vermeiden. Zusätzliche Stimmen werden durch einen neuen Bezeichner
erstellt, wie das nächste Beispiel zeigt.
-@lilypond[quote,verbatim,ragged-right,relative=2]
+@lilypond[quote,verbatim,ragged-right]
voiceFive = #(context-spec-music (make-voice-props-set 4) 'Voice)
\relative c''' <<
@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
-{grid-lines-changing-their-appearance.ly}
+{grid-lines--changing-their-appearance.ly}
@seealso
tiene fácil solución. Presentamos aquí la plantilla completa para
soprano y cello.
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.38"
+@lilypond[quote,verbatim,ragged-right,addversion]
sopranoMusic = \relative c' {
\clef treble
\key c \major
Al combinar todo esto junto y escribir la música de los tres compases
del ejemplo anterior, obtenemos:
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.38"
+@lilypond[quote,verbatim,ragged-right,addversion]
global = { \key d \major \time 4/4 }
sopMusic = \relative c'' {
\clef "treble"
puede variar. Todo lo que nos queda es añadir la música, y combinar
todas las partes.
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.38"
+@lilypond[quote,verbatim,ragged-right,addversion]
\header {
title = "Jesu, meine Freude"
composer = "J S Bach"
adicionales se añaden definiendo una variable, como se muestra a
continuación:
-@lilypond[quote,verbatim,ragged-right,relative=2]
+@lilypond[quote,verbatim,ragged-right]
voiceFive = #(context-spec-music (make-voice-props-set 4) 'Voice)
\relative c''' <<
podemos establecer la propiedad @code{printPartCombineTexts} al valor
false.
-@lilypond[quote,verbatim,ragged-right,fragment,relative=2]
+@lilypond[quote,verbatim,ragged-right,fragment]
\new Staff <<
\set Staff.printPartCombineTexts = ##f
\partcombine
podemos establecer las propiedades @code{soloText}, @code{soloIIText}
y @code{aDueText}.
-@lilypond[quote,verbatim,ragged-right,fragment,relative=2]
+@lilypond[quote,verbatim,ragged-right,fragment]
\new Staff <<
\set Score.soloText = #"ichi"
\set Score.soloIIText = #"ni"
@lilypond[ragged-right,verbatim,fragment,quote]
\time 3/4
-\relative { c2 e4 g2. }
+\relative c' { c2 e4 g2. }
\addlyrics { play the game }
@end lilypond
@lilypond[ragged-right,verbatim,fragment,quote]
\time 3/4
-\relative { c2 e4 g2. }
+\relative c' { c2 e4 g2. }
\addlyrics { play the game }
\addlyrics { speel het spel }
\addlyrics { joue le jeu }
espacios entre las sílabas, o usar el símbolo de tilde curva
(@code{~}) para obtener una ligadura entre sílabas de la letra.
-@lilypond[quote,relative=2,ragged-right,fragment,verbatim]
+@lilypond[quote,ragged-right,fragment,verbatim]
\time 3/4
-\relative { c2 e4 g2 e4 }
+\relative c' { c2 e4 g2 e4 }
\addlyrics { gran- de_a- mi- go }
\addlyrics { pu- "ro y ho-" nes- to }
\addlyrics { pu- ro~y~ho- nes- to }
@c FIXME: quotes.
@lilypond[quote,ragged-right,fragment,verbatim]
-\relative { e4 f e d e f e2 }
+\relative c' { e4 f e d e f e2 }
\addlyrics { He said: “Let my peo ple go”. }
@end lilypond
tanto debe asegurarse de tener instalada una tipografía (como
DejaVuLGC) que incluya este glifo.}.
-@lilypond[quote,relative=2,ragged-right,fragment,verbatim]
+@lilypond[quote,ragged-right,fragment,verbatim]
\time 3/4
-\relative { c2 e4 g2 e4 }
+\relative c' { c2 e4 g2 e4 }
\addlyrics { gran- de_a- mi- go }
\addlyrics { pu- "ro y ho-" nes- to }
\addlyrics { pu- ro~y~ho- nes- to }
Para que este cambio sea válido para la letra de la partitura
completa, establezca la propiedad dentro del @q{layout} o disposición.
-@lilypond[relative,verbatim,quote,ragged-right]
+@lilypond[verbatim,quote,ragged-right]
\score {
\relative c' {
c c c c
Hi, my name is Bert.
} \addlyrics {
\set vocalName = "Ernie "
- Oh, che -- ri, je t'aime
+ Oh, ché -- ri, je t'aime
}
@end lilypond
@lilypond[verbatim,ragged-right,quote]
%{
<<
- \relative \new Voice = "lahlah" {
+ \relative c' \new Voice = "lahlah" {
\set Staff.autoBeaming = ##f
c4
\slurDotted
texto se retrasará una nota más. Por ejemplo,
@lilypond[verbatim,ragged-right,quote]
-\relative { c c g' }
+\relative c' { c c g' }
\addlyrics {
twin -- \skip 4
kle
@lilypond[ragged-right,quote]
<<
- \relative \new Voice = "lahlah" {
+ \relative c' \new Voice = "lahlah" {
\set Staff.autoBeaming = ##f
c4
<<
de notes. Ces voix additionnelles s'ajoutent en définissant un
identificateur, comme le montre l'exemple suivant :
-@lilypond[quote,verbatim,ragged-right,relative=2]
+@lilypond[quote,verbatim,ragged-right]
voiceFive = #(context-spec-music (make-voice-props-set 4) 'Voice)
\relative c''' <<
mettre un peu d'ordre dans l'indentation. Voici le modèle pour
soprano et violoncelle au complet :
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.38"
+@lilypond[quote,verbatim,ragged-right,addversion]
sopranoMusic = \relative c' {
\clef treble
\key c \major
caractère souligné (@code{_}), ou encore utiliser un tilde (@code{~})
pour obtenir une liaison entre les syllabes.
-@lilypond[quote,relative=2,ragged-right,fragment,verbatim]
+@lilypond[quote,ragged-right,fragment,verbatim]
\time 3/4
-\relative { c2 e4 g2 e4 }
+\relative c' { c2 e4 g2 e4 }
\addlyrics { gran- de_a- mi- go }
\addlyrics { pu- "ro y ho-" nes- to }
\addlyrics { pu- ro~y~ho- nes- to }
Pour utiliser des lettres accentuées ou des caractères spéciaux
--- cœurs ou guillemets inversés par exemple --- il suffit de les insérer
dans le fichier et de veiller à sauvegarder ce dernier avec le codage
-utf-8. Voir à ce sujet @ref{Text encoding} pour plus de détails.
+UTF-8. Voir à ce sujet @ref{Text encoding} pour plus de détails.
@lilypond[quote,ragged-right,fragment,verbatim]
-\relative { e4 f e d e f e2 }
+\relative c' { e4 f e d e f e2 }
\addlyrics { He said: “Let my peo ple go”. }
@end lilypond
n'apparaîtra dans la partition que si le système dispose d'une police
installée qui contient ce symbole(par exemple DejaVuLGC).}.
-@lilypond[quote,relative=2,ragged-right,fragment,verbatim]
+@lilypond[quote,ragged-right,fragment,verbatim]
\time 3/4
-\relative { c2 e4 g2 e4 }
+\relative c' { c2 e4 g2 e4 }
\addlyrics { gran- de_a- mi- go }
\addlyrics { pu- "ro y ho-" nes- to }
\addlyrics { pu- ro~y~ho- nes- to }
Pour que ce réglage s'applique à toute la partition, définissez-le
dans le bloc @code{\layout}.
-@lilypond[relative,verbatim,quote,ragged-right]
+@lilypond[verbatim,quote,ragged-right]
\score {
\relative c' {
c c c c
Hi, my name is Bert.
} \addlyrics {
\set vocalName = "Ernie "
- Oh, che -- ri, je t'aime
+ Oh, ché -- ri, je t'aime
}
@end lilypond
suivant d'une note :
@lilypond[verbatim,ragged-right,quote]
-\relative { c c g' }
+\relative c' { c c g' }
\addlyrics {
twin -- \skip 4
kle
@lilypond[ragged-right,quote]
<<
- \relative \new Voice = "lahlah" {
+ \relative c' \new Voice = "lahlah" {
\set Staff.autoBeaming = ##f
c4
<<
additional voices to avoid collisions between notes. Additional
voices are added by defining an variable, as shown below:
-@lilypond[quote,verbatim,ragged-right,relative=2]
+@lilypond[quote,verbatim,ragged-right]
voiceFive = #(context-spec-music (make-voice-props-set 4) 'Voice)
\relative c''' <<
If you just want the merging parts, and not the textual markings,
you may set the property @code{printPartCombineTexts} to false.
-@lilypond[quote,verbatim,ragged-right,fragment,relative=2]
+@lilypond[quote,verbatim,ragged-right]
\new Staff <<
\set Staff.printPartCombineTexts = ##f
\partcombine
set the @code{soloText}, @code{soloIIText}, and @code{aDueText}
properties.
-@lilypond[quote,verbatim,ragged-right,fragment,relative=2]
+@lilypond[quote,verbatim,ragged-right]
\new Staff <<
\set Score.soloText = #"ichi"
\set Score.soloIIText = #"ni"
a duration, so @code{1 4} is a longer duration
than @code{1 16}.
-@lilypond[relative,verbatim,line-width=12\cm]
+@lilypond[verbatim,line-width=12\cm]
\score {
\relative c'' {
g4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
}
@end lilypond
-@lilypond[relative,verbatim,line-width=12\cm]
+@lilypond[verbatim,line-width=12\cm]
\score {
\relative c'' {
g4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
staff is stopped and started explicitely and white space is inserted
with the @code{\skip} command.
-@lilypond[verbatim,relative=2,quote]
+@lilypond[verbatim,quote]
<<
\new Staff \with
{
@lilypond[quote,ragged-right,verbatim]
\score {
- \context Staff \relative c'' { c8 c c16 c c c }
+ \new Staff \relative c'' { c8 c c16 c c c }
\layout{
\context {
\Staff
because the setting applies only to the specific staff inside
of which it is written.
-@lilypond[quote,ragged-right,verbatim,relative=2]
+@lilypond[quote,ragged-right,verbatim]
\layout {
\context {
\RemoveEmptyStaffContext
}
<<
- \context Staff = "picc" \picc
- \context Staff = "cbsn" \cbsn
+ \new Staff = "picc" \picc
+ \new Staff = "cbsn" \cbsn
>>
@end lilypond
@lilypond[ragged-right,verbatim,fragment,quote]
\time 3/4
-\relative { c2 e4 g2. }
+\relative c' { c2 e4 g2. }
\addlyrics { play the game }
@end lilypond
@lilypond[ragged-right,verbatim,fragment,quote]
\time 3/4
-\relative { c2 e4 g2. }
+\relative c' { c2 e4 g2. }
\addlyrics { play the game }
\addlyrics { speel het spel }
\addlyrics { joue le jeu }
surround them with quotes or use a @code{_} character, to get spaces
between syllables, or use tilde symbol (@code{~}) to get a lyric tie.
-@lilypond[quote,relative=2,ragged-right,fragment,verbatim]
+@lilypond[quote,ragged-right,fragment,verbatim]
\time 3/4
-\relative { c2 e4 g2 e4 }
+\relative c' { c2 e4 g2 e4 }
\addlyrics { gran- de_a- mi- go }
\addlyrics { pu- "ro y ho-" nes- to }
\addlyrics { pu- ro~y~ho- nes- to }
To enter lyrics with characters from non-English languages, or with
accented and special characters (such as the heart symbol or slanted quotes),
simply insert the characters directly into the input file and save
-it with utf-8 encoding. See @ref{Text encoding}, for more info.
-
-FIXME: quotes.
+it with UTF-8 encoding. See @ref{Text encoding}, for more info.
@lilypond[quote,ragged-right,fragment,verbatim]
-\relative { e4 f e d e f e2 }
-\addlyrics { He said: there is a bug here }
+\relative c' { e4 f e d e f e2 }
+\addlyrics { He said: “Let my peo ple go”. }
@end lilypond
-@c \addlyrics { He said: “Let my peo ple goâ€\9d. }
To use normal quotes in lyrics, add a backslash before the
quotes. For example,
sure to have a font (Like DejaVuLGC) installed that includes this
glyph.}.
-@lilypond[quote,relative=2,ragged-right,fragment,verbatim]
+@lilypond[quote,ragged-right,fragment,verbatim]
\time 3/4
-\relative { c2 e4 g2 e4 }
+\relative c' { c2 e4 g2 e4 }
\addlyrics { gran- de_a- mi- go }
\addlyrics { pu- "ro y ho-" nes- to }
\addlyrics { pu- ro~y~ho- nes- to }
For example,
@lilypond[verbatim,ragged-right,quote]
-\relative { c c g' }
+\relative c' { c c g' }
\addlyrics {
twin -- \skip 4
kle
To make this change for all lyrics in the score, set the property in the
layout.
-@lilypond[relative,verbatim,quote,ragged-right]
+@lilypond[verbatim,quote,ragged-right]
\score {
\relative c' {
c c c c
Hi, my name is Bert.
} \addlyrics {
\set stanza = "2. "
- Oh, there is a bug here
+ Oh, ché -- ri, je t'aime
}
@end lilypond
- @c Oh, ché -- ri, je t'aime
+
@noindent
These numbers are put just before the start of the first syllable.
Hi, my name is Bert.
} \addlyrics {
\set vocalName = "Ernie "
- Oh, che -- ri, je t'aime
+ Oh, ché -- ri, je t'aime
}
@end lilypond
@lilypond[verbatim,ragged-right,quote]
%{
<<
- \relative \new Voice = "lahlah" {
+ \relative c' \new Voice = "lahlah" {
\set Staff.autoBeaming = ##f
c4
\slurDotted
@lilypond[ragged-right,quote]
<<
- \relative \new Voice = "lahlah" {
+ \relative c' \new Voice = "lahlah" {
\set Staff.autoBeaming = ##f
c4
<<