From: fred Date: Tue, 26 Mar 2002 23:10:52 +0000 (+0000) Subject: lilypond-1.3.48 X-Git-Tag: release/1.5.59~1684 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=8d924ac03c73ecaf5f824a8449fb2e392dced0c7;p=lilypond.git lilypond-1.3.48 --- diff --git a/Documentation/user/glossary.tely b/Documentation/user/glossary.tely index 20924c7e96..7d7d5bbe01 100644 --- a/Documentation/user/glossary.tely +++ b/Documentation/user/glossary.tely @@ -47,7 +47,8 @@ The stress of one tone over others. @item accidental I: alterazione, accidente, F: alt@'eration accidentelle, D: Vorzeichen, -Versetzungszeichen, NL: voorteken, DK: l@o{}st fortegn, S: f@"ortecken, N: +Versetzungszeichen, NL: voorteken, DK: l@o{}st fortegn, S: tillf@"alligt +f@"ortecken, N: @c F: alt@'eration accidentelle, D: Vorzeichen, Versetzungszeichen, @c Akzidenz, NL: toevallig teken, I: accidento. @@ -70,31 +71,31 @@ accidental. g!1_"natural" s2 } @end mudela +@item accelerando +I: accelerando, F: accelerando, en acc@'el@'erant, D: accelerando, Schneller, +NL: accelerando, DK: accelerando, S: accelerando, N: + +Still faster tempo. + @item adagio -I: adagio, F: , D: Adagio, Langsam, NL: adagio, DK: adagio, S: adagio, N: -adagio. +I: adagio, F: adagio, lent, D: Adagio, Langsam, NL: adagio, DK: adagio, S: +adagio, N: adagio. It. comfortable, easy. 1. Slow tempo, slower - especially in even meter - than @w{@ar{}@strong{andante}} and faster than @w{@ar{}@strong{largo}}. 2. A movement in slow tempo, esepecially the scond (slow) movement of @w{@ar{}@strong{sonata}s}, symphonies etc. -@item accelerando -I: accelerando, F: , D: accelerando, Schneller, NL: accelerando, DK: -accelerando, S: accelerando, N: - -Still faster tempo. - @item allegro -I: allegro, F: , D: Allegro, Schnell, Fr@"ohlich, Lustig, NL: allegro, DK: -allegro, S: allegro, N: allegro. +I: allegro, F: allegro, D: Allegro, Schnell, Fr@"ohlich, Lustig, NL: allegro, +DK: allegro, S: allegro, N: allegro. It. cheerful. Quick tempo. Also used as a title for pieces in a quick tempo, especially the first and last movements of a @w{@ar{}@strong{sonata}}. @item alto -I: contralto, F: alto, D: Alt, NL: alt, DK: alt, S: alt, N: alt. +I: contralto, F: alto, D: Alt, NL: alt, DK: alt, S: alt, N: alt. A female voice of low range (@emph{contralto}). Originally the alto was a high male voice (hence the name) which by the use of falsetto reached the height of @@ -102,8 +103,8 @@ the female voice. This type of voice is also known as @w{@ar{}@strong{counter tenor}}. @item alto clef -I: chiave di contralto, F: , D: Altschl@"ussel, Bratschenschl@"ussel, NL: alt -sleutel, DK: altn@o{}gle, S: altklav, N: +I: chiave di contralto, F: clef d'ut troisi@`eme ligne, D: Altschl@"ussel, +Bratschenschl@"ussel, NL: alt sleutel, DK: altn@o{}gle, S: altklav, N: C clef setting central C on the middle line of the staff @w{@ar{}@strong{C clef}} @@ -216,8 +217,8 @@ Intervall, NL: overmatig interval, DK: forst@o{}rret interval, S: @w{@ar{}@strong{interval}} @item autograph -I: autografo, F: , D: Autograph, Handschrift, NL: , DK: h@aa{}ndskrift, -autograf, S: handskrift, N: . +I: autografo, F: manuscrit, D: Autograph, Handschrift, NL: manuscript, DK: +h@aa{}ndskrift, autograf, S: handskrift, N: . 1. A manuscript in the composer's own hand. 2. Music prepared for photoreproduction by freehand drawing, with only the aid of a @@ -245,15 +246,16 @@ The male voice intermediate between the @w{@ar{}@strong{bass}} and the @w{@ar{}@strong{tenor}}. @item baritone clef -I: chiave di baritono, F: , D: Barytonschl@"ussel, NL: baritonsleutel, DK: -barytonn@o{}gle, S: barytonklav, N: . +I: chiave di baritono, F: clef de ut cinqui@`eme ligne, clef de troisi@`eme +ligne, D: Barytonschl@"ussel, NL: baritonsleutel, DK: barytonn@o{}gle, S: +barytonklav, N: . C or F clef setting central C on the upper staff line. @w{@ar{}@strong{c clef}} @w{@ar{}@strong{f clef}} @item bass clef -I: chiave di basso, F: cl@'e de fa, D: Bass-Schl@"ussel, NL: bassleutel, DK: -basn@o{}gle, S: basklav, N: +I: chiave di basso, F: cl@'e de fa quatri@`eme ligne, D: Bass-Schl@"ussel, NL: +bassleutel, DK: basn@o{}gle, S: basklav, N: A clef setting with central C on the first top ledger line. @w{@ar{}@strong{f clef}} @@ -324,8 +326,8 @@ orchestral or choral score. @ @mudela[13pt,eps] -\context StaffGroup < -% \context ChoirStaff < +%\context StaffGroup < +\context ChoirStaff < \property StaffGroup.minVerticalAlign = 12 \notes\relative c'' { \clef treble; g4 e c2 } \notes\relative c { \clef bass; c1 \bar "|."; } > @@ -404,12 +406,12 @@ the middle of the 19'th century, however, most cadences have been written down by the composer. @item canon -I: canone, F: , D: Kanon, NL: canon, DK: kanon, S: kanon, N: . +I: canone, F: canon, D: Kanon, NL: canon, DK: kanon, S: kanon, N: . @w{@ar{}@strong{counterpoint}} @item cent -I: cent, F: , D: Cent, NL: cent, DK: cent, S: cent, N: . +I: cent, F: cent, D: Cent, NL: cent, DK: cent, S: cent, N: . Logarithmic unit of measurement. 1 cent is 1/1200 of an octave (1/100 of an equally tempered @w{@ar{}@strong{semitone}}) @w{@ar{}@strong{equal temperament}} @@ -460,8 +462,8 @@ A scale consisting of all 11 @w{@ar{}@strong{semitone}}s. @end mudela @item chromaticism -I: cromatismo, F: , D: Chromatik, NL: chromatiek, DK: kromatik, S: kromatik, -N: +I: cromatismo, F: chromatisme, D: Chromatik, NL: chromatiek, DK: kromatik, S: +kromatik, N: Use of tones extraneous to a @w{@ar{}@strong{diatonic scale}} (minor, major). @@ -495,14 +497,15 @@ Intervals larger than an octave @w{@ar{}@strong{interval}} @item complement -I: rivolto, F: , D: Komplement@"arintervall, NL: complementair interval, DK: -komplement@ae{}rinterval, S: komplement@"arintervall (?), N: +I: rivolto, F: intervalle compl@'ementaire, D: Komplement@"arintervall, NL: +complementair interval, DK: komplement@ae{}rinterval, S: +komplement@"arintervall (?), N: @w{@ar{}@strong{inverted interval}} @item conjunct movement -I: moto congiunto, F: mouvement conjoint, D: enge Lage(?), NL: , DK: trinvis -bev@ae{}gelse, S: stegvis r@"orelse, N: +I: moto congiunto, F: mouvement conjoint, D: schrittweise/stufenweise +Bewegung, NL: , DK: trinvis bev@ae{}gelse, S: stegvis r@"orelse, N: Melody moving in the narrow steps of the scale; @@ -603,8 +606,8 @@ abbreviation "cresc.". @end mudela @item cue-notes -I: notine, F: , D: Stichnoten, NL: stichnoten, DK: stiknoder, S: -inprickningar, N: +I: notine, F: petites notes pr@'ec@'edent l'entr@'ee d'in instrument, +r@'eplique, D: Stichnoten, NL: stichnoten, DK: stiknoder, S: inprickningar, N: In a separate part notes belonging to another part with the purpose of hinting when to start playing. Usually printed in a smaller type. @@ -612,16 +615,16 @@ when to start playing. Usually printed in a smaller type. @item D I: re, F: r@'e, D: D, d, NL: d, DK: d, S: d, N: d -@item da capo -I: da capo, F: , D: da capo, von Anfang, NL: da capo, DK: da capo, S: da capo, -N: . +@item da capo +I: da capo, F: da capo, depuis le commencement, D: da capo, von Anfang, NL: da +capo, DK: da capo, S: da capo, N: . The term indicates repetition of the piece from the beginning to the end or to a certain place marked @emph{fine}. Mostly abbreviated D.C. @item dal segno -I: dal segno, F: , D: dal segno, NL: dal segno, DK: dal segno, S: dal -segno, N: . +I: dal segno, F: dal segno, depuis le signe, D: dal segno, NL: dal segno, DK: +dal segno, S: dal segno, N: . abbreviated d.s. Repetition, not from the beginning, but from another place frequently near the beginning marked by a sign: @@ -847,8 +850,9 @@ S:@w{ }diminuendo, N:@w{ }diminuendo. @w{@ar{}@strong{decrescendo}} @item disjunct movement -I: moto disgiunto, F: mouvement disjoint, D: , NL: , DK: springende -bev@ae{}gelse, S: hoppande r@"orelse, N: +I: moto disgiunto, F: mouvement disjoint, D: +sprunghafte Bewegung, NL: , DK: springende bev@ae{}gelse, S: hoppande +r@"orelse, N: Melody moving in steps greater than those of the scale. Opposite of @ar{}@strong{conjunct movement}. @@ -892,7 +896,7 @@ The fifth @w{@ar{}@strong{scale degree}} @w{@ar{}@strong{functional harmony}} @item dorian mode I: modo dorico, F: mode dorien, D: Dorischer Kirchenton, NL: dorische -toonladder, dorischer Kirchenton, DK: dorisk skala, S: dorisk skala, N: +toonladder, dorischer Kirchenton, DK: dorisk skala, S: dorisk tonart, N: @w{@ar{}@strong{diatonic scale}} @@ -1087,7 +1091,8 @@ a4 b c2^\fermata \bar "|."; } @end mudela @item fifth -I: quinta, F: quinte, D: Quinte, NL: kwint, I: , DK: kvint, S: kvint, N: kvint. +I: quinta, F: quinte, D: Quinte, NL: kwint, DK: kvint, S: kvint, N: +kvint. @w{@ar{}@strong{interval}} @@ -1145,8 +1150,8 @@ I: fuga, F: fugue, D: Fuge, NL: fuga, DK: fuga, S: fuga, N: . @w{@ar{}@strong{counterpoint}} @item functional harmony -I: armonia funzionale, F: , D: Funktionslehre, NL: , DK: funktionsanalyse, -funktionsharmonik, S: funktionsl@"ara, N: +I: armonia funzionale, F: @'etude des functions, D: Funktionslehre, NL: , DK: +funktionsanalyse, funktionsharmonik, S: funktionsl@"ara, N: A system of harmonic analysis. It is based on the idea that, in a given key, there are only three functionally different chords: tonic (T, the chord on the @@ -1213,9 +1218,8 @@ glissando, N: glissando. Letting the pitch slide fluently from one note to the other @item grace notes -I: abbellimenti, F: fioriture, petite[s] note[s], D: Verzierungen, -Vorschl@"age, Vorschlagsnoten, NL: versieringen, DK: forsiringer, S: ornament, -N: . +I: abbellimenti, F: fioriture, D: Verzierungen, Vorschl@"age, Vorschlagsnoten, +NL: versieringen, DK: forsiringer, S: ornament, N: . Notes printed in small types to indicate that their time values are not counted in the rhythm of the bar. @w{@ar{}@strong{appoggiatura}} @@ -1229,7 +1233,7 @@ S: ackolad, b@"ojd klammer, N: . A combination of two staffs with a brace. Usually used for piano music. @item grave -I: grave, F: grave, D: grave, langsam, traurig, NL: , DK: grave, S: grave, N: +I: grave, F: grave, D: grave, langsam, traurig, NL: grave, ernstig, DK: grave, S: grave, N: . Slow, solemn. @@ -1242,7 +1246,7 @@ halvnode, S: halvnot, N: . @item half rest I: pausa di minima, F: demi-pause, UK: minim rest, D: halbe Pause, NL: halve -rust, DK: halvnodespause, S: halvnotspaus, N: . +rust, DK: halvnodespause, S: halvpaus, N: . @w{@ar{}@strong{note value}} @@ -1410,8 +1414,8 @@ The difference between an interval and an octave. @end mudela @item just intonation -I: intonazione giusta, F: , D: reine Stimmung, NL: reine stemming, DK: ren -stemning, S: ren st@"amning, N: . +I: intonazione giusta, F: intonation juste, D: reine Stimmung, NL: reine +stemming, DK: ren stemning, S: ren st@"amning, N: . Tuning system in which the notes are obtained by adding and subtracting @w{natural} fifths and thirds. @w{@ar{}@strong{temperament}} @@ -1425,7 +1429,8 @@ keys, one on c, one on c-sharp etc. @w{@ar{}@strong{key signature}} @item key signature I: armatura di chiave, F: armure, armature [de la cl@'e], D: Vorzeichen, -Tonart, NL: @w{ }toon@-soort (voortekens), DK: faste fortegn, S: largo, N: . +Tonart, NL: @w{ }toon@-soort (voortekens), DK: faste fortegn, +S: tonartssignatur, N: . The sharps or flats appearing at the beginning of each staff indicating the key of the music. @w{@ar{}@strong{accidental}} @@ -1448,7 +1453,7 @@ upwards) to the tonic scale degree. @item ledger line; leger line I: tagli addizionali, F: ligne suppl@'ementaire, D: Hilfslinie, NL: -hulplijntje, DK: hj@ae{}lpelinie, S: hj@"alpstreck, N: . +hulplijntje, DK: hj@ae{}lpelinie, S: hj@"alplinje, N: . A ledger line is an extension of the staff. @@ -1738,8 +1743,8 @@ and @w{@ar{}@strong{note}} is strongly recommended. Briefly, one sees a note, and hears a tone. @item note head -I: testa, F: , D: Notenkopf, NL: nootballetje, DK: nodehovede, S: nothuvud, N: -. +I: testa, testina, capocchia, F: t@^ete de la note, D: Notenkopf, NL: +nootballetje, DK: nodehovede, S: nothuvud, N: . A head like sign which indicates pitch by its position on a @w{@ar{}@strong{staff}} provided with a @w{@ar{}@strong{clef}}, and duration @@ -2065,7 +2070,7 @@ I: scala, F: gamme, D: Tonleiter, NL: toonladder, DK: Skala, S: skala, N: . @item scale degree I: grado della scala, F: degr@'e [de la gamme], D: Tonleiterstufe, NL: trap -[van de toonladder], DK: skalatrin, S: skalatrin (?), N: . +[van de toonladder], DK: skalatrin, S: skalsteg (?), N: . Names and symbols used in harmonic analysis to denote tones of the scale as roots of chords. The most important are degrees I = tonic (T), IV = @@ -2186,8 +2191,8 @@ A slur above or below a group of notes indicates that they are to be played breath in singing. @item solmization -I: solmisazione, F: , D: Solmisation, NL: solmizatie, DK: solmisation, S: -solmisation, N: . +I: solmisazione, F: solmisation, D: Solmisation, NL: solmizatie, DK: +solmisation, S: solmisation, N: . General term for systems of designating the degrees of the @w{@ar{}@strong{scale}}, not by letters, but by syllables (@emph{do} @@ -2295,8 +2300,8 @@ The fourth @w{@ar{}@strong{scale degree}}. @w{@ar{}@strong{functional harmony}} @item submediant -I: sopratonica, F: , D: Submediant, NL: submediant, DK: Submediant, S: -submediant, N: . +I: sopratonica, F: sous-m@'ediante, D: Submediant, NL: submediant, DK: +Submediant, S: submediant, N: . The sixth @w{@ar{}@strong{scale degree}}. @@ -2398,9 +2403,8 @@ I: terza, F: tierce, D: Terz, NL: terts, DK: terts, S: ters, N: . @item thirty-second note I: biscroma, F: triple croche, UK: demisemiquaver, D: -Zweiunddrei@ss{}igstel, Zweiunddrei@ss{}igstelnote, NL: -twee-endertigste noot, DK: toogtredivtedelsnode, S: -trettiotv@aa{}ondelsnot, N: . +Zweiunddrei@ss{}igstel, Zweiunddrei@ss{}igstelnote, NL: twee-endertig@-ste +noot, DK: toogtredivtedelsnode, S: trettiotv@aa{}ondelsnot, N: . @w{@ar{}@strong{note value}} @@ -2531,12 +2535,15 @@ a @w{@ar{}@strong{chord}}, usually in the distance of a third \property Score.barNonAuto = ##t \property Voice.textStyle = "large" \notes\relative c' { - e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 \repeat "tremolo" 16 { e32_"b" g } -} + % e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 [:32 e1_"b" g] + % e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 \repeat "tremolo" 16 { e32_"b" g } + e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 \repeat "tremolo" 8 { e32_"b" g } +} @end mudela @item triad -I: triade, F: , D: Dreiklang, NL: drieklank, DK: treklang, S: treklang, N: +I: triade, F: triade, accord parfait, accord de trois sons, D: Dreiklang, NL: +drieklank, DK: treklang, S: treklang, N: @w{@ar{}@strong{chord}} @@ -2583,7 +2590,7 @@ or by the whole orchestra (choir), either at exactly the same pitch or in a different octave. @item upbeat -I: anacrusi, F: anacrouse, D: Auftakt, NL: opmaat, I: , DK: optakt, S: +I: anacrusi, F: anacrouse, D: Auftakt, NL: opmaat, DK: optakt, S: upptakt, N: Initial note(s) of a melody occurring before the first bar @@ -2621,7 +2628,7 @@ DK: helnode, S: helnot, N: . @item whole rest I: pausa di semibreve, F: pause, UK: semibreve rest, D: Ganze Pause, NL: hele -rust, DK: helnodespause, S: helnotspaus, N: . +rust, DK: helnodespause, S: helpaus, N: . @w{@ar{}@strong{note value}} @@ -2634,8 +2641,8 @@ tones on the piano keyboard with exactly one key between them - including black and white keys - is a whole tone. @item woodwind -I: legni, F: , D: Holzbl@"aser, NL: houtblazers, DK tr@ae{}bl@ae{}sere, S: -tr@"abl@aa{}sare, N: . +I: legni, F: le bois, D: Holzbl@"aser, NL: houtblazers, DK tr@ae{}bl@ae{}sere, +S: tr@"abl@aa{}sare, N: . A family of blown wooden musical instruments. Today some of these instruments are actually made from metal. The woodwind instruments commonly used in a @@ -2693,8 +2700,8 @@ achtste @tab ottende@-del @tab @aa{}tton@-del @tab @item @item @strong{thirty-second} @tab demi@-semi@-quaver @tab bis@-croma @tab -triple croche @tab Zwei@-und@-drei@-@ss{}ig@-stel @tab 32e @tab -toog@-tredivte-del @tab trettio@-tv@aa{}on@-del @tab +triple croche @tab Zwei@-und@-drei@-@ss{}ig@-stel @tab twee-en@-dertig@-ste +@tab toog@-tredivte-del @tab trettio@-tv@aa{}on@-del @tab @item @@ -2785,6 +2792,8 @@ quotes from its articles have been included into the item explanation texts. Hugo Riemans Musiklexicon, Berlin 1929 + +Polyglottes W@"orterbuch der musikalisch Terminologie, Kassel 1980 Oxford Advanced Learner's Dictionary of Current English, Third Edition 1974. @end table