From: Phil Holmes Date: Tue, 15 Feb 2011 18:30:59 +0000 (+0000) Subject: Update essay bibliographies X-Git-Tag: release/2.13.51-1~31 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=8b9462b4cf5e328fac59687406f20c0c4b06abc4;p=lilypond.git Update essay bibliographies --- diff --git a/Documentation/essay/colorado.bib b/Documentation/essay/colorado.bib index 692388c9fc..614e0cfc30 100644 --- a/Documentation/essay/colorado.bib +++ b/Documentation/essay/colorado.bib @@ -3,7 +3,7 @@ % author =Alyssa Lamb (edited & converted to bibtex by HWN) % -@Book {jacob47:_music, +@Book{jacob47, author = {Jacob, Archibald}, year = 1947, title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur}, @@ -12,7 +12,7 @@ note = {subject: Musical notation}, } -@Book{brandt:_stand_chord_symbol_notat, +@Book{brandt, author = {Carl Brandt and Clinton Roemer}, title = {Standardized Chord Symbol Notation}, address = {Sherman Oaks, CA}, @@ -20,7 +20,7 @@ note = {subject: musical notation}, } -@Book{johnson46:_how, +@Book{johnson46, author = {Johnson, Harold M}, year = 1946, title = {How to write music manuscript an exercise-method handbook for the music student, copyist, arranger, composer, teacher}, @@ -29,7 +29,7 @@ note = {subject: Musical notation --Handbooks, manuals}, } -@Book{sadie90:_music_print_publis, +@Book{sadie90, title = {Music Printing & Publishing}, author = {Donald W. Krummel \& Stanley Sadie}, year = 1990, @@ -37,7 +37,7 @@ note = {subject: musical notation}, } -@Book{foss:_music_print, +@Book{foss, author = {Foss, Hubert}, title = {Music Printing}, series = {Practical Printing and Binding}, @@ -46,7 +46,7 @@ note = {subject: musical notation}, } -@Book{steele03:_earlies_englis_music_print, +@Book{steele03, author = {Steele, Robert}, year = 1903, title = {The Earliest English Music Printing}, @@ -54,7 +54,7 @@ note = {subject: history of music printing and engraving}, } -@Book{austin:_story_music_print, +@Book{austin, author = {Austin, Ernest}, title = {The Story of Music Printing}, address = {London}, @@ -62,7 +62,7 @@ note = {subject: history of music printing and engraving}, } -@Book{unknown_author:_pictor_histor_music_print, +@Book{unknown_author, author = {unknown author}, title = {Pictorial History of Music Printing}, address = {Elhardt, Indiana}, @@ -70,7 +70,7 @@ note = {subject: history of music printing and engraving}, } -@Book{wintermitz55:_music_autog_montev_hindem, +@Book{wintermitz55, author = {Wintermitz, Emmanuel}, year = 1955, title = {Musical Autographs from Monteverdi to Hindemith}, @@ -79,7 +79,7 @@ note = {subject: history of music printing and engraving}, } -@Book{novello47:_some_accoun_method_music_print, +@Book{novello47, author = {Novello, A}, year = 1847, @@ -88,14 +88,14 @@ note = {subject: history of music printing and engraving}, } -@Book{chrsander18:_sketc_histor_music, +@Book{chrsander18, author = {Chrsander, F.}, year = {18??}, title = {A Sketch of the HIstory of Music printing, from the 15th to the 16th century}, note = {subject: history of music printing and engraving}, } -@Article {squire1897, +@Article{squire1897, author = {Squire, W}, year = 1897, title = {Notes on Early Music Printing}, @@ -105,7 +105,7 @@ note = {subject: history of music printing and engraving}, } -@Article{meyer35:_print_music, +@Article{meyer35, author = {Meyer, K. and O'Meara, J}, year = 1935, title = {The Printing of Music, 1473-1934}, @@ -116,7 +116,7 @@ } % 4th ver., -@Article{pattison39:_notes_early_music_print, +@Article{pattison39, author = {Pattison, B}, year = 1939, title = {Notes on Early Music Printing}, @@ -126,7 +126,7 @@ pages = {389-421}, } -@Book{king64:_four_hundr_years_music_print, +@Book{king64, author = {King, H}, year = 1964, title = {Four Hundred Years of Music Printing}, @@ -135,7 +135,7 @@ } %(Rev.1961). -@Book{deutsch46:_music_number, +@Book{deutsch46, author = {Deutsch, O.F.}, year = 1946, title = {Music Publishers' Numbers}, @@ -143,7 +143,7 @@ note = {subject: history of music printing and engraving}, } -@Book{marco62:_earlies_music_print_contin_europ, +@Book{marco62, author = {Marco, G.A}, year = 1962, title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work}, @@ -151,7 +151,7 @@ note = {subject: history of music printing and engraving}, } -@Article{kinkeldey32:_music_and_music_print_incun, +@Article{kinkeldey32, author = {Kinkeldey, O}, year = 1932, title = {Music And Music Printing in Incunabula}, @@ -161,7 +161,7 @@ note = {subject: history of music printing and engraving}, } -@Book{oldman34:_collec_music_first_edition, +@Book{oldman34, author = {Oldman, C.B}, year = 1934, title = {Collecting Musical First Editions}, @@ -169,7 +169,7 @@ note = {subject: history of music printing and engraving}, } -@Book{carter34:_new_paths_book_collec, +@Book{carter34, author = {Carter, J}, year = 1934, title = {New Paths in Book Collecting}, @@ -177,7 +177,7 @@ note = {subject: history of music printing and engraving}, } -@Book{krummel58:_graph_analy_applic_early_americ_engrav_music, +@Book{krummel58, author = {Krummel, D.W.}, year = 1958, month = 9, @@ -188,7 +188,7 @@ note = {subject: history of music printing and engraving}, } -@Book{krummel71:_oblon_format_early_music_books, +@Book{krummel71, author = {Krummel, D.W}, year = 1971, title = {Oblong Format in Early Music Books}, @@ -198,13 +198,13 @@ note = {subject: history of music printing and engraving}, } -@Book{king73:_anniv_music_print, +@Book{king73, author = {King, A.H}, year = 1973, title = {The 50th Anniversary of Music Printing}, } -@Book{rastall82:_wester, +@Book{rastall82, author = {Rastall, Richard}, year = 1982, title = {The notation of Western music : an introduction}, @@ -213,7 +213,7 @@ note = {Musical notation}, } -@Book{tappolet47:_la_notat_music, +@Book{tappolet47, author = {Tappolet, Willy}, year = 1947, title = {La Notation Musicale}, @@ -222,7 +222,7 @@ publisher = {Neuchâtel}, } -@Book{williams03:_story_notat, +@Book{williams03, author = {Williams, C.F. Abdy}, year = 1903, title = {The Story of Notation}, @@ -240,7 +240,7 @@ note = {Musical notation}, } -@Book{berger93:_mensur, +@Book{berger93, author = {Berger, Anna Maria Busse}, year = 1993, title = {Mensuration and proportion signs : origins and evolution}, @@ -260,7 +260,7 @@ note = {Musical notation}, } -@Book{parrish46:_notat_mediev_music, +@Book{parrish46, author = {Parrish, Carl}, year = 1946, title = {The Notation of Medieval Music}, @@ -269,7 +269,7 @@ note = {subject: early notation}, } -@Book{patch49:_genes_music, +@Book{patch49, author = {Patch, Harry}, year = 1949, title = {Genesis of a Music}, @@ -278,7 +278,7 @@ note = {subject: early notation}, } -@Book{cage69:_notat, +@Book{cage69, author = {Cage, John}, year = 1969, title = {Notations}, @@ -290,7 +290,7 @@ chance operations.,V)}, } -@Book{gaburo77:_notat, +@Book{gaburo77, author = {Gaburo, Virginia}, year = 1977, title = {Notation}, @@ -299,7 +299,7 @@ note = {A Lecture about notation, new ideas about}, } -@Book{risatti75:_new_music_vocab, +@Book{risatti75, author = {Risatti, Howard}, year = 1975, title = {New Music Vocabulary}, @@ -308,7 +308,7 @@ note = {A Guide to Notational Signs for Contemporary Music}, } -@Book{cowell30:_new_music_resour, +@Book{cowell30, author = {Cowell, Henry}, year = 1930, title = {New Musical Resources}, @@ -317,7 +317,7 @@ note = {subject: 20th century notation}, } -@Article{cowell27:_our_inadeq_notat, +@Article{cowell27, author = {Cowell, Henry}, year = 1927, title = {Our Inadequate Notation}, @@ -327,7 +327,7 @@ note = {subject: 20th century notation}, } -@Book{bowers92:_music_letter, +@Book{bowers92, author = {Bowers, Roger}, year = 1992, title = {Music & Letters}, @@ -338,7 +338,7 @@ note = {Some reflection upon notation and proportion in Monteverdi's mass and vespers}, } -@Book{brainard92:_curren_music, +@Book{brainard92, author = {Brainard, Paul}, year = 1992, title = {Current Musicology}, @@ -348,7 +348,7 @@ note = {Proportional notation in the music of Schutz and his contemporaries in the 17th Century}, } -@Book{monelle89:_compar_liter, +@Book{monelle89, author = {Monelle, Raymond}, year = 1989, title = {Comparative Literature}, @@ -359,7 +359,7 @@ note = {Music notation and the poetic foot}, } -@Book{pinegar93:_curren_music, +@Book{pinegar93, author = {Pinegar, Sandra}, year = 1993, title = {Current Musicology}, @@ -369,7 +369,7 @@ note = {The seeds of notation and music paleography.}, } -@Book{smith90:_curren_music, +@Book{smith90, author = {Smith, Norman E}, year = 1990, title = {Current Musicology}, @@ -379,7 +379,7 @@ note = {The notation of fractio modi.}, } -@Book{treitler92:_journ_music, +@Book{treitler92, author = {Treitler, Leo}, year = 1992, title = {The Journal of Musicology}, @@ -392,7 +392,7 @@ Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.}, } -@Book{west94:_music_letter, +@Book{west94, author = {West, M.L}, year = 1994, title = {Music & Letters}, @@ -404,7 +404,7 @@ A new way of deciphering the ancient Babylonian musical notation.} } -@Book{brown86:_music_quart, +@Book{brown86, author = {Brown, Earle}, year = 1986, title = {Musical Quarterly}, @@ -414,7 +414,7 @@ note = {The notation and performance of new music.}, } -@Book{eggleston94:_notes, +@Book{eggleston94, author = {Eggleston, Suzanne}, year = 1994, title = {Notes}, @@ -428,7 +428,7 @@ contents of each listed periodical. Includes Music Notation News}, } -@Book{fuller89:_journ_music, +@Book{fuller89, author = {Fuller, David}, year = 1989, title = {The Journal of Musicology}, @@ -439,7 +439,7 @@ note = {Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).} }, -@Book{jones90:_persp_new_music, +@Book{jones90, author = {Jones, David Evan}, year = 1990, title = {Perspectives of New Music}, @@ -458,7 +458,7 @@ note = {Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan)}, } -@Book{rastall93:_music_letter, +@Book{rastall93, author = {Rastall, Richard}, year = 1993, title = {Music & Letters}, @@ -471,7 +471,7 @@ Refor by the Chroma Foundation (book reviews).}, } -@Article {Francois92, +@Article{francois92, author = {Francois, Jean-Charles}, journal = {Perspectives of New Music}, volume = {30}, diff --git a/Documentation/essay/computer-notation.bib b/Documentation/essay/computer-notation.bib index 3f5f71c62c..a2c3417336 100644 --- a/Documentation/essay/computer-notation.bib +++ b/Documentation/essay/computer-notation.bib @@ -6,7 +6,7 @@ @String{CitH = {Computing and the Humanities}} @String{CMJ = {Computer Music Journal}} -@Book {smith73, +@Book{smith73, year = {1973}, title = {Editing and Printing Music by Computer}, author = {Leland Smith}, @@ -17,7 +17,7 @@ music-printing system SCORE} } -@Article {byrd74, +@Article{byrd74, year = {1974}, title = {A System for Music Printing by Computer}, author = {Donald Byrd}, @@ -39,14 +39,14 @@ music-printing system SCORE} } % Gomberg -@PhdThesis {gomber75, +@PhdThesis{gomberg75, year = {1975}, title = {A Computer-Oriented System for Music Printing}, author = {David A. Gomberg}, school = {Washington University}, } -@Book {gomberg, +@Book{gomberg77, title = {A Computer-oriented System for Music Printing}, author = {David A. Gomberg}, journal = CitH, @@ -59,7 +59,7 @@ music-printing system SCORE} computer algorithms."} } -@TechReport{Ornstein83, +@TechReport{ornstein83, author = {Ornstein, Severo M. and John Turner Maxwell III}, title = {Mockingbird: A Composer's Amanuensis}, institution = {Xerox Palo Alto Research Center}, @@ -69,7 +69,7 @@ music-printing system SCORE} year = {1983} } -@Article{Ornstein84, +@Article{ornstein84, author = {Ornstein, Severo M. and John Turner Maxwell III}, title = {Mockingbird: A Composer's Amanuensis}, journal = {Byte}, @@ -81,7 +81,7 @@ for music composition} } % byrd -@PhdThesis {byrd85, +@PhdThesis{byrd85, year = {1985}, title = {Music Notation by Computer}, author = {Donald Byrd}, @@ -204,14 +204,14 @@ representation. HWN}, editors = {Genevois \& Orlarey} } -@Book {CASR, +@Book{casr, note = {Annual editions since 1985, many containing surveys of music typesetting technology. SP}, title = {Directory of Computer Assisted Research in Musicology}, author = {Walter B Hewlett and Eleanor Selfridge-Field}, totalentry = {Menlo Park, CA: Center for Computer Assisted Research in the Humanities}, } -@Book{selfridge-field97:_beyon_midi, +@Book{selfridge-field97, title = {Beyond MIDI: the handbook of musical codes}, editor = {Eleanor Selfridge-Field}, publisher = {MIT Press}, @@ -219,7 +219,7 @@ representation. HWN}, note = {A description of various music interchange formats.} } -@InProceedings{hoos98:_guido_music_notat_format, +@InProceedings{hoos98, title = {The {GUIDO} Music Notation Format---A Novel Approach for Adequately Representing Score-level Music}, author = {H. H. Hoos and K. A. Hamel and K. Renz and J. Kilian}, @@ -228,7 +228,7 @@ for Adequately Representing Score-level Music}, pages = {451--454}, } -@Article {blostein91, +@Article{blostein91, note = {This paper provides a overview of the algorithm used in LIME for spacing individual lines. HWN}, year = {1991}, @@ -241,7 +241,7 @@ for Adequately Representing Score-level Music}, pages = {88-99}, } -@Article {haken93, +@Article{haken93, year = {1993}, title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor}, author = {Lippold Haken and Dorothea Blostein}, @@ -277,7 +277,7 @@ relating to this interactive editor HWN}, adjacent columns.}, } -@InProceedings{bouzaiene98:_une, +@InProceedings{bouzaiene98, author = {Nabil Bouzaiene and Loïc Le Gall and Emmanuel Saint-James}, title = {Une bibliothèque pour la notation musicale baroque}, booktitle = {EP '98}, @@ -299,7 +299,7 @@ adjacent columns.}, % % MusiCopy % -@TechReport {gourlay87-spacing, +@TechReport{gourlay87-spacing, annote = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it.}, year = {1987}, title = {Spacing a Line of Music,}, @@ -308,7 +308,7 @@ annote = {Algorithm for generating spacing in one line of (polyphonic) music, ta institution = {Department of Computer and Information Science, The Ohio State University}, } -@TechReport {parish87, +@TechReport{parish87, annote = {A brief overview of {MusiCopy}}, year = {1987}, title = {{MusiCopy}: An automated Music Formatting System}, @@ -317,7 +317,7 @@ annote = {Algorithm for generating spacing in one line of (polyphonic) music, ta institution = {Department of Computer and Information Science, The Ohio State University}, } -@TechReport {gourlay87-formatting, +@TechReport{gourlay87-formatting, note = {This paper discusses the development of algorithms for the formatting of musical scores (from abstract). It also appeared at PROTEXT III, Ireland 1986}, @@ -330,7 +330,7 @@ and D. Roush and F. Sola and Y. Tien}, The Ohio State University}, } -@TechReport {hegazy87, +@TechReport{hegazy87, year = {1987}, title = {On the Implementation of the {MusiCopy} Language Processor,}, author = {Wael A. Hegazy}, @@ -354,7 +354,7 @@ the input: the elements of the input are partially complete graphic objects.}, } -@TechReport {hegazy87-breaking-tr, +@TechReport{hegazy87-breaking-tr, annote = {This generalizes \TeX's breaking algorithm to music. It also appeared in Document Manipulation and Typography, J.C. van Vliet (ed) 1988}, @@ -365,7 +365,7 @@ appeared in Document Manipulation and Typography, J.C. van Vliet (ed) institution= {Department of Computer and Information Science, The Ohio State University,}, } -@InProceedings{hegazy88:_optim, +@InProceedings{hegazy88, author = {Wael A. Hegazy and John S. Gourlay}, booktitle = {Proceedings of the International Conference on Electronic Publishing, Document Manipulation and Typography. Nice (France)}, @@ -377,7 +377,7 @@ Electronic Publishing, Document Manipulation and Typography. Nice (France)}, title = {Optimal line breaking in music}, } -@TechReport {roush87, +@TechReport{roush87, note = {User manual of MusiCopy.}, year = {1987}, title = {Using {MusiCopy}}, @@ -386,7 +386,7 @@ Electronic Publishing, Document Manipulation and Typography. Nice (France)}, institution= {Department of Computer and Information Science, The Ohio State University}, } -@TechReport {parrish87-simultaneities, +@TechReport{parrish87-simultaneities, note = {This note discusses placement of balls, stems, dots which occur at the same moment ("Simultaneity")}, @@ -397,7 +397,7 @@ Electronic Publishing, Document Manipulation and Typography. Nice (France)}, number = {OSU-CISRC-10/87-TR28}, } -@TechReport {sola87, +@TechReport{sola87, note = {Overview of a procedure for generating slurs}, year = {1987}, title = {Computer Design of Musical Slurs, Ties and Phrase Marks,}, @@ -406,7 +406,7 @@ Electronic Publishing, Document Manipulation and Typography. Nice (France)}, number = {OSU-CISRC-10/87-TR32}, } -@Article {gourlay86, +@Article{gourlay86, note = {This paper describes the MusiCopy musicsetting system and an input language to go with it.}, year = {1986}, title = {A language for music printing}, @@ -417,7 +417,7 @@ Electronic Publishing, Document Manipulation and Typography. Nice (France)}, pages = {388--401}, } -@TechReport {sola87-beams, +@TechReport{sola87-beams, institution= {Department of Computer and Information Science, The Ohio State University}, note = {Calculating beam slopes HWN}, @@ -427,7 +427,7 @@ State University}, number = {OSU-CISRC-10/87-TR30}, } -@PhdThesis {page88, +@PhdThesis{page88, note = {Don't ask Stephen for a copy. Write to the Bodleian Library, Oxford, or to the British Library, instead. SP}, year = {1988}, title = {Computer Tools for Music Information Retrieval}, @@ -477,7 +477,7 @@ general rules, similar to [parrish87-simultaneities]}, rules. Same remarks as for [grover89-twovoices] applies}, } -@PhdThesis{mueller90:_inter_bearb_musik, +@PhdThesis{mueller90, author = {Giovanni Müller}, title = {Interaktive Bearbeitung konventioneller Musiknotation}, school = {Eidgenössischen Technischen Hochschule Zürich}, @@ -500,7 +500,7 @@ WYSIWYG editor that allows one to tweak everything.}, translation = {``An automated system for printing music'' Master's Thesis Managerial Computer Science.}, } -@Article {filgueiras93, +@Article{filgueiras93, year = {1993}, title = {Representation and manipulation of music documents in SceX}, author = {Miguel Filgueiras and José Paulo Leal}, @@ -510,7 +510,7 @@ WYSIWYG editor that allows one to tweak everything.}, url= {http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.17.1480}, } -@Article {foxley87, +@Article{foxley87, note = {A paper on a simple TROFF preprocessor to typeset music.}, year = {1987}, title = {Music --- A language for typesetting music scores}, @@ -521,7 +521,7 @@ WYSIWYG editor that allows one to tweak everything.}, pages = {485-502}, } -@Article {Langston90, +@Article{langston90, note = {This paper deals with some command-line tools for music editing and playback.}, year = {1990}, @@ -533,20 +533,20 @@ WYSIWYG editor that allows one to tweak everything.}, pages = {47--61}, } -@Book {filgueiras96, +@Book{filgueiras96, year = {1996}, title = {Implementing a Symbolic Music Processing System}, author = {Miguel Filgueiras}, totalentry = {LIACC, Universidade do Porto, 1996; submitted}, } -@Book {filgueiras?, +@Book{filgueiras, title = {Some Music Typesetting Algorithms}, author = {Miguel Filgueiras}, totalentry = {Miguel Filgueiras. ``Some Music Typesetting Algorithms''. LIACC, Universidade do Porto, forthcoming}, } -@Article {colorado-web, +@Article{colorado-web, author = {Alyssa Lamb}, note = {Webpages about engraving (designed with finale users in mind) (sic) HWN}, @@ -556,7 +556,7 @@ users in mind) (sic) HWN}, year = {1996} } -@Article {tablature-web, +@Article{tablature-web, note = {FAQ (with answers) about TAB, the ASCII variant of Tablature. HWN}, title = {how to read and write tab: a guide to tab notation}, author = {Howard Wright}, @@ -564,7 +564,7 @@ users in mind) (sic) HWN}, url= {http://www.guitartabs.cc/tabfaq.shtml}, } -@Article {niff-web, +@Article{niff-web, note = {Specs for NIFF, a reasonably comprehensive but binary format for notation HWN}, year = {1995}, @@ -575,7 +575,7 @@ users in mind) (sic) HWN}, ftp = {ftp://blackbox.cartah.washington.edu} } -@Article {smdl-web, +@Article{smdl-web, author = {International Organization for Standardization (ISO)}, title = {Information Technology - Document Description and Processing Languages - Standard Music Description Language (SMDL)}, pdf = {ftp://ftp.ornl.gov/pub/sgml/wg8/smdl/10743.pdf}, @@ -586,7 +586,7 @@ definition, but no support for notation / performance whatsoever (They basically say: "You can embed a NIFF or MIDI file")}, } -@Article {rader96, +@Article{rader96, note = {Describes a system called MusicEase, and explains that it uses "constraints" (which go unexplained) to automatically position various elements.}, @@ -601,14 +601,14 @@ basically say: "You can embed a NIFF or MIDI file")}, pages = {61--69}, } -@MastersThesis{gall97:_creat, +@MastersThesis{gall97, author = {Loïc Le Gall}, title = {Création d'une police adaptée à la notation musicale baroque}, school = {École Estienne}, year = 1997, } -@TechReport{droettboom00:_study_notat_descr_languag, +@TechReport{droettboom00, author = {Michael Droettboom}, title = {Study of music Notation Description Languages}, year = 2000, @@ -618,7 +618,7 @@ issues as usability and availability of tools, GUIDO wins on implementation simplicity.}, } -@PhdThesis{gieseking01:_code_gener_noten, +@PhdThesis{gieseking01, author = {Martin Gieseking}, title = {Code-basierte Generierung interaktiver Notengraphik}, school = {Universität Osnabrück}, @@ -626,7 +626,7 @@ implementation simplicity.}, isbn = {ISBN 3-923486-30-8} } -@Book{hewlett01:_virtual_score, +@Book{hewlett01, editor = {Walter B. Hewlett and Eleanor Selfridge-Field}, title = {The Virtual Score; representation, retrieval and restoration}, publisher = {MIT Press}, @@ -634,14 +634,14 @@ implementation simplicity.}, year = 2001 } -@PhdThesis{renz02:_algor_guido, +@PhdThesis{renz02, author = {Kai Renz}, title = {Algorithms and data structures for a music notation system based on GUIDO music notation}, school = {Universität Darmstadt}, year = 2002 } -@InBook{powell02:_music, +@InBook{powell02, author = {Steven Powell}, title = {Music engraving today}, publisher = {Brichtmark}, @@ -649,7 +649,7 @@ implementation simplicity.}, note = {A "How Steven uses Finale" manual.} } -@InProceedings{nienhuys03:_lilyp, +@InProceedings{nienhuys03, author = {Han-Wen Nienhuys and Jan Nieuwenhuizen}, title = {LilyPond, a system for automated music engraving}, booktitle = {XIV Colloquium on Musical Informatics}, diff --git a/Documentation/essay/engravingbib.bib b/Documentation/essay/engravingbib.bib index 0bdad499df..ddec46fecf 100644 --- a/Documentation/essay/engravingbib.bib +++ b/Documentation/essay/engravingbib.bib @@ -6,7 +6,7 @@ % AUTHOr =Han-Wen Nienhuys % -@Book{banter, +@Book{banter87, author = {Harald Banter}, title = {Akkord Lexikon}, publisher = {Schott's Söhne}, @@ -18,7 +18,7 @@ address = {Mainz, Germany}, } -@Book{rastall, +@Book{rastall83, author = {Richard Rastall}, ALTeditor = {}, title = {The Notation of Western Music: an @@ -28,7 +28,7 @@ note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN}, } -@Book{ignatzek95:_jazzm_klavier, +@Book{ignatzek95, author = {Klaus Ignatzek}, title = {Die Jazzmethode für Klavier 1}, publisher = {Schott}, @@ -36,7 +36,7 @@ note = {This book contains a system for denoting chords that is used in LilyPond.} } -@Book{mcgrain, +@Book{mcgrain91, author = {Mark Mc Grain}, title = {Music notation}, year = 1991, @@ -48,7 +48,7 @@ content has nothing you won't find in other books like [read] or [heussenstamm]. } } -@Book{ross, +@Book{ross87, author = {Ted Ross}, title = {Teach yourself the art of music engraving and processing}, publisher = {Hansen House}, @@ -60,7 +60,7 @@ content has nothing you won't find in other books like [read] or address = {Miami, Florida}, } -@Book {read78, +@Book{read78, note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN}, year = {1978}, title = {Modern Rhythmic Notation}, @@ -68,7 +68,7 @@ content has nothing you won't find in other books like [read] or publisher = {Indiana University Press}, } -@Book {read-notation, +@Book{read79, note = {This is as close to the ``standard'' reference work for music notation issues as one is likely to get.}, title = {Music Notation: a Manual of Modern Practice}, @@ -79,7 +79,7 @@ reference work for music notation issues as one is likely to get.}, address = {New York}, } -@Book {weaner93, +@Book{weaner93, year = {1993}, title = {Standard Music Notation Practice}, author = {Maxwell Weaner and Walter Boelke}, @@ -88,7 +88,7 @@ reference work for music notation issues as one is likely to get.}, address = {New York} } -@Book {wanske, +@Book{wanske88, annote = {I. A very thorough overview of engraving practices of various craftsmen. It includes detailed specs of characters, dimensions etc. II. a thorough overview of a anonymous (by now antiquated) @@ -103,7 +103,7 @@ Notenstichs zum EDV-gesteuerten Notensatz}, isbn = {ISBN 3-7957-2886-x}, } -@Book {hader48, +@Book{hader48, year = {1948}, title = {Aus der Werkstatt eines Notenstechers}, author = {Karl Hader}, @@ -117,7 +117,7 @@ contains a few compactly formulated rules on musical orthography. Out of print.} } -@Book{gamble23:_music_engrav, +@Book{gamble23, author = {William Gamble}, title = {Music Engraving and printing. Historical and Technical Treatise}, publisher = {Sir Isaac Pitman & Sons, ltd.}, @@ -131,7 +131,7 @@ illusions. It is available as reprint from Da Capo Press, New York (1971).} } -@Booklet {mpa96, +@Booklet{mpa96, note = {Pamphlet explaining a few fine points in music font design HWN}, year = {1996}, title = {Standard music notation specifications for computer programming.}, @@ -140,7 +140,7 @@ illusions. It is available as reprint from Da Capo Press, New York publisher = {MPA}, } -@Book {donato63, +@Book{donato63, year = {1963}, author = {Anthony Donato}, title = {Preparing Music Manuscript}, @@ -148,7 +148,7 @@ illusions. It is available as reprint from Da Capo Press, New York publisher = {Prentice-Hall}, } -@Book {Karkoshka72, +@Book{karkoshka72, year = {1972}, title = {Notation in New Music; a critical guide to interpretation and realisation}, author = {Erdhard Karkoshka}, @@ -158,7 +158,7 @@ illusions. It is available as reprint from Da Capo Press, New York note = {(Out of print)}, } -@Book {Roemer84, +@Book{roemer84, year = {1984}, title = {The Art of Music Copying}, author = {Clinton Roemer}, @@ -169,7 +169,7 @@ which specializes in methods used in the commercial field. }, edition = {2nd}, } -@Book {Rosecrans79, +@Book{rosecrans79, year = {1979}, title = {Music Notation Primer}, author = {Glen Rosecrans}, @@ -178,7 +178,7 @@ which specializes in methods used in the commercial field. }, note = {Heussenstamm writes: Limited in scope, similar to [Roemer84]} } -@Book {donemus1982, +@Book{donemus82, year = {1982}, title = {Uitgeven van muziek}, subtitle = {Handleiding voor componisten en copiisten}, @@ -210,7 +210,7 @@ notation books. It also gives a good idea of what is necessary to bring printouts to publication quality. It can be ordered from the rental department.}, } -@Book {Stone80, +@Book{stone80, year = {1980}, title = {Music Notation in the Twentieth Century}, author = {Kurt Stone}, @@ -219,7 +219,7 @@ printouts to publication quality. It can be ordered from the rental department.} note = {Heussenstamm writes: The most important book on notation in recent years.}, } -@Book {Heussenstamm87, +@Book{heussenstamm87, year = {1987}, title = {The Norton Manual of Music Notation}, author = {George Heussenstamm}, @@ -228,7 +228,7 @@ printouts to publication quality. It can be ordered from the rental department.} note = {Hands-on instruction book for copying (ie. handwriting) music. Fairly complete. HWN} } -@Book {gerou96, +@Book{gerou96, note = {A cheap, concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN}, year = {1996}, title = {Essential Dictionary of Music Notation}, @@ -238,7 +238,7 @@ printouts to publication quality. It can be ordered from the rental department.} isbn = {ISBN 0-88284-768-6}, } -@Book {chlapik87, +@Book{chlapik87, note = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN}, @@ -249,7 +249,7 @@ printing music HWN}, isbn = {ISBN 3-9000 035-96-2}, } -@Book {barksdale57, +@Book{barksdale57, author = {Barksdale, A}, year = {1957}, title = {The Printed Note: 500 Years of Music Printing and Engraving}, @@ -259,7 +259,7 @@ printing music HWN}, publisher = {The Toledo Museum of Art}, } -@Book {wolf19, +@Book{wolf19, author = {Wolf, Johannes}, year = {1919}, title = {Handbuch der Notationskunde}, @@ -268,7 +268,7 @@ printing music HWN}, note = {Very thorough treatment (in two volumes) of the history of music notation}, } -@Book {rosenthal67, +@Book{rosenthal67, author = {Rosenthal, Carl A}, year = {1967}, title = {A Practical Guide to Music Notation}, @@ -277,7 +277,7 @@ printing music HWN}, note = {Heussenstamm writes: Informative in terms of traditional notation. Does not concern score preparation} } -@Book {Boehm61, +@Book{boehm61, author = {Boehm, Laszlo}, year = {1961}, title = {Modern Music Notation}, @@ -286,7 +286,7 @@ printing music HWN}, note = {Heussenstamm writes: A handy compact reference book in basic notation.} } -@Book{button20:_system_music_notat, +@Book{button20, author = {Button, H. Elliot}, title = {System in Musical Notation}, publisher = {Novello and co.}, @@ -294,7 +294,7 @@ printing music HWN}, address = {London} } -@Book{johnson46:_how, +@Book{johnson46, author = {Johnson, Harold}, title = {How to write music manuscript}, publisher = {Carl Fischer, Inc.}, @@ -302,7 +302,7 @@ printing music HWN}, address = {New York} } -@Book{tyboni94:_noter_handb_i_tradit_noter, +@Book{tyboni94, author = {Börje Tyboni}, title = {Noter Handbok I Traditionell Notering}, publisher = {Gehrmans Musikförlag}, @@ -311,7 +311,7 @@ printing music HWN}, note = {Swedish book on music notation.} } -@Book{jaschinski00:_notat, +@Book{jaschinski00, editor = {Andreas Jaschinski}, title = {Notation}, publisher = {Bärenreiter Verlag},