From: hanwen <hanwen>
Date: Sat, 31 Jul 2004 18:49:59 +0000 (+0000)
Subject: *** empty log message ***
X-Git-Tag: release/2.3.12~81
X-Git-Url: https://git.donarmstrong.com/?a=commitdiff_plain;h=0bfb7d50d1e500faf025da31952a19bdac3072aa;p=lilypond.git

*** empty log message ***
---

diff --git a/input/regression/page-breaks.ly b/input/regression/page-breaks.ly
new file mode 100644
index 0000000000..c6a06c68da
--- /dev/null
+++ b/input/regression/page-breaks.ly
@@ -0,0 +1,54 @@
+#(ly:set-point-and-click 'line-column)
+\version "2.3.8"
+
+\header {
+
+texidoc = "Stress optimal page breaking.  This should look
+    nice on 4 a6 pages. "
+
+    
+    copyright = "Copyright by /me"
+    
+    title = "Title"
+    subtitle = "(and (the) subtitle)"
+    subsubtitle = "Sub sub title"
+    poet = "Poet"
+    composer = "Composer"
+    texttranslator = "Text Translator"
+    opus = "opus 0"
+    meter = "Meter (huh?)"
+    arranger = "Arranger"
+    instrument = "Instrument"
+    piece = "Piece"
+}
+
+#(set-default-paper-size "a6")
+
+
+pattern =  { a b c d \break }
+\book {    
+    \score {
+	\context Staff  \relative c' {
+	    %% 16: ideally cramped
+	    %% 17: very bad without density
+				%	\repeat unfold 17 { a b c d \break }
+
+	    \pattern
+	    \pattern
+				% \noPageBreak
+	    \pattern
+	    
+				% the following changes the location of the break.
+				% 
+				% \pageBreak
+	    
+	    \pattern
+	    \pattern
+	    \pattern
+	    \pattern
+	    \repeat unfold 10 \pattern
+	}
+
+    }
+    
+}
diff --git a/input/test/page-breaks.ly b/input/test/page-breaks.ly
deleted file mode 100644
index c6a06c68da..0000000000
--- a/input/test/page-breaks.ly
+++ /dev/null
@@ -1,54 +0,0 @@
-#(ly:set-point-and-click 'line-column)
-\version "2.3.8"
-
-\header {
-
-texidoc = "Stress optimal page breaking.  This should look
-    nice on 4 a6 pages. "
-
-    
-    copyright = "Copyright by /me"
-    
-    title = "Title"
-    subtitle = "(and (the) subtitle)"
-    subsubtitle = "Sub sub title"
-    poet = "Poet"
-    composer = "Composer"
-    texttranslator = "Text Translator"
-    opus = "opus 0"
-    meter = "Meter (huh?)"
-    arranger = "Arranger"
-    instrument = "Instrument"
-    piece = "Piece"
-}
-
-#(set-default-paper-size "a6")
-
-
-pattern =  { a b c d \break }
-\book {    
-    \score {
-	\context Staff  \relative c' {
-	    %% 16: ideally cramped
-	    %% 17: very bad without density
-				%	\repeat unfold 17 { a b c d \break }
-
-	    \pattern
-	    \pattern
-				% \noPageBreak
-	    \pattern
-	    
-				% the following changes the location of the break.
-				% 
-				% \pageBreak
-	    
-	    \pattern
-	    \pattern
-	    \pattern
-	    \pattern
-	    \repeat unfold 10 \pattern
-	}
-
-    }
-    
-}
diff --git a/input/test/part-combine.ly b/input/test/part-combine.ly
deleted file mode 100644
index 9bdb7f4897..0000000000
--- a/input/test/part-combine.ly
+++ /dev/null
@@ -1,32 +0,0 @@
-
-\version "2.3.8"
-
-\header{ texidoc="@cindex Part Combine
-In orchestral scores and hymns, voices are traditionally combined into
-one staff.  LilyPond has a part combiner that combines, or separates, two
-voices according to the actual rhythm and pitch.  Configurable texts, such 
-as ``solo'' and ``@`a2'', are typeset automatically in appropriate
-places. "
-}
-
-\score{
-    \context Staff = flauti <<
-    \time 4/4
-    \partcombine
-    \relative c'' {
-      c4 d e f | b,4 d c d | r2 e4 f | c4 d e f |
-      c4 r e f | c4 r e f | c4 r a r | a a r a |
-      a2 \set soloADue = ##f a |
-    }
-    \relative c'' {
-      g4 b d f | r2 c4 d | a c c d | a4. b8 c4 d
-      c r e r | r2 s2 | a,4 r a r | a r r a |
-      a2 \set soloADue = ##f a |
-    }
-  >>
-  \paper{
-	raggedright = ##t
-  }
-}
-
-
diff --git a/input/test/repeat-manual.ly b/input/test/repeat-manual.ly
deleted file mode 100644
index 01eb8079a8..0000000000
--- a/input/test/repeat-manual.ly
+++ /dev/null
@@ -1,25 +0,0 @@
-
-\version "2.3.8"
-\header { texidoc = "@cindex Repeat Manual
-By controlling manually the signs and numbers in repeats, an unusual 
-output can be produced. "
-}
-
-\score {  \relative c'' {
-% First a normal looking repeat:
- c2 c
-    \set Score.repeatCommands = #'((volta "1."))
- c c
-    \set Score.repeatCommands = #'((volta #f) end-repeat (volta "2."))
- c c
-    \set Score.repeatCommands = #'((volta #f))
-% Then a more strange one:
- c c
-    \set Score.repeatCommands = #'((volta "93") end-repeat)
- c c
-    \set Score.repeatCommands = #'((volta #f))
- c c
-}
-	\paper{raggedright=##t}
-}
-