From: Graham Percival Date: Mon, 7 Jan 2008 18:49:52 +0000 (-0800) Subject: Update from Ralph. X-Git-Tag: release/2.11.38-1~112 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=65991ae82e7340b14d7f70e43fe7990dd9a284bf;p=lilypond.git Update from Ralph. --- diff --git a/Documentation/user/music-glossary.tely b/Documentation/user/music-glossary.tely index 25d39cff37..e1a7899969 100644 --- a/Documentation/user/music-glossary.tely +++ b/Documentation/user/music-glossary.tely @@ -143,11 +143,11 @@ Languages in this order. @menu * A:: +* accelerando:: * accent:: * accessory:: -* accidental:: -* accelerando:: * acciaccatura:: +* accidental:: * adagio:: * allegro:: * alteration:: @@ -169,8 +169,8 @@ Languages in this order. * bar line:: * baritone:: * baritone clef:: -* bass clef:: * bass:: +* bass clef:: * beam:: * beat:: * bind:: @@ -193,14 +193,14 @@ Languages in this order. * cluster:: * comma:: * common meter:: -* compound interval:: * complement:: +* compound interval:: * conjunct movement:: * consonance:: * contralto:: -* counterpoint:: -* counter tenor:: * copying music:: +* counter tenor:: +* counterpoint:: * crescendo:: * cue-notes:: * custos:: @@ -216,9 +216,9 @@ Languages in this order. * disjunct movement:: * dissonance:: * dissonant interval:: +* dominant:: * dominant ninth chord:: * dominant seventh chord:: -* dominant:: * dorian mode:: * dot (augmentation dot):: * dotted note:: @@ -282,15 +282,15 @@ Languages in this order. * legato:: * legato curve:: * leger line:: -* lilypond:: * ligature:: +* lilypond:: * line:: * long appoggiatura:: * longa:: -* lyrics:: * lyric tie:: -* major interval:: +* lyrics:: * major:: +* major interval:: * meantone temperament:: * measure:: * mediant:: @@ -304,6 +304,7 @@ Languages in this order. * middle C:: * minor:: * minor interval:: +* mixolydian mode:: * mode:: * modulation:: * mordent:: @@ -311,16 +312,15 @@ Languages in this order. * motive:: * movement:: * multi-measure rest:: -* mixolydian mode:: * natural sign:: -* neighbour tones:: +* neighbor tones:: * ninth:: * non-legato:: * note:: * note head:: * note value:: -* octave sign:: * octave:: +* octave sign:: * ornament:: * ossia:: * ottava:: @@ -331,8 +331,8 @@ Languages in this order. * perfect interval:: * phrase:: * phrasing:: -* pickup:: * piano:: +* pickup:: * pitch:: * pizzicato:: * polyphony:: @@ -441,6 +441,21 @@ FI: A, a. @ref{Pitch names} +@node accelerando +@section accelerando + +ES: accelerando, +I: accelerando, +F: accelerando, en accélérant, +D: accelerando, schneller werden, +NL: accelerando, +DK: accelerando, +S: accelerando, +FI: accelerando, kiihdyttäen. + +Increase tempo. + + @node accent @section accent @@ -464,6 +479,19 @@ The stress of one tone over others. @ref{ornament}. +@node acciaccatura +@section acciaccatura + +A grace note which takes its time from the rest or note preceding the +principal note to which it is attached. The acciaccatura is drawn as a +small eighth note (quaver) with a line drawn through the flag and +stem. + +@seealso + +@ref{appoggiatura}, @ref{grace notes}, @ref{ornament}. + + @node accidental @section accidental @@ -497,33 +525,6 @@ accidental. @end lilypond -@node accelerando -@section accelerando - -ES: accelerando, -I: accelerando, -F: accelerando, en accélérant, -D: accelerando, schneller werden, -NL: accelerando, -DK: accelerando, -S: accelerando, -FI: accelerando, kiihdyttäen. - -Increase tempo. - -@node acciaccatura -@section acciaccatura - -A grace note which takes its time from the rest or note preceding the -principal note to which it is attached. The acciaccatura is drawn as a -small eighth note (quaver) with a line drawn through the flag and -stem. - -@seealso - -@ref{appoggiatura}, @ref{grace notes}, @ref{ornament}. - - @node adagio @section adagio @@ -941,25 +942,6 @@ C or F clef setting middle C on the upper staff line. @ref{C clef}, @ref{F clef}. -@node bass clef -@section bass clef - -ES: clave de fa en cuarta, -I: chiave di basso, -F: clef de fa quatrième ligne, -D: Bassschlüssel, -NL: bassleutel, -DK: basnøgle, -S: basklav, -FI: bassoavain. - -A clef setting with middle C on the first top ledger line. - -@seealso - -@ref{F clef}. - - @node bass @section bass @@ -981,6 +963,25 @@ an abbreviation for double bass. @ref{strings}. +@node bass clef +@section bass clef + +ES: clave de fa en cuarta, +I: chiave di basso, +F: clef de fa quatrième ligne, +D: Bassschlüssel, +NL: bassleutel, +DK: basnøgle, +S: basklav, +FI: bassoavain. + +A clef setting with middle C on the first top ledger line. + +@seealso + +@ref{F clef}. + + @node beam @section beam @@ -1689,6 +1690,23 @@ derived from some other tuning method. @ref{meter}. +@node complement +@section complement + +ES: intervalo invertido, +I: rivolto, +F: intervalle complémentaire, +D: Komplementärintervall, +NL: complementair interval, +DK: komplementærinterval, +S: komplementärintervall (?), +FI: täydentävä intervalli. + +@seealso + +@ref{inverted interval}. + + @node compound interval @section compound interval @@ -1708,23 +1726,6 @@ Intervals larger than an octave. @ref{interval}. -@node complement -@section complement - -ES: intervalo invertido, -I: rivolto, -F: intervalle complémentaire, -D: Komplementärintervall, -NL: complementair interval, -DK: komplementærinterval, -S: komplementärintervall (?), -FI: täydentävä intervalli. - -@seealso - -@ref{inverted interval}. - - @node conjunct movement @section conjunct movement @@ -1780,6 +1781,33 @@ FI: kontra-altto. @ref{alto}. +@node copying music +@section copying music + +A music copyist did fast freehand scores and parts on preprinted staff lines +for performance. Some of their conventions (e.g., the placement of note heads +on stems) varied slightly from those of engravers. Some of their working +methods were superior and could well be adopted by music typesetters. This +required more skill than engraving. + + +@node counter tenor +@section counter tenor + +ES: contratenor, +I: controtenore, +F: contre-tenor, +D: Countertenor, Kontratenor, +NL: contratenor, +DK: kontratenor, +S: kontratenor, counter tenor, +FI: kontratenori. + +@seealso + +@ref{contralto}. + + @node counterpoint @section counterpoint @@ -1839,33 +1867,6 @@ composition methods. @end lilypond -@node counter tenor -@section counter tenor - -ES: contratenor, -I: controtenore, -F: contre-tenor, -D: Countertenor, Kontratenor, -NL: contratenor, -DK: kontratenor, -S: kontratenor, counter tenor, -FI: kontratenori. - -@seealso - -@ref{contralto}. - - -@node copying music -@section copying music - -A music copyist did fast freehand scores and parts on preprinted staff lines -for performance. Some of their conventions (e.g., the placement of note heads -on stems) varied slightly from those of engravers. Some of their working -methods were superior and could well be adopted by music typesetters. This -required more skill than engraving. - - @node crescendo @section crescendo @@ -2310,6 +2311,21 @@ FI: dissonanssi, dissonoiva intervalli, riitasointi. @ref{harmony}. +@node dominant +@section dominant + +ES: dominante, +I: dominante, +F: dominante, +D: Dominante, +NL: dominant, +DK: dominant, +S: dominant, +FI: dominantti, huippusointu. + +The fifth @ref{scale degree} in @ref{functional harmony}. + + @node dominant ninth chord @section dominant ninth chord @@ -2344,21 +2360,6 @@ FI: dominanttiseptimisointu. @ref{chord}, @ref{functional harmony}. -@node dominant -@section dominant - -ES: dominante, -I: dominante, -F: dominante, -D: Dominante, -NL: dominant, -DK: dominant, -S: dominant, -FI: dominantti, huippusointu. - -The fifth @ref{scale degree} in @ref{functional harmony}. - - @node dorian mode @section dorian mode @@ -3663,22 +3664,6 @@ unlike (b) @emph{leggiero} or @emph{non-legato}, (c) @emph{portato}, and @ref{ledger line}. -@node lilypond -@section lilypond - -ES: estanque de nenúfares, -I: stagno del giglio, -F: étang de lis, -UK: lily pond, -D: Seerosenteich, -NL: le@-lie@-vij@-ver, -DK: liliedam, -S: liljedamm, -FI: liljalampi. - -A pond with lilies floating in it, also the name of a music typesetter. - - @node ligature @section ligature @@ -3701,6 +3686,22 @@ With the invention of the metric system of the white mensural notation, the need for ligatures to denote such patterns disappeared. +@node lilypond +@section lilypond + +ES: estanque de nenúfares, +I: stagno del giglio, +F: étang de lis, +UK: lily pond, +D: Seerosenteich, +NL: le@-lie@-vij@-ver, +DK: liliedam, +S: liljedamm, +FI: liljalampi. + +A pond with lilies floating in it, also the name of a music typesetter. + + @node line @section line @@ -3762,19 +3763,6 @@ Note value: double length of @ref{breve}. @ref{note value}. -@node lyrics -@section lyrics - -ES: letra (de la canción), -I: ?, -F: paroles, -D: Liedtext, Gesangtext, -NL: liedtekst, -DK: ?, -S: ?, -FI: sanoitus. - - @node lyric tie @section lyric tie @@ -3794,21 +3782,17 @@ FI: ?. @ref{elision}. -@node major interval -@section major interval - -ES: intervalo mayor, -I: intervallo maggiore, -F: intervalle majeur, -D: großes Intervall, -NL: groot interval, -DK: stort interval, -S: stort intervall, -FI: suuri intervalli. - -@seealso +@node lyrics +@section lyrics -@ref{interval}. +ES: letra (de la canción), +I: ?, +F: paroles, +D: Liedtext, Gesangtext, +NL: liedtekst, +DK: ?, +S: ?, +FI: sanoitus. @node major @@ -3828,6 +3812,23 @@ FI: duuri. @ref{diatonic scale}. +@node major interval +@section major interval + +ES: intervalo mayor, +I: intervallo maggiore, +F: intervalle majeur, +D: großes Intervall, +NL: groot interval, +DK: stort interval, +S: stort intervall, +FI: suuri intervalli. + +@seealso + +@ref{interval}. + + @node meantone temperament @section meantone temperament @@ -4071,6 +4072,14 @@ FI: pieni intervalli. @ref{interval}. +@node mixolydian mode +@section mixolydian mode + +@seealso + +@ref{diatonic scale}. + + @node mode @section mode @@ -4211,14 +4220,6 @@ reminiscence of its use in Renaissance vocal polyphony. -@node mixolydian mode -@section mixolydian mode - -@seealso - -@ref{diatonic scale}. - - @node natural sign @section natural sign @@ -4236,8 +4237,8 @@ FI: palautusmerkki. @ref{accidental}. -@node neighbour tones -@section neighbour tones +@node neighbor tones +@section neighbor tones @seealso @@ -4387,14 +4388,6 @@ dotted notes are also frequently used. @end lilypond -@node octave sign -@section octave sign - -@seealso - -@ref{G clef}, @ref{F clef}. - - @node octave @section octave @@ -4412,6 +4405,14 @@ FI: oktaavi. @ref{interval}. +@node octave sign +@section octave sign + +@seealso + +@ref{G clef}, @ref{F clef}. + + @node ornament @section ornament @@ -4617,6 +4618,22 @@ The clear rendering in musical performance of the @ref{phrase}s of the melody. Phrasing may be indicated by a @ref{slur}. +@node piano +@section piano + +ES: piano, +I: piano, +F: piano, +D: piano, leise, +NL: piano, +DK: piano, +S: piano, +FI, piano, hiljaa. + +@emph{piano} (@b{p}) soft, @emph{pianissimo} (@b{pp}) very soft, +@emph{mezzo piano} (@b{mp}) medium soft. + + @node pickup @section pickup @@ -4634,22 +4651,6 @@ FI: kohotahti. @ref{anacrusis}. -@node piano -@section piano - -ES: piano, -I: piano, -F: piano, -D: piano, leise, -NL: piano, -DK: piano, -S: piano, -FI, piano, hiljaa. - -@emph{piano} (@b{p}) soft, @emph{pianissimo} (@b{pp}) very soft, -@emph{mezzo piano} (@b{mp}) medium soft. - - @node pitch @section pitch @@ -5078,7 +5079,7 @@ DK: sekund, S: sekund, FI: sekunti. -The @ref{interval} between two neigbouring tones of a scale. A +The @ref{interval} between two neigboring tones of a scale. A @ref{diatonic scale} consists of alternating @ref{semitone}s and @ref{whole tone}s, hence the size of a se@-cond depends on the scale degrees in question. @@ -5097,7 +5098,7 @@ S: halvton, FI: puolisävel. The @ref{interval} of a minor second. The (usually) smallest interval -in European composed music. The interval between two neighbouring +in European composed music. The interval between two neighboring tones on the piano keyboard -- including black and white keys -- is a semitone. An octave may be divided into 12@w{ }semitones. @ref{interval}, @ref{chromatic scale}.