From: Till Paala Date: Sun, 7 Dec 2008 18:38:53 +0000 (+0200) Subject: Doc-de: update of notation-appendices.itely X-Git-Tag: release/2.12.0-1~13^2~32^2~5^2~3 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=6a3bbdfcb02159110c686bf1ac4b3f16a8ce7a89;p=lilypond.git Doc-de: update of notation-appendices.itely --- diff --git a/Documentation/de/user/input.itely b/Documentation/de/user/input.itely index 08c20e32df..f17d3f2b6e 100644 --- a/Documentation/de/user/input.itely +++ b/Documentation/de/user/input.itely @@ -215,7 +215,8 @@ Prozent-Wiederholungen benutzt werden. Zum Beispiel: * MIDI block:: * What goes into the MIDI output?:: * Repeats in MIDI:: -* Controlling MIDI dynamics:: +* Controlling MIDI dynamics:: +* Percussion in MIDI:: @end menu @node Creating MIDI files @@ -255,3 +256,8 @@ Prozent-Wiederholungen benutzt werden. Zum Beispiel: @unnumberedsubsubsec Overall MIDI volume @unnumberedsubsubsec Equalizing different instruments (i) @unnumberedsubsubsec Equalizing different instruments (ii) + +@node Percussion in MIDI +@subsection Percussion in MIDI + +@untranslated diff --git a/Documentation/de/user/notation-appendices.itely b/Documentation/de/user/notation-appendices.itely index f2bf71dddc..38219d460e 100644 --- a/Documentation/de/user/notation-appendices.itely +++ b/Documentation/de/user/notation-appendices.itely @@ -1,7 +1,7 @@ @c -*- coding: utf-8; mode: texinfo; -*- @c This file is part of lilypond.tely @ignore - Translation of GIT committish: 2ae5726ea4fcbcd40e42678db32d7da3227ef44a + Translation of GIT committish: 2c00bdbfaf62dd90863331c4713e6b29e32c9322 When revising a translation, copy the HEAD committish of the version that you are working on. See TRANSLATION for details. @@ -31,14 +31,17 @@ and just before @end ignore @menu -* Chord name chart:: -* MIDI instruments:: +* Chord name chart:: +* Common chord modifiers:: +* Predefined fretboard diagrams:: +* MIDI instruments:: * List of colors:: * The Feta font:: * Note head styles:: * Text markup commands:: * Text markup list commands:: -* List of articulations:: +* List of articulations:: +* Percussion notes:: * All context properties:: * Layout properties:: * Identifiers:: @@ -53,6 +56,350 @@ ausgegeben werden. Es wird auch die entsprechende Note ausgegeben. @lilypondfile{chord-names-jazz.ly} + +@node Common chord modifiers +@appendixsec Common chord modifiers + +Die Tabelle zeigt Modifikatoren für Akkorde, die im @code{\chordmode}-Modus +benutzt werden können, um übliche Akkordkonstrukte zu notieren. + +@multitable @columnfractions .2 .3 .2 .2 + +@item +@b{Akkordtyp} +@tab +@b{Intervalle} +@tab +@b{Modifikator(en)} +@tab +@b{Beispiel} + + +@item +Dur +@tab +große Terz, Quinte +@tab +@code{5} oder nichts +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:5 +} +@end lilypond + +@item +Moll +@tab +kleine Terz, Quinte +@tab +@code{m} oder @code{m5} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m +} +@end lilypond + +@item +Übermäßig +@tab +Große Terz, übermäßige Quinte +@tab +@code{aug} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:aug +} +@end lilypond + +@item +Vermindert +@tab +Kleine Terz, verminderte Quinte +@tab +@code{dim} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:dim +} +@end lilypond + +@item +Dominantsieben +@tab +Durdreiklang, kleine Septime +@tab +@code{7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:7 +} +@end lilypond + +@item +Große Septime +@tab +Durdreiklang, große Septime +@tab +@code{maj7} oder @code{maj} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj7 +} +@end lilypond + +@item +Kleine Septime +@tab +Molldreiklang, kleine Septime +@tab +@code{m7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m7 +} +@end lilypond + +@item +Verminderte Septime +@tab +Verminderter Dreiklang, verminderte Septime +@tab +@code{dim7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:dim7 +} +@end lilypond + +@item +Übermäßige Septime +@tab +Übermäßiger Dreiklang, kleine Septime +@tab +@code{aug7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:aug7 +} +@end lilypond + +@item +halbverminderte Septime +@tab +Verminderter Dreklang, kleine Sept +@tab +@code{dim5m7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:dim5m7 +} +@end lilypond + +@item +Kleine MollSept +@tab +Molldreiklang, Durseptime +@tab +@code{7m5} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:7m5 +} +@end lilypond + +@item +Große Sexte +@tab +Durdreiklang, Sexte +@tab +@code{6} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:6 +} +@end lilypond + +@item +Kleine Sexte +@tab +Molldreiklang, Sexte +@tab +@code{m6} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m6 +} +@end lilypond + +@item +Dominantnon +@tab +Dominantsept, große None +@tab +@code{9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:9 +} +@end lilypond + +@item +Dur None +@tab +TODO +@tab +@code{maj9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj9 +} +@end lilypond + +@item +Moll None +@tab +TODO +@tab +@code{m9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m9 +} +@end lilypond + +@item +Dominantundecime +@tab +Dominant ninth, perfect eleventh +@tab +@code{11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:11 +} +@end lilypond + +@item +Durundecime +@tab +TODO +@tab +@code{maj11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj11 +} +@end lilypond + +@item +Mollundecime +@tab +TODO +@tab +@code{m11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m11 +} +@end lilypond + +@item +Dominant-13 +@tab +Dominant eleventh, major thirteenth +@tab +@code{13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:13.11 +} +@end lilypond + +@item +Dur-13 +@tab +TODO +@tab +@code{maj13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj13.11 +} +@end lilypond + +@item +Moll-13 +@tab +TODO +@tab +@code{m13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m13.11 +} +@end lilypond + +@item +erniedrigte Sekunde +@tab +TODO +@tab +@code{sus2} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:sus2 +} +@end lilypond + +@item +erniedrigte Quarte +@tab +TODO +@tab +@code{sus4} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:sus4 +} +@end lilypond + + +@end multitable + + +@node Predefined fretboard diagrams +@appendixsec Predefined fretboard diagrams + +Die Tabelle zeigt alle vordefinierten Bunddiagramme. + +@lilypondfile{display-predefined-fretboards.ly} + + + @node MIDI instruments @appendixsec MIDI instruments @@ -277,6 +624,13 @@ Hier ist eine Liste, die alle möglichen Zeichen darstellt: @lilypondfile[ragged-right,quote]{script-chart.ly} + +@node Percussion notes +@appendixsec Percussion notes + +@lilypondfile[quote]{percussion-chart.ly} + + @node All context properties @appendixsec All context properties