+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.10.12"
-
-\header { texidoc = "
- The clef indicates which lines of the staff correspond to which
-pitches. The clef is set with the @code{\\clef} command
-
-
- @{ c''2 \\clef alto g'2 @}
-
-
-Supported clefs include:
-
-@code{treble, violin, G, G2} G clef on 2nd line @code{alto, C} C clef
-on 3rd line @code{tenor} C clef on 4th line. @code{bass, F} F clef on
-4th line @code{french} G clef on 1st line, so-called French violin clef
-@code{soprano} C clef on 1st line @code{mezzosoprano} C clef on 2nd
-line @code{baritone} C clef on 5th line @code{varbaritone} F clef on
-3rd line @code{subbass} F clef on 5th line @code{percussion} percussion
-clef @code{tab} tablature clef
-
- By adding @code{_8} or @code{^8} to the clef name, the clef is
-transposed one octave down or up, respectively, and @code{_15} and
-@code{^15} transposes by two octaves. The argument clefname must be
-enclosed in quotes when it contains underscores or digits. See the last
-two bars for an example.
-" }
-
-{ g'2 \clef alto g'2
- \clef tenor g'2 \clef bass g'2
- \clef french g'2 \clef soprano g'2
- \clef mezzosoprano g'2 \clef baritone g'2
- \clef varbaritone g'2 \clef subbass g'2
- \clef percussion g'2 \clef tab g'2
-% TO TRANSPOSE THE CLEF ONE OCTAVE UP OR DOWN SEE THE FOLLOWING BARS:
- \clef "G_8" c'1 \clef "G^8" c'1
-}
-
manually to prevent collisions.
" }
+{
\new Staff <<
\new Voice \with {
\consists "Ambitus_engraver"
} \relative c'' {
- \override Ambitus #'X-offset = # 1.0
+ \override Ambitus #'X-offset = # 2.0
\voiceOne
- c4 a d e f2
+ c4 a d e f1
}
\new Voice \with {
\consists "Ambitus_engraver"
} \relative c' {
\voiceTwo
- es4 f g as b2
+ es4 f g as b1
}
>>
+}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.10.12"
-
-\header { texidoc = "
-Ambituses indicate pitch ranges for voices.
-
-
-Accidentals only show up if they're not part of key signature.
-@code{AmbitusNoteHead} grobs also have ledger lines.
-" }
-
-\layout {
- ragged-right = ##t
- \context {
- \Voice
- \consists Ambitus_engraver
- }
-}
-
-\relative
-<<
- \new Staff {
- \time 2/4 c4 f'
- }
- \new Staff \relative {
- \time 2/4
- \key d \major
- cis as'
- }
->>
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.10.12"
-
-\header { texidoc = "
-A chord is formed by a enclosing a set of pitches in < and >. A chord
-may be followed by a duration, and a set of articulations, just like
-simple notes
-" }
-
-\relative c'
-{
-<c e g>4 <c>8
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.10.12"
-
-\header { texidoc = "
- The clef indicates which lines of the staff correspond to which
-pitches. The clef is set with the @code{\\clef} command
-
-
- @{ c''2 \\clef alto g'2 @}
-
-
-Supported clefs include:
-
-@code{treble, violin, G, G2} G clef on 2nd line @code{alto, C} C clef
-on 3rd line @code{tenor} C clef on 4th line. @code{bass, F} F clef on
-4th line @code{french} G clef on 1st line, so-called French violin clef
-@code{soprano} C clef on 1st line @code{mezzosoprano} C clef on 2nd
-line @code{baritone} C clef on 5th line @code{varbaritone} F clef on
-3rd line @code{subbass} F clef on 5th line @code{percussion} percussion
-clef @code{tab} tablature clef
-
- By adding @code{_8} or @code{^8} to the clef name, the clef is
-transposed one octave down or up, respectively, and @code{_15} and
-@code{^15} transposes by two octaves. The argument clefname must be
-enclosed in quotes when it contains underscores or digits. See the last
-two bars for an example.
-" }
-
-{ g'2 \clef alto g'2
- \clef tenor g'2 \clef bass g'2
- \clef french g'2 \clef soprano g'2
- \clef mezzosoprano g'2 \clef baritone g'2
- \clef varbaritone g'2 \clef subbass g'2
- \clef percussion g'2 \clef tab g'2
-% TO TRANSPOSE THE CLEF ONE OCTAVE UP OR DOWN SEE THE FOLLOWING BARS:
- \clef "G_8" c'1 \clef "G^8" c'1
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.10.12"
-
-\header { texidoc = "
-The part combiner tool ( \\partcombine command ) allows you to combine
-different parts on a same Staff. You can choose whether you want or
-don't want to add texts such as \"solo\" or \"a2\", by defining the
-printPartCombineTexts property.
-
-For vocal scores (hymns), there is no need to add \"solo\"/\"a2\"
-texts, so they should be switched off. However, you'd better not use it
-if there are any solos, as they won't be indicated. In such cases, you
-may simply want to use standard LilyPond polyphony.
-
-This snippet presents the three ways two parts can be printed on a same
-staff : standard polyphony, \\partcombine whitout texts, and
-\\partcombine with texts.
-
-
-" }
-
-musicUp = { \time 4/4
- \relative c'' {
- a4 c4.(g8) a4 |
- g4 e' g,( a8 b) |
- c b a2.
- }
-}
-
-musicDown = {
- \relative c'' {
- g4 e4.(d8) c4 |
- r2 g'4( f8 e) |
- d2 a
- }
-}
-\score{
- \new Staff {
- \set Staff.instrumentName = "Standard polyphony "
- << \musicUp \\ \musicDown >>
- }
- \layout{
- indent = 6.0\cm
- }
-}
-
-\score{
- \context Staff {
- \set Staff.instrumentName = "PartCombine without texts "
- \partcombine \musicUp \musicDown
- }
- \layout{
- indent = 6.0\cm
- \context {
- \Voice
- printPartCombineTexts = ##f
- }
- }
-}
-
-\score{
- \context Staff {
- \set Staff.instrumentName = "PartCombine with texts "
- \partcombine \musicUp \musicDown
- }
- \layout{
- indent = 6.0\cm
- \context {
- \Voice
- printPartCombineTexts = ##t
- }
- }
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.10.12"
-
-\header { texidoc = "
- Normally accidentals are printed automatically, but you may also print
-them manually. A reminder accidental can be forced by adding an
-exclamation mark ! after the pitch. A cautionary accidental (i.e., an
-accidental within parentheses) can be obtained by adding the question
-mark `?' after the pitch.
-
-
-
-Cautionary accidentals may be made smaller, or placed inside
-parentheses
-" }
-
-{
-cis' cis' cis'! cis'?
-
- c''4
- cis''?4
- \once \override Staff.AccidentalCautionary #'font-size = #-2
- cis''?4
- \once \override Staff.AccidentalCautionary #'parenthesized = ##t
- cis''?4
-}
\version "2.10.12"
\header { texidoc = "
-This Scheme-based snippet allows you to generate 256 random notes based
-on the current time (or any randomish number you might wish to specify
-instead, so you can obtain the same random notes each time): i.e. to
-get different random notes patterns, just change this number.
+This Scheme-based snippet allows you to generate 32 random notes (or as
+many as you want), based on the current time (or any randomish number
+you might wish to specify instead, so you can obtain the same random
+notes each time): i.e. to get different random notes patterns, just
+change this number.
" }
\score {
'pitch (ly:make-pitch (quotient idx 7)
(remainder idx 7)
0))))))
- (make-list 256)))))
+ (make-list 32)))))
}
}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.10.12"
-
-\header { texidoc = "
-The key signature indicates the tonality in which a piece is played.
-It is denoted by a set of alterations (flats or sharps) at the start of
-the staff.
-
- Setting or changing the key signature is done with the @code{\\key}
-command
-
-
-@code{\\key} pitch type
-
-
-Here, type should be @code{\\major} or @code{\\minor} to get
-pitch-major or pitch-minor, respectively. You may also use the
-standard mode names (also called “church modes”): @code{\\ionian},
-@code{\\locrian}, @code{\\aeolian}, @code{\\mixolydian},
-@code{\\lydian}, @code{\\phrygian}, and @code{\\dorian}.
-
-
-This command sets the context property @code{Staff.keySignature}.
-Non-standard key signatures can be specified by setting this property
-directly.
-
-
-Accidentals and key signatures often confuse new users, because
-unaltered notes get natural signs depending on the key signature.
-" }
-
-\relative c''
-{
-\key d \major
-a b cis d
-\key g \minor
-a bes c d
-\set Staff.printKeyCancellation = ##f
-\key d \major
-a b cis d
-\key g \minor
-a bes c d
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.10.12"
-
-\header { texidoc = "
-Half-flats and half-sharps are formed by adding -eh and -ih; the
-following is a series of Cs with increasing pitches. Micro tones are
-also exported to the MIDI file. There are no generally accepted
-standards for denoting three quarter flats, so LilyPond's symbol does
-not conform to any standard.
-" }
-
-\relative c''
-{
-{ ceseh ceh cih cisih }
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.10.12"
-
-\header { texidoc = "
-The notes are specified by the letters a through g. The octave is
-formed with notes ranging from c to b. The pitch c is an octave below
-middle C and the letters span the octave above that C.
-" }
-
-{
-\clef bass
-a,4 b, c d e f g a b c' d' e' \clef treble f' g' a' b' c''
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.10.12"
-
-\header { texidoc = "
-A sharp is formed by adding -is to the end of a pitch name and a flat
-is formed by adding -es. Double sharps and double flats are obtained by
-adding -isis or -eses. These names are the Dutch note names. In Dutch,
-aes is contracted to as, but both forms are accepted. Similarly, both
-es and ees are accepted.
-" }
-
-\relative c''
-{
-% ly snippet contents follows:
-ceses4
-ces
-c
-cis
-cisis
-
-% end ly snippet
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.10.12"
-
-\header { texidoc = "
-The optional octave specification takes the form of a series of single
-quote (`'') characters or a series of comma (`,') characters. Each '
-raises the pitch by one octave; each , lowers the pitch by an octave
-" }
-
-{
-c' c'' es' g' as' gisis' ais'
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.10.12"
-
-\header { texidoc = "
-A chord is formed by a enclosing a set of pitches in < and >. A chord
-may be followed by a duration, and a set of articulations, just like
-simple notes
-" }
-
-\relative c'
-{
-<c e g>4 <c>8
-}
manually to prevent collisions.
" }
+{
\new Staff <<
\new Voice \with {
\consists "Ambitus_engraver"
} \relative c'' {
- \override Ambitus #'X-offset = # 1.0
+ \override Ambitus #'X-offset = # 2.0
\voiceOne
- c4 a d e f2
+ c4 a d e f1
}
\new Voice \with {
\consists "Ambitus_engraver"
} \relative c' {
\voiceTwo
- es4 f g as b2
+ es4 f g as b1
}
>>
+}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.10.12"
-
-\header { texidoc = "
- The clef indicates which lines of the staff correspond to which
-pitches. The clef is set with the @code{\\clef} command
-
-
- @{ c''2 \\clef alto g'2 @}
-
-
-Supported clefs include:
-
-@code{treble, violin, G, G2} G clef on 2nd line @code{alto, C} C clef
-on 3rd line @code{tenor} C clef on 4th line. @code{bass, F} F clef on
-4th line @code{french} G clef on 1st line, so-called French violin clef
-@code{soprano} C clef on 1st line @code{mezzosoprano} C clef on 2nd
-line @code{baritone} C clef on 5th line @code{varbaritone} F clef on
-3rd line @code{subbass} F clef on 5th line @code{percussion} percussion
-clef @code{tab} tablature clef
-
- By adding @code{_8} or @code{^8} to the clef name, the clef is
-transposed one octave down or up, respectively, and @code{_15} and
-@code{^15} transposes by two octaves. The argument clefname must be
-enclosed in quotes when it contains underscores or digits. See the last
-two bars for an example.
-" }
-
-{ g'2 \clef alto g'2
- \clef tenor g'2 \clef bass g'2
- \clef french g'2 \clef soprano g'2
- \clef mezzosoprano g'2 \clef baritone g'2
- \clef varbaritone g'2 \clef subbass g'2
- \clef percussion g'2 \clef tab g'2
-% TO TRANSPOSE THE CLEF ONE OCTAVE UP OR DOWN SEE THE FOLLOWING BARS:
- \clef "G_8" c'1 \clef "G^8" c'1
-}
-
projects / lilypond.git / commitdiff