From: Graham Percival Date: Fri, 26 Aug 2005 19:24:35 +0000 (+0000) Subject: Misc small changes. X-Git-Tag: release/2.7.8~6 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=640e7e901099deebaf3bcb739472d7091a8cbf49;p=lilypond.git Misc small changes. --- diff --git a/ChangeLog b/ChangeLog index 9abe70f212..455e247cb8 100644 --- a/ChangeLog +++ b/ChangeLog @@ -1,3 +1,13 @@ +2005-08-26 Graham Percival + + * Documentation/user/advanced.itely: add text-only example. + + * Documentation/user/invoking.itely: add index entries for + convert-ly. + + * Documentation/user/ tutorial.itely, basic-notation.itely: + small fixes suggested by Steve D. Thanks! + 2005-08-26 Han-Wen Nienhuys * input/regression/markup-bidi-pango.ly: new file. diff --git a/Documentation/user/advanced-notation.itely b/Documentation/user/advanced-notation.itely index 8effe24b71..bf490b8c90 100644 --- a/Documentation/user/advanced-notation.itely +++ b/Documentation/user/advanced-notation.itely @@ -228,6 +228,14 @@ but it can also be used anywhere text is called in lilypond } @end lilypond +Text can also be placed on its own, away from any @code{\score} +block. This is primarily used in a @code{\book} (see +@ref{Multiple movements}). + +@lilypond[quote,fragment,raggedright,verbatim] +\markup{Here is some text.} +@end lilypond + @cindex font switching The markup in the example demonstrates font switching commands. The diff --git a/Documentation/user/basic-notation.itely b/Documentation/user/basic-notation.itely index f1c31032af..d7b0b3cdb7 100644 --- a/Documentation/user/basic-notation.itely +++ b/Documentation/user/basic-notation.itely @@ -537,8 +537,9 @@ between this and the last note is always taken to be a fourth or less. This distance is determined without regarding alterations; a @code{fisis} following a @code{ceses} will be put above the @code{ceses}. In other words, a doubly-augmented fourth is considered -a smaller interval than a diminshed fifth, even though the fourth is -seven semitones while the fifth is only six semitones. +a smaller interval than a diminished fifth, even though the +doubly-augmented fourth spans seven semitones while the diminished +fifth only spans six semitones. The octave changing marks @code{'} and @code{,} can be added to raise or lower the pitch by an extra octave. Upon entering relative mode, diff --git a/Documentation/user/invoking.itely b/Documentation/user/invoking.itely index 65cf692bc2..d095371858 100644 --- a/Documentation/user/invoking.itely +++ b/Documentation/user/invoking.itely @@ -372,6 +372,9 @@ above the indicated position. @node Updating files with convert-ly @section Updating with @command{convert-ly} +@cindex Updating a LilyPond file +@cindex @code{@convert-ly} + The LilyPond input syntax is routinely changed to simplify it or improve it in different ways. As a side effect of this, the LilyPond interpreter often is no longer compatible with older input files. To remedy this, diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely index f5f30ec593..f7c99cc135 100644 --- a/Documentation/user/tutorial.itely +++ b/Documentation/user/tutorial.itely @@ -588,7 +588,7 @@ you can make arbitrarily complex and large expressions. For example, @cindex expression @cindex music expression This is a sequence of expressions, where each expression is contained -in the next one. The simplest expressions are numbers, and larger +in the next (larger) one. The simplest expressions are numbers, and larger ones are made by combining expressions with operators (like @samp{+}, @samp{*} and @samp{/}) and parentheses. Like mathematical expressions, music expressions can be nested arbitrarily deep, which is necessary