-latex-*- - -% this document should be run through the mudela-book script after lilypond -% has been installed. The rules have been precooked into the -% Documentation/Rules.make file; do -% -% make out/mudela-man.dvi -% -% or -% -% mudela-book --outdir=out/ --outname=mudela-course.mudtex mudela-course.doc -% latex '\nonstopmode \input out/mudela-course.mudtex' - - -\documentclass{article} -\usepackage{a4wide} -\title{GNU LilyPond input format 0.1} -\author{Han-Wen Nienhuys} -\date{October 8, 1997} - -\begin{document} -\maketitle -\def\interexample{\par Produces the following:\par} -\def\preexample{\par\medskip} -\def\postexample{\par\medskip} -\def\file#1{{\texttt{#1}}} - -\emph{This document is not complete yet} - -\section{Introduction} - -This document describes the the GNU LilyPond input format, which is an -effective language for defining music. We call this language (rather -arrogantly) The Musical Definition Language or Mudela, for -short.\footnote{If anybody comes up with a better name, we'd gladly - take this. Gourlay already uses Musical Description Language, - G-Sharp Score Definition Language. ISO standard 10743 defines a - Standard Music Description Language. We're not being original here} - -The first aim of Mudela is to define a piece of music, being complete -from both from a musical typesetting, as from a musical performing -point of view. - -The Musical Definition Language (Mudela), has a logical structure, -making use of identifiers, that allows for flexible input, and -definition reuse. See \file{MANIFESTO} for reasons and design considerations. - -The below included for explanatory purposes only (i.e., for a complete -and up-to-date definition, see \file{lily/parser.y} and -\file{lily/lexer.l}): - -As a related note, you should take a look at the examples and the init -files, as this document does not cover every aspect of mudela yet, and -may be out of date.\footnote{Ok, I am being pessimistic here. This - just is a disclaimer. Docs usually are written after the program - itself.} This document intends to give an idea of how it works, it -is not a guide on how to use it. - - -\section{Basic elements} - -\subsection{Files} - -The de-facto extension of Mudela is \file{.ly}. Files may be included by -entering \verb+\include+ at the start of a line: - -\begin{verbatim} -\include "a_file.ly" -\end{verbatim} - - -\subsection{Comments} - -Line comments are introduced by a -\verb+%+. -Block comments are delimited -by -\verb+%{+ -and -\verb+%}+. -They do not nest. - -\subsection{Versions} - -Occasionally, small changes in syntax across different versions of -Mudela might give syntax errors. To warn you about possible -incompatibilities, you can specify the Mudela version for which the -inputfile was written, -\begin{verbatim} -\version "0.0.50"; -\end{verbatim} - -A perl-script which tries to convert to newer versions -(\file{convert-mudela}) is included in the LilyPond distribution. - -\subsection{Words} - -Keywords are preceded by a backslash: \verb+\+. They contain -alphabetic characters only. - -Identifiers in their normal form consist start with a backslash, a -alpha character, followed by alpha-numerics. Identifiers can contain -any characters (except whitespace, - and \verb+%+), if you use this construct: - -\begin{verbatim} -\$i'm_a_weird!!!identifier -\end{verbatim} - -(which is the identifier with the name -\verb+i'm_a_weird!!!identifier+). \verb+$+ Takes any sequence of -characters which are not whitespace, \verb+$+ and \verb+%+. -\verb+$i'm_a_weird!!!string+ -\def\foobar{$} % silly fontlock mode - -\subsection{Nesting characters} - -Mudela uses the brace (\verb+{+ and \verb+}+) for most hierarchical -structures. For chords the \verb+<+ and the \verb+>+ are used as -nesting braces. - -\subsection{Constants} - -Please note that -.5 is not a Real. - -\begin{verbatim} -"I am a string" --1.2e3 % a real -12 % an int -\end{verbatim} - - -\subsection{Identifiers} - -When assigning identifiers you use - -\begin{verbatim} -string = ... -\end{verbatim} - -If you reuse identifiers, then the previous contents will be thrown -away after the right hand is evaluated, eg -\begin{verbatim} -bla = \melodic { \bla } -\end{verbatim} -is legal - -When using identifiers they have to be escaped: - -\begin{verbatim} -oboe = \melodic { ... } -\score{ \melodic { \oboe }} -\end{verbatim} - -The left-hand part of the assignment is really a string, so -\begin{verbatim} -"Foo bar 4 2 " = \melodic { .. } -\end{verbatim} - -is also a valid assignment (but you would have trouble referencing to it) - - -\subsection{Hierarchical structures} - -The general structure consists of declarations: -\begin{verbatim} -IDENTIFIER = \TYPE{ - <type specific data> -} -\end{verbatim} -and instantiations: - -\begin{verbatim} -\TYPE{ <type specific data> } -\end{verbatim} - -(Currently, \verb+\score+ is the only type that can be instantiated -at top level. Currently declarations can only be done at top level) - -Most instantiations that use an IDENTIFIER are specified as follows: - -\begin{verbatim} -\TYPE{ IDENTIFIER [...] } -\end{verbatim} - -Some exceptions on this rule have been made to prevent inputting -Mudela becoming tedious - - -\subsection{Modes:} - -To simplify different aspects of music definition (entering the notes -and manipulating them) Mudela has a number of different input "modes": - -\begin{description} - - -\item[Normal mode] - -At the start of parsing, Mudela assumes normal mode. -In Normal mode, a word is looked up in the following order: -\begin{description} -\item{\verb+word+} string -\item{\verb|"string"|} string -\item{\verb|\word|} keyword, identifier -\end{description} -In normal mode, a word is assumed to start with an alphabetic -character, followed by alpha-numeric characters. - -\item[Note mode] Note mode is introduced by the keyword - \verb+\melodic+. In Note mode, a word is looked up in the following - order: -\begin{description} -\item{\verb+word+} notename, string -\item{\verb|"string"|} string -\item{\verb|\word|} keyword, identifier -\end{description} - -In Note mode a word is considered to have alphabetic characters only, -so the underscore (\_) is illegal. If you accidently mistype a -notename, the parser will assume that you are entering a string (and -it will most likely complain that you should be in \verb|\lyrics| mode to -do lyrics) - - -\item[Lyric mode] Lyrics mode (and thus Simple mudela) is introduced - by the keyword \verb+\lyrics+. Because of the various control - characters that can appear in lyrics, eg, ``foreign language'' - accents, the inputting a string containing these has been made very - easy. - -In Lyrics mode, a word is looked up in the following order: -\begin{description} -\item{\verb+word+} string (thus a lyric) -\item{\verb|"string"|} string -\item{\verb|\word|} keyword, identifier -\end{description} - -In Lyric mode every sequence of non-digit and non-white characters -starting with an alphabetic character or the \_ is considered a word. - -\begin{verbatim} -a&@&@&TSI|{[ % a word -1THtrhortho % not a "word" -Leise Fl\"u\ss{}teren meine Sapfe % 4 words -_ _ _ _ % 4 words: 4 spaces -\end{verbatim} -\end{description} - -These modes are of a lexical nature. Normal and Note mode largely -resemble each other, save the possibility of entering Reals, -meaning of \verb+_+ and the resolution of words - -\subsection{Notes} - -You enter a note by giving the name and the reciprocal of the duration: - -\begin[fragment,verbatim]{mudela} -a'4 % Dutch names -\end{mudela} - -is a A-1 pitched crotchet. The ' signifies an octave change. A-1 is 440 -Hz concert-pitch. \verb+c'+ is also known as the central c. More examples: - -\begin[fragment,verbatim]{mudela} - 'a % 110 - a % 220 - A % 110, uppercase octavates down - a' % 440 - a'' % 880 - 'as4.*2/3 -\end{mudela} - -The last one is an A flat, (just below 110 Hz concert-pitch). The \verb+*2/3+ -signifies that this note is part of a triplet (3 in stead of 2). The -duration is one and a half quarter note (\verb+4.+) times 2/3. - -Notenames are just a special kind of identifiers, and can be declared -for any language appropriate (see \file{init/dutch.ly}). The default language -for notenames is defined to be Dutch. In Dutch, the notenames are -a,b,c,d,e,f and g. Sharps are formed by adding the extension "is", -flats by adding ``es'' - -\begin{verbatim} -% double sharp -cisis disis eisis fisis gisis aisis bisis -% sharps -cis dis eis fis gis ais bis -% naturals -c d e f g a b -% flats -ces des es fes ges as bes -% double flats -ceses deses eses feses geses ases beses -\end{verbatim} - -Rests are named r or s -\begin{verbatim} -r % print a rest -s % a "space" rest, nothing is printed. -\end{verbatim} - -These notenames along with duration are enough material to construct -simple melodies: - -\begin[verbatim,fragment]{mudela} -\octave c'; -c4 c4 g4 g4 a4 a4 g2 -f4 f4 e4 e4 d4 d4 c2 -\end{mudela} - -Music is able to express more. generally speaking, the other -'features' are either connected between notes (slurs, beams: spanning -requests) or attached to notes (eg. accents). The former are -implemented as START and STOP stop features and then attached to the note. - -\begin{description} -\item{[ and ]} start and stop a beam -\item{( and )} start and stop a slur -\end{description} - -example: -\begin[verbatim,fragment]{mudela} - \octave c'; - [c8 () d8 () e8 - e8(] [)g8 <c'8] e'8> % NO nesting! - [2/3 c8 c8 c8]1/1 % a triplet -\end{mudela} - -Please note that these two characters do \emph{not} necessarrily nest, -they should be attached to the note. For this reason, the construct -\verb+[ <c4 c4>]+ will generate a parse error. - -\subsection{Slurs and Ties} - -Ties connect the noteheads of adjacent notes. They are entered as follows: - -\begin[verbatim,fragment]{mudela} -a'4 ~ a''4 -\end{mudela} - -Slurs connect whole chords, and try to avoid crossing stems. They are -entered as follows: - -\begin[verbatim,fragment]{mudela} -a'4( )a''4 -\end{mudela} - -\subsection{Scripts} - -Symbols which can be put at either side (above or below) of a staff -are entered as follows: -\begin[verbatim,fragment]{mudela} - a-^ % marcato, direction: default - %a^- % portato, direction: above note - a_. % staccato, direction: below note - a^\fermata % predefined identifier - c_"marcato" % add a text - c^"marcato" - c-"marcato" -\end{mudela} - -If you want to define your own scripts refer to \file{init/script.ly} for -details. - - -Dynamics can be put after the notename: -\begin{verbatim} -a4 \dynamic { 0 } % 0 = fff, 7 = ppp -\end{verbatim} - -Mudela defines the following dynamic identifiers: - -\begin{verbatim} -ppp pp p mp mf f ff fff sfz fz fp -\end{verbatim} -and the following abbreviations: -\begin{verbatim} -\< %start crescendo -\> % start decrescendo -\! % end crescendo/decrescendo -\end{verbatim} - -\subsection{Defaults} - -If omit the duration of a note, a default value is substituted. For -this default value mudela uses the last duration explicitly entered. - -Thus the following inputs are equivalent -\begin{verbatim} -c4 c4 c16 c16 c16 s16 c4 c16 -c4 c c16 c c c c4 c16 -\end{verbatim} - -If you are typing music which does not lie in the "small" and "large" -octave, you can prevent having to type \verb+'+ all the time by using the -\verb+\octave+ command: These two lines have the same pitch. -\begin{verbatim} -c'' d'' e'' c d e c d e -\octave c''; c d e ''c ''d ''e \octave c; c d e -\end{verbatim} - -By default the setting of \verb+\octave+ is 0. - -\subsection{Lyrics} - -Lyrics in Mudela resemble Simple mudela a lot, with notes substituted -by text. - -All syllables are entered separately, separated by whitespace -\begin{verbatim} -Twin-4 kle4 twin-4 kle4 ... -\end{verbatim} - -Two syllables or words that compose a single -duration entry are bound together using an underscore -\begin{verbatim} -He_could4 not4 -\end{verbatim} - -\section{Composition: forming bigger structures} - -The previous examples tacitly assumed that a sequence of notes is -printed in a left to right manner. This is not entirely correct, you -will get the bigger picture in this section. - -In mathematics you can form expressions by combining expressions, -which are ultimately some kind of atom or terminal symbol. The same -goes for mudela: there are some basic building blocks, and by -combining those you create complex music. - -You can combine music in three ways: -\begin{itemize} -\item If you enclose a sequence of music-elements in braces ( \verb+{+ - and \verb+}+ ), then you form another kind of music called (Voice) with those pieces. - The duration of the Voice is the sum of the durations of its elements -\begin{verbatim} -{ c c g g a a g2 } % twinkle twinkle -{ { c c g g} { a a g2 } } -\end{verbatim} -\item You can stack music by enclosing a sequence of music elements - with \verb+<+ and \verb+>+. This is called a Chord. The duration of a Chord is - the union of the durations of its elements Example: -\begin{verbatim} -<a4 {cis8 cis8} e'4> % a-major chord -\end{verbatim} -\item - You can form music by transposing music: -\begin{verbatim} -\transpose - d % from c to the d that's one octave down - { e4 f4 } % the horizontal music -\end{verbatim} -\end{itemize} - -Of course you can also combine these three mechanisms. -\begin{verbatim} -{ c <c e> <c e g> <c e g \transpose d' dis > } % 4 increasing chords -\end{verbatim} - -The basic building block in Mudela is called Request. Examples of -Requests are: Timing (such as Meter), Rhythmic, Melodic, Note (which is a combination of -Rhythmic and Melodic), Musicscript (put an accent over a note or -rest), etc. For the actual up to date listing, you should consult the -LilyPond source code: the Request types form a big class hierarchy. - -Normally you don't enter Requests directly, since that would be -tedious. Mudela has standard abbreviations for the most common -combination of Requests. If you enter \verb+c4+, this is an -abbreviation for: -\begin{verbatim} -Request_chord{ - Note_req{ - notename: 0 acc: 0 oct: -1 - duration { 4} - } - Stem_req{ - duration { 4} - } -} -\end{verbatim} - -The \verb+Request_chord+ is a special kind of chord which only allows -Requests as its elements. The examples of the previous section were -processed with \verb+{+ and \verb+}+ enclosing the input. - -\subsection{Durations} - -A duration always starts with the duration type (1,2,4 etc), and then -any optional multipliers/dots. Old fashioned durations can be entered -as follows -\begin{verbatim} -'c\breve -gis'\longa -\end{verbatim} - - - -\subsection{Meters/groupings} - -A meter has this form: -\begin{verbatim} -\meter 3/4 ; -\end{verbatim} - -Rhythmic grouping is a concept closely associated with this. For -example, in a 5/8 meter, the counts are grouped 2+3. In mudela this is -entered as -\begin{verbatim} -\grouping 8*2 8*3 ; -\end{verbatim} -You can start the piece with a partial measure, the command takes the -same syntax as grouping: -\begin{verbatim} -\partial 16*3 4; -\end{verbatim} - -Make the piece start with a upstep [english translation?] -lasting 1 3/4 quarter notes. - -These commands are also "voice elements", and constitute ``Music'' -(consisting of stuff with duration 0). - - -\subsection{Voicegroups} - - -[OUTDATED] - -If more than one "voice" is in a staff, then you have the option of -putting the different voices into so called voicegroups: members of -the same voicegroup share certain characteristics, among others: - - - dynamics - - text - - beams and stems - - scripts - -For the actual list, see the init file \file{init/register.ly} - -Putting different musical lines in to the same voicegroup effectively -makes LilyPond try to form chords of all those lines. Putting -different musical lines in to different voicegroups effectively makes -LilyPond try to set those lines as independently as possible. - -[adsolete. Has to be fixed in lily] - -You can set the voicegroup of a voice with the command \verb+\group+, e.g., - -\begin{verbatim} - oboeI = \melodic { - \group "oboes"; - [e8 f8 - \group "+solo"; - [g16 a16 g16 fis16] - \group "-"; - g8 f8 - } - oboeII = \melodic { \group "oboes"; - c8 d8] - e4 - e8 d8 - } - /// ... - - \staff { - melodicregs \melodic{ oboeI } - \melodic { oboeII} -} -\end{verbatim} - -In this example, the two oboe voices share one staff and are initially -in the voicegroup called "oboes". They will share beams, dynamics etc. -After two quarter notes, oboeI "pushes" its group: a new voicegroup is -created, called "oboes+solo". The \verb+\group "-"+ command makes the -voice enter "oboes" again. - -Please do note that [] are voicegroup wide; the previous input is -valid: the beam, started in oboeI, voicegroup "oboes" is also ended in -voicegroup "oboes", albeit not in oboeI but oboeII - -This concept may seem contorted, but it allows you to set the separate -oboe parts without changing the \verb+oboeI+ and \verb+oboeII+ (assuming that -you edit the [] in the example.) - -The construct -\begin{verbatim} -< { .... } {......} > -\end{verbatim} -makes a chord (all horizontal parts are in the same voicegroup). The construct -\begin{verbatim} -\multi 2 < { ....} { .... } > -\end{verbatim} -creates horizontal parts which behave independently. You will have to -set voicegroup features by hand (\verb+\stem+ and \verb+\hshift+. See examples) - -The construct -\begin{verbatim} -\multi 3 < { ....} { .... } > -\end{verbatim} -creates a chord with each part in a different staff - - -\subsection{Examples} - -Examples are included with the GNU LilyPond distribution. For the sake of -maintenance no long examples are included in this document. - - -\section{History} - -This language has a number of roots. First and foremost, GNU -LilyPond's predecessor mpp was the inspiration of the Note-mode input. -Secondly, the hierarchical structure looks a lot like Rayce's (Rayce -is a raytracer that I've written as a hobby project. ), which in turn -owes a lot to POVRay. - -Now, we know, musictypesetting and raytracing do not necessarily -require the same input format, and we know that a lot more ways exist -to convert music to ASCII, but we did give this language some -thoughts. As always suggestions are appreciated. - -\end{document} - diff --git a/flower/diagonal-storage.cc b/flower/diagonal-storage.cc deleted file mode 100644 index 069ea8294d..0000000000 --- a/flower/diagonal-storage.cc +++ /dev/null @@ -1,251 +0,0 @@ -/* - diagonal-storage.cc -- implement Diagonal_storage - - source file of the Flower Library - - (c) 1997 Han-Wen Nienhuys <hanwen@stack.nl> -*/ - - -#include "diagonal-storage.hh" - - -#ifdef INLINE -#undef INLINE -#endif - -//#define INLINE inline - -// #include "full-storage.icc" - -int -Diagonal_storage::dim() const -{ - return band_.rows(); -} - -Diagonal_storage::Diagonal_storage() -{ -} - -int -Diagonal_storage::rows() const -{ - return band_.rows(); -} - -int -Diagonal_storage::cols() const -{ - return band_.rows(); -} - -int -Diagonal_storage::band_size_i() const -{ - return (band_.cols()-1)/2; -} - -void -Diagonal_storage::set_band_size (int s) -{ - assert (s>=0); - Full_storage f (dim(), 2*s+1); - for (int i=0; i < dim(); i++) - { - int k=-s; - for (; k < -band_size_i(); k++) - f.elem (i,k + s) = 0.0; - for (; k <= band_size_i()&& k<=s ; k++) - f.elem (i, k + s) = band_.elem (i,k+ band_size_i()); - for (; k <= s; k++) - f.elem (i, k + s) =0.0; - } - - band_ = f; -} - - - -/* - any takers? - */ -void -Diagonal_storage::insert_row (int) -{ - assert (false); -} - -void -Diagonal_storage::delete_row (int) -{ - assert (false); -} - -void -Diagonal_storage::resize (int,int) -{ -} - -void -Diagonal_storage::resize (int) -{ -} - -void -Diagonal_storage::delete_column (int) -{ - assert (false); -} - -Diagonal_storage::~Diagonal_storage() -{ -} - - -bool -Diagonal_storage::band_elt_b (int i,int j) const -{ - return abs (i-j) <= band_size_i(); -} - -void -Diagonal_storage::assert_valid (int i,int j) const -{ - assert (band_elt_b (i,j)); - assert (i >=0 && j >=0 && i < dim() && j < dim ()); -} - - -void -Diagonal_storage::resize_dim (int d) -{ - Full_storage f (d, 2*band_size_i()+1); - for (int i=0; i < d && i < dim(); i++) - { - for (int k=0; k < 2*band_size_i(); k++) - f.elem (i,k) = elem (i,k); - } - - band_ = f; -} - - - -bool -Diagonal_storage::mult_ok (int i,int) const -{ - return i < dim(); -} - -void -Diagonal_storage::mult_next (int &i, int &j) const -{ - j++; - if (j < i - band_size_i()) - j = i- band_size_i(); - if (j > i + band_size_i() || j >= dim ()) - { - i++; - j = 0 >? i - band_size_i(); - } -} - -bool -Diagonal_storage::trans_ok (int ,int j) const -{ - return j < dim(); -} - -void -Diagonal_storage::trans_next (int &i, int& j) const -{ - i++; - if (i < j - band_size_i()) - i = j-band_size_i(); - - if (i >= dim() || i > j + band_size_i ()) - { - j++; - i = 0 >? j - band_size_i(); - } -} - -static Real nul_entry=0.0; - -Real -Diagonal_storage::elem (int i, int j) const -{ - if (abs (i-j) > band_size_i()) - return 0; - else - return band_.elem (i, j - i +band_size_i()); -} - -Real & -Diagonal_storage::elem (int i, int j) -{ - /* - if this fails, the previous call fucked up - */ - assert (!nul_entry); - - if (abs (i-j) > band_size_i()) - return nul_entry; - else - return band_.elem (i, j - i + band_size_i()); -} - -/* - Hairy routine to try to save some fp-ops - */ - -bool -Diagonal_storage::try_right_multiply (Matrix_storage*dest, - const Matrix_storage*right) const -{ - if (right->name() != Diagonal_storage::static_name ()) - return false; - - const Diagonal_storage* right_diag = (Diagonal_storage const*)right; - int band2 = right_diag->band_size_i(); - int n = dim(); - /* - should check if dest is a Diagonal_storage of sufficient size too. - */ - for (int i=0; i < n; i++) - { - for (int j = 0; j < n; j++) - { - int startk = i - band_size_i() >? 0 >? j - band2; - int stopk = i + band_size_i() <? n-1 <? j + band2; - int relk = startk + band_size_i() -i; - Real sum =0.0; - for (int k = startk; k <= stopk; k++) - sum += band_.elem (i, relk++) * right_diag->elem (k, j); - dest->elem (i, j) = sum; - - } - } - return true; -} - -IMPLEMENT_IS_TYPE_B1(Diagonal_storage, Matrix_storage); - - -Diagonal_storage::Diagonal_storage (Matrix_storage*stor_l, int band_i) -{ - set_band_size (band_i); - resize_dim (stor_l->dim()); - - for (int i=0,j=0; mult_ok (i,j); mult_next (i,j)) - band_.elem (i, j + band_i -i) = stor_l->elem (i,j); -} - -void -Diagonal_storage::OK() const -{ - band_.OK(); -} - -IMPLEMENT_VIRTUAL_COPY_CONS(Diagonal_storage, Matrix_storage); diff --git a/flower/matrix-storage.cc b/flower/matrix-storage.cc deleted file mode 100644 index 7d2c8fbcad..0000000000 --- a/flower/matrix-storage.cc +++ /dev/null @@ -1,148 +0,0 @@ -/* - matrix-storage.cc -- implement Matrix_storage - - source file of the Flower Library - - (c) 1997 Han-Wen Nienhuys <hanwen@stack.nl> -*/ - -#include "full-storage.hh" -#include "diagonal-storage.hh" - -void -Matrix_storage::set_addition_result (Matrix_storage *&dat, Matrix_storage *right) -{ - if (dat && dat->name() == Diagonal_storage::static_name () - && right->name() == Diagonal_storage::static_name ()) - { - Diagonal_storage *L = (Diagonal_storage*)dat; - Diagonal_storage* R = (Diagonal_storage*) right; - - if (R->band_size_i() > L->band_size_i ()) - { - L->set_band_size (R->band_size_i()); - } - return ; - } - if (!dat || !dat->is_type_b (Full_storage::static_name())) - { - - Matrix_storage *new_stor = (dat)? new Full_storage (dat) : - new Full_storage (right->rows(), right->cols ()); - delete dat; - dat = new_stor; - } -} - -Matrix_storage* -Matrix_storage::get_product_result (Matrix_storage*left, Matrix_storage*right) -{ - Matrix_storage* dest =0; - set_product_result (dest, left,right); - return dest; -} - - -/* - hairy - */ -void -Matrix_storage::set_product_result (Matrix_storage*&dest, - Matrix_storage*left, Matrix_storage*right) -{ - if (left->name() == Diagonal_storage::static_name () - && right->name() == Diagonal_storage::static_name ()) - { - Diagonal_storage *L = (Diagonal_storage*)left; - Diagonal_storage* R = (Diagonal_storage*) right; - - if (L->band_size_i() + R->band_size_i () < L->dim ()/2) - { - if (dest ->name() != Diagonal_storage::static_name ()) - { - delete dest; - dest = new Diagonal_storage; - } - - dest->set_size (L->dim()); - return; - } - } - - if (dest && dest->name() == Full_storage::static_name ()) - { - dest->set_size (left->rows(), right->cols ()); - } - else - { - delete dest; - dest = new Full_storage (left->rows(), right->cols ()); - } -} - -IMPLEMENT_IS_TYPE_B(Matrix_storage); - -Matrix_storage * -Matrix_storage::get_full (int n, int m) -{ - return new Full_storage (n,m); -} - - - - bool -Matrix_storage::try_right_multiply (Matrix_storage *, - const Matrix_storage *) const -{ - return false; -} - -Array<Real> -Matrix_storage::row (int n) const -{ - Array<Real> r; - for (int j = 0; j < cols(); j++) - r.push (elem (n,j)); - return r; -} - -Array<Real> -Matrix_storage::column (int n) const -{ - Array<Real> r; - for (int i = 0; i < rows(); i++) - r.push (elem (i,n)); - return r; -} - -void -Matrix_storage::set_size (int rows, int cols) -{ - - resize (rows,cols); -} - -void -Matrix_storage::set_size (int rows) -{ - - resize (rows); -} - - -void -Matrix_storage::set_band (Matrix_storage *&mat, int b) -{ - Matrix_storage* ns = new Diagonal_storage (mat, b); - delete mat; - mat=ns; -} - - -void -Matrix_storage::set_full (Matrix_storage *&mat) -{ - Matrix_storage* ns = new Full_storage (mat); - delete mat; - mat=ns; -} diff --git a/init/feta11.ly b/init/feta11.ly deleted file mode 100644 index a27a789ab2..0000000000 --- a/init/feta11.ly +++ /dev/null @@ -1,89 +0,0 @@ -% Creator: mf-to-table.py version 0.6 -% Automatically generated on -% Do not edit -% input from out/feta11.log -% name=\symboltables { - "rests" = \table { - "0" "\\wholerest" 0.00\pt 4.12\pt -1.72\pt 0.00\pt - "1" "\\halfrest" 0.00\pt 4.12\pt 0.00\pt 1.72\pt - "0o" "\\outsidewholerest" -1.72\pt 5.84\pt -1.72\pt 0.28\pt - "1o" "\\outsidehalfrest" -1.72\pt 5.84\pt -0.28\pt 1.72\pt - "2" "\\quartrest" 0.00\pt 2.97\pt 2.06\pt 9.90\pt - "3" "\\eighthrest" 0.00\pt 3.67\pt 2.75\pt 7.81\pt - "4" "\\sixteenthrest" 0.00\pt 4.27\pt 0.00\pt 7.81\pt - "5" "\\thirtysecondrest" 0.00\pt 4.81\pt 0.00\pt 10.56\pt - "6" "\\sixtyfourthrest" 0.00\pt 5.16\pt 0.00\pt 13.31\pt - "7" "\\hundredtwentyeighthrest" 0.00\pt 5.75\pt 0.00\pt 16.06\pt - } - "accidentals" = \table { - "1" "\\sharp" 0.00\pt 3.03\pt -4.12\pt 4.12\pt - "0" "\\natural" 0.00\pt 1.83\pt -4.12\pt 4.12\pt - "-1" "\\flat" -0.33\pt 2.20\pt -1.38\pt 5.50\pt - "-2" "\\flatflat" -0.33\pt 3.99\pt -1.38\pt 5.50\pt - "2" "\\sharpsharp" 0.00\pt 2.75\pt -1.38\pt 1.38\pt - } - "dots" = \table { - "dot" "\\dot" 0.00\pt 1.24\pt -0.62\pt 0.62\pt - "repeatcolon" "\\repeatcolon" 0.00\pt 1.24\pt -1.38\pt 1.38\pt - } - "balls" = \table { - "-1" "\\brevisball" 0.00\pt 5.50\pt -1.51\pt 1.51\pt - "-1l" "\\brevisledger" -1.38\pt 6.88\pt -0.28\pt 0.28\pt - "-2" "\\longaball" 0.00\pt 5.50\pt -1.51\pt 1.51\pt - "-2l" "\\longaledger" -1.38\pt 6.88\pt -0.28\pt 0.28\pt - "0" "\\wholeball" 0.00\pt 5.45\pt -1.51\pt 1.51\pt - "0l" "\\wholeledger" -1.36\pt 6.81\pt -0.28\pt 0.28\pt - "1" "\\halfball" 0.00\pt 3.79\pt -1.51\pt 1.51\pt - "1l" "\\halfledger" -0.95\pt 4.74\pt -0.28\pt 0.28\pt - "2" "\\quartball" 0.00\pt 3.63\pt -1.51\pt 1.51\pt - "2l" "\\quartledger" -0.91\pt 4.54\pt -0.28\pt 0.28\pt - } - "scripts" = \table { - "ufermata" "\\ufermata" -3.64\pt 3.64\pt -0.21\pt 3.99\pt - "dfermata" "\\dfermata" -3.64\pt 3.64\pt -3.99\pt 0.21\pt - "sforzato" "\\sforzatoaccent" -2.47\pt 2.47\pt -1.38\pt 1.38\pt - "staccato" "\\staccato" -0.41\pt 0.41\pt -0.41\pt 0.41\pt - "ustaccatissimo" "\\ustaccatissimo" -0.55\pt 0.55\pt -0.20\pt 2.75\pt - "dstaccatissimo" "\\dstaccatissimo" -0.55\pt 0.55\pt -2.75\pt 0.20\pt - "tenuto" "\\tenuto" -2.47\pt 2.47\pt -0.17\pt 0.17\pt - "umarcato" "\\umarcato" -1.38\pt 1.38\pt 0.00\pt 3.03\pt - "dmarcato" "\\dmarcato" -1.38\pt 1.38\pt -3.03\pt 0.00\pt - "open" "\\ouvert" -1.10\pt 1.10\pt -1.38\pt 1.38\pt - "stopped" "\\plusstop" -1.51\pt 1.51\pt -1.51\pt 1.51\pt - "upbow" "\\upbow" -1.79\pt 1.79\pt 0.00\pt 5.72\pt - "downbow" "\\downbow" -2.06\pt 2.06\pt 0.00\pt 3.67\pt - "reverseturn" "\\reverseturn" -3.01\pt 3.01\pt -1.46\pt 1.46\pt - "turn" "\\turn" -3.01\pt 3.01\pt -1.46\pt 1.46\pt - "trill" "\\trill" -2.75\pt 2.75\pt 0.00\pt 6.19\pt - "upedalheel" "\\upedalheel" -1.38\pt 1.38\pt -1.38\pt 1.83\pt - "dpedalheel" "\\dpedalheel" -1.38\pt 1.38\pt -1.83\pt 1.38\pt - "upedaltoe" "\\upedaltoe" -1.38\pt 1.38\pt 0.00\pt 4.12\pt - "dpedaltoe" "\\dpedaltoe" -1.38\pt 1.38\pt -4.12\pt 0.00\pt - "flageolet" "\\flageolet" -1.47\pt 1.47\pt -1.47\pt 1.47\pt - "trilelement" "\\trilelement" -1.83\pt 0.72\pt -1.38\pt 1.38\pt - "prall" "\\prall" -3.11\pt 3.11\pt -1.38\pt 1.38\pt - "mordent" "\\mordent" -3.11\pt 3.11\pt -1.38\pt 1.38\pt - "prallprall" "\\prallprall" -4.39\pt 4.39\pt -1.38\pt 1.38\pt - "prallmordent" "\\prallmordent" -4.39\pt 4.39\pt -1.38\pt 1.38\pt - "upprall" "\\upprall" -4.39\pt 4.39\pt -1.38\pt 1.38\pt - "downprall" "\\downprall" -4.39\pt 4.39\pt -1.38\pt 1.38\pt - } - "flags" = \table { - "u3" "\\eighthflag" -0.14\pt 3.39\pt -8.43\pt 0.14\pt - "u4" "\\sixteenthflag" -0.14\pt 3.39\pt -9.80\pt 0.14\pt - "u5" "\\thirtysecondflag" -0.14\pt 3.39\pt -11.87\pt 0.14\pt - "u6" "\\sixtyfourthflag" -0.14\pt 3.39\pt -14.62\pt 0.14\pt - "d3" "\\deighthflag" -0.14\pt 3.76\pt -0.14\pt 8.02\pt - "d4" "\\dsixteenthflag" -0.14\pt 3.76\pt -0.14\pt 8.43\pt - "d5" "\\dthirtysecondflag" -0.14\pt 3.76\pt -0.14\pt 10.77\pt - "d6" "\\dsixtyfourthflag" -0.14\pt 3.76\pt -0.14\pt 12.14\pt - } - "clefs" = \table { - "alto" "\\altoclef" -2.75\pt 10.24\pt -5.50\pt 5.50\pt - "alto_change" "\\caltoclef" -2.20\pt 8.19\pt -4.40\pt 4.40\pt - "bass" "\\bassclef" -1.38\pt 9.90\pt -6.88\pt 2.75\pt - "bass_change" "\\cbassclef" -1.10\pt 7.92\pt -5.50\pt 2.20\pt - "violin" "\\violinclef" -2.40\pt 10.28\pt -8.25\pt 13.75\pt - "violin_change" "\\cviolinclef" -2.08\pt 8.06\pt -6.60\pt 11.00\pt - } - % } % $name diff --git a/init/feta13.ly b/init/feta13.ly deleted file mode 100644 index 19a706f59e..0000000000 --- a/init/feta13.ly +++ /dev/null @@ -1,89 +0,0 @@ -% Creator: mf-to-table.py version 0.6 -% Automatically generated on -% Do not edit -% input from out/feta13.log -% name=\symboltables { - "rests" = \table { - "0" "\\wholerest" 0.00\pt 4.88\pt -2.03\pt 0.00\pt - "1" "\\halfrest" 0.00\pt 4.88\pt 0.00\pt 2.03\pt - "0o" "\\outsidewholerest" -2.03\pt 6.91\pt -2.03\pt 0.33\pt - "1o" "\\outsidehalfrest" -2.03\pt 6.91\pt -0.33\pt 2.03\pt - "2" "\\quartrest" 0.00\pt 3.51\pt 2.44\pt 11.70\pt - "3" "\\eighthrest" 0.00\pt 4.33\pt 3.25\pt 9.24\pt - "4" "\\sixteenthrest" 0.00\pt 5.04\pt 0.00\pt 9.24\pt - "5" "\\thirtysecondrest" 0.00\pt 5.69\pt 0.00\pt 12.49\pt - "6" "\\sixtyfourthrest" 0.00\pt 6.10\pt 0.00\pt 15.74\pt - "7" "\\hundredtwentyeighthrest" 0.00\pt 6.79\pt 0.00\pt 18.99\pt - } - "accidentals" = \table { - "1" "\\sharp" 0.00\pt 3.58\pt -4.88\pt 4.88\pt - "0" "\\natural" 0.00\pt 2.17\pt -4.88\pt 4.88\pt - "-1" "\\flat" -0.39\pt 2.60\pt -1.62\pt 6.50\pt - "-2" "\\flatflat" -0.39\pt 4.71\pt -1.62\pt 6.50\pt - "2" "\\sharpsharp" 0.00\pt 3.25\pt -1.62\pt 1.62\pt - } - "dots" = \table { - "dot" "\\dot" 0.00\pt 1.46\pt -0.73\pt 0.73\pt - "repeatcolon" "\\repeatcolon" 0.00\pt 1.46\pt -1.62\pt 1.62\pt - } - "balls" = \table { - "-1" "\\brevisball" 0.00\pt 6.50\pt -1.79\pt 1.79\pt - "-1l" "\\brevisledger" -1.62\pt 8.12\pt -0.33\pt 0.33\pt - "-2" "\\longaball" 0.00\pt 6.50\pt -1.79\pt 1.79\pt - "-2l" "\\longaledger" -1.62\pt 8.12\pt -0.33\pt 0.33\pt - "0" "\\wholeball" 0.00\pt 6.44\pt -1.79\pt 1.79\pt - "0l" "\\wholeledger" -1.61\pt 8.04\pt -0.33\pt 0.33\pt - "1" "\\halfball" 0.00\pt 4.48\pt -1.79\pt 1.79\pt - "1l" "\\halfledger" -1.12\pt 5.60\pt -0.33\pt 0.33\pt - "2" "\\quartball" 0.00\pt 4.29\pt -1.79\pt 1.79\pt - "2l" "\\quartledger" -1.07\pt 5.37\pt -0.33\pt 0.33\pt - } - "scripts" = \table { - "ufermata" "\\ufermata" -4.31\pt 4.31\pt -0.24\pt 4.71\pt - "dfermata" "\\dfermata" -4.31\pt 4.31\pt -4.71\pt 0.24\pt - "sforzato" "\\sforzatoaccent" -2.92\pt 2.92\pt -1.62\pt 1.62\pt - "staccato" "\\staccato" -0.49\pt 0.49\pt -0.49\pt 0.49\pt - "ustaccatissimo" "\\ustaccatissimo" -0.65\pt 0.65\pt -0.20\pt 3.25\pt - "dstaccatissimo" "\\dstaccatissimo" -0.65\pt 0.65\pt -3.25\pt 0.20\pt - "tenuto" "\\tenuto" -2.92\pt 2.92\pt -0.20\pt 0.20\pt - "umarcato" "\\umarcato" -1.62\pt 1.62\pt 0.00\pt 3.58\pt - "dmarcato" "\\dmarcato" -1.62\pt 1.62\pt -3.58\pt 0.00\pt - "open" "\\ouvert" -1.30\pt 1.30\pt -1.62\pt 1.62\pt - "stopped" "\\plusstop" -1.79\pt 1.79\pt -1.79\pt 1.79\pt - "upbow" "\\upbow" -2.11\pt 2.11\pt 0.00\pt 6.76\pt - "downbow" "\\downbow" -2.44\pt 2.44\pt 0.00\pt 4.33\pt - "reverseturn" "\\reverseturn" -3.55\pt 3.55\pt -1.72\pt 1.72\pt - "turn" "\\turn" -3.55\pt 3.55\pt -1.72\pt 1.72\pt - "trill" "\\trill" -3.25\pt 3.25\pt 0.00\pt 7.31\pt - "upedalheel" "\\upedalheel" -1.62\pt 1.62\pt -1.62\pt 2.17\pt - "dpedalheel" "\\dpedalheel" -1.62\pt 1.62\pt -2.17\pt 1.62\pt - "upedaltoe" "\\upedaltoe" -1.62\pt 1.62\pt 0.00\pt 4.88\pt - "dpedaltoe" "\\dpedaltoe" -1.62\pt 1.62\pt -4.88\pt 0.00\pt - "flageolet" "\\flageolet" -1.73\pt 1.73\pt -1.73\pt 1.73\pt - "trilelement" "\\trilelement" -2.17\pt 0.85\pt -1.62\pt 1.62\pt - "prall" "\\prall" -3.67\pt 3.67\pt -1.62\pt 1.62\pt - "mordent" "\\mordent" -3.67\pt 3.67\pt -1.62\pt 1.62\pt - "prallprall" "\\prallprall" -5.18\pt 5.18\pt -1.62\pt 1.62\pt - "prallmordent" "\\prallmordent" -5.18\pt 5.18\pt -1.62\pt 1.62\pt - "upprall" "\\upprall" -5.18\pt 5.18\pt -1.62\pt 1.62\pt - "downprall" "\\downprall" -5.18\pt 5.18\pt -1.62\pt 1.62\pt - } - "flags" = \table { - "u3" "\\eighthflag" -0.16\pt 4.01\pt -9.96\pt 0.16\pt - "u4" "\\sixteenthflag" -0.16\pt 4.01\pt -11.59\pt 0.16\pt - "u5" "\\thirtysecondflag" -0.16\pt 4.01\pt -14.02\pt 0.16\pt - "u6" "\\sixtyfourthflag" -0.16\pt 4.01\pt -17.27\pt 0.16\pt - "d3" "\\deighthflag" -0.16\pt 4.44\pt -0.16\pt 9.47\pt - "d4" "\\dsixteenthflag" -0.16\pt 4.44\pt -0.16\pt 9.96\pt - "d5" "\\dthirtysecondflag" -0.16\pt 4.44\pt -0.16\pt 12.72\pt - "d6" "\\dsixtyfourthflag" -0.16\pt 4.44\pt -0.16\pt 14.35\pt - } - "clefs" = \table { - "alto" "\\altoclef" -3.25\pt 12.10\pt -6.50\pt 6.50\pt - "alto_change" "\\caltoclef" -2.60\pt 9.68\pt -5.20\pt 5.20\pt - "bass" "\\bassclef" -1.62\pt 11.70\pt -8.12\pt 3.25\pt - "bass_change" "\\cbassclef" -1.30\pt 9.36\pt -6.50\pt 2.60\pt - "violin" "\\violinclef" -2.83\pt 12.15\pt -9.75\pt 16.25\pt - "violin_change" "\\cviolinclef" -2.46\pt 9.52\pt -7.80\pt 13.00\pt - } - % } % $name diff --git a/init/feta16.ly b/init/feta16.ly deleted file mode 100644 index bf4ec3ba59..0000000000 --- a/init/feta16.ly +++ /dev/null @@ -1,89 +0,0 @@ -% Creator: mf-to-table.py version 0.6 -% Automatically generated on -% Do not edit -% input from out/feta16.log -% name=\symboltables { - "rests" = \table { - "0" "\\wholerest" 0.00\pt 6.00\pt -2.50\pt 0.00\pt - "1" "\\halfrest" 0.00\pt 6.00\pt 0.00\pt 2.50\pt - "0o" "\\outsidewholerest" -2.50\pt 8.50\pt -2.50\pt 0.40\pt - "1o" "\\outsidehalfrest" -2.50\pt 8.50\pt -0.40\pt 2.50\pt - "2" "\\quartrest" 0.00\pt 4.32\pt 3.00\pt 14.40\pt - "3" "\\eighthrest" 0.00\pt 5.33\pt 4.00\pt 11.37\pt - "4" "\\sixteenthrest" 0.00\pt 6.21\pt 0.00\pt 11.37\pt - "5" "\\thirtysecondrest" 0.00\pt 7.00\pt 0.00\pt 15.37\pt - "6" "\\sixtyfourthrest" 0.00\pt 7.51\pt 0.00\pt 19.37\pt - "7" "\\hundredtwentyeighthrest" 0.00\pt 8.36\pt 0.00\pt 23.37\pt - } - "accidentals" = \table { - "1" "\\sharp" 0.00\pt 4.40\pt -6.00\pt 6.00\pt - "0" "\\natural" 0.00\pt 2.67\pt -6.00\pt 6.00\pt - "-1" "\\flat" -0.48\pt 3.20\pt -2.00\pt 8.00\pt - "-2" "\\flatflat" -0.48\pt 5.80\pt -2.00\pt 8.00\pt - "2" "\\sharpsharp" 0.00\pt 4.00\pt -2.00\pt 2.00\pt - } - "dots" = \table { - "dot" "\\dot" 0.00\pt 1.80\pt -0.90\pt 0.90\pt - "repeatcolon" "\\repeatcolon" 0.00\pt 1.80\pt -2.00\pt 2.00\pt - } - "balls" = \table { - "-1" "\\brevisball" 0.00\pt 8.00\pt -2.20\pt 2.20\pt - "-1l" "\\brevisledger" -2.00\pt 10.00\pt -0.40\pt 0.40\pt - "-2" "\\longaball" 0.00\pt 8.00\pt -2.20\pt 2.20\pt - "-2l" "\\longaledger" -2.00\pt 10.00\pt -0.40\pt 0.40\pt - "0" "\\wholeball" 0.00\pt 7.92\pt -2.20\pt 2.20\pt - "0l" "\\wholeledger" -1.98\pt 9.90\pt -0.40\pt 0.40\pt - "1" "\\halfball" 0.00\pt 5.51\pt -2.20\pt 2.20\pt - "1l" "\\halfledger" -1.38\pt 6.89\pt -0.40\pt 0.40\pt - "2" "\\quartball" 0.00\pt 5.28\pt -2.20\pt 2.20\pt - "2l" "\\quartledger" -1.32\pt 6.61\pt -0.40\pt 0.40\pt - } - "scripts" = \table { - "ufermata" "\\ufermata" -5.30\pt 5.30\pt -0.30\pt 5.80\pt - "dfermata" "\\dfermata" -5.30\pt 5.30\pt -5.80\pt 0.30\pt - "sforzato" "\\sforzatoaccent" -3.60\pt 3.60\pt -2.00\pt 2.00\pt - "staccato" "\\staccato" -0.60\pt 0.60\pt -0.60\pt 0.60\pt - "ustaccatissimo" "\\ustaccatissimo" -0.80\pt 0.80\pt -0.20\pt 4.00\pt - "dstaccatissimo" "\\dstaccatissimo" -0.80\pt 0.80\pt -4.00\pt 0.20\pt - "tenuto" "\\tenuto" -3.60\pt 3.60\pt -0.24\pt 0.24\pt - "umarcato" "\\umarcato" -2.00\pt 2.00\pt 0.00\pt 4.40\pt - "dmarcato" "\\dmarcato" -2.00\pt 2.00\pt -4.40\pt 0.00\pt - "open" "\\ouvert" -1.60\pt 1.60\pt -2.00\pt 2.00\pt - "stopped" "\\plusstop" -2.20\pt 2.20\pt -2.20\pt 2.20\pt - "upbow" "\\upbow" -2.60\pt 2.60\pt 0.00\pt 8.32\pt - "downbow" "\\downbow" -3.00\pt 3.00\pt 0.00\pt 5.33\pt - "reverseturn" "\\reverseturn" -4.38\pt 4.38\pt -2.12\pt 2.12\pt - "turn" "\\turn" -4.38\pt 4.38\pt -2.12\pt 2.12\pt - "trill" "\\trill" -4.00\pt 4.00\pt 0.00\pt 9.00\pt - "upedalheel" "\\upedalheel" -2.00\pt 2.00\pt -2.00\pt 2.67\pt - "dpedalheel" "\\dpedalheel" -2.00\pt 2.00\pt -2.67\pt 2.00\pt - "upedaltoe" "\\upedaltoe" -2.00\pt 2.00\pt 0.00\pt 6.00\pt - "dpedaltoe" "\\dpedaltoe" -2.00\pt 2.00\pt -6.00\pt 0.00\pt - "flageolet" "\\flageolet" -2.13\pt 2.13\pt -2.13\pt 2.13\pt - "trilelement" "\\trilelement" -2.67\pt 1.05\pt -2.00\pt 2.00\pt - "prall" "\\prall" -4.52\pt 4.52\pt -2.00\pt 2.00\pt - "mordent" "\\mordent" -4.52\pt 4.52\pt -2.00\pt 2.00\pt - "prallprall" "\\prallprall" -6.38\pt 6.38\pt -2.00\pt 2.00\pt - "prallmordent" "\\prallmordent" -6.38\pt 6.38\pt -2.00\pt 2.00\pt - "upprall" "\\upprall" -6.38\pt 6.38\pt -2.00\pt 2.00\pt - "downprall" "\\downprall" -6.38\pt 6.38\pt -2.00\pt 2.00\pt - } - "flags" = \table { - "u3" "\\eighthflag" -0.20\pt 4.94\pt -12.26\pt 0.20\pt - "u4" "\\sixteenthflag" -0.20\pt 4.94\pt -14.26\pt 0.20\pt - "u5" "\\thirtysecondflag" -0.20\pt 4.94\pt -17.26\pt 0.20\pt - "u6" "\\sixtyfourthflag" -0.20\pt 4.94\pt -21.26\pt 0.20\pt - "d3" "\\deighthflag" -0.20\pt 5.46\pt -0.20\pt 11.66\pt - "d4" "\\dsixteenthflag" -0.20\pt 5.46\pt -0.20\pt 12.26\pt - "d5" "\\dthirtysecondflag" -0.20\pt 5.46\pt -0.20\pt 15.66\pt - "d6" "\\dsixtyfourthflag" -0.20\pt 5.46\pt -0.20\pt 17.66\pt - } - "clefs" = \table { - "alto" "\\altoclef" -4.00\pt 14.89\pt -8.00\pt 8.00\pt - "alto_change" "\\caltoclef" -3.20\pt 11.91\pt -6.40\pt 6.40\pt - "bass" "\\bassclef" -2.00\pt 14.40\pt -10.00\pt 4.00\pt - "bass_change" "\\cbassclef" -1.60\pt 11.52\pt -8.00\pt 3.20\pt - "violin" "\\violinclef" -3.49\pt 14.95\pt -12.00\pt 20.00\pt - "violin_change" "\\cviolinclef" -3.03\pt 11.72\pt -9.60\pt 16.00\pt - } - % } % $name diff --git a/init/feta19.ly b/init/feta19.ly deleted file mode 100644 index b5feea689e..0000000000 --- a/init/feta19.ly +++ /dev/null @@ -1,89 +0,0 @@ -% Creator: mf-to-table.py version 0.6 -% Automatically generated on -% Do not edit -% input from out/feta19.log -% name=\symboltables { - "rests" = \table { - "0" "\\wholerest" 0.00\pt 7.12\pt -2.97\pt 0.00\pt - "1" "\\halfrest" 0.00\pt 7.12\pt 0.00\pt 2.97\pt - "0o" "\\outsidewholerest" -2.97\pt 10.09\pt -2.97\pt 0.48\pt - "1o" "\\outsidehalfrest" -2.97\pt 10.09\pt -0.48\pt 2.97\pt - "2" "\\quartrest" 0.00\pt 5.13\pt 3.56\pt 17.10\pt - "3" "\\eighthrest" 0.00\pt 6.33\pt 4.75\pt 13.50\pt - "4" "\\sixteenthrest" 0.00\pt 7.37\pt 0.00\pt 13.50\pt - "5" "\\thirtysecondrest" 0.00\pt 8.32\pt 0.00\pt 18.25\pt - "6" "\\sixtyfourthrest" 0.00\pt 8.92\pt 0.00\pt 23.00\pt - "7" "\\hundredtwentyeighthrest" 0.00\pt 9.93\pt 0.00\pt 27.75\pt - } - "accidentals" = \table { - "1" "\\sharp" 0.00\pt 5.23\pt -7.12\pt 7.12\pt - "0" "\\natural" 0.00\pt 3.17\pt -7.12\pt 7.12\pt - "-1" "\\flat" -0.57\pt 3.80\pt -2.38\pt 9.50\pt - "-2" "\\flatflat" -0.57\pt 6.89\pt -2.38\pt 9.50\pt - "2" "\\sharpsharp" 0.00\pt 4.75\pt -2.38\pt 2.38\pt - } - "dots" = \table { - "dot" "\\dot" 0.00\pt 2.14\pt -1.07\pt 1.07\pt - "repeatcolon" "\\repeatcolon" 0.00\pt 2.14\pt -2.38\pt 2.38\pt - } - "balls" = \table { - "-1" "\\brevisball" 0.00\pt 9.50\pt -2.61\pt 2.61\pt - "-1l" "\\brevisledger" -2.38\pt 11.88\pt -0.48\pt 0.48\pt - "-2" "\\longaball" 0.00\pt 9.50\pt -2.61\pt 2.61\pt - "-2l" "\\longaledger" -2.38\pt 11.88\pt -0.48\pt 0.48\pt - "0" "\\wholeball" 0.00\pt 9.41\pt -2.61\pt 2.61\pt - "0l" "\\wholeledger" -2.35\pt 11.76\pt -0.48\pt 0.48\pt - "1" "\\halfball" 0.00\pt 6.54\pt -2.61\pt 2.61\pt - "1l" "\\halfledger" -1.64\pt 8.18\pt -0.48\pt 0.48\pt - "2" "\\quartball" 0.00\pt 6.27\pt -2.61\pt 2.61\pt - "2l" "\\quartledger" -1.57\pt 7.84\pt -0.48\pt 0.48\pt - } - "scripts" = \table { - "ufermata" "\\ufermata" -6.29\pt 6.29\pt -0.36\pt 6.89\pt - "dfermata" "\\dfermata" -6.29\pt 6.29\pt -6.89\pt 0.36\pt - "sforzato" "\\sforzatoaccent" -4.27\pt 4.27\pt -2.38\pt 2.38\pt - "staccato" "\\staccato" -0.71\pt 0.71\pt -0.71\pt 0.71\pt - "ustaccatissimo" "\\ustaccatissimo" -0.95\pt 0.95\pt -0.20\pt 4.75\pt - "dstaccatissimo" "\\dstaccatissimo" -0.95\pt 0.95\pt -4.75\pt 0.20\pt - "tenuto" "\\tenuto" -4.27\pt 4.27\pt -0.29\pt 0.29\pt - "umarcato" "\\umarcato" -2.38\pt 2.38\pt 0.00\pt 5.23\pt - "dmarcato" "\\dmarcato" -2.38\pt 2.38\pt -5.23\pt 0.00\pt - "open" "\\ouvert" -1.90\pt 1.90\pt -2.38\pt 2.38\pt - "stopped" "\\plusstop" -2.61\pt 2.61\pt -2.61\pt 2.61\pt - "upbow" "\\upbow" -3.09\pt 3.09\pt 0.00\pt 9.88\pt - "downbow" "\\downbow" -3.56\pt 3.56\pt 0.00\pt 6.33\pt - "reverseturn" "\\reverseturn" -5.20\pt 5.20\pt -2.51\pt 2.51\pt - "turn" "\\turn" -5.20\pt 5.20\pt -2.51\pt 2.51\pt - "trill" "\\trill" -4.75\pt 4.75\pt 0.00\pt 10.69\pt - "upedalheel" "\\upedalheel" -2.38\pt 2.38\pt -2.38\pt 3.17\pt - "dpedalheel" "\\dpedalheel" -2.38\pt 2.38\pt -3.17\pt 2.38\pt - "upedaltoe" "\\upedaltoe" -2.38\pt 2.38\pt 0.00\pt 7.12\pt - "dpedaltoe" "\\dpedaltoe" -2.38\pt 2.38\pt -7.12\pt 0.00\pt - "flageolet" "\\flageolet" -2.53\pt 2.53\pt -2.53\pt 2.53\pt - "trilelement" "\\trilelement" -3.17\pt 1.24\pt -2.38\pt 2.38\pt - "prall" "\\prall" -5.37\pt 5.37\pt -2.38\pt 2.38\pt - "mordent" "\\mordent" -5.37\pt 5.37\pt -2.38\pt 2.38\pt - "prallprall" "\\prallprall" -7.57\pt 7.57\pt -2.38\pt 2.38\pt - "prallmordent" "\\prallmordent" -7.57\pt 7.57\pt -2.38\pt 2.38\pt - "upprall" "\\upprall" -7.57\pt 7.57\pt -2.38\pt 2.38\pt - "downprall" "\\downprall" -7.57\pt 7.57\pt -2.38\pt 2.38\pt - } - "flags" = \table { - "u3" "\\eighthflag" -0.24\pt 5.86\pt -14.56\pt 0.24\pt - "u4" "\\sixteenthflag" -0.24\pt 5.86\pt -16.93\pt 0.24\pt - "u5" "\\thirtysecondflag" -0.24\pt 5.86\pt -20.50\pt 0.24\pt - "u6" "\\sixtyfourthflag" -0.24\pt 5.86\pt -25.25\pt 0.24\pt - "d3" "\\deighthflag" -0.24\pt 6.49\pt -0.24\pt 13.85\pt - "d4" "\\dsixteenthflag" -0.24\pt 6.49\pt -0.24\pt 14.56\pt - "d5" "\\dthirtysecondflag" -0.24\pt 6.49\pt -0.24\pt 18.60\pt - "d6" "\\dsixtyfourthflag" -0.24\pt 6.49\pt -0.24\pt 20.97\pt - } - "clefs" = \table { - "alto" "\\altoclef" -4.75\pt 17.68\pt -9.50\pt 9.50\pt - "alto_change" "\\caltoclef" -3.80\pt 14.14\pt -7.60\pt 7.60\pt - "bass" "\\bassclef" -2.38\pt 17.10\pt -11.88\pt 4.75\pt - "bass_change" "\\cbassclef" -1.90\pt 13.68\pt -9.50\pt 3.80\pt - "violin" "\\violinclef" -4.14\pt 17.75\pt -14.25\pt 23.75\pt - "violin_change" "\\cviolinclef" -3.60\pt 13.92\pt -11.40\pt 19.00\pt - } - % } % $name diff --git a/init/feta20.ly b/init/feta20.ly deleted file mode 100644 index e48e6606f0..0000000000 --- a/init/feta20.ly +++ /dev/null @@ -1,89 +0,0 @@ -% Creator: mf-to-table.py version 0.6 -% Automatically generated on -% Do not edit -% input from out/feta20.log -% name=\symboltables { - "rests" = \table { - "0" "\\wholerest" 0.00\pt 7.50\pt -3.12\pt 0.00\pt - "1" "\\halfrest" 0.00\pt 7.50\pt 0.00\pt 3.12\pt - "0o" "\\outsidewholerest" -3.12\pt 10.62\pt -3.12\pt 0.50\pt - "1o" "\\outsidehalfrest" -3.12\pt 10.62\pt -0.50\pt 3.12\pt - "2" "\\quartrest" 0.00\pt 5.40\pt 3.75\pt 18.00\pt - "3" "\\eighthrest" 0.00\pt 6.67\pt 5.00\pt 14.21\pt - "4" "\\sixteenthrest" 0.00\pt 7.76\pt 0.00\pt 14.21\pt - "5" "\\thirtysecondrest" 0.00\pt 8.75\pt 0.00\pt 19.21\pt - "6" "\\sixtyfourthrest" 0.00\pt 9.38\pt 0.00\pt 24.21\pt - "7" "\\hundredtwentyeighthrest" 0.00\pt 10.45\pt 0.00\pt 29.21\pt - } - "accidentals" = \table { - "1" "\\sharp" 0.00\pt 5.50\pt -7.50\pt 7.50\pt - "0" "\\natural" 0.00\pt 3.33\pt -7.50\pt 7.50\pt - "-1" "\\flat" -0.60\pt 4.00\pt -2.50\pt 10.00\pt - "-2" "\\flatflat" -0.60\pt 7.25\pt -2.50\pt 10.00\pt - "2" "\\sharpsharp" 0.00\pt 5.00\pt -2.50\pt 2.50\pt - } - "dots" = \table { - "dot" "\\dot" 0.00\pt 2.25\pt -1.12\pt 1.12\pt - "repeatcolon" "\\repeatcolon" 0.00\pt 2.25\pt -2.50\pt 2.50\pt - } - "balls" = \table { - "-1" "\\brevisball" 0.00\pt 10.00\pt -2.75\pt 2.75\pt - "-1l" "\\brevisledger" -2.50\pt 12.50\pt -0.50\pt 0.50\pt - "-2" "\\longaball" 0.00\pt 10.00\pt -2.75\pt 2.75\pt - "-2l" "\\longaledger" -2.50\pt 12.50\pt -0.50\pt 0.50\pt - "0" "\\wholeball" 0.00\pt 9.90\pt -2.75\pt 2.75\pt - "0l" "\\wholeledger" -2.48\pt 12.38\pt -0.50\pt 0.50\pt - "1" "\\halfball" 0.00\pt 6.89\pt -2.75\pt 2.75\pt - "1l" "\\halfledger" -1.72\pt 8.61\pt -0.50\pt 0.50\pt - "2" "\\quartball" 0.00\pt 6.61\pt -2.75\pt 2.75\pt - "2l" "\\quartledger" -1.65\pt 8.26\pt -0.50\pt 0.50\pt - } - "scripts" = \table { - "ufermata" "\\ufermata" -6.63\pt 6.63\pt -0.38\pt 7.25\pt - "dfermata" "\\dfermata" -6.63\pt 6.63\pt -7.25\pt 0.38\pt - "sforzato" "\\sforzatoaccent" -4.50\pt 4.50\pt -2.50\pt 2.50\pt - "staccato" "\\staccato" -0.75\pt 0.75\pt -0.75\pt 0.75\pt - "ustaccatissimo" "\\ustaccatissimo" -1.00\pt 1.00\pt -0.20\pt 5.00\pt - "dstaccatissimo" "\\dstaccatissimo" -1.00\pt 1.00\pt -5.00\pt 0.20\pt - "tenuto" "\\tenuto" -4.50\pt 4.50\pt -0.30\pt 0.30\pt - "umarcato" "\\umarcato" -2.50\pt 2.50\pt 0.00\pt 5.50\pt - "dmarcato" "\\dmarcato" -2.50\pt 2.50\pt -5.50\pt 0.00\pt - "open" "\\ouvert" -2.00\pt 2.00\pt -2.50\pt 2.50\pt - "stopped" "\\plusstop" -2.75\pt 2.75\pt -2.75\pt 2.75\pt - "upbow" "\\upbow" -3.25\pt 3.25\pt 0.00\pt 10.40\pt - "downbow" "\\downbow" -3.75\pt 3.75\pt 0.00\pt 6.67\pt - "reverseturn" "\\reverseturn" -5.47\pt 5.47\pt -2.65\pt 2.65\pt - "turn" "\\turn" -5.47\pt 5.47\pt -2.65\pt 2.65\pt - "trill" "\\trill" -5.00\pt 5.00\pt 0.00\pt 11.25\pt - "upedalheel" "\\upedalheel" -2.50\pt 2.50\pt -2.50\pt 3.33\pt - "dpedalheel" "\\dpedalheel" -2.50\pt 2.50\pt -3.33\pt 2.50\pt - "upedaltoe" "\\upedaltoe" -2.50\pt 2.50\pt 0.00\pt 7.50\pt - "dpedaltoe" "\\dpedaltoe" -2.50\pt 2.50\pt -7.50\pt 0.00\pt - "flageolet" "\\flageolet" -2.67\pt 2.67\pt -2.67\pt 2.67\pt - "trilelement" "\\trilelement" -3.33\pt 1.31\pt -2.50\pt 2.50\pt - "prall" "\\prall" -5.65\pt 5.65\pt -2.50\pt 2.50\pt - "mordent" "\\mordent" -5.65\pt 5.65\pt -2.50\pt 2.50\pt - "prallprall" "\\prallprall" -7.97\pt 7.97\pt -2.50\pt 2.50\pt - "prallmordent" "\\prallmordent" -7.97\pt 7.97\pt -2.50\pt 2.50\pt - "upprall" "\\upprall" -7.97\pt 7.97\pt -2.50\pt 2.50\pt - "downprall" "\\downprall" -7.97\pt 7.97\pt -2.50\pt 2.50\pt - } - "flags" = \table { - "u3" "\\eighthflag" -0.25\pt 6.17\pt -15.33\pt 0.25\pt - "u4" "\\sixteenthflag" -0.25\pt 6.17\pt -17.83\pt 0.25\pt - "u5" "\\thirtysecondflag" -0.25\pt 6.17\pt -21.58\pt 0.25\pt - "u6" "\\sixtyfourthflag" -0.25\pt 6.17\pt -26.58\pt 0.25\pt - "d3" "\\deighthflag" -0.25\pt 6.83\pt -0.25\pt 14.58\pt - "d4" "\\dsixteenthflag" -0.25\pt 6.83\pt -0.25\pt 15.33\pt - "d5" "\\dthirtysecondflag" -0.25\pt 6.83\pt -0.25\pt 19.58\pt - "d6" "\\dsixtyfourthflag" -0.25\pt 6.83\pt -0.25\pt 22.08\pt - } - "clefs" = \table { - "alto" "\\altoclef" -5.00\pt 18.61\pt -10.00\pt 10.00\pt - "alto_change" "\\caltoclef" -4.00\pt 14.89\pt -8.00\pt 8.00\pt - "bass" "\\bassclef" -2.50\pt 18.00\pt -12.50\pt 5.00\pt - "bass_change" "\\cbassclef" -2.00\pt 14.40\pt -10.00\pt 4.00\pt - "violin" "\\violinclef" -4.36\pt 18.69\pt -15.00\pt 25.00\pt - "violin_change" "\\cviolinclef" -3.79\pt 14.65\pt -12.00\pt 20.00\pt - } - % } % $name diff --git a/init/feta23.ly b/init/feta23.ly deleted file mode 100644 index 9d05e404ed..0000000000 --- a/init/feta23.ly +++ /dev/null @@ -1,89 +0,0 @@ -% Creator: mf-to-table.py version 0.6 -% Automatically generated on -% Do not edit -% input from out/feta23.log -% name=\symboltables { - "rests" = \table { - "0" "\\wholerest" 0.00\pt 8.44\pt -3.52\pt 0.00\pt - "1" "\\halfrest" 0.00\pt 8.44\pt 0.00\pt 3.52\pt - "0o" "\\outsidewholerest" -3.52\pt 11.95\pt -3.52\pt 0.56\pt - "1o" "\\outsidehalfrest" -3.52\pt 11.95\pt -0.56\pt 3.52\pt - "2" "\\quartrest" 0.00\pt 6.08\pt 4.22\pt 20.25\pt - "3" "\\eighthrest" 0.00\pt 7.50\pt 5.62\pt 15.98\pt - "4" "\\sixteenthrest" 0.00\pt 8.73\pt 0.00\pt 15.98\pt - "5" "\\thirtysecondrest" 0.00\pt 9.85\pt 0.00\pt 21.61\pt - "6" "\\sixtyfourthrest" 0.00\pt 10.56\pt 0.00\pt 27.23\pt - "7" "\\hundredtwentyeighthrest" 0.00\pt 11.75\pt 0.00\pt 32.86\pt - } - "accidentals" = \table { - "1" "\\sharp" 0.00\pt 6.19\pt -8.44\pt 8.44\pt - "0" "\\natural" 0.00\pt 3.75\pt -8.44\pt 8.44\pt - "-1" "\\flat" -0.68\pt 4.50\pt -2.81\pt 11.25\pt - "-2" "\\flatflat" -0.68\pt 8.16\pt -2.81\pt 11.25\pt - "2" "\\sharpsharp" 0.00\pt 5.62\pt -2.81\pt 2.81\pt - } - "dots" = \table { - "dot" "\\dot" 0.00\pt 2.53\pt -1.27\pt 1.27\pt - "repeatcolon" "\\repeatcolon" 0.00\pt 2.53\pt -2.81\pt 2.81\pt - } - "balls" = \table { - "-1" "\\brevisball" 0.00\pt 11.25\pt -3.09\pt 3.09\pt - "-1l" "\\brevisledger" -2.81\pt 14.06\pt -0.56\pt 0.56\pt - "-2" "\\longaball" 0.00\pt 11.25\pt -3.09\pt 3.09\pt - "-2l" "\\longaledger" -2.81\pt 14.06\pt -0.56\pt 0.56\pt - "0" "\\wholeball" 0.00\pt 11.14\pt -3.09\pt 3.09\pt - "0l" "\\wholeledger" -2.78\pt 13.92\pt -0.56\pt 0.56\pt - "1" "\\halfball" 0.00\pt 7.75\pt -3.09\pt 3.09\pt - "1l" "\\halfledger" -1.94\pt 9.69\pt -0.56\pt 0.56\pt - "2" "\\quartball" 0.00\pt 7.43\pt -3.09\pt 3.09\pt - "2l" "\\quartledger" -1.86\pt 9.29\pt -0.56\pt 0.56\pt - } - "scripts" = \table { - "ufermata" "\\ufermata" -7.45\pt 7.45\pt -0.42\pt 8.16\pt - "dfermata" "\\dfermata" -7.45\pt 7.45\pt -8.16\pt 0.42\pt - "sforzato" "\\sforzatoaccent" -5.06\pt 5.06\pt -2.81\pt 2.81\pt - "staccato" "\\staccato" -0.84\pt 0.84\pt -0.84\pt 0.84\pt - "ustaccatissimo" "\\ustaccatissimo" -1.13\pt 1.13\pt -0.20\pt 5.63\pt - "dstaccatissimo" "\\dstaccatissimo" -1.13\pt 1.13\pt -5.63\pt 0.20\pt - "tenuto" "\\tenuto" -5.06\pt 5.06\pt -0.34\pt 0.34\pt - "umarcato" "\\umarcato" -2.81\pt 2.81\pt 0.00\pt 6.19\pt - "dmarcato" "\\dmarcato" -2.81\pt 2.81\pt -6.19\pt 0.00\pt - "open" "\\ouvert" -2.25\pt 2.25\pt -2.81\pt 2.81\pt - "stopped" "\\plusstop" -3.09\pt 3.09\pt -3.09\pt 3.09\pt - "upbow" "\\upbow" -3.66\pt 3.66\pt 0.00\pt 11.70\pt - "downbow" "\\downbow" -4.22\pt 4.22\pt 0.00\pt 7.50\pt - "reverseturn" "\\reverseturn" -6.15\pt 6.15\pt -2.98\pt 2.98\pt - "turn" "\\turn" -6.15\pt 6.15\pt -2.98\pt 2.98\pt - "trill" "\\trill" -5.62\pt 5.62\pt 0.00\pt 12.66\pt - "upedalheel" "\\upedalheel" -2.81\pt 2.81\pt -2.81\pt 3.75\pt - "dpedalheel" "\\dpedalheel" -2.81\pt 2.81\pt -3.75\pt 2.81\pt - "upedaltoe" "\\upedaltoe" -2.81\pt 2.81\pt 0.00\pt 8.44\pt - "dpedaltoe" "\\dpedaltoe" -2.81\pt 2.81\pt -8.44\pt 0.00\pt - "flageolet" "\\flageolet" -3.00\pt 3.00\pt -3.00\pt 3.00\pt - "trilelement" "\\trilelement" -3.75\pt 1.47\pt -2.81\pt 2.81\pt - "prall" "\\prall" -6.36\pt 6.36\pt -2.81\pt 2.81\pt - "mordent" "\\mordent" -6.36\pt 6.36\pt -2.81\pt 2.81\pt - "prallprall" "\\prallprall" -8.97\pt 8.97\pt -2.81\pt 2.81\pt - "prallmordent" "\\prallmordent" -8.97\pt 8.97\pt -2.81\pt 2.81\pt - "upprall" "\\upprall" -8.97\pt 8.97\pt -2.81\pt 2.81\pt - "downprall" "\\downprall" -8.97\pt 8.97\pt -2.81\pt 2.81\pt - } - "flags" = \table { - "u3" "\\eighthflag" -0.28\pt 6.94\pt -17.24\pt 0.28\pt - "u4" "\\sixteenthflag" -0.28\pt 6.94\pt -20.05\pt 0.28\pt - "u5" "\\thirtysecondflag" -0.28\pt 6.94\pt -24.27\pt 0.28\pt - "u6" "\\sixtyfourthflag" -0.28\pt 6.94\pt -29.90\pt 0.28\pt - "d3" "\\deighthflag" -0.28\pt 7.68\pt -0.28\pt 16.40\pt - "d4" "\\dsixteenthflag" -0.28\pt 7.68\pt -0.28\pt 17.24\pt - "d5" "\\dthirtysecondflag" -0.28\pt 7.68\pt -0.28\pt 22.02\pt - "d6" "\\dsixtyfourthflag" -0.28\pt 7.68\pt -0.28\pt 24.83\pt - } - "clefs" = \table { - "alto" "\\altoclef" -5.62\pt 20.94\pt -11.25\pt 11.25\pt - "alto_change" "\\caltoclef" -4.50\pt 16.75\pt -9.00\pt 9.00\pt - "bass" "\\bassclef" -2.81\pt 20.25\pt -14.06\pt 5.62\pt - "bass_change" "\\cbassclef" -2.25\pt 16.20\pt -11.25\pt 4.50\pt - "violin" "\\violinclef" -4.90\pt 21.02\pt -16.88\pt 28.12\pt - "violin_change" "\\cviolinclef" -4.26\pt 16.48\pt -13.50\pt 22.50\pt - } - % } % $name diff --git a/init/feta26.ly b/init/feta26.ly deleted file mode 100644 index 2600e09740..0000000000 --- a/init/feta26.ly +++ /dev/null @@ -1,89 +0,0 @@ -% Creator: mf-to-table.py version 0.6 -% Automatically generated on -% Do not edit -% input from out/feta26.log -% name=\symboltables { - "rests" = \table { - "0" "\\wholerest" 0.00\pt 9.75\pt -4.06\pt 0.00\pt - "1" "\\halfrest" 0.00\pt 9.75\pt 0.00\pt 4.06\pt - "0o" "\\outsidewholerest" -4.06\pt 13.81\pt -4.06\pt 0.65\pt - "1o" "\\outsidehalfrest" -4.06\pt 13.81\pt -0.65\pt 4.06\pt - "2" "\\quartrest" 0.00\pt 7.02\pt 4.88\pt 23.40\pt - "3" "\\eighthrest" 0.00\pt 8.67\pt 6.50\pt 18.47\pt - "4" "\\sixteenthrest" 0.00\pt 10.08\pt 0.00\pt 18.47\pt - "5" "\\thirtysecondrest" 0.00\pt 11.38\pt 0.00\pt 24.97\pt - "6" "\\sixtyfourthrest" 0.00\pt 12.20\pt 0.00\pt 31.47\pt - "7" "\\hundredtwentyeighthrest" 0.00\pt 13.58\pt 0.00\pt 37.97\pt - } - "accidentals" = \table { - "1" "\\sharp" 0.00\pt 7.15\pt -9.75\pt 9.75\pt - "0" "\\natural" 0.00\pt 4.33\pt -9.75\pt 9.75\pt - "-1" "\\flat" -0.78\pt 5.20\pt -3.25\pt 13.00\pt - "-2" "\\flatflat" -0.78\pt 9.42\pt -3.25\pt 13.00\pt - "2" "\\sharpsharp" 0.00\pt 6.50\pt -3.25\pt 3.25\pt - } - "dots" = \table { - "dot" "\\dot" 0.00\pt 2.92\pt -1.46\pt 1.46\pt - "repeatcolon" "\\repeatcolon" 0.00\pt 2.92\pt -3.25\pt 3.25\pt - } - "balls" = \table { - "-1" "\\brevisball" 0.00\pt 13.00\pt -3.58\pt 3.58\pt - "-1l" "\\brevisledger" -3.25\pt 16.25\pt -0.65\pt 0.65\pt - "-2" "\\longaball" 0.00\pt 13.00\pt -3.58\pt 3.58\pt - "-2l" "\\longaledger" -3.25\pt 16.25\pt -0.65\pt 0.65\pt - "0" "\\wholeball" 0.00\pt 12.87\pt -3.58\pt 3.58\pt - "0l" "\\wholeledger" -3.22\pt 16.09\pt -0.65\pt 0.65\pt - "1" "\\halfball" 0.00\pt 8.95\pt -3.58\pt 3.58\pt - "1l" "\\halfledger" -2.24\pt 11.19\pt -0.65\pt 0.65\pt - "2" "\\quartball" 0.00\pt 8.59\pt -3.58\pt 3.58\pt - "2l" "\\quartledger" -2.15\pt 10.73\pt -0.65\pt 0.65\pt - } - "scripts" = \table { - "ufermata" "\\ufermata" -8.61\pt 8.61\pt -0.49\pt 9.43\pt - "dfermata" "\\dfermata" -8.61\pt 8.61\pt -9.43\pt 0.49\pt - "sforzato" "\\sforzatoaccent" -5.85\pt 5.85\pt -3.25\pt 3.25\pt - "staccato" "\\staccato" -0.98\pt 0.98\pt -0.98\pt 0.98\pt - "ustaccatissimo" "\\ustaccatissimo" -1.30\pt 1.30\pt -0.20\pt 6.50\pt - "dstaccatissimo" "\\dstaccatissimo" -1.30\pt 1.30\pt -6.50\pt 0.20\pt - "tenuto" "\\tenuto" -5.85\pt 5.85\pt -0.39\pt 0.39\pt - "umarcato" "\\umarcato" -3.25\pt 3.25\pt 0.00\pt 7.15\pt - "dmarcato" "\\dmarcato" -3.25\pt 3.25\pt -7.15\pt 0.00\pt - "open" "\\ouvert" -2.60\pt 2.60\pt -3.25\pt 3.25\pt - "stopped" "\\plusstop" -3.58\pt 3.58\pt -3.58\pt 3.58\pt - "upbow" "\\upbow" -4.23\pt 4.23\pt 0.00\pt 13.52\pt - "downbow" "\\downbow" -4.88\pt 4.88\pt 0.00\pt 8.67\pt - "reverseturn" "\\reverseturn" -7.11\pt 7.11\pt -3.44\pt 3.44\pt - "turn" "\\turn" -7.11\pt 7.11\pt -3.44\pt 3.44\pt - "trill" "\\trill" -6.50\pt 6.50\pt 0.00\pt 14.62\pt - "upedalheel" "\\upedalheel" -3.25\pt 3.25\pt -3.25\pt 4.33\pt - "dpedalheel" "\\dpedalheel" -3.25\pt 3.25\pt -4.33\pt 3.25\pt - "upedaltoe" "\\upedaltoe" -3.25\pt 3.25\pt 0.00\pt 9.75\pt - "dpedaltoe" "\\dpedaltoe" -3.25\pt 3.25\pt -9.75\pt 0.00\pt - "flageolet" "\\flageolet" -3.47\pt 3.47\pt -3.47\pt 3.47\pt - "trilelement" "\\trilelement" -4.33\pt 1.70\pt -3.25\pt 3.25\pt - "prall" "\\prall" -7.35\pt 7.35\pt -3.25\pt 3.25\pt - "mordent" "\\mordent" -7.35\pt 7.35\pt -3.25\pt 3.25\pt - "prallprall" "\\prallprall" -10.37\pt 10.37\pt -3.25\pt 3.25\pt - "prallmordent" "\\prallmordent" -10.37\pt 10.37\pt -3.25\pt 3.25\pt - "upprall" "\\upprall" -10.37\pt 10.37\pt -3.25\pt 3.25\pt - "downprall" "\\downprall" -10.37\pt 10.37\pt -3.25\pt 3.25\pt - } - "flags" = \table { - "u3" "\\eighthflag" -0.33\pt 8.02\pt -19.92\pt 0.33\pt - "u4" "\\sixteenthflag" -0.33\pt 8.02\pt -23.17\pt 0.33\pt - "u5" "\\thirtysecondflag" -0.33\pt 8.02\pt -28.05\pt 0.33\pt - "u6" "\\sixtyfourthflag" -0.33\pt 8.02\pt -34.55\pt 0.33\pt - "d3" "\\deighthflag" -0.33\pt 8.88\pt -0.33\pt 18.95\pt - "d4" "\\dsixteenthflag" -0.33\pt 8.88\pt -0.33\pt 19.92\pt - "d5" "\\dthirtysecondflag" -0.33\pt 8.88\pt -0.33\pt 25.45\pt - "d6" "\\dsixtyfourthflag" -0.33\pt 8.88\pt -0.33\pt 28.70\pt - } - "clefs" = \table { - "alto" "\\altoclef" -6.50\pt 24.19\pt -13.00\pt 13.00\pt - "alto_change" "\\caltoclef" -5.20\pt 19.36\pt -10.40\pt 10.40\pt - "bass" "\\bassclef" -3.25\pt 23.40\pt -16.25\pt 6.50\pt - "bass_change" "\\cbassclef" -2.60\pt 18.72\pt -13.00\pt 5.20\pt - "violin" "\\violinclef" -5.66\pt 24.29\pt -19.50\pt 32.50\pt - "violin_change" "\\cviolinclef" -4.92\pt 19.04\pt -15.60\pt 26.00\pt - } - % } % $name diff --git a/input/TODO b/input/TODO deleted file mode 100644 index d1af953ae3..0000000000 --- a/input/TODO +++ /dev/null @@ -1,5 +0,0 @@ - - - neaten/structure examples - - - rename/split into test/examples? - diff --git a/input/abbrev.ly b/input/abbrev.ly deleted file mode 100644 index c2522e60a1..0000000000 --- a/input/abbrev.ly +++ /dev/null @@ -1,22 +0,0 @@ - -\score{\melodic { - % default abbreviations - c4 c4: c4:32 c4: c4 c2. - 'a1 - 'a1:32 - 'c4:8 c': 'c4:16 c': -% [ 'c8:16 'c 'c 'c ] [ a a a a ] -% [ 'c 'f 'b e ] -% [ 'c16:32 'c 'c 'c ] [ a16:32 a a a ] -%% % there's still some hairy beam bugfixing todo -%% [ c'8:16 g d 'a ] -%% [ c'16:32 g d 'a ] -%% [ 'c8:32 'f 'b e ] - [:32 c16 e] - [:32 c16 e] - [:16 c8 e] - [:16 e4 g] - [:16 e2 g] - [:16 e1 g] - -}} diff --git a/input/beam-bug.ly b/input/beam-bug.ly deleted file mode 100644 index 75a8669be5..0000000000 --- a/input/beam-bug.ly +++ /dev/null @@ -1,35 +0,0 @@ -% silly file to test beam stem lengths -% compare to *ugly* bug in preludes-1: [e'16 c'' g' f'] -% here it's okee ?? - -one = \melodic{ - \octave c'; - [e'8 c'' g' f'] - \octave c''; - [e16-1\f c'-5( g-3 f-2] % [e-1 c'-5 g-3 e-2] - \octave c'; -% [e'16 c'' g' f'] - [e'32 c'' g' f'] - [c32 c] ['b 'b] - [c8 c] - [e8 g b] - [e16 g b] c c c - [e32 g b] c - [c c c c] - c4 c4 - \onevoice; - [e'8 c'' g' f'] - [e'16 c'' g' f'] - [e'32 c'' g' f'] - [c32 c] ['b 'b] - [c8 c] - [e8 g b] - [e16 g b] c - [e32 g b] c - [c c c c] - c4 -} - -\score{ - \one -} diff --git a/input/beams.ly b/input/beams.ly deleted file mode 100644 index 953bd7c02a..0000000000 --- a/input/beams.ly +++ /dev/null @@ -1,96 +0,0 @@ - -\header{ -filename = "beams.ly"; -composer = "heu"; -enteredby = "jcn"; -copyright = "PD"; - -TestedFeatures = "beams and beamflags"; -} -\version "0.1.9"; - -\score{ - \melodic { \multi 3 < - { \octave c'; - \meter 8/4; - \duration8; - \stemup [c c'' a' f'] - \duration16; - \stemup [c c'' a' f'] - \duration32; - \stemup [c c'' a' f'] - \duration64; - \stemup [c c'' a' f'] - \duration128; - \stemup [c c'' a' f'] - r32 - - \duration 8; - \stemup ['g 'g 'g 'g] - \duration 16; - \stemup ['g 'g 'g 'g] - \duration 32; - \stemup ['g 'g 'g 'g] - \duration 64; - \stemup ['g 'g 'g 'g] - \duration 128; - \stemup ['g 'g 'g 'g] - r32 - } - - { \octave c'; - \meter 8/4; - \duration8; - \stemdown [a' 'a c e] - \duration16; - \stemdown [a' 'a c e] - \duration32; - \stemdown [a' 'a c e] - \duration64; - \stemdown [a' 'a c e] - \duration128; - \stemdown [a' 'a c e] - r32 - - \octave c; - \duration 8; - \stemdown [d'' d'' d'' d''] - \duration 16; - \stemdown [d'' d'' d'' d''] - \duration 32; - \stemdown [d'' d'' d'' d''] - \duration 64; - \stemdown [d'' d'' d'' d''] - \duration 128; - \stemdown [d'' d'' d'' d''] - r32 - - } > - - {\duration "last"; - % ugh, "duration mode" - - [g8 g] [a a] [b b] [c' c'] - - [g16 g ] [a a] [b b] [c' c'] - [g32 g] [a a] [b b] [c' c'] - - [g64 g ] [c' c' ] - } - { - \transpose d { - \octave c'''; - | [g8 g] [a a] [b b] [c' c'] - [g16 g ] [a a] [b b] [c' c'] - [g32 g] [a a] [b b] [c' c'] - [g64 g] - [c' c'] - } - } - } - \paper{ - gourlay_maxmeasures = 1.; - } -} - - diff --git a/input/clefs.ly b/input/clefs.ly deleted file mode 100644 index 7722d99d1b..0000000000 --- a/input/clefs.ly +++ /dev/null @@ -1,17 +0,0 @@ -\score { - \melodic{ \octave c'; - \clef "violin"; c1^"{violin}" \bar "||"; - \clef "french";c1^"{french}" \bar "||"; - \clef "soprano";c1^"{soprano}" \bar "||"; - \clef "mezzosoprano";c1^"{mezzosoprano}" \bar "||"; - \clef "alto";c1^"{alto}" \bar "||"; - \clef "tenor";c1^"{tenor}" \bar "||"; - \clef "baritone";c1^"{baritone}" \bar "||"; - \clef "varbaritone";c1^"{varbaritone}" \bar "||"; - \clef "bass";c1^"{bass}" \bar "||"; - \clef "subbass";c1^"{subbass}" \bar "|."; - } - \paper{ - } -} - diff --git a/input/collisions.ly b/input/collisions.ly deleted file mode 100644 index 475f2e238b..0000000000 --- a/input/collisions.ly +++ /dev/null @@ -1,91 +0,0 @@ -\header{ -filename = "collisions.ly"; -description = "random counterpoint to test collisions"; -enteredby = "HWN,JCN"; -copyright = "public domain"; -Tested = "test the Collision resolution "; -} -\version "0.1.9"; - - - -two_voice = \melodic - \multi 2 < - { \stemdown \octave c'; - c4 d e f g2~ g4 a [c8 d e f] c2| } - { \stemup - g4 f e g ~ g2 g2 c4 g4 g2 } - - > - -two_voice_steminvert = \melodic - \multi 2 < - { - \octave c'; \stemup -% the f and g on 4th beat are exceptionally ugh. - c4 d e f g2 g4 a | } - { \stemdown - g4 f e g g2 g2 } - - > - -three_voice = \melodic - \multi 2 < - { \stemup - g4 f e f g a g2 } - { \stemup \property Voice.hshift = 1 - e2 e2 e2 e2 } - { \stemdown - c4 d e d c d es } - > - - -rests = \melodic - \multi 2 < - { \stemup - | r8 r r r r r r r - [c' b a g] [f e d c] - } - { \stemdown - [c8 d e f] [g a b c'] - r r r r r r r r - } - > - -restsII = \melodic { - \octave c'; - \multi 2 < - { \stemup g' f' e' d' c' b a g f e d c } - { \stemdown r r r r r r r r r r r r } - > - \multi 2 < - { \stemup r r r r r r r r r r r r } - { \stemdown c d e f g a b c' d' e' f' g' } - > - r8 r4 - \multi 2 < r8 r8 > - \multi 2 < r8 r8 r8 > - \multi 2 < r8 r8 r8 r8 > - \multi 2 < r r > - \multi 2 < r r r > - \stemup - [c''8 r8 c''8 c''8] - [c8 r8 c8 c8] - \stemdown - [c8 r8 c8 c8] - [c''8 r8 c''8 c''8] -} - -\score{ - { \two_voice - \two_voice_steminvert - \three_voice - \rests - % UGH ! bug! - %\restsII - } - - - -% \midi { \tempo 4:80 } -} diff --git a/input/denneboom.ly b/input/denneboom.ly deleted file mode 100644 index b4aa56da13..0000000000 --- a/input/denneboom.ly +++ /dev/null @@ -1,156 +0,0 @@ -\header{ -filename = "denneboom.ly"; -enteredby = "jcn"; -copyright = "public domain"; -TestedFeatures = "This file tests silly line shapes"; -} - -\include "paper20.ly" - -\version "0.1.9"; - -oden = \lyric{ - O8 | - den-8. ne-16 boom,4. o8 | - den-8. ne-16 boom.4. Wat8 | - zijn uw tak-4 ken | - won-8. der-16 schoon4 _8 -} - -ikheb = \lyric{ - Ik8 | - heb u laatst4. in_'t8 | - bos8. zien16 staan4 _8 toen8 | - zat- en er4. geen8 | - kaars-8. jes16 aan.4 _8 -} - -ugloeit = \lyric{ - U8 | - gloeit in bar-4. re8 | - win-8. ter-16 tijd,4 r8 als8 | - sneeuw op aar-4. de8 | - licht8. ge-16 spreid.4 _8 -} - -oboom = \melodic{ - \octave c'; - 'g8 | - c8. c16 c4. d8 | - e8. e16 e4. e8 | - d e f4 'b | - d8. c16 c4 r8 -} - -bos = \melodic{ - \octave c'; - g8 | - g e a4. g8 | - g8. f16 f4 r8 f8 | - f d g4. f8 | - f8. e16 e4 r8 -} - -global = \melodic{ - \meter 3/4; - \partial 8; - \skip 4*48; - \bar "|."; -} -melody = \melodic{ - \oboom - \oboom - \bos - \oboom -} - -$melody_staff = \type Staff = melody < - \global - \melody -> - -$verse_one = \melodic{ - \oden - \oden - \ikheb - \oden -} - -$verse_one_staff = \type Lyrics = one < - \global - \$verse_one -> - -$verse_two = \melodic{ - \oden - \oden - \ugloeit - \oden -} - -$verse_two_staff = \type Lyrics = two < - \global - \$verse_two -> - -$denneboom_shape = \paper{ - \paper_twenty - indent = 20. \mm; - \shape = 70. \mm 20. \mm - 65. \mm 30. \mm - 57.5 \mm 45. \mm - 50. \mm 60. \mm - 42.5 \mm 75. \mm - 35. \mm 90. \mm - 27.5 \mm 105. \mm - 20. \mm 120. \mm - 10. \mm 140. \mm - 65. \mm 30. \mm - ; - gourlay_maxmeasures = 30.; -% uhuh, loop if you comment these in -% arithmetic_basicspace = 3.8; -% arithmetic_multiplier = 8.\pt; -} - -\score{ - < - \$melody_staff - \$verse_one_staff - > - \paper{ -% huh? -% \$denneboom_shape - \paper_twenty - indent = 20. \mm; - \shape = 70. \mm 20. \mm - 65. \mm 30. \mm - 57.5 \mm 45. \mm - 50. \mm 60. \mm - 42.5 \mm 75. \mm - 35. \mm 90. \mm - 27.5 \mm 105. \mm - 20. \mm 120. \mm - 10. \mm 140. \mm -% 65. \mm 30. \mm - 65. \mm 40. \mm - ; - gourlay_maxmeasures = 30.; -% uhuh, loop if you comment these in - arithmetic_basicspace = 3.8; -% arithmetic_multiplier = 8.\pt; - arithmetic_multiplier = 7.5\pt; - } - \midi{ \tempo 4 = 90; } -} - -%{ -\score{ - < - \$melody_staff - \$verse_two_staff - > - \paper{ \$denneboom_shape } - \midi{ \tempo 4 = 90; } -} -%} diff --git a/input/font-body.ly b/input/font-body.ly deleted file mode 100644 index 19e7078057..0000000000 --- a/input/font-body.ly +++ /dev/null @@ -1,53 +0,0 @@ -\version "0.1.9"; -FontBody= \melodic{ - \octave c'; - \bar "|:"; - \meter 4/4; - \multi 2 < { \stemup e'\longa a\breve | } - { \stemdown - c1 \clef "bass"; ''b \clef "violin"; c' a' - c2 \clef "alto"; g c' \clef "violin"; a' - } > - \stemboth - c4 g c' a' \bar ":|"; - a\ppp-\upbow a\pp-\downbow a\p^\turn a\mp^\fermata | - a\mf_\fermata a\f-\stopped a\ff-\open a\fff^\trill| - a\fp-\reverseturn a4.\sf a4.\sfz | % a\fz a\rf - [c8-\prall c-\mordent] [a'-\prallmordent a'-\prallprall] - [c-\upprall a'-\downprall] [a' c] | - [c \< d e f] [as' ges' f' e'] - [cis' dis' c' des'] [cisis' disis' \! ceses' deses'] | - \clef "bass"; - r1 r2 r4 r8 r16 r32 r64 r128 r128 | - \multi 2 < { \stemup r2 r2} {\stemdown c c }> - \multi 2 < { \stemup ''c1 } {\stemdown r1}> - \stemboth - \clef "violin"; - e8_. g'8-> e16^^ g'16_^ - e32 _| g'32^| g''32-\ltoe g''32-\lheel - e64-\rtoe g'64-\rheel c4... | - - \octave c''; - \meter 4/4; - \textstyle "finger"; - c4^"1" d^"2" e^"3" f^"4" g^"5" - - % Music to the Martians! - < bes4^"6" e_"7" c_"8" > - a^"0"_"9" - - a'^\flageolet - \textstyle "roman"; - \meter 1/2; a2 | - \meter 3/2; < a1. - { s4 \ppp \< s4 \! s4 \fff s4 \> s4 \! s4\ppp} > - | - \meter 2/4; a2 | - \meter 5/4; a1.. | - \meter 6/8; a2. | - \meter 7/8; a2.. | - \meter 9/8; a1... | - \meter 12/8; a1. | - \meter 12/4; - r1. r2. r4. r8. r16. r32. r64. r64. | - } diff --git a/input/font.ly b/input/font.ly deleted file mode 100644 index 0e92c3145d..0000000000 --- a/input/font.ly +++ /dev/null @@ -1,27 +0,0 @@ -\header{ -title= "The Feta Font"; -subtitle = "proofsheet"; -enteredby = "jcn & hwn"; -copyright = "public domain"; -description = "This file tests the Feta music font"; -% "(Feta definitively is not an abbreviation of Font-En-TjA)"; -} - -\version "0.1.9"; - -\include "font-body.ly" -\score{ - \paper{ - % don't change this. - % otherwise 16pt and 20pt layouts differ. - linewidth = 12.5 \cm; - gourlay_maxmeasures =5.; - } - \paper{ - \paper_twenty - linewidth = 17.5 \cm; - gourlay_maxmeasures =5.; - \output "font20.tex"; - } -} - diff --git a/input/font11.ly b/input/font11.ly deleted file mode 100644 index 9530ebe19d..0000000000 --- a/input/font11.ly +++ /dev/null @@ -1,22 +0,0 @@ - -\header{ -title= "The Feta Font"; -subtitle = "proofsheet"; -enteredby = "jcn & hwn"; -copyright = "public domain"; -description = "This file tests the Feta music font, 11pt"; -% "(Feta definitively is not an abbreviation of Font-En-TjA)"; -} - - -\include "paper11.ly" -\include "font-body.ly" -\score{ - \FontBody - \paper{ - \paper_eleven - linewidth = 17.5 \cm; - gourlay_maxmeasures =5.; - } -} - diff --git a/input/font13.ly b/input/font13.ly deleted file mode 100644 index d4e2d4d71d..0000000000 --- a/input/font13.ly +++ /dev/null @@ -1,22 +0,0 @@ - -\header{ -title= "The Feta Font"; -subtitle = "proofsheet"; -enteredby = "jcn & hwn"; -copyright = "public domain"; -description = "This file tests the Feta music font, 11pt"; -% "(Feta definitively is not an abbreviation of Font-En-TjA)"; -} - - -\include "paper13.ly" -\include "font-body.ly" -\score{ - \FontBody - \paper{ - \paper_thirteen - linewidth = 17.5 \cm; - gourlay_maxmeasures =5.; - } -} - diff --git a/input/font16.ly b/input/font16.ly deleted file mode 100644 index 9ba966fdf2..0000000000 --- a/input/font16.ly +++ /dev/null @@ -1,22 +0,0 @@ -\header{ -title= "The Feta Font"; -subtitle = "proofsheet"; -enteredby = "jcn & hwn"; -copyright = "public domain"; -description = "This file tests the Feta music font"; -% "(Feta definitively is not an abbreviation of Font-En-TjA)"; -} - -\version "0.1.9"; -\include "font-body.ly" - -\score{ - \FontBody - \paper{ - % don't change this. - % otherwise 16pt and 20pt layouts differ. - linewidth = 12.5 \cm; - gourlay_maxmeasures =5.; - } -} - diff --git a/input/font20.ly b/input/font20.ly deleted file mode 100644 index e78f752bd4..0000000000 --- a/input/font20.ly +++ /dev/null @@ -1,20 +0,0 @@ -\header{ -title= "The Feta font"; -subtitle = "proofsheet"; -enteredby = "jcn"; -copyright = "public domain"; -description = "This file tests the Feta music-font in the 20pt version"; -TestedFeatures = - "(Feta definitively is not an abbreviation of Font-En-TjA)"; -} - -\include "paper20.ly" -\include "font-body.ly" -\score{ - \FontBody - \paper{ - \paper_twenty - linewidth = 17.5 \cm; - gourlay_maxmeasures =5.; - } - } diff --git a/input/font26.ly b/input/font26.ly deleted file mode 100644 index e811da1d99..0000000000 --- a/input/font26.ly +++ /dev/null @@ -1,21 +0,0 @@ -\header{ -title= "The Feta Font"; -subtitle = "proofsheet"; -enteredby = "jcn & hwn"; -copyright = "public domain"; -description = "This file tests the Feta music font"; -% "(Feta definitively is not an abbreviation of Font-En-TjA)"; -} - -\include "paper26.ly" -\include "font-body.ly" - -\score{ - \FontBody - \paper{ - \paper_twentysix - linewidth = 17.5 \cm; - gourlay_maxmeasures =5.; - } -} - diff --git a/input/gourlay.ly b/input/gourlay.ly deleted file mode 100644 index 4e55085818..0000000000 --- a/input/gourlay.ly +++ /dev/null @@ -1,25 +0,0 @@ -\header{ -enteredby = "jcn"; -copyright = "PD"; -TestedFeatures = "This file tests some nasty Gourlay spacings"; -} - -\version "0.1.9"; - -%{ - -This is taken from [Gourlay]'s paper on breaking lines - -%} - -\score{ - \melodic \multi 2 < \octave c''; - { \stemup; d2 d | d d | d4 d2. | \break; c1 } - \octave c'; - { \stemdown; g4 g g g | \[2/3 g2 g2 g2 \] | g4. g8 g2 | c1 } - > - \paper{ - linewidth = 8.\cm; - } -} - diff --git a/input/sleur.ly b/input/sleur.ly deleted file mode 100644 index 4dc4e08f6d..0000000000 --- a/input/sleur.ly +++ /dev/null @@ -1,187 +0,0 @@ -\header{ -enteredby = "jcn"; -copyright = "PD"; -TestedFeatures = "This file tests Feta embedded slurs" - "(Feta definitively is not an abbreviation of Font-En-TjA)"; -} - -\version "0.1.9"; - -shortlong = \melodic{ - c4()c( c c | - c c c c | - c c c c | - c c c )c | -} - -dirs = \melodic { - \octave c'; - c'1() g' () c () g () c | -} - -complex = \melodic{ - \octave c'; - 'c16( 'e( 'g( 'b( d( f( a( c'())))))))c4 c4 | - \octave c'''; - 'c16( a( f( d( 'b( 'g( 'e( 'c())))))))c4 c4 | -} - -over = \melodic{ - \octave c'; - - e( g' g' )e - e( a' a' )e - e( b' b' )e - e( c'' c'' )e - \stemup - e( c' c' )e - e( d' d' )e - e( e' e' )e - e( c'' c'' )e - \stemboth - e( f' b' )e - e( b' f' )e - e( e'' g' )e - e( g' e'' )e - \stemup - e( d' b )e - e( b d' )e - e( f' c'' )e - e( c'' f )e -} - -under = \melodic{ - \octave c'; - \stemdown - f'( \stemboth d d \stemdown )f' - f'( \stemboth c c \stemdown )f' - f'( \stemboth 'b 'b \stemdown )f' - f'( \stemboth 'a 'a \stemdown )f' - \stemdown - f'( a a )f' - f'( g g )f' - f'( f f )f' - f'( 'a 'a )f' - - \stemdown - f'( \stemboth d 'b \stemdown )f' - f'( \stemboth 'b d \stemdown )f' - f'( \stemboth 'd 'b \stemdown )f' - f'( \stemboth 'b 'd \stemdown )f' - \stemdown - f'( f a )f' - f'( a f )f' - f'( f 'e )f' - f'( 'e f )f' -} - -eccentric = \melodic{ - \octave c'; - \stemup - \[4/7 f( a' f f f f )f \] | - \[4/7 f( f f f f a' )f \] | - \stemdown - \[4/7 e'( c e' e' e' e' )e' \] | - \[4/7 e'( e' e' e' e' c )e' \] | -} - -tiltup = \melodic{ - \octave c'; - e( c'' c'' )e' - \stemup - e( c'' c'' )e' - \stemboth - e( g' e'' )e' - \stemup - e( c'' f )e' - \stemdown - f'( \stemboth 'a 'a \stemdown )f'' - \stemdown - f'( 'a 'a )f'' -} - -tiltdown = \melodic{ - \octave c'; - e'( c'' c'' )e - \stemup - e'( c'' c'' )e - \stemboth - e'( g' e'' )e - \stemup - e'( c'' f )e - \stemdown - f''( \stemboth 'a 'a \stemdown )f' - \stemdown - f''( 'a 'a )f' -} - -broken = \melodic{ - \octave c''; - c c c c() - c c c c( - c )c c c( - c c )c c( - )a' a' a' a'() - a' a' a' a'() - c( c c )c - c( c c )'f - 'f( c c )c - 'f( c c )'f -} - -blend = \melodic{ - \octave c'; - e( c'' c'' )e - \stemup - e( c'' c'' )e - \stemdown - f'( \stemboth 'a 'a \stemdown )f' - f'( 'a 'a )f' - - \stemboth - e( c'' c'' )e' - e'( c'' c'' )e - d( d d )d - - \stemdown - e( c'' c'' )e' - e'( c'' c'' )e - d( d d )d -} - - -bug = \melodic{ - \octave c'; - a()g( f )e - b'()a'( g' )f' - g( f' e' )d' - f f( g )a - c' () b () c' c' -} - -\score{ - \melodic{ - % use blend for fast check - %\blend -% { - \shortlong - \dirs - \complex - \over - \under - \eccentric - \tiltup - \tiltdown - \bug -% } - % use broken with small linewidth - %\broken - } - \paper{ - indent = 0.0\pt; - %for broken! - %linewidth= 40.\mm; - %castingalgorithm = \Wordwrap; - } -} - diff --git a/input/slur-bug.ly b/input/slur-bug.ly deleted file mode 100644 index 6de3788161..0000000000 --- a/input/slur-bug.ly +++ /dev/null @@ -1,9 +0,0 @@ -% bug -% excentric slur can't handle this ... -\score{ - \melodic{ - \octave c; - \stemdown; - \[4/5c8( c ''f c c\]1/1 c c c )c | - } -} diff --git a/input/slurs.ly b/input/slurs.ly deleted file mode 100644 index 3d45dea955..0000000000 --- a/input/slurs.ly +++ /dev/null @@ -1,40 +0,0 @@ - -\version "0.1.9"; - -\score{ - \melodic{\octave c'; - \duration "last"; - - 'c4 ~ 'c c'' ~ c'' ~ g ~ c ~ - d ~ e ~ f ~ g ~ - a ~ b ~ 'c ~ c - - < c e ( > <)d f> - \octave c''; - < c e ( > <)d f> - \octave c'; - < c e ( > <)d' f'> - < { c ~ d } - { e ~ f } - > -% \multi 2 < -% { \stemup c'8 ~g ~e( ~c~ [c'~ g' e' )c'] c'' ~ c'' c~c } -% { \stemdown c (e g )c'~( [b a g )d] r2 } -% > - - { -% \octave c'; -% 'c16( 'e( 'g( 'b( d( f( a( c'~ )))))))c4 c4 | -% \octave c'''; -% 'c16( a( f( d( 'b( 'g( 'e( 'c~ )))))))c4 c4 | -% \octave c'; -% c'1() g' () c () g () c | - - c4()c( c c | - c c c c | - c c c c | - c c c )c | - } - } - } -} diff --git a/input/spacing.ly b/input/spacing.ly deleted file mode 100644 index 0c8729b41c..0000000000 --- a/input/spacing.ly +++ /dev/null @@ -1,70 +0,0 @@ -\header{ -title= "Spacing"; -subtitle = "proofsheet"; -enteredby = "jcn"; -copyright = "public domain"; -TestedFeatures = "This file tests various spacings"; -} - -\version "0.1.9"; - -multipart = \melodic{ - \multi 3 < - { - c4 - c - c c - } - { - [c8 c] - [c c] - [c c] [c c] - } - { - [2/3 c8 c c]1/1 - [2/3 c c c]1/1 - [2/3c c c]1/1 [2/3c c c]1/1 - } - { - [2/4 c8 c c c]1/1 - [2/4 c c c c]1/1 - [2/4c c c c]1/1 [2/4c c c c]1/1 - } - { - [2/5 c8 c c c c]1/1 - [2/5 c c c c c]1/1 - [2/5c c c c c]1/1 [2/5c c c c c]1/1 - } - { - [2/6c8 c c c c c]1/1 - [2/6c c c c c c]1/1 - [2/6c c c c c c]1/1 [2/6c c c c c c]1/1 - } - { - [2/7c8 c c c c c c]1/1 - [2/7c c c c c c c]1/1 - [2/7c c c c c c c]1/1 [2/7c c c c c c c]1/1 - } - > - } - -singlepart = \melodic{ - c4 d e f - c4 d e [f8 f] - c4 d e f8 [f16 f] - c4 d e f8 f16 [f32 f] - c4 d e f8 f16 f32 [f64 f] - c4 c4 c4 c4 - - } - - \score{ - \melodic { -% \singlepart - \multipart - } - \paper { -% linewidth= 18.\cm; -% gourlay_maxmeasures = 4.0 - } -} diff --git a/input/stem.ly b/input/stem.ly deleted file mode 100644 index 7bf1a4f42f..0000000000 --- a/input/stem.ly +++ /dev/null @@ -1,48 +0,0 @@ -\header{ -title= "Stems and Beams"; -subtitle = "proofsheet"; -enteredby = "jcn"; -copyright = "public domain"; -TestedFeatures = "This file tests the length of stems and placement -of beams"; - -} - -\version "0.1.9"; - -beamintervals = \melodic{ - \meter 7/4; - \stemup; - \octave c'; - [ c8 d ] [ c e ] [ c f ] [ c g ] [ c a ] [ c b ] [ c c' ] | - [ c 'b ] [ c 'a ] [ c 'g ] [ c 'f ] [ c 'e ] [ c 'd ] [ c 'c ] | - \octave c''; - [ c 'b ] [ c 'a ] [ c 'g ] [ c 'f ] [ c 'e ] [ c 'd ] [ c 'c ] | - \stemdown; - \octave c'''; - [ c 'b ] [ c 'a ] [ c 'g ] [ c 'f ] [ c 'e ] [ c 'd ] [ c 'c ] | - \octave c''; - [ c 'b ] [ c 'a ] [ c 'g ] [ c 'f ] [ c 'e ] [ c 'd ] [ c 'c ] | - [ c d ] [ c e ] [ c f ] [ c g ] [ c a ] [ c b ] [ c c' ] | - } - -\score{ - \melodic{ - \octave c'; - \stemup; - \meter 17/4; - 'g4 'a 'b c d e f g a b c' d' e' f' g' a' b' | - \stemdown - b' a' g' f' e' d' c' b a g f e d c 'b 'a 'g | - \beamintervals; - \transpose d \beamintervals; - \transpose e \beamintervals; - \transpose f \beamintervals; - \transpose g \beamintervals; - \transpose a \beamintervals; - \transpose b \beamintervals; - } - \paper{ - gourlay_maxmeasures = 2.; - } -} diff --git a/input/test-lyrics.ly b/input/test-lyrics.ly deleted file mode 100644 index 4d42f97030..0000000000 --- a/input/test-lyrics.ly +++ /dev/null @@ -1,64 +0,0 @@ -$somewhat_long = \lyric{ - \textstyle "roman" ; - AaaaaaA2 - BbbbbbB2 - CcccccC2 - DdddddD2 - EeeeeeE2 - FfffffF2 -} - -$rather_long = \lyric{ - \textstyle "roman" ; - LLLLoooonggggg2 - Syyllllaaabbble2 - LLLLoooonggggg2 - Syyllllllaaabbble2 - LLLLoooonggggg2 - Syyyylllaaabbble2 -} - -$quite_long = \lyric{ - \textstyle "roman" ; - LLLLLLLLLooooongggggggg2 - Syyyyyyyyyyyyylllllllaaaaaabbble2 - LLLLLLLLLooooongggggggg2 - Syyyyyyyyyyyyylllllllaaaaaabbble2 - LLLLLLLLLooooongggggggg2 - Syyyyyyyyyyyyylllllllaaaaaabbble2 -} - -$somewhat_long_lyrics_staff = \type Lyrics = somewhat < - \$somewhat_long -> - -$rather_long_lyrics_staff = \type Lyrics = rather < - \$rather_long -> - -$quite_long_lyrics_staff = \type Lyrics = quite < - \$quite_long -> - -melody = \melodic{ - \octave c'; - c4 e4 g4 e4 c4 e4 g4 e4 c4 e4 g4 e4 c4 e4 g4 e4 - c4 e4 g4 e4 c4 e4 g4 e4 c4 e4 g4 e4 c4 e4 g4 e4 -} - -$melodic_staff = \type Staff = mel < - \melody -> - -\score -{ - < - \$melodic_staff - \$somewhat_long_lyrics_staff -% \$rather_long_lyrics_staff - \$quite_long_lyrics_staff - > - \paper{ -% castingalgorithm = \Wordwrap; - } -} diff --git a/tex/eglerdefs.tex b/tex/eglerdefs.tex deleted file mode 100644 index 71857b6f13..0000000000 --- a/tex/eglerdefs.tex +++ /dev/null @@ -1,130 +0,0 @@ -% -% Has to be fixed. Exercise for the reader. -% -\input fetdefs - -\def\musixtwentyfonts{ - \font\normaltextfont=cmr10 - \font\meterfont=cmbx15 - \font\slurufont=oslu20 - \font\smalltextfont=cmr8 - \font\slurdfont=osld20 - \font\slurhfont=oslz20 - \font\hslurufont=oslhu20 - \font\hslurdfont=oslhd20 - \font\hslurhfont=oslhz20 - \font\musicfnt=opus20 - \font\musicdraw=opussps - \font\italicfont=cmti10 - \font\dynfont=cmbxti10 scaled \magstep1 - \font\musicmathfont=cmsy10 - \fettwentydefs -} - - -\def\musixsixteenfonts{ - \font\smalltextfont=cmr6 - \font\normaltextfont=cmr8 - \font\meterfont=cmbx12 - \font\italicfont=cmti8 - \font\slurufont=oslu16 - \font\slurdfont=osld16 - \font\slurhfont=oslz20 % sigh - \font\hslurufont=oslhu16 - \font\hslurdfont=oslhd16 - \font\hslurhfont=oslhz20 - \font\musicfnt=opus16 - \font\dynfont=cmbxti12 - \font\musicdraw=opussps - \font\musicmathfont=cmsy8 - \fetsixteendefs -} - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% provide interface to musixtex fonts -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\musicdef\halfrest{10} -\musicdef\outsidehalfrest{11} -\musicdef\wholerest{13} -\musicdef\outsidewholerest{12} -\musicdef\quartrest{14} -\musicdef\eighthrest{15} -\musicdef\sixteenthrest{16} -\musicdef\thirtysecondrest{17} -\musicdef\sixtyfourthrest{18} -\musicdef\sharp{93} -\musicdef\flat{91} -\musicdef\natural{95} -\musicdef\sharpsharp{94} -\musicdef\flatflat{92} - - -\musicdef\singledot{'00} -\musicdef\doubledot{'01} -\musicdef\tripledot{'02} -\musicdef\mussepline{155} - -\musicdef\violinclef{65} -\musicdef\bassclef{67} -\musicdef\altoclef{69} -\musicdef\cviolinclef{66} -\musicdef\cbassclef{68} -\musicdef\caltoclef{70} - -\musicdef\deighthflag{37} -\musicdef\dsixteenthflag{38} -\musicdef\dthirtysecondflag{39} -\musicdef\dsixtyfourthflag{40} -\musicdef\dhundredtwentyeighthflag{41} - -% pointing up -\musicdef\ueighthflag{32} -\musicdef\usixteenthflag{33} -\musicdef\uthirtysecondflag{34} -\musicdef\usixtyfourthflag{35} -\musicdef\uhundredtwentyeighthflag{36} - -\maccentdef\repeatcolon{55}{2/1} -\def\eighthflag{\topalign{\ueighthflag}} -\def\sixteenthflag{\topalign{\usixteenthflag}} -\def\thirtysecondflag{\topalign{\uthirtysecondflag}} -\def\sixtyfourthflag{\topalign{\usixtyfourthflag}} -\def\hundredtwentyeighthflag{\topalign{\uhundredtwentyeighthflag}} - -\def\cquartrest{\vertcenter\quartrest} -\def\ceighthrest{\vertcenter\eighthrest} -\def\csixteenthrest{\vertcenter\sixteenthrest} -\def\cthirtysecondrest{\vertcenter\thirtysecondrest} -\def\csixtyfourthrest{\vertcenter\sixtyfourthrest} -\def\chundredtwentyeighthrest{\vertcenter\hundredtwentyeighthrest} - -\def\lsingledot{\kern-\notewidth\singledot} -\def\ldoubledot{\kern-\notewidth\doubledot} -\def\ltripledot{\kern-\notewidth\tripledot} - -\maccentdef\sforzato{30}{-3/2} -\maccentdef\marcato{20}{-1/1} -\maccentdef\imarcato{21}{1/1} -\maccentdef\staccato{24}{-1/3} -\maccentdef\istaccato{25}{1/3} -\maccentdef\staccatissimo{28}{-5/5} -\maccentdef\istaccatissimo{29}{2/5} -\maccentdef\portato{18}{-6/5} -\maccentdef\iportato{19}{3/5} -\maccentdef\tenuto{26}{-1/1} -\maccentdef\itenuto{27}{1/1} -\maccentdef\fermata{80}{-1/1} -\maccentdef\ifermata{81}{1/1} - -\musicdef\spicato{28} -\musicdef\ispicato{29} -\musicdef\upbow{23} -\musicdef\downbow{22} - -\def\beamuslope#1#2{{\count0=#2\advance\count0 by#1 - \advance\count0 by 132 - \musicfnt\char\count0}} -\def\beamdslope#1#2{{\count0=#2\advance\count0 by#1 - \advance\count0 by 186 - \musicfnt\char\count0}} - diff --git a/tex/feta11.tex b/tex/feta11.tex deleted file mode 100644 index 33ca5ccd3b..0000000000 --- a/tex/feta11.tex +++ /dev/null @@ -1,88 +0,0 @@ -% Creator: mf-to-table.py version 0.6 -% Automatically generated on -% Do not edit -% input from out/feta11.log -% name -% rests -\fetdef\wholerest{0} -\fetdef\halfrest{1} -\fetdef\outsidewholerest{2} -\fetdef\outsidehalfrest{3} -\fetdef\quartrest{4} -\fetdef\eighthrest{5} -\fetdef\sixteenthrest{6} -\fetdef\thirtysecondrest{7} -\fetdef\sixtyfourthrest{8} -\fetdef\hundredtwentyeighthrest{9} - -% accidentals -\fetdef\sharp{10} -\fetdef\natural{11} -\fetdef\flat{12} -\fetdef\flatflat{13} -\fetdef\sharpsharp{14} - -% dots -\fetdef\dot{15} -\fetdef\repeatcolon{16} - -% balls -\fetdef\brevisball{17} -\fetdef\brevisledger{18} -\fetdef\longaball{19} -\fetdef\longaledger{20} -\fetdef\wholeball{21} -\fetdef\wholeledger{22} -\fetdef\halfball{23} -\fetdef\halfledger{24} -\fetdef\quartball{25} -\fetdef\quartledger{26} - -% scripts -\fetdef\ufermata{27} -\fetdef\dfermata{28} -\fetdef\sforzatoaccent{29} -\fetdef\staccato{30} -\fetdef\ustaccatissimo{31} -\fetdef\dstaccatissimo{32} -\fetdef\tenuto{33} -\fetdef\umarcato{34} -\fetdef\dmarcato{35} -\fetdef\ouvert{36} -\fetdef\plusstop{37} -\fetdef\upbow{38} -\fetdef\downbow{39} -\fetdef\reverseturn{40} -\fetdef\turn{41} -\fetdef\trill{42} -\fetdef\upedalheel{43} -\fetdef\dpedalheel{44} -\fetdef\upedaltoe{45} -\fetdef\dpedaltoe{46} -\fetdef\flageolet{47} -\fetdef\trilelement{48} -\fetdef\prall{49} -\fetdef\mordent{50} -\fetdef\prallprall{51} -\fetdef\prallmordent{52} -\fetdef\upprall{53} -\fetdef\downprall{54} - -% flags -\fetdef\eighthflag{55} -\fetdef\sixteenthflag{56} -\fetdef\thirtysecondflag{57} -\fetdef\sixtyfourthflag{58} -\fetdef\deighthflag{59} -\fetdef\dsixteenthflag{60} -\fetdef\dthirtysecondflag{61} -\fetdef\dsixtyfourthflag{62} - -% clefs -\fetdef\altoclef{63} -\fetdef\caltoclef{64} -\fetdef\bassclef{65} -\fetdef\cbassclef{66} -\fetdef\violinclef{67} -\fetdef\cviolinclef{68} - diff --git a/tex/feta13.tex b/tex/feta13.tex deleted file mode 100644 index 5c604206db..0000000000 --- a/tex/feta13.tex +++ /dev/null @@ -1,88 +0,0 @@ -% Creator: mf-to-table.py version 0.6 -% Automatically generated on -% Do not edit -% input from out/feta13.log -% name -% rests -\fetdef\wholerest{0} -\fetdef\halfrest{1} -\fetdef\outsidewholerest{2} -\fetdef\outsidehalfrest{3} -\fetdef\quartrest{4} -\fetdef\eighthrest{5} -\fetdef\sixteenthrest{6} -\fetdef\thirtysecondrest{7} -\fetdef\sixtyfourthrest{8} -\fetdef\hundredtwentyeighthrest{9} - -% accidentals -\fetdef\sharp{10} -\fetdef\natural{11} -\fetdef\flat{12} -\fetdef\flatflat{13} -\fetdef\sharpsharp{14} - -% dots -\fetdef\dot{15} -\fetdef\repeatcolon{16} - -% balls -\fetdef\brevisball{17} -\fetdef\brevisledger{18} -\fetdef\longaball{19} -\fetdef\longaledger{20} -\fetdef\wholeball{21} -\fetdef\wholeledger{22} -\fetdef\halfball{23} -\fetdef\halfledger{24} -\fetdef\quartball{25} -\fetdef\quartledger{26} - -% scripts -\fetdef\ufermata{27} -\fetdef\dfermata{28} -\fetdef\sforzatoaccent{29} -\fetdef\staccato{30} -\fetdef\ustaccatissimo{31} -\fetdef\dstaccatissimo{32} -\fetdef\tenuto{33} -\fetdef\umarcato{34} -\fetdef\dmarcato{35} -\fetdef\ouvert{36} -\fetdef\plusstop{37} -\fetdef\upbow{38} -\fetdef\downbow{39} -\fetdef\reverseturn{40} -\fetdef\turn{41} -\fetdef\trill{42} -\fetdef\upedalheel{43} -\fetdef\dpedalheel{44} -\fetdef\upedaltoe{45} -\fetdef\dpedaltoe{46} -\fetdef\flageolet{47} -\fetdef\trilelement{48} -\fetdef\prall{49} -\fetdef\mordent{50} -\fetdef\prallprall{51} -\fetdef\prallmordent{52} -\fetdef\upprall{53} -\fetdef\downprall{54} - -% flags -\fetdef\eighthflag{55} -\fetdef\sixteenthflag{56} -\fetdef\thirtysecondflag{57} -\fetdef\sixtyfourthflag{58} -\fetdef\deighthflag{59} -\fetdef\dsixteenthflag{60} -\fetdef\dthirtysecondflag{61} -\fetdef\dsixtyfourthflag{62} - -% clefs -\fetdef\altoclef{63} -\fetdef\caltoclef{64} -\fetdef\bassclef{65} -\fetdef\cbassclef{66} -\fetdef\violinclef{67} -\fetdef\cviolinclef{68} - diff --git a/tex/feta16.tex b/tex/feta16.tex deleted file mode 100644 index e4cac0fa9b..0000000000 --- a/tex/feta16.tex +++ /dev/null @@ -1,88 +0,0 @@ -% Creator: mf-to-table.py version 0.6 -% Automatically generated on -% Do not edit -% input from out/feta16.log -% name -% rests -\fetdef\wholerest{0} -\fetdef\halfrest{1} -\fetdef\outsidewholerest{2} -\fetdef\outsidehalfrest{3} -\fetdef\quartrest{4} -\fetdef\eighthrest{5} -\fetdef\sixteenthrest{6} -\fetdef\thirtysecondrest{7} -\fetdef\sixtyfourthrest{8} -\fetdef\hundredtwentyeighthrest{9} - -% accidentals -\fetdef\sharp{10} -\fetdef\natural{11} -\fetdef\flat{12} -\fetdef\flatflat{13} -\fetdef\sharpsharp{14} - -% dots -\fetdef\dot{15} -\fetdef\repeatcolon{16} - -% balls -\fetdef\brevisball{17} -\fetdef\brevisledger{18} -\fetdef\longaball{19} -\fetdef\longaledger{20} -\fetdef\wholeball{21} -\fetdef\wholeledger{22} -\fetdef\halfball{23} -\fetdef\halfledger{24} -\fetdef\quartball{25} -\fetdef\quartledger{26} - -% scripts -\fetdef\ufermata{27} -\fetdef\dfermata{28} -\fetdef\sforzatoaccent{29} -\fetdef\staccato{30} -\fetdef\ustaccatissimo{31} -\fetdef\dstaccatissimo{32} -\fetdef\tenuto{33} -\fetdef\umarcato{34} -\fetdef\dmarcato{35} -\fetdef\ouvert{36} -\fetdef\plusstop{37} -\fetdef\upbow{38} -\fetdef\downbow{39} -\fetdef\reverseturn{40} -\fetdef\turn{41} -\fetdef\trill{42} -\fetdef\upedalheel{43} -\fetdef\dpedalheel{44} -\fetdef\upedaltoe{45} -\fetdef\dpedaltoe{46} -\fetdef\flageolet{47} -\fetdef\trilelement{48} -\fetdef\prall{49} -\fetdef\mordent{50} -\fetdef\prallprall{51} -\fetdef\prallmordent{52} -\fetdef\upprall{53} -\fetdef\downprall{54} - -% flags -\fetdef\eighthflag{55} -\fetdef\sixteenthflag{56} -\fetdef\thirtysecondflag{57} -\fetdef\sixtyfourthflag{58} -\fetdef\deighthflag{59} -\fetdef\dsixteenthflag{60} -\fetdef\dthirtysecondflag{61} -\fetdef\dsixtyfourthflag{62} - -% clefs -\fetdef\altoclef{63} -\fetdef\caltoclef{64} -\fetdef\bassclef{65} -\fetdef\cbassclef{66} -\fetdef\violinclef{67} -\fetdef\cviolinclef{68} - diff --git a/tex/feta19.tex b/tex/feta19.tex deleted file mode 100644 index b236739fe0..0000000000 --- a/tex/feta19.tex +++ /dev/null @@ -1,88 +0,0 @@ -% Creator: mf-to-table.py version 0.6 -% Automatically generated on -% Do not edit -% input from out/feta19.log -% name -% rests -\fetdef\wholerest{0} -\fetdef\halfrest{1} -\fetdef\outsidewholerest{2} -\fetdef\outsidehalfrest{3} -\fetdef\quartrest{4} -\fetdef\eighthrest{5} -\fetdef\sixteenthrest{6} -\fetdef\thirtysecondrest{7} -\fetdef\sixtyfourthrest{8} -\fetdef\hundredtwentyeighthrest{9} - -% accidentals -\fetdef\sharp{10} -\fetdef\natural{11} -\fetdef\flat{12} -\fetdef\flatflat{13} -\fetdef\sharpsharp{14} - -% dots -\fetdef\dot{15} -\fetdef\repeatcolon{16} - -% balls -\fetdef\brevisball{17} -\fetdef\brevisledger{18} -\fetdef\longaball{19} -\fetdef\longaledger{20} -\fetdef\wholeball{21} -\fetdef\wholeledger{22} -\fetdef\halfball{23} -\fetdef\halfledger{24} -\fetdef\quartball{25} -\fetdef\quartledger{26} - -% scripts -\fetdef\ufermata{27} -\fetdef\dfermata{28} -\fetdef\sforzatoaccent{29} -\fetdef\staccato{30} -\fetdef\ustaccatissimo{31} -\fetdef\dstaccatissimo{32} -\fetdef\tenuto{33} -\fetdef\umarcato{34} -\fetdef\dmarcato{35} -\fetdef\ouvert{36} -\fetdef\plusstop{37} -\fetdef\upbow{38} -\fetdef\downbow{39} -\fetdef\reverseturn{40} -\fetdef\turn{41} -\fetdef\trill{42} -\fetdef\upedalheel{43} -\fetdef\dpedalheel{44} -\fetdef\upedaltoe{45} -\fetdef\dpedaltoe{46} -\fetdef\flageolet{47} -\fetdef\trilelement{48} -\fetdef\prall{49} -\fetdef\mordent{50} -\fetdef\prallprall{51} -\fetdef\prallmordent{52} -\fetdef\upprall{53} -\fetdef\downprall{54} - -% flags -\fetdef\eighthflag{55} -\fetdef\sixteenthflag{56} -\fetdef\thirtysecondflag{57} -\fetdef\sixtyfourthflag{58} -\fetdef\deighthflag{59} -\fetdef\dsixteenthflag{60} -\fetdef\dthirtysecondflag{61} -\fetdef\dsixtyfourthflag{62} - -% clefs -\fetdef\altoclef{63} -\fetdef\caltoclef{64} -\fetdef\bassclef{65} -\fetdef\cbassclef{66} -\fetdef\violinclef{67} -\fetdef\cviolinclef{68} - diff --git a/tex/feta20.tex b/tex/feta20.tex deleted file mode 100644 index 42e4a210b8..0000000000 --- a/tex/feta20.tex +++ /dev/null @@ -1,88 +0,0 @@ -% Creator: mf-to-table.py version 0.6 -% Automatically generated on -% Do not edit -% input from out/feta20.log -% name -% rests -\fetdef\wholerest{0} -\fetdef\halfrest{1} -\fetdef\outsidewholerest{2} -\fetdef\outsidehalfrest{3} -\fetdef\quartrest{4} -\fetdef\eighthrest{5} -\fetdef\sixteenthrest{6} -\fetdef\thirtysecondrest{7} -\fetdef\sixtyfourthrest{8} -\fetdef\hundredtwentyeighthrest{9} - -% accidentals -\fetdef\sharp{10} -\fetdef\natural{11} -\fetdef\flat{12} -\fetdef\flatflat{13} -\fetdef\sharpsharp{14} - -% dots -\fetdef\dot{15} -\fetdef\repeatcolon{16} - -% balls -\fetdef\brevisball{17} -\fetdef\brevisledger{18} -\fetdef\longaball{19} -\fetdef\longaledger{20} -\fetdef\wholeball{21} -\fetdef\wholeledger{22} -\fetdef\halfball{23} -\fetdef\halfledger{24} -\fetdef\quartball{25} -\fetdef\quartledger{26} - -% scripts -\fetdef\ufermata{27} -\fetdef\dfermata{28} -\fetdef\sforzatoaccent{29} -\fetdef\staccato{30} -\fetdef\ustaccatissimo{31} -\fetdef\dstaccatissimo{32} -\fetdef\tenuto{33} -\fetdef\umarcato{34} -\fetdef\dmarcato{35} -\fetdef\ouvert{36} -\fetdef\plusstop{37} -\fetdef\upbow{38} -\fetdef\downbow{39} -\fetdef\reverseturn{40} -\fetdef\turn{41} -\fetdef\trill{42} -\fetdef\upedalheel{43} -\fetdef\dpedalheel{44} -\fetdef\upedaltoe{45} -\fetdef\dpedaltoe{46} -\fetdef\flageolet{47} -\fetdef\trilelement{48} -\fetdef\prall{49} -\fetdef\mordent{50} -\fetdef\prallprall{51} -\fetdef\prallmordent{52} -\fetdef\upprall{53} -\fetdef\downprall{54} - -% flags -\fetdef\eighthflag{55} -\fetdef\sixteenthflag{56} -\fetdef\thirtysecondflag{57} -\fetdef\sixtyfourthflag{58} -\fetdef\deighthflag{59} -\fetdef\dsixteenthflag{60} -\fetdef\dthirtysecondflag{61} -\fetdef\dsixtyfourthflag{62} - -% clefs -\fetdef\altoclef{63} -\fetdef\caltoclef{64} -\fetdef\bassclef{65} -\fetdef\cbassclef{66} -\fetdef\violinclef{67} -\fetdef\cviolinclef{68} - diff --git a/tex/feta23.tex b/tex/feta23.tex deleted file mode 100644 index bbf2717abd..0000000000 --- a/tex/feta23.tex +++ /dev/null @@ -1,88 +0,0 @@ -% Creator: mf-to-table.py version 0.6 -% Automatically generated on -% Do not edit -% input from out/feta23.log -% name -% rests -\fetdef\wholerest{0} -\fetdef\halfrest{1} -\fetdef\outsidewholerest{2} -\fetdef\outsidehalfrest{3} -\fetdef\quartrest{4} -\fetdef\eighthrest{5} -\fetdef\sixteenthrest{6} -\fetdef\thirtysecondrest{7} -\fetdef\sixtyfourthrest{8} -\fetdef\hundredtwentyeighthrest{9} - -% accidentals -\fetdef\sharp{10} -\fetdef\natural{11} -\fetdef\flat{12} -\fetdef\flatflat{13} -\fetdef\sharpsharp{14} - -% dots -\fetdef\dot{15} -\fetdef\repeatcolon{16} - -% balls -\fetdef\brevisball{17} -\fetdef\brevisledger{18} -\fetdef\longaball{19} -\fetdef\longaledger{20} -\fetdef\wholeball{21} -\fetdef\wholeledger{22} -\fetdef\halfball{23} -\fetdef\halfledger{24} -\fetdef\quartball{25} -\fetdef\quartledger{26} - -% scripts -\fetdef\ufermata{27} -\fetdef\dfermata{28} -\fetdef\sforzatoaccent{29} -\fetdef\staccato{30} -\fetdef\ustaccatissimo{31} -\fetdef\dstaccatissimo{32} -\fetdef\tenuto{33} -\fetdef\umarcato{34} -\fetdef\dmarcato{35} -\fetdef\ouvert{36} -\fetdef\plusstop{37} -\fetdef\upbow{38} -\fetdef\downbow{39} -\fetdef\reverseturn{40} -\fetdef\turn{41} -\fetdef\trill{42} -\fetdef\upedalheel{43} -\fetdef\dpedalheel{44} -\fetdef\upedaltoe{45} -\fetdef\dpedaltoe{46} -\fetdef\flageolet{47} -\fetdef\trilelement{48} -\fetdef\prall{49} -\fetdef\mordent{50} -\fetdef\prallprall{51} -\fetdef\prallmordent{52} -\fetdef\upprall{53} -\fetdef\downprall{54} - -% flags -\fetdef\eighthflag{55} -\fetdef\sixteenthflag{56} -\fetdef\thirtysecondflag{57} -\fetdef\sixtyfourthflag{58} -\fetdef\deighthflag{59} -\fetdef\dsixteenthflag{60} -\fetdef\dthirtysecondflag{61} -\fetdef\dsixtyfourthflag{62} - -% clefs -\fetdef\altoclef{63} -\fetdef\caltoclef{64} -\fetdef\bassclef{65} -\fetdef\cbassclef{66} -\fetdef\violinclef{67} -\fetdef\cviolinclef{68} - diff --git a/tex/feta26.tex b/tex/feta26.tex deleted file mode 100644 index 501e32787e..0000000000 --- a/tex/feta26.tex +++ /dev/null @@ -1,88 +0,0 @@ -% Creator: mf-to-table.py version 0.6 -% Automatically generated on -% Do not edit -% input from out/feta26.log -% name -% rests -\fetdef\wholerest{0} -\fetdef\halfrest{1} -\fetdef\outsidewholerest{2} -\fetdef\outsidehalfrest{3} -\fetdef\quartrest{4} -\fetdef\eighthrest{5} -\fetdef\sixteenthrest{6} -\fetdef\thirtysecondrest{7} -\fetdef\sixtyfourthrest{8} -\fetdef\hundredtwentyeighthrest{9} - -% accidentals -\fetdef\sharp{10} -\fetdef\natural{11} -\fetdef\flat{12} -\fetdef\flatflat{13} -\fetdef\sharpsharp{14} - -% dots -\fetdef\dot{15} -\fetdef\repeatcolon{16} - -% balls -\fetdef\brevisball{17} -\fetdef\brevisledger{18} -\fetdef\longaball{19} -\fetdef\longaledger{20} -\fetdef\wholeball{21} -\fetdef\wholeledger{22} -\fetdef\halfball{23} -\fetdef\halfledger{24} -\fetdef\quartball{25} -\fetdef\quartledger{26} - -% scripts -\fetdef\ufermata{27} -\fetdef\dfermata{28} -\fetdef\sforzatoaccent{29} -\fetdef\staccato{30} -\fetdef\ustaccatissimo{31} -\fetdef\dstaccatissimo{32} -\fetdef\tenuto{33} -\fetdef\umarcato{34} -\fetdef\dmarcato{35} -\fetdef\ouvert{36} -\fetdef\plusstop{37} -\fetdef\upbow{38} -\fetdef\downbow{39} -\fetdef\reverseturn{40} -\fetdef\turn{41} -\fetdef\trill{42} -\fetdef\upedalheel{43} -\fetdef\dpedalheel{44} -\fetdef\upedaltoe{45} -\fetdef\dpedaltoe{46} -\fetdef\flageolet{47} -\fetdef\trilelement{48} -\fetdef\prall{49} -\fetdef\mordent{50} -\fetdef\prallprall{51} -\fetdef\prallmordent{52} -\fetdef\upprall{53} -\fetdef\downprall{54} - -% flags -\fetdef\eighthflag{55} -\fetdef\sixteenthflag{56} -\fetdef\thirtysecondflag{57} -\fetdef\sixtyfourthflag{58} -\fetdef\deighthflag{59} -\fetdef\dsixteenthflag{60} -\fetdef\dthirtysecondflag{61} -\fetdef\dsixtyfourthflag{62} - -% clefs -\fetdef\altoclef{63} -\fetdef\caltoclef{64} -\fetdef\bassclef{65} -\fetdef\cbassclef{66} -\fetdef\violinclef{67} -\fetdef\cviolinclef{68} - diff --git a/tex/taupindefs.tex b/tex/taupindefs.tex deleted file mode 100644 index 3c5921c4f1..0000000000 --- a/tex/taupindefs.tex +++ /dev/null @@ -1,145 +0,0 @@ -\def\musixtwentyfonts{ - \font\dynfont=cmbxti10 scaled \magstep2 - \font\slurufont=xslu20 - \font\slurdfont=xsld20 - \font\slurhfont=xslz20 - \font\hslurufont=xslhu20 - \font\hslurdfont=xslhd20 - \font\hslurhfont=xslhz20 - \font\musicfnt=musix20 - \font\musicdraw=musixsps - \fettwentydefs -} - - -\def\musixsixteenfonts{ - \font\normaltextfont=cmr8 %\textfont is a primitive - \font\smalltextfont=cmr6 - \font\slurufont=xslu16 - \font\slurdfont=xsld16 - \font\slurhfont=xslz20 % sigh - \font\hslurufont=xslhu16 - \font\hslurdfont=xslhd16 - \font\hslurhfont=xslhz20 - \font\musicfnt=musix16 - \font\dynfont=cmbxti10 scaled \magstep1 - \font\musicdraw=musixsps - \font\musicmathfont=cmsy8 - \fetsixteendefs -} -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% provide interface to musixtex fonts -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% \musicdef\breveball{'040} -% \musicdef\longaball{'047} -% \musicdef\quartball{'007} -% \musicdef\halfball{'010} -% \musicdef\wholeball{'011} -\musicdef\halfrest{'074} -\musicdef\wholerest{'075} -\musicdef\breverest{'072} -\musicdef\longarest{'073} - -%% hmm -\musicdef\outsidehalfrest{10} -\musicdef\outsidewholerest{11} -% \musicdef\quartrest{62} -% \musicdef\eighthrest{63} -% \musicdef\sixteenthrest{64} -% \musicdef\thirtysecondrest{65} -% \musicdef\sixtyfourthrest{66} -% \musicdef\hundredtwentyeighthrest{67} -\musicdef\sharp{52} -\musicdef\flat{50} -\musicdef\natural{54} -\musicdef\sharpsharp{53} -\musicdef\flatflat{51} - -\musicdef\singledot{'00} -\musicdef\doubledot{'01} -\musicdef\tripledot{'02} -\musicdef\mussepline{155} - -\musicdef\violinclef{71} -\musicdef\bassclef{73} -\musicdef\altoclef{75} -\musicdef\cviolinclef{72} -\musicdef\cbassclef{74} -\musicdef\caltoclef{76} - -\musicdef\deighthflag{45} -\musicdef\dsixteenthflag{46} -\musicdef\dthirtysecondflag{47} -\musicdef\dsixtyfourthflag{48} -\musicdef\dhundredtwentyeighthflag{49} - -% pointing up -\musicdef\ueighthflag{40} -\musicdef\usixteenthflag{41} -\musicdef\uthirtysecondflag{42} -\musicdef\usixtyfourthflag{43} -\musicdef\uhundredtwentyeighthflag{44} - -\maccentdef\repeatcolon{55}{2/1} -\def\eighthflag{\topalign{\ueighthflag}} -\def\sixteenthflag{\topalign{\usixteenthflag}} -\def\thirtysecondflag{\topalign{\uthirtysecondflag}} -\def\sixtyfourthflag{\topalign{\usixtyfourthflag}} -\def\hundredtwentyeighthflag{\topalign{\uhundredtwentyeighthflag}} - -\def\cquartrest{\vertcenter\quartrest} -\def\ceighthrest{\vertcenter\eighthrest} -\def\csixteenthrest{\vertcenter\sixteenthrest} -\def\cthirtysecondrest{\vertcenter\thirtysecondrest} -\def\csixtyfourthrest{\vertcenter\sixtyfourthrest} -\def\chundredtwentyeighthrest{\vertcenter\hundredtwentyeighthrest} - -\def\lsingledot{\kern-\notewidth\singledot} -\def\ldoubledot{\kern-\notewidth\doubledot} -\def\ltripledot{\kern-\notewidth\tripledot} - -\musicdef\turn{67} -\maccentdef\sforzato{30}{-3/2} -\maccentdef\marcato{20}{-1/1} -\maccentdef\imarcato{21}{1/1} -\maccentdef\staccato{24}{-1/1} -\maccentdef\istaccato{25}{1/1} -\maccentdef\staccatissimo{28}{-5/5} -\maccentdef\istaccatissimo{29}{2/5} -\maccentdef\portato{18}{-6/5} -\maccentdef\iportato{19}{3/5} -\maccentdef\tenuto{26}{-1/1} -\maccentdef\itenuto{27}{1/1} -\maccentdef\fermata{80}{-1/1} -\maccentdef\ifermata{81}{1/1} - -\musicdef\spicato{28} -\musicdef\ispicato{29} -\musicdef\upbow{23} -\musicdef\downbow{22} - -\def\tr{{\it tr}} -\def\pianobrace#1{{\musicdraw\char#1}} - -% \def\beamuslope#1#2{{\count0=#2\advance\count0 by#1 -% \advance\count0 by 122 -% \musicfnt\char\count0}} -% \def\beamdslope#1#2{{\count0=#2\advance\count0 by#1 -% \advance\count0 by 186 -% \musicfnt\char\count0}} - - - -\def\beamslope#1#2{{\count0=#2\advance\count0 by#1 - \advance\count0by128 - {\vetfont\char\count0}}} - -\def\slurcharh#1{{\slurhfont\char#1}} -\def\slurcharu#1{{\slurufont\char#1}} -\def\slurchard#1{{\slurdfont\char#1}} -\def\hslurcharh#1{{\hslurhfont\char#1}} -\def\hslurcharu#1{{\hslurufont\char#1}} -\def\hslurchard#1{{\hslurdfont\char#1}} -\def\brace#1{\count0=148\advance\count0 by #1\musicdraw\char\count0} -\def\crescendosym#1{\count0=84\advance\count0 by #1\musicdraw\char\count0} -\def\decrescendosym#1{\count0=116\advance\count0 by #1\musicdraw\char\count0}