* Documentation/user/tutorial.itely (A piano excerpt):

* Documentation/user/introduction.itely (Introduction): Typo fix.

diff --git a/ChangeLog b/ChangeLog
index e2229cd24fd94a07a5400255477a3619f9fabd15..237c0792f57934b2de20df353ef566e1f3b0f514 100644 (file)
--- a/ChangeLog
+++ b/ChangeLog
@@ -1,5 +1,8 @@
 2002-08-19  Jan Nieuwenhuizen  <janneke@gnu.org>
 
+       * Documentation/user/tutorial.itely (A piano excerpt): 
+       * Documentation/user/introduction.itely (Introduction): Typo fix.
+
        * input/test/header-ifelse.ly: Bugfix: call numbers->string only
        on first three elements of ly-version list.
 

diff --git a/Documentation/user/introduction.itely b/Documentation/user/introduction.itely
index 3cc94baa9a11a3855ff9e5d06fbb55e54dc5e9af..632df422629e2269c08108e92b81fa277b93d293 100644 (file)
--- a/Documentation/user/introduction.itely
+++ b/Documentation/user/introduction.itely
@@ -8,7 +8,7 @@ LilyPond is a program to print sheet music. If you have used notation
 programs before, then the way to use this program might be surprising
 at first sight. To print music with lilypond, you have to enter
 musical codes in a file. Then you run LilyPond on the file, and the
-music is produced without any intervention intervention. For example,
+music is produced without any user intervention. For example,
 something like this:
 
 @lilypond[fragment,verbatim, relative 1, intertext="produces this"]

diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely
index 30b530de78bb9988bb565204d89fa57a7c1d4fdf..b5cb1e0bf62ef295b2049e9c1baa893579249400 100644 (file)
--- a/Documentation/user/tutorial.itely
+++ b/Documentation/user/tutorial.itely
@@ -1891,7 +1891,7 @@ voice, which continues with upward stems:
 The easiest way to enter multiple voices is demonstrated
 here. Separate the components of the voice (single notes or entire
 sequences) with @code{\\} in a simultaneous music expression. The
-a@code{\\} separators split first voice, second voice, third voice, and
+@code{\\} separators split first voice, second voice, third voice, and
 so on.
 
 As far as relative mode is concerned, the previous note is the