GDP: Section names in NR3

diff --git a/Documentation/user/editorial.itely b/Documentation/user/editorial.itely
index 23286185c7e0c22ada6da46fafbd53937d262904..3f04aff558f9347e5836345dc8efe680debd80d3 100644 (file)
--- a/Documentation/user/editorial.itely
+++ b/Documentation/user/editorial.itely
@@ -164,7 +164,7 @@ chord by adding them after the pitches.
 @end lilypond
 
 Fingering instructions may be manually placed above or below the
-staff, see @ref{Controlling direction and placement}.
+staff, see @ref{Direction and placement}.
 
 @snippets
 
@@ -175,7 +175,7 @@ staff, see @ref{Controlling direction and placement}.
 @seealso
 
 Notation Reference:
-@ref{Controlling direction and placement}
+@ref{Direction and placement}
 
 Snippets:
 @rlsr{Editorial annotations}.
@@ -403,7 +403,7 @@ made invisible.
 
 @seealso
 Notation Reference:
-@ref{Controlling direction and placement}.
+@ref{Direction and placement}.
 
 Snippets:
 @rlsr{Editorial annotations}.

diff --git a/Documentation/user/expressive.itely b/Documentation/user/expressive.itely
index c8c2feeaeca35f9348d75afe76358b3612b4f5b3..78e83fc526cd33568e66726fab66a553c5d60761 100644 (file)
--- a/Documentation/user/expressive.itely
+++ b/Documentation/user/expressive.itely
@@ -99,7 +99,7 @@ c->   c-.  c-_
 The rules for the default placement of articulations are defined
 in @file{scm/@/script@/.scm}.  Articulations and ornamentations
 may be manually placed above or below the staff, see
-@ref{Controlling direction and placement}.
+@ref{Direction and placement}.
 
 
 @snippets
@@ -120,7 +120,7 @@ Music Glossary:
 @rglos{portato}.
 
 Notation Reference:
-@ref{Controlling direction and placement}.
+@ref{Direction and placement}.
 
 Installed Files:
 @file{scm/@/script@/.scm}.
@@ -170,8 +170,8 @@ such as @code{c4\ff}.  The available dynamic marks are
 @code{\mp}, @code{\mf}, @code{\f}, @code{\ff}, @code{\fff},
 @code{\ffff}, @code{\fp}, @code{\sf}, @code{\sff}, @code{\sp},
 @code{\spp}, @code{\sfz}, and @code{\rfz}.  The dynamic marks may
-be manually placed above or below the staff, see @ref{Controlling
-direction and placement}.
+be manually placed above or below the staff, see 
+@ref{Direction and placement}.
 
 @lilypond[verbatim,quote,relative=2]
 c2\ppp c\mp
@@ -336,7 +336,7 @@ Learning Manual:
 @rlearning{Articulation and dynamics}.
 
 Notation Reference:
-@ref{Controlling direction and placement}.
+@ref{Direction and placement}.
 
 Snippets:
 @rlsr{Expressive marks}.
@@ -423,7 +423,7 @@ Just as with ties, the direction of a slur can be specified with
 @code{\slur@emph{DIR}}, where @code{@emph{DIR}} is either
 @code{Up}, @code{Down}, or @code{Neutral} (@code{Neutral} is the
 default).  Slurs may be manually placed above or below the staff,
-see @ref{Controlling direction and placement}.
+see @ref{Direction and placement}.
 
 @lilypond[verbatim,quote,relative=2]
 c4_( c) c^( c)
@@ -461,7 +461,7 @@ Music Glossary:
 @rglos{slur}.
 
 Notation Reference:
-@ref{Controlling direction and placement}.
+@ref{Direction and placement}.
 
 Snippets:
 @rlsr{Expressive marks}.
@@ -491,7 +491,7 @@ normal slur.  However, they are treated as different objects.  A
 @code{\slurUp} will have no effect on a phrasing slur; instead,
 use @code{\phrasingSlurUp}, @code{\phrasingSlurDown}, and
 @code{\phrasingSlurNeutral}.  Phrasing slurs may be manually
-placed above or below the staff, see @ref{Controlling direction
+placed above or below the staff, see @ref{Direction
 and placement}.
 
 You cannot have simultaneous phrasing slurs.
@@ -510,7 +510,7 @@ You cannot have simultaneous phrasing slurs.
 @seealso
 
 Notation Reference:
-@ref{Controlling direction and placement}.
+@ref{Direction and placement}.
 
 Snippets:
 @rlsr{Expressive marks}.

diff --git a/Documentation/user/input.itely b/Documentation/user/input.itely
index 3cd37ae70cb201042dd962411b1a4547326a0f8b..4806a5e72796111191f549ef6c6579c406c1e9bd 100644 (file)
--- a/Documentation/user/input.itely
+++ b/Documentation/user/input.itely
@@ -108,7 +108,7 @@ Learning Manual:
 
 @rlearning{Working on input files},
 @rlearning{Music expressions explained},
-@rlearning{Score is a single (compound) music expression}.
+@rlearning{Score is a single (compound) musical expression}.
 
 
 @node Multiple scores in a book
@@ -339,7 +339,7 @@ Learning Manual:
 
 @menu
 * Input modes::
-* Controlling direction and placement::
+* Direction and placement::
 * Distances and measurements::
 * Spanners::
 @end menu
@@ -446,10 +446,8 @@ the markings:
 
 
 
-@node Controlling direction and placement
-@subsection Controlling direction and placement
-
-TODO: Maybe rename section to "directions".
+@node Direction and placement
+@subsection Direction and placement
 
 In typesetting music the direction and placement of many items is
 a matter of choice.  For example, the stems of notes can
@@ -546,6 +544,12 @@ TODO: staff spaces.  Maybe move into tweaks?
 @node Spanners
 @subsection Spanners
 
+Many objects of musical notation extend over several notes or even
+several bars.  Examples are crescendi, trills, tuplet brackets, and
+volta repeat brackets.  Such objects are called @qq{spanners}, and
+have special properties to control their appearance and behaviour.
+Some of these properties are common to all spanners; others are
+restricted to a sub-set of the spanners.
 
 @node Titles and headers
 @section Titles and headers
@@ -1184,12 +1188,12 @@ lilypond file.ly >display.txt
 @section Controlling output
 
 @menu
-* Extracting fragments of notation::  
+* Extracting fragments of music::
 * Skipping corrected music::    
 @end menu
 
-@node Extracting fragments of notation
-@subsection Extracting fragments of notation
+@node Extracting fragments of music
+@subsection Extracting fragments of music
 
 It is possible to quote small fragments of a large score directly from
 the output.  This can be compared to clipping a piece of a paper score

diff --git a/Documentation/user/rhythms.itely b/Documentation/user/rhythms.itely
index f2365278cc47700acf4a6bd8ae7b21c24a277359..da68dada9592e25e93f936e60470d1c6adf1fcc0 100644 (file)
--- a/Documentation/user/rhythms.itely
+++ b/Documentation/user/rhythms.itely
@@ -139,7 +139,7 @@ proportional notation, see @ref{Proportional notation}.
 Dots are normally moved up to avoid staff lines, except in
 polyphonic situations.  Predefined commands are available to
 force a particular direction manually, for details
-see @ref{Controlling direction and placement}.
+see @ref{Direction and placement}.
 
 @predefined
 
@@ -214,7 +214,7 @@ c4 c \times 2/3 { b4 a g }
 
 The automatic placement of the tuplet bracket above or below the
 notes may be overridden manually with predefined commands, for
-details see @ref{Controlling direction and placement}.
+details see @ref{Direction and placement}.
 
 Tuplets may be nested:
 
@@ -449,7 +449,7 @@ be entered as follows:
 
 The vertical placement of ties may be controlled, see
 Predefined commands, or for details, see
-@ref{Controlling direction and placement}.
+@ref{Direction and placement}.
 
 @cindex ties, appearance
 @funindex \tieDotted

diff --git a/Documentation/user/text.itely b/Documentation/user/text.itely
index 40830f2050dabe35be85189f29e3b720b74b4be7..a2daa9837f0d1e7bce66826d008e8b8be2a67d60 100644 (file)
--- a/Documentation/user/text.itely
+++ b/Documentation/user/text.itely
@@ -58,7 +58,7 @@ It is possible to add arbitrary text indications
 to a score, as demonstrated in the following example.
 Such indications can also be manually placed
 above or below the staff, using the
-simple syntax described in @ref{Controlling direction and
+simple syntax described in @ref{Direction and
 placement}.
 
 @lilypond[quote,fragment,ragged-right,verbatim,relative=1]
@@ -95,7 +95,7 @@ d8^"pizz." e f g \textLengthOn a4_"scherzando" f
 @seealso
 
 Notation Reference: @ref{Formatting text},
-@ref{Controlling direction and placement}.
+@ref{Direction and placement}.
 
 Snippets:
 @rlsr{Text}.