lilypond-1.3.61

diff --git a/Documentation/user/refman.itely b/Documentation/user/refman.itely
index b7db980a02fadc184c31529360bac93eeacbcad4..d385fd0cdc1c14a844ba88a4040277b83ca13b79 100644 (file)
--- a/Documentation/user/refman.itely
+++ b/Documentation/user/refman.itely
@@ -19,7 +19,7 @@
 * Note specification::                      notedesc
 * barlines::                      barlines
 * Manual beams::                  Manual beam
-* tremolo::                       tremolo
+* stem tremolo::                       tremolo
 * Compound music expressions::    Compound music expressions
 * relative::                      relative
 * Repeats::                      Repeats       

diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely
index f15f05f515fb1419cf48c7d9b9782856c78fb97c..a457b40368dc947063c360b0c094013623051b30 100644 (file)
--- a/Documentation/user/tutorial.itely
+++ b/Documentation/user/tutorial.itely
@@ -937,7 +937,7 @@ hoomPahHoomPah = @{ [\hoomPah \hoomPah] @}
 Put two of these fragments in sequence, and beam them.@example 
 bassvoices = \notes \relative c' @{
 c4 g8. b,16
-\repeat unfold 4 {\hoomPahHoomPah} 
+\repeat unfold 4 @{\hoomPahHoomPah @} 
 @end example 
 Entering the bass part is easy: the hoomPahHoomPah variable is
 repeated four times; @code{unfold} means that all four repetitions