From: fred Date: Sat, 11 Oct 1997 10:12:08 +0000 (+0000) Subject: lilypond-0.1.22 X-Git-Tag: release/1.5.59~6043 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=286832d9b05ca802b005e57e4e8ddfde6bde3096;p=lilypond.git lilypond-0.1.22 --- diff --git a/Documentation/literature.pod b/Documentation/literature.pod index 038c86f577..a085af6c6a 100644 --- a/Documentation/literature.pod +++ b/Documentation/literature.pod @@ -44,14 +44,20 @@ notation issues as one is likely to get. MB] Karl Hader. ``Aus der Werkstatt eines Notenstechers'' Waldheim--Eberle Verlag, Vienna 1948 -[Hader was the leader of the Waldheim-Eberle music publishers. This -book contains the most important rules on engraving] +[Hader was the chief-engraver of the Waldheim-Eberle music publishers. +This book contains the most important rules on engraving (according to +[Chlapik])] MPA. Standard music notation specifications for computer programming. December 1996 [Pamphlet explaining some fine points in music font design HWN] +D. Roush. ``Music Formatting Guidelines,'' Technical Report +OSU-CISRC-3/88-TR10, Department of Computer and Information Science, +The Ohio State University, 1988. + +[Rules on formatting music formulated for use in computers HWN] =head2 Notation with computers @@ -130,12 +136,6 @@ Computer and Information Science, The Ohio State University, 1987. [Placement of balls, stems, dots which occur at the same moment ("Simultaneity") HWN] -D. Roush. ``Music Formatting Guidelines,'' Technical Report -OSU-CISRC-3/88-TR10, Department of Computer and Information Science, -The Ohio State University, 1988. - -[Rules on formatting music formulated for use in computers HWN] - F. Sola. ``Computer Design of Musical Slurs, Ties and Phrase Marks,'' Technical Report OSU-CISRC-10/87-TR32, Department of Computer and Information Science, The Ohio State University, 1987.