From: Han-Wen Nienhuys Date: Wed, 2 Jul 2003 10:09:52 +0000 (+0000) Subject: (Example applications): X-Git-Tag: release/1.7.24~19 X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=1d7b7723b540db8164f428694b33ef9968966590;p=lilypond.git (Example applications): add note about databases and lilypond-book. --- diff --git a/Documentation/user/introduction.itely b/Documentation/user/introduction.itely index 19e7b4c3cc..c88a8ab462 100644 --- a/Documentation/user/introduction.itely +++ b/Documentation/user/introduction.itely @@ -289,6 +289,7 @@ mechanism can be used to adjust a setting globally. By issuing the entire piece is formatted with thick stems: @lilypond \score { \notes { + \property Score.Stem \override #'thickness = #2.0 \once\property Voice. DynamicLineSpanner \override #'padding = #4.0 g'4-\f g4 } @@ -321,7 +322,7 @@ The full scope of this functionality certainly is intimidating, but there is no need to fear: normally, it is not necessary to define style-sheets or rewrite formatting functions. In fact, LilyPond gets a lot of formatting right automatically, so adjusting individual layout -situations is not needed very often. +situations is not needed very often at all. @node Music representation diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely index 49719fc066..9c0b9863e8 100644 --- a/Documentation/user/tutorial.itely +++ b/Documentation/user/tutorial.itely @@ -24,7 +24,7 @@ * Piano staffs:: * Setting variables:: * Fine tuning layout:: -* Organising larger pieces:: +* Organizing larger pieces:: * An orchestral part:: * Integrating text and music:: Integrating text and music @end menu @@ -651,7 +651,9 @@ given to the staves. It does not matter what names you give, as long as each staff has a different name. If you give them the same name, they are assumed to belong on the same staff, and will be printed like that. @code{\simultaneous } indicates that both fragments happen at -the same time, and must be printed stacked vertically. +the same time, and must be printed stacked vertically. The notation +@code{< .. >} can also be used as a shorthand for @code{\simultaneous +@{ .. @}}. @separate @@ -897,6 +899,10 @@ More options, like putting multiple lines of lyrics below a melody are discussed in @ref{Vocal music}. + +TODO: discuss contexts. + + @node A lead sheet @section A lead sheet @@ -1066,12 +1072,10 @@ voices with @code{\\}: < @{ a4 g2 f4-~ f4 @} \\ @{ r4 g4 f2 f4 @} > @end example -@lilypond[relative] -\context Staff < { a4 g2 f4-~ f4 } \\ +@lilypond[relative=1] +\context Staff < { a4 g2 f4-~ f4 } \\ { r4 g4 f2 f4 } > @end lilypond -The notation @code{< .. >} is a shorthand for @code{\simultaneous @{ -.. @}}. For polyphonic typesetting spacer rests can also be convenient: these are rests that do not print. It is useful for filling up voices that @@ -1081,7 +1085,7 @@ temporarily do not play: @{ s4 g4 f2 f4 @} > @end example @lilypond[relative] - < { a4 g2 f4-~ f4 } \\ +\context Staff < { a4 g2 f4-~ f4 } \\ { s4 g4 f2 f4 } > @end lilypond @@ -1259,15 +1263,7 @@ little to the left, and 1.8 staff space downwards. @cindex setting object properties -@lilypond[relative=1,verbatim] -\stemUp -f-5 -\once \property Voice.Fingering - \set #'extra-offset = #'(-0.3 . -1.8) -f-5 -@end lilypond - -@lilypond[relative=1,verbatim] +@lilypond[relative=2,verbatim] \stemUp f-5 \once \property Voice.Fingering @@ -1290,7 +1286,7 @@ voice. By introducing a tie in a different voice, and blanking a stem in that voice, the tie appears to cross voices. @lilypond[fragment,relative=1] -< { +\context Staff < { \once \property Voice.Stem \set #'transparent = ##t b8~ b8 } \\ { @@ -1309,8 +1305,8 @@ More specific overrides are also possible. The notation manual discusses in depth how to figure out these statements for yourself, in @ref{Tuning output}. -@node Organising larger pieces -@section Organising larger pieces +@node Organizing larger pieces +@section Organizing larger pieces TODO: discuss identifiers, p&c, .