This section includes extra information for writing for unfretted
string instruments.
-@ignore
-The subsection on Bowed instruments is commmented out
-until we have something to say about them -td
-@end ignore
-
@menu
-* Common notation for unfretted strings::
-@c * Bowed instruments::
-* Plucked instruments::
+* Common notation for unfretted strings::
+* Bowed instruments::
+* Plucked instruments::
@end menu
@node Common notation for unfretted strings
@subsection Common notation for unfretted strings
@menu
-* References for unfretted strings::
+* References for unfretted strings::
@end menu
@node References for unfretted strings
@subsubsection References for unfretted strings
-@c TODO Add refs to fingerings, \thumb, bowings
+@c TODO Add refs to fingerings, \thumb
@c TODO Add multiple fingering indications?
-@c TODO Add snippet showing pizzicato markings
TBC
@c TODO Decide whether to resurrect Bowed instruments subsection
@c and if so which of the above should go there
-@ignore
@node Bowed instruments
@subsection Bowed instruments
@menu
-* Artificial harmonics (strings)::
+* References for bowed strings::
@end menu
-@node Artificial harmonics (strings)
-@subsubsection Artificial harmonics (strings)
+@node References for bowed strings
+@subsubsection References for bowed strings
+
+@c link to slurs, articulation (for \upbow \downbow). maybe
+@c an example as well.
+@c TODO Add snippet showing pizzicato markings
@cindex artificial harmonics
@subsection Plucked instruments
@menu
-* Harp::
+* Harp::
@end menu
@node Harp
@subsubsection Harp
+TBC
+
+@c has nothing to do with harps, AFAIK.
+@ignore
Sacred Harp notation uses four shaped note heads. In the major,
the tonic is a triangle and then proceeding up the scale you
have circle, square, triangle, circle, square, diamond. In the
The \sacredHarpHeads command gives the wrong shapes when the key
is minor. A work-around is to switch the key to the relative
major to obtain the right shapes.
+@end ignore