From: Francisco Vila Date: Fri, 2 Mar 2007 15:57:22 +0000 (+0100) Subject: Initial Spanish translation X-Git-Tag: release/2.11.22-1~81 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=5049365984d24f39beb891cd6a4d216c6cfec0ab;p=lilypond.git Initial Spanish translation --- diff --git a/Documentation/es/GNUmakefile b/Documentation/es/GNUmakefile new file mode 100644 index 0000000000..ed28f4eaea --- /dev/null +++ b/Documentation/es/GNUmakefile @@ -0,0 +1,11 @@ +ISOLANG = es +depth = ../.. +SUBDIRS = user +STEPMAKE_TEMPLATES = documentation + +include $(depth)/make/stepmake.make + +local-WWW: $(outdir)/index.html lang-merge + +lang-merge: + ln -f $(outdir)/index.html $(depth)/Documentation/$(outdir)/index.$(ISOLANG).html diff --git a/Documentation/es/user/GNUmakefile b/Documentation/es/user/GNUmakefile new file mode 100644 index 0000000000..4928d75252 --- /dev/null +++ b/Documentation/es/user/GNUmakefile @@ -0,0 +1,5 @@ +ISOLANG = es +depth = ../../.. +LOCALSTEPMAKE_TEMPLATES = lilypond ly doclang +include $(depth)/make/stepmake.make + diff --git a/Documentation/es/user/advanced-notation.itely b/Documentation/es/user/advanced-notation.itely new file mode 100644 index 0000000000..d3bacd8290 --- /dev/null +++ b/Documentation/es/user/advanced-notation.itely @@ -0,0 +1,414 @@ +@node Advanced notation +@chapter Advanced notation + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Text:: +* Preparing parts:: +* Orchestral music:: +* Contemporary notation:: +* Educational use:: +@end menu +@node Text +@section Text + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Text scripts:: +* Text and line spanners:: +* Text spanners:: +* Text marks:: +* Text markup:: +* Nested scores:: +* Overview of text markup commands:: +* Font selection:: +* New dynamic marks:: +@end menu +@node Text scripts +@subsection Text scripts + +UNTRANSLATED NODE: IGNORE ME + +@node Text and line spanners + +UNTRANSLATED NODE: IGNORE ME + +@subsection Text and line spanners + +UNTRANSLATED NODE: IGNORE ME + +@node Text spanners + +UNTRANSLATED NODE: IGNORE ME + +@subsection Text spanners + +UNTRANSLATED NODE: IGNORE ME + +@node Text marks + +UNTRANSLATED NODE: IGNORE ME + +@subsection Text marks + +UNTRANSLATED NODE: IGNORE ME + +@node Text markup + +UNTRANSLATED NODE: IGNORE ME + +@subsection Text markup + +UNTRANSLATED NODE: IGNORE ME + +@node Nested scores + +UNTRANSLATED NODE: IGNORE ME + +@subsection Nested scores + +UNTRANSLATED NODE: IGNORE ME + +@node Overview of text markup commands + +UNTRANSLATED NODE: IGNORE ME + +@subsection Overview of text markup commands + +UNTRANSLATED NODE: IGNORE ME + +@include markup-commands.tely + +UNTRANSLATED NODE: IGNORE ME + +@node Font selection +@subsection Font selection + +UNTRANSLATED NODE: IGNORE ME + +@node New dynamic marks + +UNTRANSLATED NODE: IGNORE ME + +@subsection New dynamic marks + +UNTRANSLATED NODE: IGNORE ME + +@node Preparing parts + +UNTRANSLATED NODE: IGNORE ME + +@section Preparing parts + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Multi measure rests:: +* Metronome marks:: +* Rehearsal marks:: +* Bar numbers:: +* Instrument names:: +* Instrument transpositions:: +* Ottava brackets:: +* Different editions from one source:: +@end menu +@node Multi measure rests +@subsection Multi measure rests + +UNTRANSLATED NODE: IGNORE ME + +@node Metronome marks + +UNTRANSLATED NODE: IGNORE ME + +@subsection Metronome marks + +UNTRANSLATED NODE: IGNORE ME + +@node Rehearsal marks + +UNTRANSLATED NODE: IGNORE ME + +@subsection Rehearsal marks + +UNTRANSLATED NODE: IGNORE ME + +@node Bar numbers + +UNTRANSLATED NODE: IGNORE ME + +@subsection Bar numbers + +UNTRANSLATED NODE: IGNORE ME + +@node Instrument names + +UNTRANSLATED NODE: IGNORE ME + +@subsection Instrument names + +UNTRANSLATED NODE: IGNORE ME + +@node Instrument transpositions + +UNTRANSLATED NODE: IGNORE ME + +@subsection Instrument transpositions + +UNTRANSLATED NODE: IGNORE ME + +@node Ottava brackets + +UNTRANSLATED NODE: IGNORE ME + +@subsection Ottava brackets + +UNTRANSLATED NODE: IGNORE ME + +@node Different editions from one source + +UNTRANSLATED NODE: IGNORE ME + +@subsection Different editions from one source + +UNTRANSLATED NODE: IGNORE ME + +@node Orchestral music + +UNTRANSLATED NODE: IGNORE ME + +@section Orchestral music + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Automatic part combining:: +* Hiding staves:: +* Quoting other voices:: +* Formatting cue notes:: +* Aligning to cadenzas:: +@end menu +@node Automatic part combining +@subsection Automatic part combining + +UNTRANSLATED NODE: IGNORE ME + +@node Hiding staves + +UNTRANSLATED NODE: IGNORE ME + +@subsection Hiding staves + +UNTRANSLATED NODE: IGNORE ME + +@node Quoting other voices + +UNTRANSLATED NODE: IGNORE ME + +@subsection Quoting other voices + +UNTRANSLATED NODE: IGNORE ME + +@node Formatting cue notes + +UNTRANSLATED NODE: IGNORE ME + +@subsection Formatting cue notes + +UNTRANSLATED NODE: IGNORE ME + +@node Aligning to cadenzas + +UNTRANSLATED NODE: IGNORE ME + +@subsection Aligning to cadenzas + +UNTRANSLATED NODE: IGNORE ME + +@node Contemporary notation + +UNTRANSLATED NODE: IGNORE ME + +@section Contemporary notation + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Polymetric notation:: +* Time administration:: +* Proportional notation:: +* Clusters:: +* Special noteheads:: +* Feathered beams:: +* Improvisation:: +* Selecting notation font size:: +@end menu +@node Polymetric notation +@subsection Polymetric notation + +UNTRANSLATED NODE: IGNORE ME + +@node Time administration + +UNTRANSLATED NODE: IGNORE ME + +@subsection Time administration + +UNTRANSLATED NODE: IGNORE ME + +@node Proportional notation + +UNTRANSLATED NODE: IGNORE ME + +@subsection Proportional notation + +UNTRANSLATED NODE: IGNORE ME + +@node Clusters + +UNTRANSLATED NODE: IGNORE ME + +@subsection Clusters + +UNTRANSLATED NODE: IGNORE ME + +@node Special noteheads + +UNTRANSLATED NODE: IGNORE ME + +@subsection Special noteheads + +UNTRANSLATED NODE: IGNORE ME + +@node Feathered beams + +UNTRANSLATED NODE: IGNORE ME + +@subsection Feathered beams + +UNTRANSLATED NODE: IGNORE ME + +@node Improvisation + +UNTRANSLATED NODE: IGNORE ME + +@subsection Improvisation + +UNTRANSLATED NODE: IGNORE ME + +@node Selecting notation font size + +UNTRANSLATED NODE: IGNORE ME + +@subsection Selecting notation font size + +UNTRANSLATED NODE: IGNORE ME + +@node Educational use + +UNTRANSLATED NODE: IGNORE ME + +@section Educational use + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Balloon help:: +* Blank music sheet:: +* Hidden notes:: +* Shape note heads:: +* Easy Notation note heads:: +* Analysis brackets:: +* Coloring objects:: +* Parentheses:: +* Grid lines:: +@end menu +@node Balloon help +@subsection Balloon help + +UNTRANSLATED NODE: IGNORE ME + +@node Blank music sheet + +UNTRANSLATED NODE: IGNORE ME + +@subsection Blank music sheet + +UNTRANSLATED NODE: IGNORE ME + +@node Hidden notes + +UNTRANSLATED NODE: IGNORE ME + +@subsection Hidden notes + +UNTRANSLATED NODE: IGNORE ME + +@node Shape note heads + +UNTRANSLATED NODE: IGNORE ME + +@subsection Shape note heads + +UNTRANSLATED NODE: IGNORE ME + +@node Easy Notation note heads + +UNTRANSLATED NODE: IGNORE ME + +@subsection Easy Notation note heads + +UNTRANSLATED NODE: IGNORE ME + +@node Analysis brackets + +UNTRANSLATED NODE: IGNORE ME + +@subsection Analysis brackets + +UNTRANSLATED NODE: IGNORE ME + +@node Coloring objects + +UNTRANSLATED NODE: IGNORE ME + +@subsection Coloring objects + +UNTRANSLATED NODE: IGNORE ME + +@node Parentheses + +UNTRANSLATED NODE: IGNORE ME + +@subsection Parentheses + +UNTRANSLATED NODE: IGNORE ME + +@node Grid lines + +UNTRANSLATED NODE: IGNORE ME + +@subsection Grid lines + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/basic-notation.itely b/Documentation/es/user/basic-notation.itely new file mode 100644 index 0000000000..7c9b2b8a0c --- /dev/null +++ b/Documentation/es/user/basic-notation.itely @@ -0,0 +1,561 @@ +@node Basic notation +@chapter Basic notation + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Pitches:: +* Rhythms:: +* Polyphony:: +* Staff notation:: +* Connecting notes:: +* Expressive marks:: +* Repeats:: +@end menu +@node Pitches +@section Pitches + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Normal pitches:: +* Accidentals:: +* Cautionary accidentals:: +* Micro tones:: +* Note names in other languages:: +* Relative octaves:: +* Octave check:: +* Transpose:: +* Rests:: +* Skips:: +@end menu +@node Normal pitches +@subsection Normal pitches + +UNTRANSLATED NODE: IGNORE ME + +@node Accidentals + +UNTRANSLATED NODE: IGNORE ME + +@subsection Accidentals + +UNTRANSLATED NODE: IGNORE ME + +@node Cautionary accidentals + +UNTRANSLATED NODE: IGNORE ME + +@subsection Cautionary accidentals + +UNTRANSLATED NODE: IGNORE ME + +@node Micro tones + +UNTRANSLATED NODE: IGNORE ME + +@subsection Micro tones + +UNTRANSLATED NODE: IGNORE ME + +@node Note names in other languages + +UNTRANSLATED NODE: IGNORE ME + +@subsection Note names in other languages + +UNTRANSLATED NODE: IGNORE ME + +@node Relative octaves + +UNTRANSLATED NODE: IGNORE ME + +@subsection Relative octaves + +UNTRANSLATED NODE: IGNORE ME + +@node Octave check + +UNTRANSLATED NODE: IGNORE ME + +@subsection Octave check + +UNTRANSLATED NODE: IGNORE ME + +@node Transpose + +UNTRANSLATED NODE: IGNORE ME + +@subsection Transpose + +UNTRANSLATED NODE: IGNORE ME + +@node Rests + +UNTRANSLATED NODE: IGNORE ME + +@subsection Rests + +UNTRANSLATED NODE: IGNORE ME + +@node Skips + +UNTRANSLATED NODE: IGNORE ME + +@subsection Skips + +UNTRANSLATED NODE: IGNORE ME + +@node Rhythms + +UNTRANSLATED NODE: IGNORE ME + +@section Rhythms + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Durations:: +* Augmentation dots:: +* Tuplets:: +* Scaling durations:: +* Bar check:: +* Barnumber check:: +* Automatic note splitting:: +@end menu +@node Durations +@subsection Durations + +UNTRANSLATED NODE: IGNORE ME + +@node Augmentation dots + +UNTRANSLATED NODE: IGNORE ME + +@subsection Augmentation dots + +UNTRANSLATED NODE: IGNORE ME + +@node Tuplets + +UNTRANSLATED NODE: IGNORE ME + +@subsection Tuplets + +UNTRANSLATED NODE: IGNORE ME + +@node Scaling durations + +UNTRANSLATED NODE: IGNORE ME + +@subsection Scaling durations + +UNTRANSLATED NODE: IGNORE ME + +@node Bar check + +UNTRANSLATED NODE: IGNORE ME + +@subsection Bar check + +UNTRANSLATED NODE: IGNORE ME + +@node Barnumber check + +UNTRANSLATED NODE: IGNORE ME + +@subsection Barnumber check + +UNTRANSLATED NODE: IGNORE ME + +@node Automatic note splitting + +UNTRANSLATED NODE: IGNORE ME + +@subsection Automatic note splitting + +UNTRANSLATED NODE: IGNORE ME + +@node Polyphony + +UNTRANSLATED NODE: IGNORE ME + +@section Polyphony + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Chords:: +* Stems:: +* Basic polyphony:: +* Explicitly instantiating voices:: +* Collision Resolution:: +@end menu +@node Chords +@subsection Chords + +UNTRANSLATED NODE: IGNORE ME + +@node Stems + +UNTRANSLATED NODE: IGNORE ME + +@subsection Stems + +UNTRANSLATED NODE: IGNORE ME + +@node Basic polyphony + +UNTRANSLATED NODE: IGNORE ME + +@subsection Basic polyphony + +UNTRANSLATED NODE: IGNORE ME + +@node Explicitly instantiating voices + +UNTRANSLATED NODE: IGNORE ME + +@subsection Explicitly instantiating voices + +UNTRANSLATED NODE: IGNORE ME + +@node Collision Resolution + +UNTRANSLATED NODE: IGNORE ME + +@subsection Collision Resolution + +UNTRANSLATED NODE: IGNORE ME + +@node Staff notation + +UNTRANSLATED NODE: IGNORE ME + +@section Staff notation + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Clef:: +* Key signature:: +* Time signature:: +* Partial measures:: +* Bar lines:: +* Unmetered music:: +* System start delimiters:: +* Staff symbol:: +* Writing music in parallel:: +@end menu +@node Clef +@subsection Clef + +UNTRANSLATED NODE: IGNORE ME + +@node Key signature + +UNTRANSLATED NODE: IGNORE ME + +@subsection Key signature + +UNTRANSLATED NODE: IGNORE ME + +@node Time signature + +UNTRANSLATED NODE: IGNORE ME + +@subsection Time signature + +UNTRANSLATED NODE: IGNORE ME + +@node Partial measures + +UNTRANSLATED NODE: IGNORE ME + +@subsection Partial measures + +UNTRANSLATED NODE: IGNORE ME + +@node Bar lines + +UNTRANSLATED NODE: IGNORE ME + +@subsection Bar lines + +UNTRANSLATED NODE: IGNORE ME + +@node Unmetered music + +UNTRANSLATED NODE: IGNORE ME + +@subsection Unmetered music + +UNTRANSLATED NODE: IGNORE ME + +@node System start delimiters + +UNTRANSLATED NODE: IGNORE ME + +@subsection System start delimiters + +UNTRANSLATED NODE: IGNORE ME + +@node Staff symbol + +UNTRANSLATED NODE: IGNORE ME + +@subsection Staff symbol + +UNTRANSLATED NODE: IGNORE ME + +@node Writing music in parallel + +UNTRANSLATED NODE: IGNORE ME + +@subsection Writing music in parallel + +UNTRANSLATED NODE: IGNORE ME + +@node Connecting notes + +UNTRANSLATED NODE: IGNORE ME + +@section Connecting notes + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Ties:: +* Slurs:: +* Phrasing slurs:: +* Laissez vibrer ties:: +* Automatic beams:: +* Manual beams:: +* Grace notes:: +@end menu +@node Ties +@subsection Ties + +UNTRANSLATED NODE: IGNORE ME + +@node Slurs + +UNTRANSLATED NODE: IGNORE ME + +@subsection Slurs + +UNTRANSLATED NODE: IGNORE ME + +@node Phrasing slurs + +UNTRANSLATED NODE: IGNORE ME + +@subsection Phrasing slurs + +UNTRANSLATED NODE: IGNORE ME + +@node Laissez vibrer ties + +UNTRANSLATED NODE: IGNORE ME + +@subsection Laissez vibrer ties + +UNTRANSLATED NODE: IGNORE ME + +@node Automatic beams + +UNTRANSLATED NODE: IGNORE ME + +@subsection Automatic beams + +UNTRANSLATED NODE: IGNORE ME + +@node Manual beams + +UNTRANSLATED NODE: IGNORE ME + +@subsection Manual beams + +UNTRANSLATED NODE: IGNORE ME + +@node Grace notes + +UNTRANSLATED NODE: IGNORE ME + +@subsection Grace notes + +UNTRANSLATED NODE: IGNORE ME + +@node Expressive marks + +UNTRANSLATED NODE: IGNORE ME + +@section Expressive marks + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Articulations:: +* Fingering instructions:: +* Dynamics:: +* Breath marks:: +* Trills:: +* Glissando:: +* Arpeggio:: +* Falls and doits:: +@end menu +@node Articulations +@subsection Articulations + +UNTRANSLATED NODE: IGNORE ME + +@node Fingering instructions + +UNTRANSLATED NODE: IGNORE ME + +@subsection Fingering instructions + +UNTRANSLATED NODE: IGNORE ME + +@node Dynamics + +UNTRANSLATED NODE: IGNORE ME + +@subsection Dynamics + +UNTRANSLATED NODE: IGNORE ME + +@node Breath marks + +UNTRANSLATED NODE: IGNORE ME + +@subsection Breath marks + +UNTRANSLATED NODE: IGNORE ME + +@node Trills + +UNTRANSLATED NODE: IGNORE ME + +@subsection Trills + +UNTRANSLATED NODE: IGNORE ME + +@node Glissando + +UNTRANSLATED NODE: IGNORE ME + +@subsection Glissando + +UNTRANSLATED NODE: IGNORE ME + +@node Arpeggio + +UNTRANSLATED NODE: IGNORE ME + +@subsection Arpeggio + +UNTRANSLATED NODE: IGNORE ME + +@node Falls and doits + +UNTRANSLATED NODE: IGNORE ME + +@subsection Falls and doits + +UNTRANSLATED NODE: IGNORE ME + +@node Repeats + +UNTRANSLATED NODE: IGNORE ME + +@section Repeats + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Repeat types:: +* Repeat syntax:: +* Repeats and MIDI:: +* Manual repeat commands:: +* Tremolo repeats:: +* Tremolo subdivisions:: +* Measure repeats:: +@end menu +@node Repeat types +@subsection Repeat types + +UNTRANSLATED NODE: IGNORE ME + +@node Repeat syntax + +UNTRANSLATED NODE: IGNORE ME + +@subsection Repeat syntax + +UNTRANSLATED NODE: IGNORE ME + +@node Repeats and MIDI + +UNTRANSLATED NODE: IGNORE ME + +@subsection Repeats and MIDI + +UNTRANSLATED NODE: IGNORE ME + +@node Manual repeat commands + +UNTRANSLATED NODE: IGNORE ME + +@subsection Manual repeat commands + +UNTRANSLATED NODE: IGNORE ME + +@node Tremolo repeats + +UNTRANSLATED NODE: IGNORE ME + +@subsection Tremolo repeats + +UNTRANSLATED NODE: IGNORE ME + +@node Tremolo subdivisions + +UNTRANSLATED NODE: IGNORE ME + +@subsection Tremolo subdivisions + +UNTRANSLATED NODE: IGNORE ME + +@node Measure repeats + +UNTRANSLATED NODE: IGNORE ME + +@subsection Measure repeats + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/changing-defaults.itely b/Documentation/es/user/changing-defaults.itely new file mode 100644 index 0000000000..97f3b30ffd --- /dev/null +++ b/Documentation/es/user/changing-defaults.itely @@ -0,0 +1,193 @@ +@node Changing defaults +@chapter Changing defaults + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Automatic notation:: +* Interpretation contexts:: +* The \override command:: +@end menu +@node Automatic notation +@section Automatic notation + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Automatic accidentals:: +* Setting automatic beam behavior:: +@end menu +@node Automatic accidentals +@subsection Automatic accidentals + +UNTRANSLATED NODE: IGNORE ME + +@node Setting automatic beam behavior + +UNTRANSLATED NODE: IGNORE ME + +@subsection Setting automatic beam behavior + +UNTRANSLATED NODE: IGNORE ME + +@node Interpretation contexts + +UNTRANSLATED NODE: IGNORE ME + +@section Interpretation contexts + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Contexts explained:: +* Creating contexts:: +* Changing context properties on the fly:: +* Modifying context plug-ins:: +* Layout tunings within contexts:: +* Changing context default settings:: +* Defining new contexts:: +* Aligning contexts:: +@end menu +@node Contexts explained +@subsection Contexts explained + +UNTRANSLATED NODE: IGNORE ME + +@node Creating contexts + +UNTRANSLATED NODE: IGNORE ME + +@subsection Creating contexts + +UNTRANSLATED NODE: IGNORE ME + +@node Changing context properties on the fly + +UNTRANSLATED NODE: IGNORE ME + +@subsection Changing context properties on the fly + +UNTRANSLATED NODE: IGNORE ME + +@node Modifying context plug-ins + +UNTRANSLATED NODE: IGNORE ME + +@subsection Modifying context plug-ins + +UNTRANSLATED NODE: IGNORE ME + +@node Layout tunings within contexts + +UNTRANSLATED NODE: IGNORE ME + +@subsection Layout tunings within contexts + +UNTRANSLATED NODE: IGNORE ME + +@node Changing context default settings + +UNTRANSLATED NODE: IGNORE ME + +@subsection Changing context default settings + +UNTRANSLATED NODE: IGNORE ME + +@node Defining new contexts + +UNTRANSLATED NODE: IGNORE ME + +@subsection Defining new contexts + +UNTRANSLATED NODE: IGNORE ME + +@node Aligning contexts + +UNTRANSLATED NODE: IGNORE ME + +@subsection Aligning contexts + +UNTRANSLATED NODE: IGNORE ME + +@node The \override command + +UNTRANSLATED NODE: IGNORE ME + +@section The \override command + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Constructing a tweak:: +* Navigating the program reference:: +* Layout interfaces:: +* Determining the grob property:: +* Objects connected to the input:: +* \set vs. \override:: +* Difficult tweaks:: +@end menu +@node Constructing a tweak +@subsection Constructing a tweak + +UNTRANSLATED NODE: IGNORE ME + +@node Navigating the program reference + +UNTRANSLATED NODE: IGNORE ME + +@subsection Navigating the program reference + +UNTRANSLATED NODE: IGNORE ME + +@node Layout interfaces + +UNTRANSLATED NODE: IGNORE ME + +@subsection Layout interfaces + +UNTRANSLATED NODE: IGNORE ME + +@node Determining the grob property + +UNTRANSLATED NODE: IGNORE ME + +@subsection Determining the grob property + +UNTRANSLATED NODE: IGNORE ME + +@node Objects connected to the input + +UNTRANSLATED NODE: IGNORE ME + +@subsection Objects connected to the input + +UNTRANSLATED NODE: IGNORE ME + +@node \set vs. \override + +UNTRANSLATED NODE: IGNORE ME + +@subsection \set vs. \override + +UNTRANSLATED NODE: IGNORE ME + +@node Difficult tweaks + +UNTRANSLATED NODE: IGNORE ME + +@subsection Difficult tweaks + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/cheatsheet.itely b/Documentation/es/user/cheatsheet.itely new file mode 100644 index 0000000000..24a63dc774 --- /dev/null +++ b/Documentation/es/user/cheatsheet.itely @@ -0,0 +1,5 @@ +@node Cheat sheet +@appendix Cheat sheet + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/converters.itely b/Documentation/es/user/converters.itely new file mode 100644 index 0000000000..6ed6ca3978 --- /dev/null +++ b/Documentation/es/user/converters.itely @@ -0,0 +1,52 @@ +@node Converting from other formats +@chapter Converting from other formats + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Invoking midi2ly:: +* Invoking etf2ly:: +* Invoking musicxml2ly:: +* Invoking abc2ly:: +* Generating LilyPond files:: +@end menu +@node Invoking midi2ly +@section Invoking + +UNTRANSLATED NODE: IGNORE ME + +@node Invoking etf2ly + +UNTRANSLATED NODE: IGNORE ME + +@section Invoking + +UNTRANSLATED NODE: IGNORE ME + +@node Invoking musicxml2ly + +UNTRANSLATED NODE: IGNORE ME + +@section Invoking + +UNTRANSLATED NODE: IGNORE ME + +@node Invoking abc2ly + +UNTRANSLATED NODE: IGNORE ME + +@section Invoking + +UNTRANSLATED NODE: IGNORE ME + +@node Generating LilyPond files + +UNTRANSLATED NODE: IGNORE ME + +@section Generating LilyPond files + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/instrument-notation.itely b/Documentation/es/user/instrument-notation.itely new file mode 100644 index 0000000000..0eddc4ee09 --- /dev/null +++ b/Documentation/es/user/instrument-notation.itely @@ -0,0 +1,605 @@ +@node Instrument-specific notation +@chapter Instrument-specific notation + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Piano music:: +* Chord names:: +* Vocal music:: +* Rhythmic music:: +* Guitar:: +* Bagpipe:: +* Ancient notation:: +* Other instrument specific notation:: +@end menu +@node Piano music +@section Piano music + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Automatic staff changes:: +* Manual staff switches:: +* Pedals:: +* Staff switch lines:: +* Cross staff stems:: +@end menu +@node Automatic staff changes +@subsection Automatic staff changes + +UNTRANSLATED NODE: IGNORE ME + +@node Manual staff switches + +UNTRANSLATED NODE: IGNORE ME + +@subsection Manual staff switches + +UNTRANSLATED NODE: IGNORE ME + +@node Pedals + +UNTRANSLATED NODE: IGNORE ME + +@subsection Pedals + +UNTRANSLATED NODE: IGNORE ME + +@node Staff switch lines + +UNTRANSLATED NODE: IGNORE ME + +@subsection Staff switch lines + +UNTRANSLATED NODE: IGNORE ME + +@node Cross staff stems + +UNTRANSLATED NODE: IGNORE ME + +@subsection Cross staff stems + +UNTRANSLATED NODE: IGNORE ME + +@node Chord names + +UNTRANSLATED NODE: IGNORE ME + +@section Chord names + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Introducing chord names:: +* Chords mode:: +* Printing chord names:: +@end menu +@node Introducing chord names +@subsection Introducing chord names + +UNTRANSLATED NODE: IGNORE ME + +@node Chords mode + +UNTRANSLATED NODE: IGNORE ME + +@subsection Chords mode + +UNTRANSLATED NODE: IGNORE ME + +@node Printing chord names + +UNTRANSLATED NODE: IGNORE ME + +@subsection Printing chord names + +UNTRANSLATED NODE: IGNORE ME + +@node Vocal music + +UNTRANSLATED NODE: IGNORE ME + +@section Vocal music + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Setting simple songs:: +* Entering lyrics:: +* Hyphens and extenders:: +* The Lyrics context:: +* Melismata:: +* Another way of entering lyrics:: +* Flexibility in placement:: +* Spacing lyrics:: +* More about stanzas:: +* Ambitus:: +* Other vocal issues:: +@end menu +@node Setting simple songs +@subsection Setting simple songs + +UNTRANSLATED NODE: IGNORE ME + +@node Entering lyrics + +UNTRANSLATED NODE: IGNORE ME + +@subsection Entering lyrics + +UNTRANSLATED NODE: IGNORE ME + +@node Hyphens and extenders + +UNTRANSLATED NODE: IGNORE ME + +@subsection Hyphens and extenders + +UNTRANSLATED NODE: IGNORE ME + +@node The Lyrics context + +UNTRANSLATED NODE: IGNORE ME + +@subsection The Lyrics context + +UNTRANSLATED NODE: IGNORE ME + +@node Melismata + +UNTRANSLATED NODE: IGNORE ME + +@subsection Melismata + +UNTRANSLATED NODE: IGNORE ME + +@node Another way of entering lyrics + +UNTRANSLATED NODE: IGNORE ME + +@subsection Another way of entering lyrics + +UNTRANSLATED NODE: IGNORE ME + +@node Flexibility in placement + +UNTRANSLATED NODE: IGNORE ME + +@subsection Flexibility in placement + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Lyrics to multiple notes of a melisma:: +* Divisi lyrics:: +* Switching the melody associated with a lyrics line:: +* Specifying melismata within the lyrics:: +* Lyrics independent of notes:: +@end menu +@node Lyrics to multiple notes of a melisma +@subsubsection Lyrics to multiple notes of a melisma + +UNTRANSLATED NODE: IGNORE ME + +@node Divisi lyrics + +UNTRANSLATED NODE: IGNORE ME + +@subsubsection Divisi lyrics + +UNTRANSLATED NODE: IGNORE ME + +@node Switching the melody associated with a lyrics line + +UNTRANSLATED NODE: IGNORE ME + +@subsubsection Switching the melody associated with a lyrics line + +UNTRANSLATED NODE: IGNORE ME + +@node Specifying melismata within the lyrics + +UNTRANSLATED NODE: IGNORE ME + +@subsubsection Specifying melismata within the lyrics + +UNTRANSLATED NODE: IGNORE ME + +@node Lyrics independent of notes + +UNTRANSLATED NODE: IGNORE ME + +@subsubsection Lyrics independent of notes + +UNTRANSLATED NODE: IGNORE ME + +@node Spacing lyrics + +UNTRANSLATED NODE: IGNORE ME + +@subsection Spacing lyrics + +UNTRANSLATED NODE: IGNORE ME + +@node More about stanzas + +UNTRANSLATED NODE: IGNORE ME + +@subsection More about stanzas + +UNTRANSLATED NODE: IGNORE ME + +@subsubsection Adding stanza numbers + +UNTRANSLATED NODE: IGNORE ME + +@subsubsection Adding dynamics marks + +UNTRANSLATED NODE: IGNORE ME + +@subsubsection Adding singer names + +UNTRANSLATED NODE: IGNORE ME + +@subsubsection Printing stanzas at the end + +UNTRANSLATED NODE: IGNORE ME + +@subsubsection Printing stanzas at the end in multiple columns + +UNTRANSLATED NODE: IGNORE ME + +@node Ambitus + +UNTRANSLATED NODE: IGNORE ME + +@subsection Ambitus + +UNTRANSLATED NODE: IGNORE ME + +@node Other vocal issues + +UNTRANSLATED NODE: IGNORE ME + +@subsection Other vocal issues + +UNTRANSLATED NODE: IGNORE ME + +@node Rhythmic music + +UNTRANSLATED NODE: IGNORE ME + +@section Rhythmic music + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Showing melody rhythms:: +* Entering percussion:: +* Percussion staves:: +* Ghost notes:: +@end menu +@node Showing melody rhythms +@subsection Showing melody rhythms + +UNTRANSLATED NODE: IGNORE ME + +@node Entering percussion + +UNTRANSLATED NODE: IGNORE ME + +@subsection Entering percussion + +UNTRANSLATED NODE: IGNORE ME + +@node Percussion staves + +UNTRANSLATED NODE: IGNORE ME + +@subsection Percussion staves + +UNTRANSLATED NODE: IGNORE ME + +@node Ghost notes + +UNTRANSLATED NODE: IGNORE ME + +@subsection Ghost notes + +UNTRANSLATED NODE: IGNORE ME + +@node Guitar + +UNTRANSLATED NODE: IGNORE ME + +@section Guitar + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* String number indications:: +* Tablatures basic:: +* Non-guitar tablatures:: +* Banjo tablatures:: +* Fret diagrams:: +* Right hand fingerings:: +* Other guitar issues:: +@end menu +@node String number indications +@subsection String number indications + +UNTRANSLATED NODE: IGNORE ME + +@node Tablatures basic + +UNTRANSLATED NODE: IGNORE ME + +@subsection Tablatures basic + +UNTRANSLATED NODE: IGNORE ME + +@node Non-guitar tablatures + +UNTRANSLATED NODE: IGNORE ME + +@subsection Non-guitar tablatures + +UNTRANSLATED NODE: IGNORE ME + +@node Banjo tablatures + +UNTRANSLATED NODE: IGNORE ME + +@subsection Banjo tablatures + +UNTRANSLATED NODE: IGNORE ME + +@node Fret diagrams + +UNTRANSLATED NODE: IGNORE ME + +@subsection Fret diagrams + +UNTRANSLATED NODE: IGNORE ME + +@node Right hand fingerings + +UNTRANSLATED NODE: IGNORE ME + +@subsection Right hand fingerings + +UNTRANSLATED NODE: IGNORE ME + +@node Other guitar issues + +UNTRANSLATED NODE: IGNORE ME + +@subsection Other guitar issues + +UNTRANSLATED NODE: IGNORE ME + +@node Bagpipe + +UNTRANSLATED NODE: IGNORE ME + +@section Bagpipe + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Bagpipe definitions:: +* Bagpipe example:: +@end menu +@node Bagpipe definitions +@subsection Bagpipe definitions + +UNTRANSLATED NODE: IGNORE ME + +@node Bagpipe example + +UNTRANSLATED NODE: IGNORE ME + +@subsection Bagpipe example + +UNTRANSLATED NODE: IGNORE ME + +@node Ancient notation + +UNTRANSLATED NODE: IGNORE ME + +@section Ancient notation + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Ancient note heads:: +* Ancient accidentals:: +* Ancient rests:: +* Ancient clefs:: +* Ancient flags:: +* Ancient time signatures:: +* Ancient articulations:: +* Custodes:: +* Divisiones:: +* Ligatures:: +* Gregorian Chant contexts:: +* Mensural contexts:: +* Musica ficta accidentals:: +* Figured bass:: +@end menu +@node Ancient note heads +@subsection Ancient note heads + +UNTRANSLATED NODE: IGNORE ME + +@node Ancient accidentals + +UNTRANSLATED NODE: IGNORE ME + +@subsection Ancient accidentals + +UNTRANSLATED NODE: IGNORE ME + +@node Ancient rests + +UNTRANSLATED NODE: IGNORE ME + +@subsection Ancient rests + +UNTRANSLATED NODE: IGNORE ME + +@node Ancient clefs + +UNTRANSLATED NODE: IGNORE ME + +@subsection Ancient clefs + +UNTRANSLATED NODE: IGNORE ME + +@node Ancient flags + +UNTRANSLATED NODE: IGNORE ME + +@subsection Ancient flags + +UNTRANSLATED NODE: IGNORE ME + +@node Ancient time signatures + +UNTRANSLATED NODE: IGNORE ME + +@subsection Ancient time signatures + +UNTRANSLATED NODE: IGNORE ME + +@node Ancient articulations + +UNTRANSLATED NODE: IGNORE ME + +@subsection Ancient articulations + +UNTRANSLATED NODE: IGNORE ME + +@node Custodes + +UNTRANSLATED NODE: IGNORE ME + +@subsection Custodes + +UNTRANSLATED NODE: IGNORE ME + +@node Divisiones + +UNTRANSLATED NODE: IGNORE ME + +@subsection Divisiones + +UNTRANSLATED NODE: IGNORE ME + +@node Ligatures + +UNTRANSLATED NODE: IGNORE ME + +@subsection Ligatures + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* White mensural ligatures:: +* Gregorian square neumes ligatures:: +@end menu +@node White mensural ligatures +@subsubsection White mensural ligatures + +UNTRANSLATED NODE: IGNORE ME + +@node Gregorian square neumes ligatures + +UNTRANSLATED NODE: IGNORE ME + +@subsubsection Gregorian square neumes ligatures + +UNTRANSLATED NODE: IGNORE ME + +@node Gregorian Chant contexts + +UNTRANSLATED NODE: IGNORE ME + +@subsection Gregorian Chant contexts + +UNTRANSLATED NODE: IGNORE ME + +@node Mensural contexts + +UNTRANSLATED NODE: IGNORE ME + +@subsection Mensural contexts + +UNTRANSLATED NODE: IGNORE ME + +@node Musica ficta accidentals + +UNTRANSLATED NODE: IGNORE ME + +@subsection Musica ficta accidentals + +UNTRANSLATED NODE: IGNORE ME + +@node Figured bass + +UNTRANSLATED NODE: IGNORE ME + +@subsection Figured bass + +UNTRANSLATED NODE: IGNORE ME + +@node Other instrument specific notation + +UNTRANSLATED NODE: IGNORE ME + +@section Other instrument specific notation + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Artificial harmonics (strings):: +@end menu +@node Artificial harmonics (strings) +@subsection Artificial harmonics (strings) + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/introduction.itely b/Documentation/es/user/introduction.itely new file mode 100644 index 0000000000..24ad6ab2b4 --- /dev/null +++ b/Documentation/es/user/introduction.itely @@ -0,0 +1,61 @@ +@node Introduction +@chapter Introduction + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Engraving:: +* Automated engraving:: +* What symbols to engrave?:: +* Music representation:: +* Example applications:: +* About this manual:: +@end menu +@node Engraving +@section Engraving + +UNTRANSLATED NODE: IGNORE ME + +@node Automated engraving + +UNTRANSLATED NODE: IGNORE ME + +@section Automated engraving + +UNTRANSLATED NODE: IGNORE ME + +@node What symbols to engrave? + +UNTRANSLATED NODE: IGNORE ME + +@section What symbols to engrave? + +UNTRANSLATED NODE: IGNORE ME + +@node Music representation + +UNTRANSLATED NODE: IGNORE ME + +@section Music representation + +UNTRANSLATED NODE: IGNORE ME + +@node Example applications + +UNTRANSLATED NODE: IGNORE ME + +@section Example applications + +UNTRANSLATED NODE: IGNORE ME + +@node About this manual + +UNTRANSLATED NODE: IGNORE ME + +@section About this manual + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/lilypond-book.itely b/Documentation/es/user/lilypond-book.itely new file mode 100644 index 0000000000..688c47d663 --- /dev/null +++ b/Documentation/es/user/lilypond-book.itely @@ -0,0 +1,122 @@ +@node LilyPond-book +@chapter + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* An example of a musicological document:: +* Integrating LaTeX and music:: +* Integrating Texinfo and music:: +* Integrating HTML and music:: +* Integrating DocBook and music:: +* Music fragment options:: +* Invoking lilypond-book:: +* Filename extensions:: +* Many quotes of a large score:: +* Inserting LilyPond output into OpenOffice.org:: +* Inserting LilyPond output into other programs:: +@end menu +@node An example of a musicological document +@section An example of a musicological document + +UNTRANSLATED NODE: IGNORE ME + +@node Integrating LaTeX and music + +UNTRANSLATED NODE: IGNORE ME + +@section Integrating La + +UNTRANSLATED NODE: IGNORE ME + +@node Integrating Texinfo and music + +UNTRANSLATED NODE: IGNORE ME + +@section Integrating Texinfo and music + +UNTRANSLATED NODE: IGNORE ME + +@node Integrating HTML and music + +UNTRANSLATED NODE: IGNORE ME + +@section Integrating HTML and music + +UNTRANSLATED NODE: IGNORE ME + +@node Integrating DocBook and music + +UNTRANSLATED NODE: IGNORE ME + +@section Integrating DocBook and music + +UNTRANSLATED NODE: IGNORE ME + +@unnumberedsubsec Common conventions + +UNTRANSLATED NODE: IGNORE ME + +@unnumberedsubsec Including a LilyPond file + +UNTRANSLATED NODE: IGNORE ME + +@unnumberedsubsec Including LilyPond code + +UNTRANSLATED NODE: IGNORE ME + +@unnumberedsubsec Processing the DocBook document + +UNTRANSLATED NODE: IGNORE ME + +@node Music fragment options + +UNTRANSLATED NODE: IGNORE ME + +@section Music fragment options + +UNTRANSLATED NODE: IGNORE ME + +@node Invoking lilypond-book + +UNTRANSLATED NODE: IGNORE ME + +@section Invoking + +UNTRANSLATED NODE: IGNORE ME + +@node Filename extensions + +UNTRANSLATED NODE: IGNORE ME + +@section Filename extensions + +UNTRANSLATED NODE: IGNORE ME + +@node Many quotes of a large score + +UNTRANSLATED NODE: IGNORE ME + +@section Many quotes of a large score + +UNTRANSLATED NODE: IGNORE ME + +@node Inserting LilyPond output into OpenOffice.org + +UNTRANSLATED NODE: IGNORE ME + +@section Inserting LilyPond output into OpenOffice.org + +UNTRANSLATED NODE: IGNORE ME + +@node Inserting LilyPond output into other programs + +UNTRANSLATED NODE: IGNORE ME + +@section Inserting LilyPond output into other programs + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/lilypond.tely b/Documentation/es/user/lilypond.tely new file mode 100644 index 0000000000..8b68878878 --- /dev/null +++ b/Documentation/es/user/lilypond.tely @@ -0,0 +1,71 @@ +@node Top +@top GNU LilyPond --- The music typesetter + +UNTRANSLATED NODE: IGNORE ME + +@include dedication.itely + +UNTRANSLATED NODE: IGNORE ME + +@menu +* Preface:: +* Introduction:: +* Tutorial:: +* Putting it all together:: +* Working on LilyPond projects:: +* Tweaking output:: +* Basic notation:: +* Instrument-specific notation:: +* Advanced notation:: +* Changing defaults:: +* Non-musical notation:: +* Spacing issues:: +* Interfaces for programmers:: +* Running LilyPond:: +* LilyPond-book:: +* Converting from other formats:: +* Literature list:: +* Scheme tutorial:: +* Notation manual tables:: +* Templates:: +* Cheat sheet:: +* GNU Free Documentation License:: +* LilyPond command index:: +* LilyPond index:: +@end menu +@include macros.itexi +@include preface.itely +@include introduction.itely +@include tutorial.itely +@include putting.itely +@include working.itely +@include tweaks.itely +@include basic-notation.itely +@include instrument-notation.itely +@include advanced-notation.itely +@include changing-defaults.itely +@include non-music.itely +@include spacing.itely +@include programming-interface.itely +@include running.itely +@include lilypond-book.itely +@include converters.itely +@include literature.itely +@include scheme-tutorial.itely +@include notation-appendices.itely +@include templates.itely +@include cheatsheet.itely +@include fdl.itexi +@node LilyPond command index +@appendix LilyPond command index + +UNTRANSLATED NODE: IGNORE ME + +@node LilyPond index + +UNTRANSLATED NODE: IGNORE ME + +@appendix LilyPond index + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/literature.itely b/Documentation/es/user/literature.itely new file mode 100644 index 0000000000..1400e5288a --- /dev/null +++ b/Documentation/es/user/literature.itely @@ -0,0 +1,5 @@ +@node Literature list +@appendix Literature list + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/non-music.itely b/Documentation/es/user/non-music.itely new file mode 100644 index 0000000000..cb6a9f6d58 --- /dev/null +++ b/Documentation/es/user/non-music.itely @@ -0,0 +1,166 @@ +@node Non-musical notation +@chapter Non-musical notation + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Input files:: +* Titles and headers:: +* MIDI output:: +* Displaying LilyPond notation:: +* Skipping corrected music:: +@end menu +@node Input files +@section Input files + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* File structure (introduction):: +* Multiple scores in a book:: +* Extracting fragments of notation:: +* File structure:: +* A single music expression:: +* Including LilyPond files:: +* Text encoding:: +@end menu +@node File structure (introduction) +@subsection File structure (introduction) + +UNTRANSLATED NODE: IGNORE ME + +@node Multiple scores in a book + +UNTRANSLATED NODE: IGNORE ME + +@subsection Multiple scores in a book + +UNTRANSLATED NODE: IGNORE ME + +@node Extracting fragments of notation + +UNTRANSLATED NODE: IGNORE ME + +@subsection Extracting fragments of notation + +UNTRANSLATED NODE: IGNORE ME + +@node File structure + +UNTRANSLATED NODE: IGNORE ME + +@subsection File structure + +UNTRANSLATED NODE: IGNORE ME + +@node A single music expression + +UNTRANSLATED NODE: IGNORE ME + +@subsection A single music expression + +UNTRANSLATED NODE: IGNORE ME + +@node Including LilyPond files + +UNTRANSLATED NODE: IGNORE ME + +@subsection Including LilyPond files + +UNTRANSLATED NODE: IGNORE ME + +@node Text encoding + +UNTRANSLATED NODE: IGNORE ME + +@subsection Text encoding + +UNTRANSLATED NODE: IGNORE ME + +@node Titles and headers + +UNTRANSLATED NODE: IGNORE ME + +@section Titles and headers + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Creating titles:: +* Custom titles:: +@end menu +@node Creating titles +@subsection Creating titles + +UNTRANSLATED NODE: IGNORE ME + +@node Custom titles + +UNTRANSLATED NODE: IGNORE ME + +@subsection Custom titles + +UNTRANSLATED NODE: IGNORE ME + +@node MIDI output + +UNTRANSLATED NODE: IGNORE ME + +@section MIDI output + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Creating MIDI files:: +* MIDI block:: +* MIDI instrument names:: +@end menu +@node Creating MIDI files +@subsection Creating MIDI files + +UNTRANSLATED NODE: IGNORE ME + +@node MIDI block + +UNTRANSLATED NODE: IGNORE ME + +@subsection MIDI block + +UNTRANSLATED NODE: IGNORE ME + +@node MIDI instrument names + +UNTRANSLATED NODE: IGNORE ME + +@subsection MIDI instrument names + +UNTRANSLATED NODE: IGNORE ME + +@node Displaying LilyPond notation + +UNTRANSLATED NODE: IGNORE ME + +@section Displaying LilyPond notation + +UNTRANSLATED NODE: IGNORE ME + +@node Skipping corrected music + +UNTRANSLATED NODE: IGNORE ME + +@section Skipping corrected music + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/notation-appendices.itely b/Documentation/es/user/notation-appendices.itely new file mode 100644 index 0000000000..f9642ecfae --- /dev/null +++ b/Documentation/es/user/notation-appendices.itely @@ -0,0 +1,72 @@ +@node Notation manual tables +@appendix Notation manual tables + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Chord name chart:: +* MIDI instruments:: +* List of colors:: +* The Feta font:: +* Note head styles:: +@end menu +@node Chord name chart +@appendixsec Chord name chart + +UNTRANSLATED NODE: IGNORE ME + +@node MIDI instruments + +UNTRANSLATED NODE: IGNORE ME + +@appendixsec MIDI instruments + +UNTRANSLATED NODE: IGNORE ME + +@node List of colors + +UNTRANSLATED NODE: IGNORE ME + +@appendixsec List of colors + +UNTRANSLATED NODE: IGNORE ME + +@subsubheading Normal colors + +UNTRANSLATED NODE: IGNORE ME + +@subsubheading X color names + +UNTRANSLATED NODE: IGNORE ME + +@subsubheading Color Names without a numerical suffix: + +UNTRANSLATED NODE: IGNORE ME + +@subsubheading Color names with a numerical suffix + +UNTRANSLATED NODE: IGNORE ME + +@subsubheading Grey Scale + +UNTRANSLATED NODE: IGNORE ME + +@node The Feta font + +UNTRANSLATED NODE: IGNORE ME + +@appendixsec The Feta font + +UNTRANSLATED NODE: IGNORE ME + +@node Note head styles + +UNTRANSLATED NODE: IGNORE ME + +@appendixsec Note head styles + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/preface.itely b/Documentation/es/user/preface.itely new file mode 100644 index 0000000000..91a0b4235b --- /dev/null +++ b/Documentation/es/user/preface.itely @@ -0,0 +1,5 @@ +@node Preface +@unnumbered Preface + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/programming-interface.itely b/Documentation/es/user/programming-interface.itely new file mode 100644 index 0000000000..17e51e7fab --- /dev/null +++ b/Documentation/es/user/programming-interface.itely @@ -0,0 +1,234 @@ +@node Interfaces for programmers +@chapter Interfaces for programmers + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Music functions:: +* Programmer interfaces:: +* Building complicated functions:: +* Markup programmer interface:: +* Contexts for programmers:: +* Scheme procedures as properties:: +@end menu +@node Music functions +@section Music functions + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Overview of music functions:: +* Simple substitution functions:: +* Paired substitution functions:: +* Mathematics in functions:: +* Void functions:: +* Functions without arguments:: +* Overview of available music functions:: +@end menu +@node Overview of music functions +@subsection Overview of music functions + +UNTRANSLATED NODE: IGNORE ME + +@node Simple substitution functions + +UNTRANSLATED NODE: IGNORE ME + +@subsection Simple substitution functions + +UNTRANSLATED NODE: IGNORE ME + +@node Paired substitution functions + +UNTRANSLATED NODE: IGNORE ME + +@subsection Paired substitution functions + +UNTRANSLATED NODE: IGNORE ME + +@node Mathematics in functions + +UNTRANSLATED NODE: IGNORE ME + +@subsection Mathematics in functions + +UNTRANSLATED NODE: IGNORE ME + +@node Void functions + +UNTRANSLATED NODE: IGNORE ME + +@subsection Void functions + +UNTRANSLATED NODE: IGNORE ME + +@node Functions without arguments + +UNTRANSLATED NODE: IGNORE ME + +@subsection Functions without arguments + +UNTRANSLATED NODE: IGNORE ME + +@node Overview of available music functions + +UNTRANSLATED NODE: IGNORE ME + +@subsection Overview of available music functions + +UNTRANSLATED NODE: IGNORE ME + +@include identifiers.tely + +UNTRANSLATED NODE: IGNORE ME + +@node Programmer interfaces +@section Programmer interfaces + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Input variables and Scheme:: +* Internal music representation:: +@end menu +@node Input variables and Scheme +@subsection Input variables and Scheme + +UNTRANSLATED NODE: IGNORE ME + +@node Internal music representation + +UNTRANSLATED NODE: IGNORE ME + +@subsection Internal music representation + +UNTRANSLATED NODE: IGNORE ME + +@node Building complicated functions + +UNTRANSLATED NODE: IGNORE ME + +@section Building complicated functions + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Displaying music expressions:: +* Music properties:: +* Doubling a note with slurs (example):: +* Adding articulation to notes (example):: +@end menu +@node Displaying music expressions +@subsection Displaying music expressions + +UNTRANSLATED NODE: IGNORE ME + +@node Music properties + +UNTRANSLATED NODE: IGNORE ME + +@subsection Music properties + +UNTRANSLATED NODE: IGNORE ME + +@node Doubling a note with slurs (example) + +UNTRANSLATED NODE: IGNORE ME + +@subsection Doubling a note with slurs (example) + +UNTRANSLATED NODE: IGNORE ME + +@node Adding articulation to notes (example) + +UNTRANSLATED NODE: IGNORE ME + +@subsection Adding articulation to notes (example) + +UNTRANSLATED NODE: IGNORE ME + +@node Markup programmer interface + +UNTRANSLATED NODE: IGNORE ME + +@section Markup programmer interface + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Markup construction in Scheme:: +* How markups work internally:: +* New markup command definition:: +@end menu +@node Markup construction in Scheme +@subsection Markup construction in Scheme + +UNTRANSLATED NODE: IGNORE ME + +@node How markups work internally + +UNTRANSLATED NODE: IGNORE ME + +@subsection How markups work internally + +UNTRANSLATED NODE: IGNORE ME + +@node New markup command definition + +UNTRANSLATED NODE: IGNORE ME + +@subsection New markup command definition + +UNTRANSLATED NODE: IGNORE ME + +@node Contexts for programmers + +UNTRANSLATED NODE: IGNORE ME + +@section Contexts for programmers + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Context evaluation:: +* Running a function on all layout objects:: +@end menu +@node Context evaluation +@subsection Context evaluation + +UNTRANSLATED NODE: IGNORE ME + +@node Running a function on all layout objects + +UNTRANSLATED NODE: IGNORE ME + +@subsection Running a function on all layout objects + +UNTRANSLATED NODE: IGNORE ME + +@node Scheme procedures as properties + +UNTRANSLATED NODE: IGNORE ME + +@section Scheme procedures as properties + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/putting.itely b/Documentation/es/user/putting.itely new file mode 100644 index 0000000000..3a990d0bf7 --- /dev/null +++ b/Documentation/es/user/putting.itely @@ -0,0 +1,43 @@ +@node Putting it all together +@chapter Putting it all together + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Extending the templates:: +* How LilyPond files work:: +* Score is a single musical expression:: +* An orchestral part:: +@end menu +@node Extending the templates +@section Extending the templates + +UNTRANSLATED NODE: IGNORE ME + +@node How LilyPond files work + +UNTRANSLATED NODE: IGNORE ME + +@section How LilyPond files work + +UNTRANSLATED NODE: IGNORE ME + +@node Score is a single musical expression + +UNTRANSLATED NODE: IGNORE ME + +@section Score is a single musical expression + +UNTRANSLATED NODE: IGNORE ME + +@node An orchestral part + +UNTRANSLATED NODE: IGNORE ME + +@section An orchestral part + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/running.itely b/Documentation/es/user/running.itely new file mode 100644 index 0000000000..f214b6874e --- /dev/null +++ b/Documentation/es/user/running.itely @@ -0,0 +1,78 @@ +@node Running LilyPond +@chapter Running LilyPond + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Invoking lilypond:: +* Notes for the MacOS X app:: +* Updating files with convert-ly:: +* Reporting bugs:: +* Error messages:: +* Editor support:: +* Point and click:: +@end menu +@node Invoking lilypond +@section Invoking lilypond + +UNTRANSLATED NODE: IGNORE ME + +@subsection Command line options + +UNTRANSLATED NODE: IGNORE ME + +@subsection Environment variables + +UNTRANSLATED NODE: IGNORE ME + +@node Notes for the MacOS X app + +UNTRANSLATED NODE: IGNORE ME + +@section Notes for the MacOS X app + +UNTRANSLATED NODE: IGNORE ME + +@node Updating files with convert-ly + +UNTRANSLATED NODE: IGNORE ME + +@section Updating with + +UNTRANSLATED NODE: IGNORE ME + +@node Reporting bugs + +UNTRANSLATED NODE: IGNORE ME + +@section Reporting bugs + +UNTRANSLATED NODE: IGNORE ME + +@node Error messages + +UNTRANSLATED NODE: IGNORE ME + +@section Error messages + +UNTRANSLATED NODE: IGNORE ME + +@node Editor support + +UNTRANSLATED NODE: IGNORE ME + +@section Editor support + +UNTRANSLATED NODE: IGNORE ME + +@node Point and click + +UNTRANSLATED NODE: IGNORE ME + +@section Point and click + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/scheme-tutorial.itely b/Documentation/es/user/scheme-tutorial.itely new file mode 100644 index 0000000000..d89fb346fd --- /dev/null +++ b/Documentation/es/user/scheme-tutorial.itely @@ -0,0 +1,5 @@ +@node Scheme tutorial +@appendix Scheme tutorial + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/spacing.itely b/Documentation/es/user/spacing.itely new file mode 100644 index 0000000000..07d783f71e --- /dev/null +++ b/Documentation/es/user/spacing.itely @@ -0,0 +1,224 @@ +@node Spacing issues +@chapter Spacing issues + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Paper and pages:: +* Music layout:: +* Vertical spacing:: +* Horizontal spacing:: +* Breaks:: +* Displaying spacing:: +* Vertical collision avoidance:: +@end menu +@node Paper and pages +@section Paper and pages + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Paper size:: +* Page formatting:: +@end menu +@node Paper size +@subsection Paper size + +UNTRANSLATED NODE: IGNORE ME + +@node Page formatting + +UNTRANSLATED NODE: IGNORE ME + +@subsection Page formatting + +UNTRANSLATED NODE: IGNORE ME + +@node Music layout + +UNTRANSLATED NODE: IGNORE ME + +@section Music layout + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Setting the staff size:: +* Score layout:: +@end menu +@node Setting the staff size +@subsection Setting the staff size + +UNTRANSLATED NODE: IGNORE ME + +@node Score layout + +UNTRANSLATED NODE: IGNORE ME + +@subsection Score layout + +UNTRANSLATED NODE: IGNORE ME + +@node Vertical spacing + +UNTRANSLATED NODE: IGNORE ME + +@section Vertical spacing + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Vertical spacing inside a system:: +* Vertical spacing between systems:: +* Controlling spacing of individual systems:: +* Two-pass vertical spacing:: +@end menu +@node Vertical spacing inside a system +@subsection Vertical spacing inside a system + +UNTRANSLATED NODE: IGNORE ME + +@node Vertical spacing between systems + +UNTRANSLATED NODE: IGNORE ME + +@subsection Vertical spacing between systems + +UNTRANSLATED NODE: IGNORE ME + +@node Controlling spacing of individual systems + +UNTRANSLATED NODE: IGNORE ME + +@subsection Controlling spacing of individual systems + +UNTRANSLATED NODE: IGNORE ME + +@node Two-pass vertical spacing + +UNTRANSLATED NODE: IGNORE ME + +@subsection Two-pass vertical spacing + +UNTRANSLATED NODE: IGNORE ME + +@node Horizontal spacing + +UNTRANSLATED NODE: IGNORE ME + +@section Horizontal Spacing + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Horizontal spacing overview:: +* New spacing area:: +* Changing horizontal spacing:: +* Line length:: +@end menu +@node Horizontal spacing overview +@subsection Horizontal spacing overview + +UNTRANSLATED NODE: IGNORE ME + +@node New spacing area + +UNTRANSLATED NODE: IGNORE ME + +@subsection New spacing area + +UNTRANSLATED NODE: IGNORE ME + +@node Changing horizontal spacing + +UNTRANSLATED NODE: IGNORE ME + +@subsection Changing horizontal spacing + +UNTRANSLATED NODE: IGNORE ME + +@node Line length + +UNTRANSLATED NODE: IGNORE ME + +@subsection Line length + +UNTRANSLATED NODE: IGNORE ME + +@node Breaks + +UNTRANSLATED NODE: IGNORE ME + +@section Breaks + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Line breaking:: +* Page breaking:: +* Optimal page breaking:: +* Optimal page turning:: +@end menu +@node Line breaking +@subsection Line breaking + +UNTRANSLATED NODE: IGNORE ME + +@node Page breaking + +UNTRANSLATED NODE: IGNORE ME + +@subsection Page breaking + +UNTRANSLATED NODE: IGNORE ME + +@node Optimal page breaking + +UNTRANSLATED NODE: IGNORE ME + +@subsection Optimal page breaking + +UNTRANSLATED NODE: IGNORE ME + +@node Optimal page turning + +UNTRANSLATED NODE: IGNORE ME + +@subsection Optimal page turning + +UNTRANSLATED NODE: IGNORE ME + +@node Displaying spacing + +UNTRANSLATED NODE: IGNORE ME + +@section Displaying spacing + +UNTRANSLATED NODE: IGNORE ME + +@node Vertical collision avoidance + +UNTRANSLATED NODE: IGNORE ME + +@section Vertical collision avoidance + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/templates.itely b/Documentation/es/user/templates.itely new file mode 100644 index 0000000000..a1d5a04872 --- /dev/null +++ b/Documentation/es/user/templates.itely @@ -0,0 +1,138 @@ +@node Templates +@appendix Templates + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Single staff:: +* Piano templates:: +* String quartet:: +* Vocal ensembles:: +* Ancient notation templates:: +* Jazz combo:: +* Lilypond-book templates:: +@end menu +@node Single staff +@appendixsec Single staff + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec Notes only + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec Notes and lyrics + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec Notes and chords + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec Notes, lyrics, and chords. + +UNTRANSLATED NODE: IGNORE ME + +@node Piano templates + +UNTRANSLATED NODE: IGNORE ME + +@appendixsec Piano templates + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec Solo piano + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec Piano and melody with lyrics + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec Piano centered lyrics + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec Piano centered dynamics + +UNTRANSLATED NODE: IGNORE ME + +@node String quartet + +UNTRANSLATED NODE: IGNORE ME + +@appendixsec String quartet + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec String quartet + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec String quartet parts + +UNTRANSLATED NODE: IGNORE ME + +@node Vocal ensembles + +UNTRANSLATED NODE: IGNORE ME + +@appendixsec Vocal ensembles + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec SATB vocal score + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec SATB vocal score and automatic piano reduction + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec SATB with aligned contexts + +UNTRANSLATED NODE: IGNORE ME + +@node Ancient notation templates + +UNTRANSLATED NODE: IGNORE ME + +@appendixsec Ancient notation templates + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec Transcription of mensural music + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec Gregorian transcription template + +UNTRANSLATED NODE: IGNORE ME + +@node Jazz combo + +UNTRANSLATED NODE: IGNORE ME + +@appendixsec Jazz combo + +UNTRANSLATED NODE: IGNORE ME + +@node Lilypond-book templates + +UNTRANSLATED NODE: IGNORE ME + +@appendixsec Lilypond-book templates + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec LaTeX + +UNTRANSLATED NODE: IGNORE ME + +@appendixsubsec Texinfo + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/tutorial.itely b/Documentation/es/user/tutorial.itely new file mode 100644 index 0000000000..33d3a3d829 --- /dev/null +++ b/Documentation/es/user/tutorial.itely @@ -0,0 +1,1509 @@ +@c -*- coding: utf-8; mode: texinfo; -*- +@c This file is part of lilypond.tely +@ignore + Translation of GIT committish: faafde735e1765f06d55a2e656e0d6cd4d11dfeb + + When revising a translation, copy the HEAD committish of the + version that you are working on. See TRANSLATION for details. +@end ignore + +@ignore +Tutorial guidelines: +- unless you have a really good reason, use either + @l ilypond[quote,ragged-right,verbatim] + or + @l ilypond[quote,ragged-right,verbatim,fragment,relative=2] + (without spaces) + Don't use any other relative=X commands (make it a non-fragment + example), and don't use fragment without relative=2. +- use "aes" and "ees" instead of "as" and "aes". I know it's not + correct Dutch naming, but let's not confuse people with this until + we get to the Basic notation chapter. +@end ignore + + + +@c old info that will probably be removed. +@c TODO: +@c * more details about running lilypond; error messages, +@c compiling/viewing (emacs?) +@c * where to go from First steps+More basics? + +@c wherever possible, do not include index entries here; the +@c index should point to stuff in the reference manual. -gp + +@c Your first LilyPond score in 10 minutes? + +@node Tutorial +@chapter Tutorial + +Este tutorial comienza con una introducción al lenguaje musical LilyPond +y cómo producir música impresa. Después de este primer contacto, +explicaremos cómo crear notación musical usual. + +@ifhtml +Muchas personas aprenden a utilizar programas probando y enredando con ellos. +Esto también puede hacerse con LilyPond. Si hace click sobre una imagen +en la versión en HTML de este manual, podrá ver la entrada exacta de LilyPond +que se utilizó para generar esa imagen. +Pruébelo sobre esta imagen: + +@c no verbatim here +@lilypond[quote,ragged-right] +\relative c'' { + c-\markup { \bold \huge { Pulse aquí. } } +} +@end lilypond + +Cortando y pegando todo lo que se encuentra dentro de la sección @qq{ly snippet} (fragmento de tipo ly), tendrá una +plantilla inicial para sus experimentos. Si le agrada esta forma de aprender, +probablemente quiera imprimir o añadir a sus favoritos la dirección de la +@ref{Cheat sheet}, que es una relación en forma de tabla de los comandos más comunes +de manera que sirvan de referencia rápida. +@end ifhtml + +@menu +* First steps:: +* Single staff notation:: +* Multiple notes at once:: +* Songs:: +* Final touches:: +@end menu + + +@node First steps +@section First steps + +Esta sección le ofrece una introducción básica al trabajo con LilyPond. + +@menu +* Compiling a file:: +* Simple notation:: +* Working on text files:: +* How to read the tutorial:: +@end menu + + +@node Compiling a file +@subsection Compiling a file + +El primer ejemplo demuestra cómo empezar a trabajar con LilyPond. Para +crear una partitura, escribimos un archivo de texto que especifica la +notación. Por ejemplo, si escribimos + +@example +@{ + c' e' g' e' +@} +@end example + +@noindent +el resultado tiene este aspecto + +@c in this case we don't want verbatim +@lilypond[quote,ragged-right] +{ + c' e' g' e' +} +@end lilypond + +@strong{Adevertencia:} Todo el código que se da como entrada a LilyPond tiene que +llevar @strong{@{ llaves @}} rodeando dicha entrada. Las llaves deberían también estar +rodeadas por espacios a no ser que se encuentren al principio o al final de una línea, +para evitar ambigüedades. Es posible que se omitan en algunos ejemplos del presente +manual ¡pero no las omita en su propia música! + +@cindex Case sensitive +Además la entrada de LilyPond es @strong{sensible a las mayúsculas}. @code{ @{ c d e @} } +es una entrada válida; @code{ @{ C D E @} } producirá un mensaje de error. + +@sp 1 + +@subheading Entering music and viewing output + +En esta sección vamos a explicar qué comandos hay que ejecutar +y cómo, para ver o imprimir el resultado. + +@subsubheading MacOS X + +Si hace doble click sobre LilyPond.app, se abrirá con un archivo +de ejemplo. Guárdelo, por ejemplo, como @file{prueba.ly} en el Escritorio, y +a continuación procéselo con la orden de menú @samp{Compilar > Componer archivo}. +El PDF resultante se mostrará en la pantalla. + +Advierta que la primera vez que ejecute LilyPond, tardará un minuto +o dos porque todas las tipografías del sistema han de ser analizadas previamente. + +Para posteriores usos de LilyPond, debería comenzar eligiendo "Nuevo" +o "Abrir". Tiene que grabar el archivo antes de componerlo tipográficamente. +Si se produce algún error durante el proceso, observe la ventana del registro. + +@subsubheading Windows + +En Windows, abra un editor de texto@footnote{Cualquier editor normal u +orientado a programadores que tenga soporte para UTF-8 servirá, por ejemplo +el Bloc de Notas. No utilice un procesador de texto porque estos programas +introducen códigos de formato que confundirían a LilyPond.} e introduzca + +@verbatim +{ + c' e' g' e' +} +@end verbatim + +Guárdelo en elescritorio como @file{prueba.ly} y asegúrese de que el +nombre del archivo no es @file{prueba.ly.TXT}. Al hacer doble click sobre +@file{prueba.ly} el archivo se procesará +y mostrará el archivo PDF resultante. Para editar un archivo +@file{.ly} existente, pulse con el botón derecho y elija @qq{Editar fuente}. + +Si hace doble click sobre el icono de LilyPond que se encuentra en el +escritorio, se abrirá un editor sencillo de texto con un archivo de ejemplo. +Guárdelo con un nombre como @file{prueba.ly} en su escritorio, y a +continuación haga doble click sobre el archivo para procesarlo. +Transcurridos unos segundos, obtendrá un archivo @file{prueba.pdf} +en el escritorio. Haga doble click sobre este archivo PDF para ver la +partitura compuesta tipográficamente. Un método alternativo para procesar +el archivo @file{prueba.ly} +es arrastrarlo y soltarlo sobre el icono de LilyPond utilizando el ratón. + +Al hacer doble click sobre el archivo no sólo se obtiene como resultado +un archivo PDF, sino también un archivo @file{.log} que contiene cierta +información acerca de lo que LilyPond ha hecho con el archivo. +Si se produce algún error, examine este archivo de registro. + + +@subsubheading Unix + +Comience abriendo una ventana de terminal e inicando un editor de texto. Por +ejemplo, puede abrir un xterm y ejecutar +@code{joe}@footnote{Existen macros para los adictos a VIM, y hay +un @code{LilyPond-mode (modo de LilyPond)} para adictos a Emacs. Si no han sido +instalados aún, consulte el archivo @file{INSTALL.txt}. El +entorno de edición más sencillo es @file{LilyPondTool}. Consulte +@ref{Editor support} para más información.}. En su +editor de texto, introduzca la siguiente entrada y guarde el archivo como +@file{prueba.ly} + +@verbatim +{ + c' e' g' e' +} +@end verbatim + +@noindent +Para procesar @file{prueba.ly}, haga lo siguiente: + +@example +lilypond prueba.ly +@end example + +@noindent +Verá algo parecido a: + +@example +lilypond prueba.ly +GNU LilyPond 2.10.0 +Procesando `prueba.ly' +Anaizando... +Interpretando la música... [1] +Preprocesando los objetos gráficos... +Calculando los cortes de línea... [2] +Salida de la página hacia `prueba.ps'... +Convirtiendo a `prueba.pdf'... +@end example + +@cindex PDF file +@cindex Viewing music + +@noindent +El resultado es el archivo @file{prueba.pdf} que podrá imprimir o ver +con las utilidades estándar de su sistema operativo.@footnote{Si +su sistema no dispone de dichas herramientas, puede probar +@uref{http://@/www@/.cs@/.wisc@/.edu/@/~ghost/,Ghostscript}, un programa +de libre disposición para ver e imprimir archivos PDF y PostScript.} + + +@node Simple notation +@subsection Simple notation + +LilyPond añadirá ciertos elementos de notación de manera automática. En el siguiente +ejemplo hemos especificado solamente cuatro alturas, pero LilyPond ha +añadido la clave, la indicación de compás y los ritmos. + +@lilypond[quote,ragged-right,verbatim] +{ + c' e' g' e' +} +@end lilypond + +@noindent +Este comportamiento se puede modificar, pero en general estos valores automáticos son adecuados. + + +@subheading Pitches + +La manera más sencilla de introducir las notas es mediante la utilización del modo @code{\relative}. En +este modo se supone que el @rglos{interval} entre la nota anterior y la actual +se encuentra dentro de una @rglos{fourth}. Comenzamos +introduciendo la pieza musical más elemental, una @rglos{scale}. + +@lilypond[quote,ragged-right,verbatim] +\relative c' { + c d e f + g a b c +} +@end lilypond + +La nota inicial es @rglos{middle C}. Cada nota sucesiva +se encuentra dentro de una cuarta de la nota previa (en otras palabras: la primera +@samp{c} es el Do más cercano al Do central; a éste le sigue el Re más cercano a la +nota previa, y así sucesivamente). Podemos crear melodías con intervalos mayores: + +@lilypond[quote,ragged-right,verbatim] +\relative c' { + d f a g + c b f d +} +@end lilypond + +@noindent +Como puede observar, este ejemplo no comienza en el Do central. La primera nota +(la @samp{d}) es el Re más cercano al Do central. + +Para poner intervalos mayores de una cuarta, podemos elevar la octava +añadiendo una comilla simple @code{'} (o apóstrofe) al nombre de la nota. También podemos bajar +la octava adjuntando una coma @code{,} al nombre de la nota. + +@lilypond[quote,ragged-right,verbatim] +\relative c'' { + a a, c' f, + g g'' a,, f' +} +@end lilypond + +@noindent +Para subir o bajar una nota en dos (¡o más!) octavas, utilizamos varias @code{''} ó +@code{,,} (pero tenga cuidado de utilizar dos comillas simples @code{''} ¡y no una +comilla doble @code{"}@tie{}!) El valor inicial de +@code{\relative c'} también puede modificarse de esta forma. + + +@subheading Durations (rhythms) + +La @rglos{duration} de una nota se especifica mediante un número después del nombre de la nota. @samp{1} significa @rglos{whole note}, @samp{2} significa @rglos{half note}, +@samp{4} significa @rglos{quarter note} y así sucesivamente. Las barras de corchea se añaden +automáticamente. + +@lilypond[quote,ragged-right,verbatim] +\relative c'' { + a1 + a2 a4 a8 a + a16 a a a a32 a a a a64 a a a a a a a a2 +} +@end lilypond + +@noindent +Si no especifica una duración, se utiliza la duración previa para la nota siguiente. +La duración de la primera nota es por omisión una negra. + +Para crear @rglos{dotted notes}, añada un punto @samp{.} al número de la duración. + +@lilypond[quote,ragged-right,verbatim] +\relative c'' { + a a a4. a8 + a8. a16 a a8. a8 a4. +} +@end lilypond + + +@subheading Rests + +Un @rglos{rest} se introduce igual que una nota, con el nombre @samp{r}: + +@lilypond[quote,ragged-right,verbatim] +\relative c'' { + a r r2 + r8 a r4 r4. r8 +} +@end lilypond + + +@subheading Time signature + +La @rglos{time signature}) se puede establecer con el comando @code{\time} : + +@lilypond[quote,ragged-right,verbatim] +\relative c'' { + \time 3/4 + a4 a a + \time 6/8 + a4. a + \time 4/4 + a4 a a a +} +@end lilypond + + +@subheading Clef + +La @rglos{clef} se peude establecer utilizando el comando @code{\clef} : + +@lilypond[quote,ragged-right,verbatim] +\relative c' { + \clef treble + c1 + \clef alto + c1 + \clef tenor + c1 + \clef bass + c1 +} +@end lilypond + + +@subheading All together + +He aquí un pequeño ejemplo que muestra todos los elementos anteriores juntos: + +@lilypond[quote,ragged-right,verbatim] +\relative c, { + \time 3/4 + \clef bass + c2 e8 c' g'2. + f4 e d c4 c, r4 +} +@end lilypond + +@moreinfo +@quotation +@table @asis +@item Introducir alturas y duraciones +ver @ref{Pitches} y @ref{Durations}. +@item Silencios +ver @ref{Rests}. +@item Indicaciones de compás y otros comandos de tiempo +ver @ref{Time signature}. +@item Claves +ver @ref{Clef}. +@end table +@end quotation + + +@node Working on text files +@subsection Working on text files + +Los archivos de entrada de LilyPond se tratan como los archivos de la mayoría de los lenguajes de programación: +son sensibles a las mayúsculas, insensibles al número de espacios, las expresiones +se forman con llaves @{ @} y los comentarios se denotan por un signo de porcentaje (@code{%}) o por +@code{%@{ ... %@}}. + +Si la frase anterior no tiene sentido para usted ¡no se preocupe! A continuación explicaremos el +significado de todos estos términos: + +@itemize + +@cindex Case sensitive +@item @strong{Sensible a las mayúsculas}: +tiene importancia el hecho de que introduzca una letra +en minúsculas (p.ej. @code{a, b, s, t}) o en mayúsculas (p.ej. +@code{A, B, S, T}). Las notas son minúsculas: @code{ @{ c d e @} } +es una entrada válida; @code{ @{ C D E @} } produciría un mensaje de error. + +@item @strong{Insensible al número de espacios}: +no importa cuántos +espacios (o saltos de línea) añada. @code{ @{ c d e @}} significa lo mismo +que @code{ @{ c @ @ @ @ @ d e @} } y que +@example + @{ +c d + e @} +@end example + +@noindent +Por supuesto, el ejemplo anterior es difícil de leer. Una regla práctica +es sangrar los bloques de código con un carácter de tabulación, o bien con dos espacios: +@example +@{ + c d e +@} +@end example + +@item @strong{Expresiones:} +Todo fragmento de código de entrada para LilyPond ha de llevar +@strong{@{ llaves @}} antes y después de la entrada. Estas llaves le dicen a +LilyPond que la entrada es una expresión musical unitaria, igual que +los paréntesis @samp{()} en las matemáticas. Las llaves deben ir rodeadas +de un espacio a no ser que se encuentren al comienzo o al final de una +línea, para evitar cualquier ambigüedad. + +Una función (como, por ejemplo @code{\relative @{ @}} ) también es una expresión musical +unitaria. + +@cindex comments +@cindex line comment +@cindex block comment +@item @strong{Comentarios}: +Un comentario es una nota para el lector humano de la entrada musical; se ignora +cuando esta entrada se analiza, de manera que no tiene ningún efecto sobre la salida impresa. +Existen dos tipos de comentarios. El símbolo de porcentaje @samp{%} +introduce un comentario de línea; todo lo que se encuentra después de @samp{%} en esa línea +se ignora. Un comentario de bloque marca una sección entera de entrada musical +como comentario. Todo lo que está encerrado dentro de @code{%@{} y @code{%@}} se +ignora. El siguiente fragmento muestra algunos posibles usos para los comentarios: + +@example +% a continuación van las notas de campanitas del lugar + c4 c g' g a a g2 + +%@{ + Esta línea y las notas que aprecen más abajo + se ignoran, por estar dentro de un + comentario de bloque. + + g g f f e e d d c2 +%@} +@end example + +@end itemize + +Hay más trucos para elaborar archivos de entrada en +@ref{Suggestions for writing LilyPond files}. + + +@node How to read the tutorial +@subsection How to read the tutorial + +Como vimos en @ref{Working on text files}, la entrada de LilyPond debe estar +rodeada de llaves @{ @} o de @code{\relative c'' @{ ... @}}. Durante el +resto del presente manual, la mayor parte de los ejemplos omitirán las llaves. + +Si está leyendo la documentación HTML y quiere ver el código de LilyPond exacto +que se utilizó para crear el ejemplo, sencillamente haga click +sobre la imagen. Si no está leyendo la versión en HTML, podría +copiar y pegar la entrada que se muestra, pero @strong{deberá} añadir +@code{\relative c'' @{ @}} de la siguiente manera: + +@example +\relative c'' @{ + ... aquí va el ejemplo... +@} +@end example + +¿Por qué omitir las llaves? Casi todos los ejemplos +del presente manual se pueden insertar en medio de un fragmento mayor de +música. Para estos ejemplos no tiene ningún sentido añadir +@code{\relative c'' @{ @}} (no debería poner un @code{\relative} +dentro de otro @code{\relative}), de forma que usted no podría copiar +un ejemplo pequeño procedente de la documentación y pegarlo dentro de su propia +pieza. + + +@node Single staff notation +@section Single staff notation + +Esta sección es una introducción a la notación corriente que se utiliza para una voz +o un pentagrama. + +@menu +* Relative note names:: +* Accidentals and key signatures:: +* Ties and slurs:: +* Articulation and dynamics:: +* Automatic and manual beams:: +* Advanced rhythmic commands:: +@end menu + + +@node Relative note names +@subsection Relative note names + +Como hemos visto en @ref{Simple notation}, LilyPond calcula la altura de +cada nota de forma relativa respecto de la nota anterior@footnote{Existe otra forma de +itroducir las alturas, @ref{Absolute note names}, pero en la práctica el modo +relativo es mucho más cómodo y seguro de utilizar.}. Si no se añade ninguna marca de octava +(@code{'} y @code{,}), se supone que cada altura se encuentra dentro de una +cuarta desde la nota anterior. + +LilyPond examina las alturas basándose en los nombres de las notas (dicho de otra forma: +una cuarta aumentada @emph{no} es lo mismo que una quinta disminuida. Si +empezamos en un Do, un Fa sostenido situado a continuación se colocará por encima del Do, mientras que +un Sol bemol se colocará por debajo del Do. + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +c2 fis +c2 ges +@end lilypond + +@moreinfo +@quotation +@table @asis +@item Octavas relativas +ver @ref{Relative octaves}. +@item Comorobación de octava +ver @ref{Octave check}. +@end table +@end quotation + + + +@node Accidentals and key signatures +@subsection Accidentals and key signatures + +@subheading Accidentals + +Una nota @rglos{sharp} se hace añadiendo @samp{is} al +nombre, y una nota @rglos{flat} añadiendo @samp{es}. Como +ha podido adivinar, un @rglos{double sharp} o @rglos{double flat} se hace +añadiendo @samp{isis} o @samp{eses}@footnote{Esta sintaxis +derivó de las convenciones de las lenguas nórdicas y germánicas para nombrar las notas +como el alemán y el holandés. Para utilizar otros nombres para las alteraciones accidentales, vea +@ref{Note names in other languages}.} + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +cis1 ees fisis, aeses +@end lilypond + +@cindex key signature, setting +@subheading Key signatures + +LA armadura de la tonadlidad se establece mediante el comando @code{\key} seguido de +una nota y @code{\major} o @code{\minor}. + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +\key d \major +a1 +\key c \minor +a +@end lilypond + +@sp 1 + +@subheading Warning: key signatures and pitches + +Para determinar si hay que imprimir una alteración accidental, LilyPond examina las +notas y la armadura de la tonalidad. La armadura solamente afecta a las +alteraciones @emph{impresas}, ¡no a las propias notas! Esta es una +funcionalidad que frecuentemente es causa de confusión a los que se inician con el programa, por ello permítanos explicarla +en detalle. + +LilyPond hace una clara distinción entre el contenido musical y la +presentación. La alteración (bemol, becuadro o sostenido) de una nota es parte de +la altura, y por tanto es contenido musical. Si una alteración (un +signo @emph{impreso} de bemol, becuadro o sostenido) se imprime o no delante de la +nota correspondiente, es una cuestión de presentación. La presentación es algo que +sigue unas reglas, así que las alteraciones accidentales se imprimen automáticamente según +dichas reglas. Las alturas de las notas en su música son obras de arte, por tanto no serán +añadidas automáticamente, y usted deberá introducir aquello que quiera oír. + +En el siguiente ejemplo + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +\key d \major +d cis fis +@end lilypond + +@noindent +ninguna nota lleva una alteración impresa, pero de todas formas usted debe añadir la @samp{is} a +@code{cis} y a @code{fis}. + +El texto @samp{e} no significa @qq{imprimir una bolita negra en la +primera línea del pentagrama.} Más bien significa: @qq{hay una nota +Mi natural.} En la tonalidad de La bemol mayor, @emph{lleva} una +alteración accidental: + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +\key aes \major +e +@end lilypond + +Poner todas las alteraciones de forma explícita puede que requiera algo más de trabajo +al teclear, pero la ventaja es que la transposición es más fácil, y las +alteraciones se pueden imprimir siguiendo varias convenciones distintas. Consulte +@ref{Automatic accidentals} para ver ejemplos de cómo las alteraciones se pueden imprimir +de acuerdo a reglas diferentes. + +@moreinfo +@quotation +@table @asis +@item Alteraciones accidentales +ver @ref{Accidentals} y @ref{Automatic accidentals}. +@item Armadura de la tonalidad +ver @ref{Key signature}. +@end table +@end quotation + + +@node Ties and slurs +@subsection Ties and slurs + +@cindex ties +@subheading Ties +Una @rglos{tie} se crea adjuntando un carácter tilde @samp{~} a la primera +nota ligada + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +g4~ g c2~ +c4 ~ c8 a8 ~ a2 +@end lilypond + +@cindex slurs +@subheading Slurs + +Una @rglos{slur} es una curva que se traza abarcando varias notas. Las notas inicial +y final se marcan mediante @samp{(} y @samp{)} respectivamente. + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +d4( c16) cis( d e c cis d) e( d4) +@end lilypond + +@cindex slurs, phrasing +@cindex phrasing slurs +@subheading Phrasing slurs + +@cindex phrasing slurs +Las ligaduras que se utilizan para indicar fraseos más largos se pueden introducir mediante @code{\(} y +@code{\)}. Puede haber al mismo tiempo ligaduras de legato y ligaduras de fraseo, +pero no es posible tener legatos simultáneos o ligaduras de expresión +simultáneas. + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +a8(\( ais b c) cis2 b'2 a4 cis,\) +@end lilypond + +@sp 1 + +@cindex slurs versus ties +@subheading Warnings: slurs vs. ties + +Una ligadura de espresión parece una @rglos{ligadura}, pero tiene un sisgnificado distinto. Una +ligadura (de unión) sencillamente hace que la primera nota sea más larga, y sólo se puede utilizar sobre +parejas de notas iguales. Las ligaduras de expresión indican las articulaciones +de las notas, y se pueden utilizar sobre grupos mayores de notas. Las ligaduras de unión y de expresión +se pueden anidar unas dentro de otras. + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +c2~( c8 fis fis4 ~ fis2 g2) +@end lilypond + +@moreinfo +@quotation +@table @asis +@item Ligaduras de unión +ver @ref{Ties}. +@item Ligaduras de expresión +ver @ref{Slurs}. +@item Ligaduras de fraseo +ver @ref{Phrasing slurs}. +@end table +@end quotation + + +@node Articulation and dynamics +@subsection Articulation and dynamics + +@cindex articulation +@cindex accents +@cindex staccato +@subheading Articulations + +Las @rglos{articulations} más corrientes se pueden añadir a las notas utilizando un guión @samp{-} +seguido de un carácter único: + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +c-. c-- c-> c-^ c-+ c-_ +@end lilypond + +@cindex fingering +@subheading Fingerings +De manera similar, las indicaciones de digitación se pueden añadir a una nota utilizando un guión +(@samp{-}) seguido del dígito deseado: + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +c-3 e-5 b-2 a-1 +@end lilypond + +Las articulaciones y digitaciones normalmente se colocan de forma automática, pero puede +especificar una dirección mediante @samp{^} (encima) o @samp{_} (debajo). También +puede usar varias articulaciones sobre la misma nota. Sin embargo, casi siempre +es mejor dejar que LilyPond determine las dirección de las articulaciones. + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +c_-^1 d^. f^4_2-> e^-_+ +@end lilypond + +@subheading Dynamics +Las expresiones de matiz o signos dinámicos se hacen añadiendo las marcas (con una barra invertida) a la +nota: + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +c\ff c\mf c\p c\pp +@end lilypond + +@cindex dynamics +@cindex decrescendo +@cindex crescendo + +Los crescendi y decrescendi comienzan con los comandos @code{\<} y +@code{\>}. Una expresión terminal de matiz, como por ejemplo @code{\f}, dará por terminado el +(de)crescendo, o bien se puede usar el comando @code{\!}: + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +c2\< c2\ff\> c2 c2\! +@end lilypond + +@moreinfo +@quotation +@table @asis +@item Articulaciones +ver @ref{Articulations}. +@item Digitaciones +ver @ref{Fingering instructions}. +@item Matices +ver @ref{Dynamics}. +@end table +@end quotation + + +@node Automatic and manual beams +@subsection Automatic and manual beams + +@cindex beams, by hand +Todas las @rglos{beam}s se dibujan automáticamente: +@c aquí hay un problema con el plural. FVD +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +a8 ais d ees r d c16 b a8 +@end lilypond + +@noindent +Si no le gustan las barras automáticas, pueden forzarse +manualmente. Marque la primera nota que comprende la barra con @samp{[} y la última +con @samp{]}. + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +a8[ ais] d[ ees r d] a b +@end lilypond + +@moreinfo +@quotation +@table @asis +@item Barras automáticas +ver @ref{Automatic beams}. +@item Barras manuales +ver @ref{Manual beams}. +@end table +@end quotation + + +@node Advanced rhythmic commands +@subsection Advanced rhythmic commands + +@cindex pickup +@cindex anacruse +@cindex partial measure +@subheading Partial measure + +Una anacrusa (o @rglos{anacrusis}) se introduce con la palabra clave +@code{\partial}. Va seguida de una duración: @code{\partial 4} es +una anacrusa de negra y @code{\partial 8} de corchea. + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +\partial 8 +f8 c2 d +@end lilypond + +@cindex tuplets +@cindex triplets +@subheading Tuplets + +Los grupos especiales como los tresillos se hacen con la palabra clave @code{\times}. Requiere dos +argumentos: una fracción y un fragmento de música. La duración del fragmento +de música se multiplica por la fracción. Los tresillos hacen que las notas ocupen +2/3 de su duración expresa, por tanto un tresillo lleva una fracción de 2/3 + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +\times 2/3 { f8 g a } +\times 2/3 { c r c } +\times 2/3 { f,8 g16[ a g a] } +\times 2/3 { d4 a8 } +@end lilypond + +@cindex grace notes +@cindex acciaccatura +@cindex appoggiatura +@subheading Grace notes + +Los mordentes se crean con el comando @code{\grace}, aunque +también se pueden conseguir precediendo una expresión musical por la +palabra clave @code{\appoggiatura} o @code{\acciaccatura} + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +c2 \grace { a32[ b] } c2 +c2 \appoggiatura b16 c2 +c2 \acciaccatura b16 c2 +@end lilypond + +@moreinfo +@quotation +@table @asis +@item Mordentes +ver @ref{Grace notes}, +@item Grupos especiales +ver @ref{Tuplets}, +@item Anacrusas +ver @ref{Partial measures}. +@end table +@end quotation + + +@node Multiple notes at once +@section Multiple notes at once + +Esta sección es una introducción a las notas simultáneas: +varios instrumentos, varios pentragramas para un solo instrumento (p.ej. piano) +y acordes. + +La palabra @q{polifonía} en música hace referencia al hecho de tener más de una voz en un momento determinado +dentro de una pieza musical. La palabra @q{polifonía} en LilyPond se refiere al hecho de tener más de +una voz en el mismo pentragrama. + +@menu +* Music expressions explained:: +* Multiple staves:: +* Piano staves:: +* Single staff polyphony:: +* Combining notes into chords:: +@end menu + + +@node Music expressions explained +@subsection Music expressions explained + +En los archivos de entrada de LilyPond, la música se representa mediante @emph{expresiones +musicales}. Una sola nota es una expresión musical, aunque no es una +entrada válida por sí sola. + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +a4 +@end lilypond + +Al encerrar un grupo de notas dentro de llaves creamos una expresión musical: + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +{ a4 g4 } +@end lilypond + +Si colocamos un grupo de expresiones musicales (p.ej.: notas) dentro de llaves, eso significa que +se encuentran en secuencia (es decir, cada una sigue a la anterior). El resultado +es otra expresión musical: + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +{ { a4 g } f g } +@end lilypond + +@subheading Simultaneous music expressions: multiple staves + +Esta técnica es muy útil para la música polifónica. Para introducir música +con más voces o con más pentragramas, lo que hacemos es combinar varias expresiones en +paralelo. Para indicar que dos voces se deben interpretar al mismo tiempo, +sencillamente introduzca una combinación simultánea de expresiones musicales. Una +expresión musical @q{simultánea} se forma encerrando las expresiones dentro de +@code{<<} y @code{>>}. En el ejemplo que sigue, tres secuencias (cada una de las cuales +contiene dos notas diferentes) se combinan de forma simultánea: + +@lilypond[quote,ragged-right,verbatim] +\relative c'' { + << + { a4 g } + { f e } + { d b } + >> +} +@end lilypond + +Tenga en cuenta que hemos sangrado cada nivel jerárquico de la entrada con un margen +distinto. A LilyPond no le importa cuánto (o cuán poco) espacio haya +al comienzo de una línea, pero el establecimiento de márgenes distintos dentro del código de LilyPond, de esta forma, lo +hace mucho más fácil de leer por nosotros los seres humanos. + +@strong{Advertencia}: cada nota se entiende relativa a la +nota anterior de la entrada, no relativa a la @code{c''} dentro del +comando inicial @code{\relative}. + + +@subheading Simultaneous music expressions: single staff + +Para determinar el número de pentagramas en una pieza, LilyPond examina la primera +expresión. Si ésta consiste en una sola nota, hay un solo pentagrama; si hay una +expresión simultánea, hay más de un pentagrama. + +@lilypond[quote,ragged-right,verbatim] +\relative c'' { + c2 <> + << { e f } { c <> } >> +} +@end lilypond + +@cindex expression +@cindex music expression +@subheading Analogy: mathematical expressions + +Este mecanismo es semejante a las fórmulas +matemáticas: una fórmula grande se construye combinando fórmulas pequeñas. Dichas +fórmulas se llaman expresiones, y su definición es recursiva de tal forma que +puede construir expresiones de un tamaño y complejidad arbitrarios. Por ejemplo: + +@example +1 + +1 + 2 + +(1 + 2) * 3 + +((1 + 2) * 3) / (4 * 5) +@end example + +Ésta es una secuencia de expresiones donde cada expresión se encuentra contenida dentro +de la siguiente, más grande. Las expresiones más simples son números, y las mayores +se hacen combinando expresiones mediante operadores (como @samp{+}, +@samp{*} y @samp{/}) y paréntesis. Del mismo modo que las expresiones matemáticas, +las expresiones musicales se pueden anidar a una profundidad arbitraria, lo que se hace necesario +para músicas complejas como las partituras plifónicas. + + +@node Multiple staves +@subsection Multiple staves + +Como ya hemos visto en @ref{Music expressions explained}, los archivos de entrada para LilyPond +se construyen a base de expresiones musicales. Si la partitura comienza con +expresiones musicales simultáneas, LilyPond crea varios pentagramas. Sin embargo +es más fácil ver lo que ocurre si creamos cada uno de los pentagramas de forma explícita. + +Para imprimir más de un pentagrama, cada fragmento de música que constituye un +pentagrama se marca escribiendo @code{\new Staff} antes de él. Estos +elementos @code{Staff} se combinan después en paralelo con @code{<<} y +@code{>>}: + +@lilypond[quote,ragged-right,verbatim] +\relative c'' { + << + \new Staff { \clef treble c } + \new Staff { \clef bass c,, } + >> +} +@end lilypond + +El comando @code{\new} inaugura un @q{contexto de notación}. Un contexto de +notación se un entorno dentro del que los acontecimientos musicales (como las notas o los +comandos @code{\clef}) se interpretan. Para piezas sencillas, tales +contextos de notación se crean automáticamente. Para piezas más complicadas, es mejor +marcar los contextos de forma explícita. + +Existen varias clases de contextos. @code{Score}, @code{Staff} +y @code{Voice} manejan la notación melódica, mientras que @code{Lyrics} se ocupa de los textos +cantados y @code{ChordNames} imprime los nombres de los acordes. + +En términos de sintaxis, la anteposición de @code{\new} a una expresión musical +crea una expresión musical mayor. De esta forma es emejante al signo +menos de las matemáticas. La fórmula @math{(4+5)} es una expresión, por tanto +@math{-(4+5)} es una expresión más amplia. + +Las indicaciones de compás escritas en un pentagrama afecta al resto, pero +la armadura de la tonalidad de un pentagarma @emph{no} afecta a los otros +pentagramas@footnote{Este comportamiento se puede cambiar si uno lo desea; consulte +@ref{Changing defaults} para ver más detalles.}. + +@lilypond[quote,ragged-right,verbatim] +\relative c'' { + << + \new Staff { \clef treble \time 3/4 c } + \new Staff { \clef bass \key d \major c,, } + >> +} +@end lilypond + + + + +@node Piano staves +@subsection Piano staves + +@cindex staff switch, manual +@cindex cross staff voice, manual +La música para piano se compone tipográficamente en forma de dos pentagramas unidos mediante una llave. El aspecto impreso de +este sistema de pentagramas se parece al ejemplo polifónico que aparece en @ref{Multiple staves}, +pero en esta ocasión la expresión completa se coloca dentro de un @code{PianoStaff}: + +@example +\new PianoStaff << + \new Staff @dots{} + \new Staff @dots{} +>> +@end example + +He aquí un pequeño ejemplo: + +@lilypond[quote,ragged-right,verbatim] +\relative c'' { + \new PianoStaff << + \new Staff { \time 2/4 c4 e g g, } + \new Staff { \clef bass c,, c' e c } + >> +} +@end lilypond + +@moreinfo +@quotation +Ver @ref{Piano music}. +@end quotation + + +@node Single staff polyphony +@subsection Single staff polyphony + +@cindex polyphony +@cindex multiple voices +@cindex voices, more -- on a staff +Cuando distintas líenas melódicas se combinan sobre un solo pentagrama, se +imprimen como voces polifónicas; cada voz lleva sus propias plicas, ligaduras y +barras de corchea, y la voz superior tiene las plicas hacia arriba mientras que la voz inferior las +tiene hacia abajo. + +La introducción de estas partes se hace escribiendo cada voz en forma de secuencia (con +@code{@{...@}}) y combinando éstas de forma simultánea, separando las +voces con @code{\\} + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +<< + { a4 g2 f4~ f4 } \\ + { r4 g4 f2 f4 } +>> +@end lilypond + +Para el tipografiado de música polifónica, puede ser conveniente la utilización de silencios separadores, o sea, +silencios que no aparecen impresos. Son muy útiles para rellenar +voces que temporalmente no están cantando. He aquí el mismo ejemplo con un +silencio separador (@samp{s}) en vez de un silencio normal (@samp{r}): + +@lilypond[quote,ragged-right,verbatim,fragment,relative=2] +<< + { a4 g2 f4~ f4 } \\ + { s4 g4 f2 f4 } +>> +@end lilypond + +@noindent +Una vez más, las expresiones de este tipo se pueden anidar de forma arbitraria. + +@lilypond[quote,fragment,verbatim,relative=2,fragment] +<< + \new Staff << + { a4 g2 f4~ f4 } \\ + { s4 g4 f2 f4 } + >> + \new Staff << + \clef bass + { 1 ~ 4 } \\ + { e,,4 d e2 ~ e4} + >> +>> +@end lilypond + +@moreinfo +@quotation +Ver @ref{Basic polyphony}. +@end quotation + + +@node Combining notes into chords +@subsection Combining notes into chords + +@cindex chords +Los acordes se hacen rodeando las notas con paréntesis en ángulo simples. Los paréntesis +en ángulo son los símbolos @samp{<} (menor que) and @samp{>} (mayor que). + +@lilypond[quote,fragment,verbatim,relative=2,fragment] +r4 4 2 +@end lilypond + +Se pueden combinar las marcas como barras y ligaduras con acordes. Se deben +colocar por fuera de los paréntesis en ángulo: + +@lilypond[quote,fragment,verbatim,relative=2,fragment] +r4 8[ ]~ 2 +@end lilypond + +@lilypond[quote,fragment,verbatim,relative=2,fragment] +r4 8\>( 4 \!) +@end lilypond + + +@node Songs +@section Songs + +Esta sección es una introducción a la música vocal y a las partituras de canciones sencillas. + +@menu +* Printing lyrics:: +* A lead sheet:: +@end menu + + +@node Printing lyrics +@subsection Printing lyrics + +@cindex Lyrics +@cindex Songs +Consideremos una melodía sencilla: + +@lilypond[quote,ragged-right,verbatim] +\relative c'' { + a4 e c8 e r4 + b2 c4( d) +} +@end lilypond + +La letra se puede asignar a esas notas, combinando ambas con la +palabra clave @code{\addlyrics}. La letra se escribe separando cada +sílaba mediante un espacio. + +@lilypond[quote,ragged-right,verbatim] +<< + \relative c'' { + a4 e c8 e r4 + b2 c4( d) + } + \addlyrics { One day this shall be free } +>> +@end lilypond + +@cindex melisma +@cindex extender line +Esta melodía acaba en un @rglos{melisma}, una sílaba única (@q{suelta}) +que se canta sobre más de una nota. Esto se indica mediante unla @emph{línea +de estensión}. Se escribe como dos guiones bajos @code{__}: + +@lilypond[quote,ragged-right,verbatim] +<< + \relative c'' { + a4 e c8 e r4 + b2 c4( d) + } + \addlyrics { One day this shall be free __ } +>> +@end lilypond + +De forma parecida, los guiones entre las palabras se pueden escribir como dos guiones, +dando como resultado unas líneas cortas entre cada dos sílabas: + +@c aquí no se pone ragged-right porque los guiones se perderían. +@lilypond[quote,verbatim] +<< + \relative c' { + \time 2/4 + f4 f c c + } + \addlyrics { A -- le -- gri -- a } +>> +@end lilypond + +@moreinfo +@quotation +Otras posibilidades como poner varios versos debajo de una melodía, se +discuten en @ref{Vocal music}. +@end quotation + + +@node A lead sheet +@subsection A lead sheet + +@cindex Lead sheets +@cindex chords +@cindex chord names + +En la música pop es muy común denotar el acompañamiento con los nombres de los acordes. +Estos acordes se pueden escribir como notas: + +@lilypond[quote,ragged-right,verbatim] +\chordmode { c2 f4. g8 } +@end lilypond + +Ahora, cada altura se lee como la fundamental de un acorde en vez de como una nota. +Este modo se activa con @code{\chordmode}. Otros acordes pueden +construirse añadiendo modificadores después de un signo de dos puntos. El +ejemplo que sigue muestra algunos modificadores corrientes: + +@lilypond[quote,verbatim,ragged-right] +\chordmode { c2 f4:m g4:maj7 gis1:dim7 } +@end lilypond + +Para canciones con acordes, éstos no se imprimen sobre pentagramas, sino como nombres en su +propia línea. Esto se consigue utilizando @code{\chords} en sustitución +de @code{\chordmode}. Esto utiliza la misma sintaxis que @code{\chordmode}, +pero pinta las notas dentro de un contexto de @code{ChordNames}, con el +siguiente resultado: + +@lilypond[quote,verbatim,ragged-right] +\chords { c2 f4.:m g4.:maj7 gis8:dim7 } +@end lilypond + +@cindex lead sheet +Cuando se combinan, los nombres de acorde, la letra y la melodía forman +una hoja de canción con acordes (@q{lead sheet}): + +@lilypond[quote,verbatim,ragged-right] +<< + \chords { c2 g:sus4 f e } + \relative c'' { + a4 e c8 e r4 + b2 c4( d) + } + \addlyrics { One day this shall be free __ } +>> +@end lilypond + + +@moreinfo +@quotation +Puede ver una lista completa de los modificadores y otras opciones de presentación +en @ref{Chords}. +@end quotation + + +@node Final touches +@section Final touches + +Éste es el último apartado del tutorial; muestra la forma de dar los toques finales +a piezas sencillas, y ofrece una introducción al resto +del manual. + +@menu +* Version number:: +* Adding titles:: +* Absolute note names:: +* Organizing pieces with identifiers:: +* After the tutorial:: +* How to read the manual:: +@end menu + + +@node Version number +@subsection Version number + +@cindex versioning +La indicación @code{\version} indica para qué versión de LilyPond se escribió +el archivo. Para marcar un archivo para la versión 2.10.1, escriba + +@example +\version "2.11.15" +@end example + +@noindent +en la parte de arriba de su archivo de LilyPond. + +Estas anotaciones hacen menos problemáticas las subsiguientes actualizaciones de LilyPond. +Los cambios en la sintaxis se tratan mediante un programa especial, +@file{convert-ly} (ver @ref{Updating files with convert-ly}), y utiliza +@code{\version} para determinar qué reglas hay que aplicar. + + +@node Adding titles +@subsection Adding titles + +La información sobre el título, autor, número de Opus y similares se escriben +en el bloque @code{\header}. Éste se encuentra fuera de la expresión musical +principal; el bloque @code{\header}normalmente se sitúa por debajo del +@ref{Version number}. + +@example +\version "2.11.15" +\header @{ + title = "Symphony" + composer = "Me" + opus = "Op. 9" +@} + +@{ + @dots{} music @dots{} +@} +@end example + +Cuando se procesa el archivo, el título y el autor se imprimen por encima +de la música. Puede obtener más información sobre los títulos en @ref{Creating +titles}. + + +@node Absolute note names +@subsection Absolute note names + +Hasta el momento siempre hemos utilizado @code{\relative} para definir las alturas. Ésta es la +forma más sencilla de escribir la mayor parte de la música, pero existe otra dorma de definir +las alturas: el modo absoluto. + +Si omite el @code{\relative}, LilyPond tratará todas las alturas como +valores absolutos. Una @code{c'} significará siembre un Do central, una @code{b} significará +siempre la nota inmediatamente por debajo del Do central, y una @code{g,} significará +siempre la nota de primera línea del pentagrama en clave de Fa. + +@lilypond[quote,verbatim,ragged-right] +{ + \clef bass + c' b g, g, + g, f, f c' +} +@end lilypond + +He aquí una escala que abarca cuatro octavas: + +@lilypond[quote,verbatim,ragged-right] +{ + \clef bass + c, d, e, f, + g, a, b, c + d e f g + a b c' d' + \clef treble + e' f' g' a' + b' c'' d'' e'' + f'' g'' a'' b'' + c'''1 +} +@end lilypond + +Como puede ver, escribir una melodía en clave de Sol implica escibir gran cantidad de +apóstrofes ' . Consideremos este fragmento de Mozart: + +@lilypond[quote,verbatim,ragged-right] +{ + \key a \major + \time 6/8 + cis''8. d''16 cis''8 e''4 e''8 + b'8. cis''16 b'8 d''4 d''8 +} +@end lilypond + +Todos estos apóstrofes hacen casi ilegible el código de entrada y será origen de numerosos +errores. Con @code{\relative}, el ejemplo anterior es mucho más fácil +de leer: + +@lilypond[quote,verbatim,ragged-right] +\relative c'' { + \key a \major + \time 6/8 + cis8. d16 cis8 e4 e8 + b8. cis16 b8 d4 d8 +} +@end lilypond + +Si comete un error con una marca de octava (@code{'} o @code{,}) mientras +trabaja en el modo @code{\relative}, será muy obvio (muchas notas estarán +en la octava equivocada). Mientras trabaja en el modo absoluto, un solo fallo +no será tan visible, y tampoco será tan fácil de localizar. + +Sin ambargo, el modo absoluto es útil para escribir música que contenga intervalos grandes, y +será extremadamente útil para hacer archivos de LilyPond generados por ordenador. + + +@node Organizing pieces with identifiers +@subsection Organizing pieces with identifiers + +Cuando los elementos que hemos discutido anteriormente se combinan para producir +archivos mayores, las expresiones musicales se hacen enormes. En música +polifónica con muchos pentagramas, los archivos de entrada pueden volverse muy propensos a la confusión. Podemos +reducir esta confusión utilizando los @emph{identificadores}. + +Con los identificadores (también conocidos como variables o macros), podemos trocear las +expresiones musicales complejas. Un identificador se asigna de la manera siguiente: + +@example +musicaConNombre = @{ @dots{} @} +@end example + +El contenido de la expresión musical @code{musicaConNombre} se puede usar +posteriormente colocando una barra invertida delante del nombre +(@code{\musicaConNombre}, igual que un comando normal de LilyPond). Los identificadores +se deben definir @emph{antes} de la expresión musical principal. + +@lilypond[quote,verbatim,ragged-right] +violin = \new Staff { \relative c'' { + a4 b c b +}} +cello = \new Staff { \relative c { + \clef bass + e2 d +}} +{ + << + \violin + \cello + >> +} +@end lilypond + +@noindent +El nombre de un identificador debe consistir enteramente en caracteres alfabéticos, es decir +sin números, guiones bajos ni guiones. + +Es posible utilizar variables para otras muchas clases de objetos en el código de +entrada. Por ejemplo: + +@example +width = 4.5\cm +name = "Wendy" +aFivePaper = \paper @{ paperheight = 21.0 \cm @} +@end example + +Dependiendo de su contenido, el identificador se puede usar en distintos +lugares. El siguiente ejemplo utiliza las variables anteriores: + +@example +\paper @{ + \aFivePaper + line-width = \width +@} +@{ c4^\name @} +@end example + + +@node After the tutorial +@subsection After the tutorial + +Después de terminar el tutorial, quizá debería probar a escribir una o dos +piezas. Comience con una de las @ref{Templates} y añada algunas +notas. Si necesita un tipo de notación que no ha sido tratada en el +tutorial, eche un vistazo a la Referencia de Notación, empezando por +@ref{Basic notation}. Si quiere escribir música para un conjunto +instrumental que no está cubierto por ninguna plantilla, +consulte @ref{Extending the templates}. + +Una vez que ha escrito algunas piezas cortas, lea el resto del +Manual de aprendizaje (capítulos 3 al 5). ¡Por supuesto, no pasa nada por +leerlos ahora mismo! Sin embargo, el resto del Manual +de Aprendizaje da por sentado que está familiarizado con la entrada +de LilyPond. Puede saltarse estos capítulos ahora +@c should read skip +y volver a ellos cuando haya adquirido más experiencia. + + +@node How to read the manual +@subsection How to read the manual + +Como ya vimos en @ref{How to read the tutorial}, muchos ejemplos del +tutorial omitían el @code{\relative c'' @{ ... @}} alrededor del ejemplo +mostrado. + +Durante el resto del manual seremos mucho menos estrictos respecto de los +ejemplos impresos: a veces pueden omitir el +@code{\relative c'' @{ ... @}}, pero otras veces se puede usar una nota inicial +diferente (como @code{c'} o @code{c,,}), y en ocasiones +¡todo el ejemplo estará en el modo de notas absoluto! Sin embargo, las ambigüedades de esta clase +existen solamente allí donde las alturas no son lo más importante. En aquellos ejemplos +en los que las alturas tienen importancia, hemos expresado explícitamente el modo @code{\relative} +o bien el @code{@{ @}} de modo absoluto. + +Si aún tiene dudas respecto de la entrada de LilyPond exacta que se +ha utilizado en un ejemplo, lea la versión HTML (si no lo está haciendo ya) +y pulse con el ratón sobre la imagen de la música. De esta forma se mostrará la entrada +exacta que LilyPond usó para generar este manual. + diff --git a/Documentation/es/user/tweaks.itely b/Documentation/es/user/tweaks.itely new file mode 100644 index 0000000000..51acee760d --- /dev/null +++ b/Documentation/es/user/tweaks.itely @@ -0,0 +1,70 @@ +@node Tweaking output +@chapter Tweaking output + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Moving objects:: +* Fixing overlapping notation:: +* Common tweaks:: +* Default files:: +* Fitting music onto fewer pages:: +* Advanced tweaks with Scheme:: +* Avoiding tweaks with slower processing:: +@end menu +@node Moving objects +@section Moving objects + +UNTRANSLATED NODE: IGNORE ME + +@node Fixing overlapping notation + +UNTRANSLATED NODE: IGNORE ME + +@section Fixing overlapping notation + +UNTRANSLATED NODE: IGNORE ME + +@node Common tweaks + +UNTRANSLATED NODE: IGNORE ME + +@section Common tweaks + +UNTRANSLATED NODE: IGNORE ME + +@node Default files + +UNTRANSLATED NODE: IGNORE ME + +@section Default files + +UNTRANSLATED NODE: IGNORE ME + +@node Fitting music onto fewer pages + +UNTRANSLATED NODE: IGNORE ME + +@section Fitting music onto fewer pages + +UNTRANSLATED NODE: IGNORE ME + +@node Advanced tweaks with Scheme + +UNTRANSLATED NODE: IGNORE ME + +@section Advanced tweaks with Scheme + +UNTRANSLATED NODE: IGNORE ME + +@node Avoiding tweaks with slower processing + +UNTRANSLATED NODE: IGNORE ME + +@section Avoiding tweaks with slower processing + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/es/user/working.itely b/Documentation/es/user/working.itely new file mode 100644 index 0000000000..74168a5366 --- /dev/null +++ b/Documentation/es/user/working.itely @@ -0,0 +1,90 @@ +@node Working on LilyPond projects +@chapter Working on LilyPond projects + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* Suggestions for writing LilyPond files:: +* Saving typing with identifiers and functions:: +* Style sheets:: +* Updating old files:: +* Troubleshooting (taking it all apart):: +* Minimal examples:: +@end menu +@node Suggestions for writing LilyPond files +@section Suggestions for writing LilyPond files + +UNTRANSLATED NODE: IGNORE ME + +@menu + +UNTRANSLATED NODE: IGNORE ME + +* General suggestions:: +* Typesetting existing music:: +* Large projects:: +@end menu +@node General suggestions +@subsection General suggestions + +UNTRANSLATED NODE: IGNORE ME + +@node Typesetting existing music + +UNTRANSLATED NODE: IGNORE ME + +@subsection Typesetting existing music + +UNTRANSLATED NODE: IGNORE ME + +@node Large projects + +UNTRANSLATED NODE: IGNORE ME + +@subsection Large projects + +UNTRANSLATED NODE: IGNORE ME + +@node Saving typing with identifiers and functions + +UNTRANSLATED NODE: IGNORE ME + +@section Saving typing with identifiers and functions + +UNTRANSLATED NODE: IGNORE ME + +@node Style sheets + +UNTRANSLATED NODE: IGNORE ME + +@section Style sheets + +UNTRANSLATED NODE: IGNORE ME + +@node Updating old files + +UNTRANSLATED NODE: IGNORE ME + +@section Updating old files + +UNTRANSLATED NODE: IGNORE ME + +@node Troubleshooting (taking it all apart) + +UNTRANSLATED NODE: IGNORE ME + +@section Troubleshooting (taking it all apart) + +UNTRANSLATED NODE: IGNORE ME + +@node Minimal examples + +UNTRANSLATED NODE: IGNORE ME + +@section Minimal examples + +UNTRANSLATED NODE: IGNORE ME + diff --git a/Documentation/po/es.po b/Documentation/po/es.po new file mode 100644 index 0000000000..682abc1482 --- /dev/null +++ b/Documentation/po/es.po @@ -0,0 +1,2274 @@ +# translation of es.po to Spanish +# translation of LilyPond documentation +# Copyright (C) 2006 Han-Wen Nienhuys, Jan Nieuwenhuizen +# This file is distributed under the same license as the lilypond package. +# Francisco Vila , 2007. +# +msgid "" +msgstr "" +"Project-Id-Version: es\n" +"Report-Msgid-Bugs-To: \n" +"POT-Creation-Date: 2007-02-24 10:14+0100\n" +"PO-Revision-Date: 2007-02-28 11:37+0100\n" +"Last-Translator: Francisco Vila \n" +"Language-Team: spanish \n" +"MIME-Version: 1.0\n" +"Content-Type: text/plain; charset=utf-8\n" +"Content-Transfer-Encoding: 8bit\n" + +#: ../../buildscripts/add_html_footer.py:36 +#, python-format +msgid "This page is for %(package_name)s-%(package_version)s (%(branch_str)s)." +msgstr "Esta página corresponde a %(package_name)s-%(package_version)s (%(branch_str)s)." + +#: ../../buildscripts/add_html_footer.py:39 +#, python-format +msgid "Report errors to %(mail_address)s." +msgstr "Informe de los fallos a %(mail_address)s." + +#: ../../buildscripts/add_html_footer.py:52 +#, python-format +msgid "Other languages: %s." +msgstr "Otros idiomas: %s." + +#: ../../buildscripts/add_html_footer.py:53 +#, python-format +msgid "About automatic language selection." +msgstr "Acerca de la selección automática del idioma." + +#: ../../buildscripts/add_html_footer.py:236 +msgid "stable-branch" +msgstr "rama estable" + +#: ../../buildscripts/add_html_footer.py:238 +msgid "development-branch" +msgstr "rama de desarrollo" + +#: ../../buildscripts/langdefs.py:34 +msgid "English" +msgstr "Inglés" + +#: ../../buildscripts/langdefs.py:35 +msgid "French" +msgstr "Francés" + +#. @node in ../../../Documentation/user/lilypond.tely +msgid "Top" +msgstr "Arriba" + +#. @top in ../../../Documentation/user/lilypond.tely +msgid "GNU LilyPond --- The music typesetter" +msgstr "GNU LilyPond: el tipografiador de música" + +#. @node in ../../../Documentation/user/lilypond.tely +#. @appendix in ../../../Documentation/user/lilypond.tely +msgid "LilyPond command index" +msgstr "Índice de comandos de LilyPond" + +#. @node in ../../../Documentation/user/lilypond.tely +#. @appendix in ../../../Documentation/user/lilypond.tely +msgid "LilyPond index" +msgstr "Índice de LilyPond" + +#. @subsubheading in ../../../Documentation/user/macros.itexi +msgid "Bugs" +msgstr "Fallos" + +#. @subheading in ../../../Documentation/user/macros.itexi +msgid "More information" +msgstr "Más información" + +#. @subsubheading in ../../../Documentation/user/macros.itexi +msgid "See also" +msgstr "Véase también" + +#. @subsubheading in ../../../Documentation/user/macros.itexi +msgid "Predefined commands" +msgstr "Comandos predefinidos" + +#. @subsubheading in ../../../Documentation/user/macros.itexi +msgid "Commonly tweaked properties" +msgstr "Propiedades modificadas frecuentemente" + +#. @node in ../../../Documentation/user/preface.itely +#. @unnumbered in ../../../Documentation/user/preface.itely +msgid "Preface" +msgstr "Preámbulo" + +#. @node in ../../../Documentation/user/introduction.itely +#. @chapter in ../../../Documentation/user/introduction.itely +msgid "Introduction" +msgstr "Introducción" + +#. @node in ../../../Documentation/user/introduction.itely +#. @section in ../../../Documentation/user/introduction.itely +msgid "Engraving" +msgstr "Grabado" + +#. @node in ../../../Documentation/user/introduction.itely +#. @section in ../../../Documentation/user/introduction.itely +msgid "Automated engraving" +msgstr "Grabado automático" + +#. @node in ../../../Documentation/user/introduction.itely +#. @section in ../../../Documentation/user/introduction.itely +msgid "What symbols to engrave?" +msgstr "¿Qué símbolos grabar?" + +#. @node in ../../../Documentation/user/introduction.itely +#. @section in ../../../Documentation/user/introduction.itely +msgid "Music representation" +msgstr "Representación musical" + +#. @node in ../../../Documentation/user/introduction.itely +#. @section in ../../../Documentation/user/introduction.itely +msgid "Example applications" +msgstr "Aplicaciones de ejemplo" + +#. @node in ../../../Documentation/user/introduction.itely +#. @section in ../../../Documentation/user/introduction.itely +msgid "About this manual" +msgstr "Sobre el presente manual" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @chapter in ../../../Documentation/user/tutorial.itely +msgid "Tutorial" +msgstr "Tutorial" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @section in ../../../Documentation/user/tutorial.itely +msgid "First steps" +msgstr "Primeros pasos" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Compiling a file" +msgstr "Compilar un archivo" + +#. @subheading in ../../../Documentation/user/tutorial.itely +msgid "Entering music and viewing output" +msgstr "Introducir música y ver la salida" + +#. @subsubheading in ../../../Documentation/user/tutorial.itely +msgid "MacOS X" +msgstr "MacOS X" + +#. @subsubheading in ../../../Documentation/user/tutorial.itely +msgid "Windows" +msgstr "Windows" + +#. @subsubheading in ../../../Documentation/user/tutorial.itely +msgid "Unix" +msgstr "Unix" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Simple notation" +msgstr "Notación sencilla" + +#. @subheading in ../../../Documentation/user/tutorial.itely +#. @node in ../../../Documentation/user/basic-notation.itely +#. @section in ../../../Documentation/user/basic-notation.itely +msgid "Pitches" +msgstr "Alturas" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "interval" +msgstr "intervalo" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "fourth" +msgstr "cuarta" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "scale" +msgstr "escala" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "middle C" +msgstr "Do central" + +#. @subheading in ../../../Documentation/user/tutorial.itely +msgid "Durations (rhythms)" +msgstr "Duraciones (valores rítmicos)" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "duration" +msgstr "duración" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "whole note" +msgstr "redonda" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "half note" +msgstr "blanca" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "quarter note" +msgstr "negra" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "dotted notes" +msgstr "figuras con puntillo" + +#. @subheading in ../../../Documentation/user/tutorial.itely +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Rests" +msgstr "Silencios" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "rest" +msgstr "silencio" + +#. @subheading in ../../../Documentation/user/tutorial.itely +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Time signature" +msgstr "Indicación de compás" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "time signature" +msgstr "indicación de compás" + +#. @subheading in ../../../Documentation/user/tutorial.itely +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Clef" +msgstr "Clave" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "clef" +msgstr "clave" + +#. @subheading in ../../../Documentation/user/tutorial.itely +msgid "All together" +msgstr "Todo junto" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Working on text files" +msgstr "Trabajar sobre archivos de texto" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "How to read the tutorial" +msgstr "Cómo leer el tutorial" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @section in ../../../Documentation/user/tutorial.itely +msgid "Single staff notation" +msgstr "Notación en un solo pentagrama" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Relative note names" +msgstr "Nombres de nota relativos" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Accidentals and key signatures" +msgstr "Alteraciones accidentales y armaduras" + +#. @subheading in ../../../Documentation/user/tutorial.itely +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Accidentals" +msgstr "Alteraciones accidentales" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "sharp" +msgstr "sostenido" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "flat" +msgstr "bemol" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "double sharp" +msgstr "doble sostenido" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "double flat" +msgstr "doble bemol" + +#. @subheading in ../../../Documentation/user/tutorial.itely +msgid "Key signatures" +msgstr "Armaduras" + +#. @subheading in ../../../Documentation/user/tutorial.itely +msgid "Warning: key signatures and pitches" +msgstr "Advertencia: armaduras y alturas" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Ties and slurs" +msgstr "Ligaduras de unión y de expresión" + +#. @subheading in ../../../Documentation/user/tutorial.itely +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Ties" +msgstr "Ligaduras de unión" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "tie" +msgstr "ligadura de unión" + +#. @subheading in ../../../Documentation/user/tutorial.itely +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Slurs" +msgstr "Ligaduras de expresión" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "slur" +msgstr "ligadura de expresión" + +#. @subheading in ../../../Documentation/user/tutorial.itely +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Phrasing slurs" +msgstr "Ligaduras de fraseo" + +#. @subheading in ../../../Documentation/user/tutorial.itely +msgid "Warnings: slurs vs. ties" +msgstr "Advertencias: ligaduras de expresión frente a ligaduras de unión" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Articulation and dynamics" +msgstr "Articulaciones y matices dinámicos" + +#. @subheading in ../../../Documentation/user/tutorial.itely +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Articulations" +msgstr "Articulaciones" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "articulations" +msgstr "articulaciones" + +#. @subheading in ../../../Documentation/user/tutorial.itely +msgid "Fingerings" +msgstr "Digitaciones" + +#. @subheading in ../../../Documentation/user/tutorial.itely +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Dynamics" +msgstr "Matices dinámicos" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Automatic and manual beams" +msgstr "Barras automáticas y manuales" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "beam" +msgstr "barra" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Advanced rhythmic commands" +msgstr "Comandos rítmicos avanzados" + +#. @subheading in ../../../Documentation/user/tutorial.itely +msgid "Partial measure" +msgstr "Compás parcial" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "anacrusis" +msgstr "anacrusa" + +#. @subheading in ../../../Documentation/user/tutorial.itely +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Tuplets" +msgstr "Grupos especiales" + +#. @subheading in ../../../Documentation/user/tutorial.itely +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Grace notes" +msgstr "Mordentes" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @section in ../../../Documentation/user/tutorial.itely +msgid "Multiple notes at once" +msgstr "Varias notas a la vez" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Music expressions explained" +msgstr "Explicación a las expresiones musicales" + +#. @subheading in ../../../Documentation/user/tutorial.itely +msgid "Simultaneous music expressions: multiple staves" +msgstr "Expresiones musicales simultáneas: varios pentagramas" + +#. @subheading in ../../../Documentation/user/tutorial.itely +msgid "Simultaneous music expressions: single staff" +msgstr "Expresiones musicales simultáneas: un solo pentagrama" + +#. @subheading in ../../../Documentation/user/tutorial.itely +msgid "Analogy: mathematical expressions" +msgstr "Analogía: expresiones matemáticas" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Multiple staves" +msgstr "Varios pentagramas" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Piano staves" +msgstr "Sistemas de piano" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Single staff polyphony" +msgstr "Polifonía en un solo pentagrama" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Combining notes into chords" +msgstr "Combinar notas para formar acordes" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @section in ../../../Documentation/user/tutorial.itely +msgid "Songs" +msgstr "Canciones" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Printing lyrics" +msgstr "Imprimir la letra" + +#. @rglos in ../../../Documentation/user/tutorial.itely +msgid "melisma" +msgstr "melisma" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "A lead sheet" +msgstr "Hojas guía de acordes" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @section in ../../../Documentation/user/tutorial.itely +msgid "Final touches" +msgstr "Retoques finales" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Version number" +msgstr "Número de la versión" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Adding titles" +msgstr "Añadir títulos" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Absolute note names" +msgstr "Nombres de nota absolutos" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "Organizing pieces with identifiers" +msgstr "Organizar las piezas mediante identificadores" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "After the tutorial" +msgstr "Más allá del tutorial" + +#. @node in ../../../Documentation/user/tutorial.itely +#. @subsection in ../../../Documentation/user/tutorial.itely +msgid "How to read the manual" +msgstr "Cómo leer el manual" + +#. @node in ../../../Documentation/user/putting.itely +#. @chapter in ../../../Documentation/user/putting.itely +msgid "Putting it all together" +msgstr "Juntándolo todo" + +#. @node in ../../../Documentation/user/putting.itely +#. @section in ../../../Documentation/user/putting.itely +msgid "Extending the templates" +msgstr "Extender las plantillas" + +#. @node in ../../../Documentation/user/putting.itely +#. @section in ../../../Documentation/user/putting.itely +msgid "How LilyPond files work" +msgstr "Cómo funcionan los archivos de LilyPond" + +#. @node in ../../../Documentation/user/putting.itely +#. @section in ../../../Documentation/user/putting.itely +msgid "Score is a single musical expression" +msgstr "La partitura es una sola expresión musical" + +#. @node in ../../../Documentation/user/putting.itely +#. @section in ../../../Documentation/user/putting.itely +msgid "An orchestral part" +msgstr "Una particella orquestal" + +#. @node in ../../../Documentation/user/working.itely +#. @chapter in ../../../Documentation/user/working.itely +msgid "Working on LilyPond projects" +msgstr "Trabajar en proyactos de LilyPond" + +#. @node in ../../../Documentation/user/working.itely +#. @section in ../../../Documentation/user/working.itely +msgid "Suggestions for writing LilyPond files" +msgstr "Sugerencias para escribir archivos de LilyPond" + +#. @node in ../../../Documentation/user/working.itely +#. @subsection in ../../../Documentation/user/working.itely +msgid "General suggestions" +msgstr "Sugerencias de tipo general" + +#. @node in ../../../Documentation/user/working.itely +#. @subsection in ../../../Documentation/user/working.itely +msgid "Typesetting existing music" +msgstr "Tipografiar música existente" + +#. @node in ../../../Documentation/user/working.itely +#. @subsection in ../../../Documentation/user/working.itely +msgid "Large projects" +msgstr "Proyectos grandes" + +#. @node in ../../../Documentation/user/working.itely +#. @section in ../../../Documentation/user/working.itely +msgid "Saving typing with identifiers and functions" +msgstr "Ahorrar tecleo mediante identificadores y funciones" + +#. @node in ../../../Documentation/user/working.itely +#. @section in ../../../Documentation/user/working.itely +msgid "Style sheets" +msgstr "Hojas de estilo" + +#. @node in ../../../Documentation/user/working.itely +#. @section in ../../../Documentation/user/working.itely +msgid "Updating old files" +msgstr "Actualizar archivos antiguos" + +#. @node in ../../../Documentation/user/working.itely +#. @section in ../../../Documentation/user/working.itely +msgid "Troubleshooting (taking it all apart)" +msgstr "Resolución de problemas (tomar cada parte por separado)" + +#. @node in ../../../Documentation/user/working.itely +#. @section in ../../../Documentation/user/working.itely +msgid "Minimal examples" +msgstr "Ejemplos mínimos" + +#. @node in ../../../Documentation/user/tweaks.itely +#. @chapter in ../../../Documentation/user/tweaks.itely +msgid "Tweaking output" +msgstr "Enredar sobre la salida" + +#. @node in ../../../Documentation/user/tweaks.itely +#. @section in ../../../Documentation/user/tweaks.itely +msgid "Moving objects" +msgstr "Mover objetos" + +#. @node in ../../../Documentation/user/tweaks.itely +#. @section in ../../../Documentation/user/tweaks.itely +msgid "Fixing overlapping notation" +msgstr "Arreglar notación con superposiciones" + +#. @node in ../../../Documentation/user/tweaks.itely +#. @section in ../../../Documentation/user/tweaks.itely +msgid "Common tweaks" +msgstr "Enredos comunes" + +#. @node in ../../../Documentation/user/tweaks.itely +#. @section in ../../../Documentation/user/tweaks.itely +msgid "Default files" +msgstr "Archivos por omisión" + +#. @node in ../../../Documentation/user/tweaks.itely +#. @section in ../../../Documentation/user/tweaks.itely +msgid "Fitting music onto fewer pages" +msgstr "Encajar la música en menos páginas" + +#. @node in ../../../Documentation/user/tweaks.itely +#. @section in ../../../Documentation/user/tweaks.itely +msgid "Advanced tweaks with Scheme" +msgstr "Trucos avanzados con Scheme" + +#. @node in ../../../Documentation/user/tweaks.itely +#. @section in ../../../Documentation/user/tweaks.itely +msgid "Avoiding tweaks with slower processing" +msgstr "Evitar las artimañas con un proceso ralentizado" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @chapter in ../../../Documentation/user/basic-notation.itely +msgid "Basic notation" +msgstr "Notación básica" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Normal pitches" +msgstr "Alturas normales" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Cautionary accidentals" +msgstr "Alteraciones de precaución" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Micro tones" +msgstr "Microtonos" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Note names in other languages" +msgstr "Nombres de las notas en otros idiomas" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Relative octaves" +msgstr "Octavas relativas" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Octave check" +msgstr "Comprobación de la octava" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Transpose" +msgstr "Transposición" + +# Saltos? FVD +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Skips" +msgstr "Desplazamientos" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @section in ../../../Documentation/user/basic-notation.itely +msgid "Rhythms" +msgstr "Ritmos" + +# También Valores rimicos. FVD +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Durations" +msgstr "Duraciones" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Augmentation dots" +msgstr "Puntillos" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Scaling durations" +msgstr "Escalar las duraciones" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Bar check" +msgstr "Comprobación del compás" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Barnumber check" +msgstr "Comprobación del número de compás " + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Automatic note splitting" +msgstr "División automática de las notas" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @section in ../../../Documentation/user/basic-notation.itely +msgid "Polyphony" +msgstr "Polifonía" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Chords" +msgstr "Acordes" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Stems" +msgstr "Plicas" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Basic polyphony" +msgstr "Polifonía básica" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Explicitly instantiating voices" +msgstr "Voces explícitas" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Collision Resolution" +msgstr "Resolución de las colisiones" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @section in ../../../Documentation/user/basic-notation.itely +msgid "Staff notation" +msgstr "Notación de los pentragramas" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Key signature" +msgstr "Armadura de la tonalidad" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Partial measures" +msgstr "Compases parciales" + +# También Líneas divisorias. FVD +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Bar lines" +msgstr "Barras de compás" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Unmetered music" +msgstr "Música sin compasear" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "System start delimiters" +msgstr "Delimitadores del comienzo de un sistema" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Staff symbol" +msgstr "Símbolo de pentagrama" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Writing music in parallel" +msgstr "Escribir música en paralelo" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @section in ../../../Documentation/user/basic-notation.itely +msgid "Connecting notes" +msgstr "Conectar notas" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Laissez vibrer ties" +msgstr "Ligaduras Laissez vibrer" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Automatic beams" +msgstr "Barras automáticas" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Manual beams" +msgstr "Barras manuales" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @section in ../../../Documentation/user/basic-notation.itely +msgid "Expressive marks" +msgstr "Expresiones" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Fingering instructions" +msgstr "Indicaciones de digitación" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Breath marks" +msgstr "Marcas de respiración" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Trills" +msgstr "Trinos" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Glissando" +msgstr "Glissando" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Arpeggio" +msgstr "Arpegio" + +# FUZZY. FVD +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Falls and doits" +msgstr "Caídas y elevaciones" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @section in ../../../Documentation/user/basic-notation.itely +msgid "Repeats" +msgstr "Repeticiones" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Repeat types" +msgstr "Tipos de repetición" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Repeat syntax" +msgstr "Sintaxis de la repetición" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Repeats and MIDI" +msgstr "Las repeticiones y el MIDI" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Manual repeat commands" +msgstr "Comandos de repetición manual" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Tremolo repeats" +msgstr "Repeticiones de trémolo" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Tremolo subdivisions" +msgstr "Subdivisiones del trémolo" + +#. @node in ../../../Documentation/user/basic-notation.itely +#. @subsection in ../../../Documentation/user/basic-notation.itely +msgid "Measure repeats" +msgstr "Repetición de compases" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @chapter in ../../../Documentation/user/instrument-notation.itely +msgid "Instrument-specific notation" +msgstr "Notación específica de instrumentos" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @section in ../../../Documentation/user/instrument-notation.itely +msgid "Piano music" +msgstr "Música de piano" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Automatic staff changes" +msgstr "Cambios automáticos de pentagrama" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Manual staff switches" +msgstr "Cambios manuales de pentagrama" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Pedals" +msgstr "Pedales" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Staff switch lines" +msgstr "Líneas de cambio de pentagrama" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Cross staff stems" +msgstr "Plicas de pentagrama cruzado" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @section in ../../../Documentation/user/instrument-notation.itely +msgid "Chord names" +msgstr "Nombres de acordes" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Introducing chord names" +msgstr "Introducción a los nombres de acorde" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Chords mode" +msgstr "Modo de acordes" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Printing chord names" +msgstr "Imprimir los nombres de los acordes" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @section in ../../../Documentation/user/instrument-notation.itely +msgid "Vocal music" +msgstr "Música vocal" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Setting simple songs" +msgstr "Elaborar canciones sencillas" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Entering lyrics" +msgstr "Introducir la letra" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Hyphens and extenders" +msgstr "Guiones y extensiones" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "The Lyrics context" +msgstr "El contexto Lyrics" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Melismata" +msgstr "Melismas" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Another way of entering lyrics" +msgstr "Otra manera de introducir la letra" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Flexibility in placement" +msgstr "Flexibilidad en la colocación" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsubsection in ../../../Documentation/user/instrument-notation.itely +msgid "Lyrics to multiple notes of a melisma" +msgstr "Una sílaba de la letra sobre varias notas de un melisma" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsubsection in ../../../Documentation/user/instrument-notation.itely +msgid "Divisi lyrics" +msgstr "Letras en divisi" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsubsection in ../../../Documentation/user/instrument-notation.itely +msgid "Switching the melody associated with a lyrics line" +msgstr "Cambiar la melodía dependiendo de la letra" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsubsection in ../../../Documentation/user/instrument-notation.itely +msgid "Specifying melismata within the lyrics" +msgstr "Especificar melismas dentro de la letra" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsubsection in ../../../Documentation/user/instrument-notation.itely +msgid "Lyrics independent of notes" +msgstr "Letra independiente de las notas" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Spacing lyrics" +msgstr "Espaciar las sílabas de la letra" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "More about stanzas" +msgstr "Más acerca de los versos" + +#. @subsubsection in ../../../Documentation/user/instrument-notation.itely +msgid "Adding stanza numbers" +msgstr "Añadir números de verso" + +#. @subsubsection in ../../../Documentation/user/instrument-notation.itely +msgid "Adding dynamics marks" +msgstr "Añadir expresiones dinámicas" + +#. @subsubsection in ../../../Documentation/user/instrument-notation.itely +msgid "Adding singer names" +msgstr "Añadir el nombre de los cantantes" + +#. @subsubsection in ../../../Documentation/user/instrument-notation.itely +msgid "Printing stanzas at the end" +msgstr "Imprimir los versos al final" + +#. @subsubsection in ../../../Documentation/user/instrument-notation.itely +msgid "Printing stanzas at the end in multiple columns" +msgstr "Imprimir los versos al final en varias columnas" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Ambitus" +msgstr "Tesitura" + +# long! FVD +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Other vocal issues" +msgstr "Otros temas relacionados con la música vocal" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @section in ../../../Documentation/user/instrument-notation.itely +msgid "Rhythmic music" +msgstr "Música rítmica" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Showing melody rhythms" +msgstr "Mostrar los ritmos de la melodía" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Entering percussion" +msgstr "Introducir la percusión" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Percussion staves" +msgstr "Pautas de percusión" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Ghost notes" +msgstr "Notas fantasma" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @section in ../../../Documentation/user/instrument-notation.itely +msgid "Guitar" +msgstr "Guitarra" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "String number indications" +msgstr "Indicación de los números de cuerda" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Tablatures basic" +msgstr "Fundamentos de las tablaturas" + +# ¡Distintos a la guitarra!. FVD +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Non-guitar tablatures" +msgstr "Tablaturas para otros instrumentos" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Banjo tablatures" +msgstr "Tablaturas de banjo" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Fret diagrams" +msgstr "Diagramas de trastes" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Right hand fingerings" +msgstr "Digitaciones de la mano derecha" + +# long! FVD +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Other guitar issues" +msgstr "Otros temas relacionados con la música de guitarra" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @section in ../../../Documentation/user/instrument-notation.itely +msgid "Bagpipe" +msgstr "Gaita" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Bagpipe definitions" +msgstr "Definiciones para la gaita" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Bagpipe example" +msgstr "Ejemplo de música de gaita" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @section in ../../../Documentation/user/instrument-notation.itely +msgid "Ancient notation" +msgstr "Notación antigua" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Ancient note heads" +msgstr "Cabezas de nota antiguas" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Ancient accidentals" +msgstr "Alteraciones accidentales antiguos" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Ancient rests" +msgstr "Silencios antiguos" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Ancient clefs" +msgstr "Claves antiguas" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Ancient flags" +msgstr "Corchetes antiguos" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Ancient time signatures" +msgstr "Indicaciones antiguas de compás" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Ancient articulations" +msgstr "Articulaciones antiguas" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Custodes" +msgstr "Custos" + +# ? FVD +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Divisiones" +msgstr "Divisiones" + +# de neuma? FVD +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Ligatures" +msgstr "Ligaduras" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsubsection in ../../../Documentation/user/instrument-notation.itely +msgid "White mensural ligatures" +msgstr "Ligaduras mensurales blancas" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsubsection in ../../../Documentation/user/instrument-notation.itely +msgid "Gregorian square neumes ligatures" +msgstr "Ligaduras de neumas cuadrados gregorianos" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Gregorian Chant contexts" +msgstr "Contextos del Canto Gregoriano" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Mensural contexts" +msgstr "Contextos de la música mensural" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Musica ficta accidentals" +msgstr "Alteraciones de la Musica Ficta" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Figured bass" +msgstr "Bajo figurado" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @section in ../../../Documentation/user/instrument-notation.itely +msgid "Other instrument specific notation" +msgstr "Notación específica de otros instrumentos" + +#. @node in ../../../Documentation/user/instrument-notation.itely +#. @subsection in ../../../Documentation/user/instrument-notation.itely +msgid "Artificial harmonics (strings)" +msgstr "Armónicos artificiales de los instrumentos de cuerda" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @chapter in ../../../Documentation/user/advanced-notation.itely +msgid "Advanced notation" +msgstr "Notación avanzada" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @section in ../../../Documentation/user/advanced-notation.itely +msgid "Text" +msgstr "Texto" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Text scripts" +msgstr "Guiones de texto" + +# fuzzy. FVD +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Text and line spanners" +msgstr "Extensiones de texto y de línea" + +# fuzzy. FVD +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Text spanners" +msgstr "Extensiones de texto" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Text marks" +msgstr "Indicaciones de texto" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Text markup" +msgstr "Marcado del texto" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Nested scores" +msgstr "Partituras anidadas" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Overview of text markup commands" +msgstr "Panorámica de los comandos de marcado de texto" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Font selection" +msgstr "Selección de la tipografía" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "New dynamic marks" +msgstr "Indicaciones dinámicas contemporáneas" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @section in ../../../Documentation/user/advanced-notation.itely +msgid "Preparing parts" +msgstr "Preparación de particellas" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Multi measure rests" +msgstr "Silencios multicompás" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Metronome marks" +msgstr "Indicaciones metronómicas" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Rehearsal marks" +msgstr "Llamadas de ensayo" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Bar numbers" +msgstr "Numeración de compases" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Instrument names" +msgstr "Nombres de instrumentos" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Instrument transpositions" +msgstr "Transposición de los instrumentos" + +# fuzzy. FVD +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Ottava brackets" +msgstr "Corchetes de octava" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Different editions from one source" +msgstr "Distintas ediciones a partir de una misma fuente" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @section in ../../../Documentation/user/advanced-notation.itely +msgid "Orchestral music" +msgstr "Música orquestal" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Automatic part combining" +msgstr "Combinación automática de las partes" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Hiding staves" +msgstr "Ocultar pentagramas" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Quoting other voices" +msgstr "Citar otras voces" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Formatting cue notes" +msgstr "Formateo de las notas de aviso" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Aligning to cadenzas" +msgstr "Alinear con una cadenza" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @section in ../../../Documentation/user/advanced-notation.itely +msgid "Contemporary notation" +msgstr "Notación contemporánea" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Polymetric notation" +msgstr "Notación polimétrica" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Time administration" +msgstr "Gestión del tiempo" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Proportional notation (introduction)" +msgstr "Notación proporcional (introducción)" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Clusters" +msgstr "Racimos (clusters)" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Special noteheads" +msgstr "Cabezas de nota especiales" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Feathered beams" +msgstr "Barras punteadas" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Improvisation" +msgstr "Improvisación" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Selecting notation font size" +msgstr "Seleccionar el tamaño de la tipografía para la notación" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @section in ../../../Documentation/user/advanced-notation.itely +msgid "Educational use" +msgstr "Utilización educativa" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Balloon help" +msgstr "Globos de ayuda" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Blank music sheet" +msgstr "Papel de música en blanco" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Hidden notes" +msgstr "Notas ocultas" + +# Fuzzy.FVD +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Shape note heads" +msgstr "Cabezas de notas con formas diversas" + +# Fuzzy.FVD +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Easy Notation note heads" +msgstr "Cabezas de notas de Notación Fácil" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Analysis brackets" +msgstr "Corchetes de análisis" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Coloring objects" +msgstr "Colorear objetos" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Parentheses" +msgstr "Paréntesis" + +#. @node in ../../../Documentation/user/advanced-notation.itely +#. @subsection in ../../../Documentation/user/advanced-notation.itely +msgid "Grid lines" +msgstr "Líneas de rejilla" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @chapter in ../../../Documentation/user/changing-defaults.itely +msgid "Changing defaults" +msgstr "Cambiar los valores por omisión" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @section in ../../../Documentation/user/changing-defaults.itely +msgid "Automatic notation" +msgstr "Notación automática" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Automatic accidentals" +msgstr "Alteraciones accidentales automáticas" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Setting automatic beam behavior" +msgstr "Establecer el comportamiento de las barras automáticas" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @section in ../../../Documentation/user/changing-defaults.itely +msgid "Interpretation contexts" +msgstr "Contextos de interpretación" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Contexts explained" +msgstr "Explicación de los contextos" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Creating contexts" +msgstr "Crear contextos" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Changing context properties on the fly" +msgstr "Cambiar las propiedades de un contexto al vuelo" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Modifying context plug-ins" +msgstr "Modificar los complementos (plug-ins) de contexto" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Layout tunings within contexts" +msgstr "Ajuste fino de la presentación dentro de los contextos" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Changing context default settings" +msgstr "Cambiar los valores por omisión de los contextos" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Defining new contexts" +msgstr "Definir contextos nuevos" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Aligning contexts" +msgstr "Alinear los contextos" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @section in ../../../Documentation/user/changing-defaults.itely +msgid "The \\override command" +msgstr "El comando \\override" + +# ?? FVD +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Constructing a tweak" +msgstr "Construir una artimaña" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Navigating the program reference" +msgstr "Navegar por la referencia del programa" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Layout interfaces" +msgstr "Interfaces de la presentación" + +# grob??? FVD +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Determining the grob property" +msgstr "Determinar la propiedad grob" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Objects connected to the input" +msgstr "Objetos conectados con la entrada" + +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "\\set vs. \\override" +msgstr "\\set frente a \\override" + +# ??FVD +#. @node in ../../../Documentation/user/changing-defaults.itely +#. @subsection in ../../../Documentation/user/changing-defaults.itely +msgid "Difficult tweaks" +msgstr "Artimañas difíciles" + +#. @node in ../../../Documentation/user/non-music.itely +#. @chapter in ../../../Documentation/user/non-music.itely +msgid "Non-musical notation" +msgstr "Notación no musical" + +#. @node in ../../../Documentation/user/non-music.itely +#. @section in ../../../Documentation/user/non-music.itely +msgid "Input files" +msgstr "Archivos de entrada" + +#. @node in ../../../Documentation/user/non-music.itely +#. @subsection in ../../../Documentation/user/non-music.itely +msgid "File structure (introduction)" +msgstr "Estructura del archivo (introducción)" + +#. @node in ../../../Documentation/user/non-music.itely +#. @subsection in ../../../Documentation/user/non-music.itely +msgid "File structure" +msgstr "Estructura del archivo" + +#. @node in ../../../Documentation/user/non-music.itely +#. @subsection in ../../../Documentation/user/non-music.itely +msgid "A single music expression" +msgstr "Una expresión musical única" + +#. @node in ../../../Documentation/user/non-music.itely +#. @subsection in ../../../Documentation/user/non-music.itely +msgid "Multiple scores in a book" +msgstr "Varias partituras en un libro" + +#. @node in ../../../Documentation/user/non-music.itely +#. @subsection in ../../../Documentation/user/non-music.itely +msgid "Extracting fragments of notation" +msgstr "Extraer fragmentos de notación" + +#. @node in ../../../Documentation/user/non-music.itely +#. @subsection in ../../../Documentation/user/non-music.itely +msgid "Including LilyPond files" +msgstr "Inclusión de archivos de LilyPond" + +#. @node in ../../../Documentation/user/non-music.itely +#. @subsection in ../../../Documentation/user/non-music.itely +msgid "Text encoding" +msgstr "Codificación del texto" + +#. @node in ../../../Documentation/user/non-music.itely +#. @section in ../../../Documentation/user/non-music.itely +msgid "Titles and headers" +msgstr "Títulos y cabeceras" + +#. @node in ../../../Documentation/user/non-music.itely +#. @subsection in ../../../Documentation/user/non-music.itely +msgid "Creating titles" +msgstr "Crear títulos" + +#. @node in ../../../Documentation/user/non-music.itely +#. @subsection in ../../../Documentation/user/non-music.itely +msgid "Custom titles" +msgstr "Títulos personalizados" + +#. @node in ../../../Documentation/user/non-music.itely +#. @section in ../../../Documentation/user/non-music.itely +msgid "MIDI output" +msgstr "Salida MIDI" + +#. @node in ../../../Documentation/user/non-music.itely +#. @subsection in ../../../Documentation/user/non-music.itely +msgid "Creating MIDI files" +msgstr "Crear archivos MIDI" + +#. @node in ../../../Documentation/user/non-music.itely +#. @subsection in ../../../Documentation/user/non-music.itely +msgid "MIDI block" +msgstr "El bloque MIDI" + +#. @node in ../../../Documentation/user/non-music.itely +#. @subsection in ../../../Documentation/user/non-music.itely +msgid "MIDI instrument names" +msgstr "Nombres de los instrumentos MIDI" + +#. @node in ../../../Documentation/user/non-music.itely +#. @section in ../../../Documentation/user/non-music.itely +msgid "Displaying LilyPond notation" +msgstr "Presentar la notación de LilyPond" + +#. @node in ../../../Documentation/user/non-music.itely +#. @section in ../../../Documentation/user/non-music.itely +msgid "Skipping corrected music" +msgstr "Saltar la música corregida" + +#. @node in ../../../Documentation/user/spacing.itely +#. @chapter in ../../../Documentation/user/spacing.itely +msgid "Spacing issues" +msgstr "Problemas de espaciado" + +#. @node in ../../../Documentation/user/spacing.itely +#. @section in ../../../Documentation/user/spacing.itely +msgid "Paper and pages" +msgstr "El papel y las páginas" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Paper size" +msgstr "Tamaño del papel" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Page formatting" +msgstr "Formateo de las páginas" + +#. @node in ../../../Documentation/user/spacing.itely +#. @section in ../../../Documentation/user/spacing.itely +msgid "Music layout" +msgstr "Disposición de la música" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Setting the staff size" +msgstr "Establecer el tamaño del pentagrama" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Score layout" +msgstr "Disposición de la partitura" + +#. @node in ../../../Documentation/user/spacing.itely +#. @section in ../../../Documentation/user/spacing.itely +msgid "Displaying spacing" +msgstr "Mostrar el espaciado" + +#. @node in ../../../Documentation/user/spacing.itely +#. @section in ../../../Documentation/user/spacing.itely +msgid "Breaks" +msgstr "Saltos" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Line breaking" +msgstr "Saltos de línea" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Page breaking" +msgstr "Saltos de página" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Optimal page breaking" +msgstr "Saltos de página óptimos" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Optimal page turning" +msgstr "Paso de página óptimo" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Explicit breaks" +msgstr "Saltos de línea explícitos" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Using an extra voice for breaks" +msgstr "Utilizar una voz adicional para los saltos de línea" + +#. @node in ../../../Documentation/user/spacing.itely +#. @section in ../../../Documentation/user/spacing.itely +msgid "Vertical spacing" +msgstr "Espaciado vertical" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Vertical spacing inside a system" +msgstr "Especiado vertical dentro de un sistema" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Vertical spacing between systems" +msgstr "Espaciado vertical entre sistemas" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Explicit staff and system positioning" +msgstr "Posicionamiento explícito de los pentagramas y los sistemas" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Two-pass vertical spacing" +msgstr "Espaciado vertical en dos fases" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Vertical collision avoidance" +msgstr "Evitar las colisiones verticales" + +#. @node in ../../../Documentation/user/spacing.itely +msgid "Horizontal spacing" +msgstr "Espaciado horizontal" + +#. @section in ../../../Documentation/user/spacing.itely +msgid "Horizontal Spacing" +msgstr "Espaciado horizontal" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Horizontal spacing overview" +msgstr "Panorámica del espaciado horizontal" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "New spacing area" +msgstr "Área de espaciado nueva" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Changing horizontal spacing" +msgstr "Cambiar el espaciado horizontal" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Line length" +msgstr "Longitud de la línea" + +#. @node in ../../../Documentation/user/spacing.itely +#. @subsection in ../../../Documentation/user/spacing.itely +msgid "Proportional notation" +msgstr "Notación proporcional" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @chapter in ../../../Documentation/user/programming-interface.itely +msgid "Interfaces for programmers" +msgstr "Interfaces para programadores" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @section in ../../../Documentation/user/programming-interface.itely +msgid "Music functions" +msgstr "Funciones musicales" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Overview of music functions" +msgstr "Panorámica de las funciones musicales" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Simple substitution functions" +msgstr "Funciones de sustitución sencillas" + +# fuzzy. FVD +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Paired substitution functions" +msgstr "Funciones de sustitutión en parejas" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Mathematics in functions" +msgstr "Matemáticas dentro de las funciones" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Void functions" +msgstr "Funciones vacías" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Functions without arguments" +msgstr "Funciones sin argumentos" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Overview of available music functions" +msgstr "Pranorámica de las funciones musicales disponibles" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @section in ../../../Documentation/user/programming-interface.itely +msgid "Programmer interfaces" +msgstr "Interfaces para el programador" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Input variables and Scheme" +msgstr "Variables de entrada y Scheme" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Internal music representation" +msgstr "Representación interna de la música" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @section in ../../../Documentation/user/programming-interface.itely +msgid "Building complicated functions" +msgstr "Construcción de funciones complejas" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Displaying music expressions" +msgstr "Presentación de expresiones musicales" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Music properties" +msgstr "Propiedades de la música" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Doubling a note with slurs (example)" +msgstr "Doblar una nota con ligaduras (ejemplo)" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Adding articulation to notes (example)" +msgstr "Añadir articulación a las notas (ejemplo)" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @section in ../../../Documentation/user/programming-interface.itely +msgid "Markup programmer interface" +msgstr "Interfaz de marcado para el programador" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Markup construction in Scheme" +msgstr "Construcción del marcado en Scheme" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "How markups work internally" +msgstr "Cómo funciona internamente el marcado" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "New markup command definition" +msgstr "Definición de un comando nuevo de marcado" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @section in ../../../Documentation/user/programming-interface.itely +msgid "Contexts for programmers" +msgstr "Contextos para programadores" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Context evaluation" +msgstr "Evaluación de contextos" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @subsection in ../../../Documentation/user/programming-interface.itely +msgid "Running a function on all layout objects" +msgstr "Ejecutar una función sobre todos los objetos de la presentación" + +#. @node in ../../../Documentation/user/programming-interface.itely +#. @section in ../../../Documentation/user/programming-interface.itely +msgid "Scheme procedures as properties" +msgstr "Procedimientos de Scheme como propiedades" + +#. @node in ../../../Documentation/user/running.itely +#. @chapter in ../../../Documentation/user/running.itely +msgid "Running LilyPond" +msgstr "Ejecutar LilyPond" + +#. @node in ../../../Documentation/user/running.itely +#. @section in ../../../Documentation/user/running.itely +msgid "Invoking lilypond" +msgstr "Invocar a LilyPond" + +#. @subsection in ../../../Documentation/user/running.itely +msgid "Command line options" +msgstr "Opciones de la línea de órdenes" + +#. @subsection in ../../../Documentation/user/running.itely +msgid "Environment variables" +msgstr "Variables de entorno" + +#. @node in ../../../Documentation/user/running.itely +#. @section in ../../../Documentation/user/running.itely +msgid "Notes for the MacOS X app" +msgstr "Notas para la aplicación de MacOS X" + +#. @node in ../../../Documentation/user/running.itely +msgid "Updating files with convert-ly" +msgstr "Actualizar ficheros con convert-ly" + +#. @section in ../../../Documentation/user/running.itely +msgid "Updating with @command{convert-ly}" +msgstr "Actualizar ficheros con @command{convert-ly}" + +#. @node in ../../../Documentation/user/running.itely +#. @section in ../../../Documentation/user/running.itely +msgid "Reporting bugs" +msgstr "Informar de fallos" + +#. @node in ../../../Documentation/user/running.itely +#. @section in ../../../Documentation/user/running.itely +msgid "Error messages" +msgstr "Mensajes de error" + +#. @node in ../../../Documentation/user/running.itely +#. @section in ../../../Documentation/user/running.itely +msgid "Editor support" +msgstr "Asistencia de los editores" + +#. @node in ../../../Documentation/user/running.itely +#. @section in ../../../Documentation/user/running.itely +msgid "Point and click" +msgstr "Apuntar y pulsar" + +#. @node in ../../../Documentation/user/lilypond-book.itely +msgid "LilyPond-book" +msgstr "LilyPond-book" + +#. @chapter in ../../../Documentation/user/lilypond-book.itely +msgid "@command{lilypond-book}: Integrating text and music" +msgstr "@command{lilypond-book}: Integrar texto y música" + +#. @node in ../../../Documentation/user/lilypond-book.itely +#. @section in ../../../Documentation/user/lilypond-book.itely +msgid "An example of a musicological document" +msgstr "Un ejemplo de documento musicológico" + +#. @node in ../../../Documentation/user/lilypond-book.itely +msgid "Integrating LaTeX and music" +msgstr "Integración de LaTeX y música" + +#. @section in ../../../Documentation/user/lilypond-book.itely +msgid "Integrating La@TeX{} and music" +msgstr "Integración de La@TeX{} y música" + +#. @node in ../../../Documentation/user/lilypond-book.itely +#. @section in ../../../Documentation/user/lilypond-book.itely +msgid "Integrating Texinfo and music" +msgstr "Integración de Texinfo y música" + +#. @node in ../../../Documentation/user/lilypond-book.itely +#. @section in ../../../Documentation/user/lilypond-book.itely +msgid "Integrating HTML and music" +msgstr "Integración de HTML y música" + +#. @node in ../../../Documentation/user/lilypond-book.itely +#. @section in ../../../Documentation/user/lilypond-book.itely +msgid "Integrating DocBook and music" +msgstr "Integración de DocBook y música" + +#. @unnumberedsubsec in ../../../Documentation/user/lilypond-book.itely +msgid "Common conventions" +msgstr "Convenciones usuales" + +#. @unnumberedsubsec in ../../../Documentation/user/lilypond-book.itely +msgid "Including a LilyPond file" +msgstr "Incluir un archivo de LilyPond" + +#. @unnumberedsubsec in ../../../Documentation/user/lilypond-book.itely +msgid "Including LilyPond code" +msgstr "Incluir código de LilyPond" + +#. @unnumberedsubsec in ../../../Documentation/user/lilypond-book.itely +msgid "Processing the DocBook document" +msgstr "Procesar el documento de DocBook" + +#. @node in ../../../Documentation/user/lilypond-book.itely +#. @section in ../../../Documentation/user/lilypond-book.itely +msgid "Music fragment options" +msgstr "Opciones de fragmentos de música" + +#. @node in ../../../Documentation/user/lilypond-book.itely +msgid "Invoking lilypond-book" +msgstr "Invocar lilypond-book" + +#. @section in ../../../Documentation/user/lilypond-book.itely +msgid "Invoking @command{lilypond-book}" +msgstr "Invocar @command{lilypond-book}" + +#. @node in ../../../Documentation/user/lilypond-book.itely +#. @section in ../../../Documentation/user/lilypond-book.itely +msgid "Filename extensions" +msgstr "Extensiones de nombres de archivo" + +#. @node in ../../../Documentation/user/lilypond-book.itely +#. @section in ../../../Documentation/user/lilypond-book.itely +msgid "Many quotes of a large score" +msgstr "Muchas citas de una partitura extensa" + +#. @node in ../../../Documentation/user/lilypond-book.itely +#. @section in ../../../Documentation/user/lilypond-book.itely +msgid "Inserting LilyPond output into OpenOffice.org" +msgstr "Insertar la salida de LilyPond dentro de OpenOffice.org" + +#. @node in ../../../Documentation/user/lilypond-book.itely +#. @section in ../../../Documentation/user/lilypond-book.itely +msgid "Inserting LilyPond output into other programs" +msgstr "Insertar la salida de LilyPond dentro de otros programas" + +#. @node in ../../../Documentation/user/converters.itely +#. @chapter in ../../../Documentation/user/converters.itely +msgid "Converting from other formats" +msgstr "Conversión desde otros formatos" + +#. @node in ../../../Documentation/user/converters.itely +msgid "Invoking midi2ly" +msgstr "Invocar midi2ly" + +#. @section in ../../../Documentation/user/converters.itely +msgid "Invoking @command{midi2ly}" +msgstr "Invocar @command{midi2ly}" + +#. @node in ../../../Documentation/user/converters.itely +msgid "Invoking etf2ly" +msgstr "Invocar etf2ly" + +#. @section in ../../../Documentation/user/converters.itely +msgid "Invoking @command{etf2ly}" +msgstr "Invocar @command{etf2ly}" + +#. @node in ../../../Documentation/user/converters.itely +msgid "Invoking musicxml2ly" +msgstr "Invocar musicxml2ly" + +#. @section in ../../../Documentation/user/converters.itely +msgid "Invoking @code{musicxml2ly}" +msgstr "Invocar @command{musicxml2ly}" + +#. @node in ../../../Documentation/user/converters.itely +msgid "Invoking abc2ly" +msgstr "Invocar abc2ly" + +#. @section in ../../../Documentation/user/converters.itely +msgid "Invoking @code{abc2ly}" +msgstr "Invocar @code{abc2ly}" + +#. @node in ../../../Documentation/user/converters.itely +#. @section in ../../../Documentation/user/converters.itely +msgid "Generating LilyPond files" +msgstr "Generar archivos de LilyPond" + +#. @node in ../../../Documentation/user/literature.itely +#. @appendix in ../../../Documentation/user/literature.itely +msgid "Literature list" +msgstr "Lista bibliográfica" + +#. @node in ../../../Documentation/user/scheme-tutorial.itely +#. @appendix in ../../../Documentation/user/scheme-tutorial.itely +msgid "Scheme tutorial" +msgstr "Tutorial de Scheme" + +#. @node in ../../../Documentation/user/notation-appendices.itely +#. @appendix in ../../../Documentation/user/notation-appendices.itely +msgid "Notation manual tables" +msgstr "Tablas del manual sobre notación" + +#. @node in ../../../Documentation/user/notation-appendices.itely +#. @appendixsec in ../../../Documentation/user/notation-appendices.itely +msgid "Chord name chart" +msgstr "Carta de nombres de acordes" + +#. @node in ../../../Documentation/user/notation-appendices.itely +#. @appendixsec in ../../../Documentation/user/notation-appendices.itely +msgid "MIDI instruments" +msgstr "Instrumentos MIDI" + +#. @node in ../../../Documentation/user/notation-appendices.itely +#. @appendixsec in ../../../Documentation/user/notation-appendices.itely +msgid "List of colors" +msgstr "Lista de colores" + +#. @subsubheading in ../../../Documentation/user/notation-appendices.itely +msgid "Normal colors" +msgstr "Colores normales" + +#. @subsubheading in ../../../Documentation/user/notation-appendices.itely +msgid "X color names" +msgstr "Nombres de los colores de X" + +#. @subsubheading in ../../../Documentation/user/notation-appendices.itely +msgid "Color Names without a numerical suffix:" +msgstr "Nombres de los colores sin sufijo numérico" + +#. @subsubheading in ../../../Documentation/user/notation-appendices.itely +msgid "Color names with a numerical suffix" +msgstr "Nombres de los colores con sufijo numérico" + +#. @subsubheading in ../../../Documentation/user/notation-appendices.itely +msgid "Grey Scale" +msgstr "Escala de grises" + +#. @node in ../../../Documentation/user/notation-appendices.itely +#. @appendixsec in ../../../Documentation/user/notation-appendices.itely +msgid "The Feta font" +msgstr "La tipografía Feta" + +#. @node in ../../../Documentation/user/notation-appendices.itely +#. @appendixsec in ../../../Documentation/user/notation-appendices.itely +msgid "Note head styles" +msgstr "Estilos de cabezas de nota" + +#. @node in ../../../Documentation/user/templates.itely +#. @appendix in ../../../Documentation/user/templates.itely +msgid "Templates" +msgstr "Plantillas" + +#. @node in ../../../Documentation/user/templates.itely +#. @appendixsec in ../../../Documentation/user/templates.itely +msgid "Single staff" +msgstr "Pentagrama único" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "Notes only" +msgstr "Sólo notas" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "Notes and lyrics" +msgstr "Notas y letra" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "Notes and chords" +msgstr "Notas y acordes" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "Notes, lyrics, and chords." +msgstr "Notas, letra y acordes" + +#. @node in ../../../Documentation/user/templates.itely +#. @appendixsec in ../../../Documentation/user/templates.itely +msgid "Piano templates" +msgstr "Plantillas de piano" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "Solo piano" +msgstr "Piano solo" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "Piano and melody with lyrics" +msgstr "Piano y melodía con letra" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "Piano centered lyrics" +msgstr "Piano con letra centrada" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "Piano centered dynamics" +msgstr "Piano con dinámicas centradas" + +#. @node in ../../../Documentation/user/templates.itely +#. @appendixsec in ../../../Documentation/user/templates.itely +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "String quartet" +msgstr "Cuarteto de cuerda" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "String quartet parts" +msgstr "Particellas de cuarteto de cuerda" + +#. @node in ../../../Documentation/user/templates.itely +#. @appendixsec in ../../../Documentation/user/templates.itely +msgid "Vocal ensembles" +msgstr "Conjuntos vocales" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "SATB vocal score" +msgstr "Partitura vocal SATB" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "SATB vocal score and automatic piano reduction" +msgstr "Partitura vocal SATB y reducción para piano automática" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "SATB with aligned contexts" +msgstr "SATB con contextos alineados" + +#. @node in ../../../Documentation/user/templates.itely +#. @appendixsec in ../../../Documentation/user/templates.itely +msgid "Ancient notation templates" +msgstr "Plantillas para notación antigua" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "Transcription of mensural music" +msgstr "Transcripción de música mensural" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "Gregorian transcription template" +msgstr "Plantilla para transcripción de canto gragoriano" + +#. @node in ../../../Documentation/user/templates.itely +#. @appendixsec in ../../../Documentation/user/templates.itely +msgid "Jazz combo" +msgstr "Combo de jazz" + +#. @node in ../../../Documentation/user/templates.itely +#. @appendixsec in ../../../Documentation/user/templates.itely +msgid "Lilypond-book templates" +msgstr "Plantillas de lilypond-book" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "LaTeX" +msgstr "LaTeX" + +#. @appendixsubsec in ../../../Documentation/user/templates.itely +msgid "Texinfo" +msgstr "Texinfo" + +# Hoja para copiar en un examen. Chuleta?? FVD +#. @node in ../../../Documentation/user/cheatsheet.itely +#. @appendix in ../../../Documentation/user/cheatsheet.itely +msgid "Cheat sheet" +msgstr "Hoja de referencia rápida" + +#. @node in ../../../Documentation/user/fdl.itexi +#. @appendix in ../../../Documentation/user/fdl.itexi +msgid "GNU Free Documentation License" +msgstr "Licencia de documentación libre de GNU" + +#. @appendixsubsec in ../../../Documentation/user/fdl.itexi +msgid "ADDENDUM: How to use this License for your documents" +msgstr "ADDENDUM: cómo utilizar esta licencia para sus documentos" + +msgid "Up:" +msgstr "Arriba:" + +msgid "Next:" +msgstr "Siguiente:" + +msgid "Previous:" +msgstr "Anterior:" + +msgid "Appendix" +msgstr "Apéndice" + +msgid "Footnotes" +msgstr "Notas al pie" + +#~ msgid "Controlling spacing of individual systems" +#~ msgstr "Controlar el espaciado de los sistemas individuales" + +#~ msgid "Updating with" +#~ msgstr "Actualizar con" + +# La is for LaTex. FVD +#~ msgid "Integrating La" +#~ msgstr "Integración de La" + +#~ msgid "Invoking" +#~ msgstr "Invocar" diff --git a/buildscripts/langdefs.py b/buildscripts/langdefs.py index 47f53c9b3c..09393d0bdc 100644 --- a/buildscripts/langdefs.py +++ b/buildscripts/langdefs.py @@ -33,13 +33,14 @@ class LanguageDef: site = LanguageDef ('en', _('English'), webext='') fr = LanguageDef ('fr', _('French'), double_punct_char_sep=' ') +es = LanguageDef ('es', _('Spanish') ) #nl = LanguageDef ('nl', 'Nederlands') # Outdated or broken translations may be disabled # (please run 'make web-clean' before doing that): #fr.enabled = False -LANGUAGES = (site, fr) +LANGUAGES = (site, fr, es) if __name__ == '__main__': print ' '.join ([l.code for l in LANGUAGES if l.enabled and l.code != 'en'])