--- /dev/null
+/*
+ pitch.hh -- declare Pitch
+
+ source file of the GNU LilyPond music typesetter
+
+ (c) 1998--2000 Han-Wen Nienhuys <hanwen@cs.uu.nl>
+
+ */
+
+#ifndef MUSICAL_PITCH_HH
+#define MUSICAL_PITCH_HH
+
+#include "lily-proto.hh"
+#include "smobs.hh"
+
+/** A "tonal" pitch. This is a pitch as it figures in diatonal western
+ music (12 semitones in an octave), as opposed to a frequence in Hz
+ or a integer number of semitones.
+
+*/
+class Pitch
+{
+public: // fixme
+ /*
+ TODO: use SCM -- (make private?)
+ */
+
+ /// 0 is c, 6 is b
+ int notename_i_;
+
+ /// 0 natural, 1 sharp, etc
+ int alteration_i_;
+
+ /// 0 is central c
+ int octave_i_;
+ /*
+ mutators, so JUNKME.
+ */
+ void transpose (Pitch);
+ void up_to (int);
+ void down_to (int);
+
+public:
+
+ int octave_i () const;
+ int notename_i () const;
+ int alteration_i () const;
+
+ /*
+ Pitch is lexicographically ordered by (octave, notename,
+ alteration).
+ */
+ Pitch (int octave, int notename,int accidental);
+ Pitch ();
+
+ Pitch to_relative_octave (Pitch);
+
+ static int compare (Pitch const&,Pitch const&);
+ /// return large part of interval from central c
+ int steps() const;
+ /// return pitch from central c (in halfnotes)
+ int semitone_pitch() const;
+ String str () const;
+
+ static SCM transpose (SCM p, SCM delta);
+
+ SCM smobbed_copy () const;
+ DECLARE_SCHEME_CALLBACK(less_p, (SCM a, SCM b));
+ DECLARE_SIMPLE_SMOBS(Pitch,);
+
+
+};
+
+Pitch* unsmob_pitch (SCM);
+
+#include "compare.hh"
+INSTANTIATE_COMPARE(Pitch, Pitch::compare);
+
+int compare (Array<Pitch>*, Array<Pitch>*);
+
+#endif /* MUSICAL_PITCH_HH */
+
+
$$ = $1;
}
| NOTENAME_PITCH sup_quotes {
- Musical_pitch p = *unsmob_pitch ($1);
+ Pitch p = *unsmob_pitch ($1);
p.octave_i_ += $2;
$$ = p.smobbed_copy ();
}
| NOTENAME_PITCH sub_quotes {
- Musical_pitch p =* unsmob_pitch ($1);
+ Pitch p =* unsmob_pitch ($1);
p.octave_i_ += -$2;
$$ = p.smobbed_copy ();
$$ = $1;
}
| TONICNAME_PITCH sup_quotes {
- Musical_pitch p = *unsmob_pitch ($1);
+ Pitch p = *unsmob_pitch ($1);
p.octave_i_ += $2;
$$ = p.smobbed_copy ();
}
| TONICNAME_PITCH sub_quotes {
- Musical_pitch p =* unsmob_pitch ($1);
+ Pitch p =* unsmob_pitch ($1);
p.octave_i_ += -$2;
$$ = p.smobbed_copy ();
| MUSICAL_PITCH embedded_scm {
if (!unsmob_pitch ($2))
THIS->parser_error (_f ("Expecting musical-pitch value", 3));
- Musical_pitch m;
+ Pitch m;
$$ = m.smobbed_copy ();
}
;
chord:
steno_tonic_pitch optional_notemode_duration chord_additions chord_subtractions chord_inversion chord_bass {
- $$ = get_chord ($1, $3, $4, $5, $6, $2);
+ $$ = Chord::get_chord ($1, $3, $4, $5, $6, $2);
$$->set_spot (THIS->here_input ());
};
chord_note:
bare_unsigned {
- Musical_pitch m;
+ Pitch m;
m.notename_i_ = ($1 - 1) % 7;
m.octave_i_ = $1 > 7 ? 1 : 0;
m.alteration_i_ = 0;
$$ = m.smobbed_copy ();
}
| bare_unsigned '+' {
- Musical_pitch m;
+ Pitch m;
m.notename_i_ = ($1 - 1) % 7;
m.octave_i_ = $1 > 7 ? 1 : 0;
m.alteration_i_ = 1;
$$ = m.smobbed_copy ();
}
| bare_unsigned CHORD_MINUS {
- Musical_pitch m;
+ Pitch m;
m.notename_i_ = ($1 - 1) % 7;
m.octave_i_ = $1 > 7 ? 1 : 0;
m.alteration_i_ = -1;