(Top): change central C

to middle C.

diff --git a/ChangeLog b/ChangeLog
index d67647e93a9bfbe015001575e39c82e6d6bd9422..86799f5e0cdc62f3e7a65a9fedb414e54e782646 100644 (file)
--- a/ChangeLog
+++ b/ChangeLog
@@ -1,5 +1,8 @@
 2004-03-03  Han-Wen Nienhuys   <hanwen@xs4all.nl>
 
+       * Documentation/user/music-glossary.tely (Top): change central C
+       to middle C.
+
        * lily/text-item.cc (interpret_markup): cache make-simple-markup
 
 2004-03-03  Jan Nieuwenhuizen  <janneke@gnu.org>

diff --git a/Documentation/user/internals.itely b/Documentation/user/internals.itely
index 5a1e814e6380364be31456f4ef225c8aafe60841..8c3b893ca51800bf4cfa3db3b1b13085f6a63848 100644 (file)
--- a/Documentation/user/internals.itely
+++ b/Documentation/user/internals.itely
@@ -409,7 +409,7 @@ engraver. The syntax for these operations is
 Here @var{engravername} is a string, the name of an engraver in the
 system. In the following example, the @code{Clef_engraver} is removed
 from the Staff context. The result is a staff without a clef, where
-the central C is at its default position, the center line:
+the middle C is at its default position, the center line:
 
 @lilypond[verbatim,raggedright]
 \score {

diff --git a/Documentation/user/introduction.itely b/Documentation/user/introduction.itely
index a3f1e4b038c7cd2ff027b2e8fdb2f5fc63696db1..220c80ebf9efbdf640e73010d102b7d04902c5af 100644 (file)
--- a/Documentation/user/introduction.itely
+++ b/Documentation/user/introduction.itely
@@ -513,8 +513,8 @@ The syntax is also the user-interface for LilyPond, hence it is easily typable,
 @example
   c'4 d'8
 @end example
-Are a quarter note C (the central C) and eighth note D1 (the D above
-central C), as in this example:
+Are a quarter note C (the middle C) and eighth note D1 (the D above
+middle C), as in this example:
 
 @lilypond[fragment]
   c'4 d'8

diff --git a/Documentation/user/lilypond-book.itely b/Documentation/user/lilypond-book.itely
index cfb889375525e4b8900062da66a019346d28a304..9b7a69ffc5dce1b71500f8f0103a9848994daa05 100644 (file)
--- a/Documentation/user/lilypond-book.itely
+++ b/Documentation/user/lilypond-book.itely
@@ -333,8 +333,8 @@ documents are composed from small @file{.ly} files in this way:
 
 @item relative, relative=@var{N}
 uses relative octave mode.  By default, notes are specified relative
-to central C.  The optional integer argument specifies the octave of the
-starting note, where the default @code{1} is central C.
+to middle C.  The optional integer argument specifies the octave of the
+starting note, where the default @code{1} is middle C.
 @end table
 
 

diff --git a/Documentation/user/music-glossary.tely b/Documentation/user/music-glossary.tely
index 5e0ab649070e4be4dd5c6914dbc8b76c5af73980..b2c18a08eb474ce851a377d60b0aba4b146e79d2 100644 (file)
--- a/Documentation/user/music-glossary.tely
+++ b/Documentation/user/music-glossary.tely
@@ -290,7 +290,7 @@ DK: altn@o{}gle,
 S: altklav,
 FI: alttoavain.
 
-C clef setting central C on the middle line of the staff
+C clef setting middle C on the middle line of the staff
 @aref{C clef}.
 
 @aitem{ambitus}
@@ -508,7 +508,7 @@ DK: barytonn@o{}gle,
 S: barytonklav,
 FI: baritoniavain.
 
-C or F clef setting central C on the upper staff line.
+C or F clef setting middle C on the upper staff line.
 @aref{C clef}, @aref{F clef}.
 
 @aitem{bass clef}
@@ -521,7 +521,7 @@ DK: basn@o{}gle,
 S: basklav,
 FI: bassoavain.
 
-A clef setting with central C on the first top ledger line.
+A clef setting with middle C on the first top ledger line.
 @aref{F clef}.
 
 @aitem{bass}
@@ -675,7 +675,7 @@ DK: c-n@o{}gle,
 S: c-klav,
 FI: C-avain.
 
-Clef symbol indicating the position of the central C.  Used on all note
+Clef symbol indicating the position of the middle C.  Used on all note
 lines.
 
 @lilypond[notime]
@@ -750,7 +750,7 @@ Logarithmic unit of measurement.  1 cent is 1/1200 of an octave (1/100 of an
 equally tempered @aref{semitone}).
 @aref{equal temperament}.
 
-@aitem{central C}
+@aitem{middle C}
 @aref{middle C}.
 
 @aitem{chord}

diff --git a/Documentation/user/refman.itely b/Documentation/user/refman.itely
index 8fbb56047057a19d286dc51877c78f521d202ad4..32cb35c32e5234809d1aae205cbeb748453691f5 100644 (file)
--- a/Documentation/user/refman.itely
+++ b/Documentation/user/refman.itely
@@ -648,7 +648,7 @@ once again.
 
 The octave of a note following an octave check is determined with
 respect to the note preceding it. In the next fragment, the last note
-is a @code{a'}, above central C. Hence, the @code{\octave} check may
+is a @code{a'}, above middle C. Hence, the @code{\octave} check may
 be deleted without changing the meaning of the piece.
 
 @lilypond[verbatim,fragment] 
@@ -3023,7 +3023,7 @@ staff. The syntax for this is
 The two staffs of the piano staff must be named @code{up} and
 @code{down}.
 
-The autochanger switches on basis of pitch (central C is the turning
+The autochanger switches on basis of pitch (middle C is the turning
 point), and it looks ahead skipping over rests to switch in
 advance. Here is a practical example:
         
@@ -3727,7 +3727,7 @@ in the @internalsref{TabStaff}.
 
 You can change the tuning of the strings. A string tuning is given as
 a Scheme list with one integer number for each string, the number
-being the pitch (measured in semitones relative to central C) of an
+being the pitch (measured in semitones relative to middle C) of an
 open string.  The numbers specified for @code{stringTuning} are the
 numbers of semitones to subtract or add, starting the specified pitch
 by default middle C, in string order. Thus, the notes are e, a, d, and