html. It also has a ton of options to texi2html to pass info to
our custom init file.
+The file actually built is called @file{web.texi}, and is either
+in the @file{Documentation} directory, or a sub-directory specific
+to the language.
+
+The options file is @file{/Documentation/lilypond-texi2html.init}.
+This contains *lots* of option and configuration stuff, and also
+includes the line:
+
+@example
+print STDERR "Initializing settings for web site: [$Texi2HTML::THISDOC@{current_lang@}]\n";
+@end example
+
+This is where one of the console messages is generated.
+
We have somewhere between 2-4 different ways "to pass info to our
custom init file". This is highly Not Good (tm), but that's how
things work at the moment.
(code, docs, regression tests) can reach 10 GB.
@item
-Install @file{lilydev2.iso} as the @qq{guest} operating system
-on your virtualized system.
+Install @file{ubuntu-lilydev-remix-1.1.iso} as the @qq{guest}
+operating system on your virtualized system.
@enumerate
@item
-When @file{lilydev.iso} boots, it shows an ISOLINUX
-@code{boot:} prompt. Type:
+When @file{ubuntu-lilydev-remix-1.1.iso} boots, it shows an
+ISOLINUX @code{boot:} prompt. Type:
@example
install
@item
When prompted to remove the installation CD, go to
@clicksequence{Devices @click{} CD/DVD Devices} and de-select
-@file{lilydev2.iso}.
+@file{ubuntu-lilydev-remix-1.1.iso}.
@end enumerate
@qq{Command output} window will display @qq{Done}, and the button
label will change to say @qq{Update source}.
+@warning{Some contributors have reported that nothing happens at
+this step. If this occurs, then try again in a few minutes -- we
+suspect that this is an intermittant network problem. If the
+problem persists, please ask for help.}
+
@item
Navigate to the @file{lilypond-git/} directory to view the source
files.
@funindex \harmonic
@funindex \harmonicByFret
@funindex \harmonicByRatio
-@funindex \chordGlissando
Flageolett (engl. @emph{harmonic}) kann zur Tabulaturnotation als klingende Tonhöhe hinzugefügt
werden:
Gleiten von Akkorden kann sowohl im normalen Notensystem als auch in einer
Tabulatur notiert werden. Saitennummern werden für Tabulaturen
benötigt, weil die automatische Saitenberechnung unterschiedlich für
-Akkorde und einzelne Noten funktioniert und
-@code{\\chordGlissando} zieht Linien zwischen einzelnen Noten.
+Akkorde und einzelne Noten funktioniert.
"
doctitlede = "Akkordglissando in Tabulaturen"
@funindex \harmonic
@funindex \harmonicByFret
@funindex \harmonicByRatio
-@funindex \chordGlissando
Se pueden añadir indicaciones de armónicos a la notación de tablatura
como sus alturas de sonido:
Los deslizamientos para acordes se pueden indicar tanto en el contexto
Staff como en TabStaff. Los números de cuerda son necesarios para
TabStaff porque los cálculos de cuerda automáticos son diferentes para
-los acordes y para notas sueltas, y @code{\\chordGlissando} traza
-líneas entre las notas individuales.
+los acordes y para notas sueltas.
"
Le placement des commandes de pédale correspond au mouvement de la
pédale de tenue pendant le jeu. Garder une pédale enclanchée jusqu'à la
barre finale s'obtient tout simplement en omettant la commande de
-relacher.
+relâcher.
Les indication de pédale peuvent s'inscrire dans un contexte
@code{Dynamics}, ce qui aura pour effet de leur attribuer une ligne en
@funindex \harmonic
@funindex \harmonicByFret
@funindex \harmonicByRatio
-@funindex \chordGlissando
Harmonic indications can be added to tablature notation as sounding
pitches:
\header {
lsrtags = "keyboards"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los símbolos específicos de acordeón discanto se escriben mediante
@code{\\markup}. Se puede trucar la colocación vertical de los
\header {
lsrtags = "chords, ancient-notation, contexts-and-engravers"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Al escribir un bajo cifrado, podemos situar las cifras encima o debajo
\header {
lsrtags = "pitches, staff-notation, vocal-music"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Añadir un ámbito por voz"
texidoces = "
Se puede añadir un ámbito por cada voz. En este caso, el ámbito se
\header {
lsrtags = "staff-notation, contexts-and-engravers, breaks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Al añadir un pentagrama nuevo en un salto de línea, por desgracia
se añade un espacio adicional al final de la línea antes del salto
\header {
lsrtags = "staff-notation, contexts-and-engravers"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede añadir (posiblemente de forma temporal) un pentagrama
nuevo una vez que la pieza ha comenzado.
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Para añadir indicaciones de línea divisoria dentro del contexto de
los nombres de acorde @code{ChordNames}, incluya el grabador
\header {
lsrtags = "rhythms, expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La sintaxis de LilyPond puede implicar muchas colocaciones poco
comunes para los paréntesis, corchetes, etc, que a veces se tienen
\header {
lsrtags = "rhythms, percussion"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Mediante la utilización de las potentes herramientas preconfiguradas
como la función @code{\\drummode} y el contexto @code{DrumStaff}, la
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Para añadir digitaciones a las tablaturas, utilice una combinación de
@code{\\markup} y @code{\\finger}.
\header {
lsrtags = "staff-notation, vocal-music"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Este ejemplo muestra una forma de simplificar la adición de muchas
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La función @code{\\parenthesize} es un truco especial que encierra
objetos entre paréntesis. El grob asociado es @code{ParenthesesItem}.
\header {
lsrtags = "text, titles"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Con algo de código de Scheme, se puede añadir fácilmente la fecha
actual a una partitura.
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
El grabador @code{Volta_engraver} reside de forma predeterminada
dentro del contexto de @code{Score}, y los corchetes de la repetición
\header {
lsrtags = "simultaneous-notes"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Voces adicionales para evitar colisiones"
texidoces = "
En ciertos casos de polifonía compleja, se necesitan voces adicionales
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede ajustar la separación entre las notas de adorno utilizando la
propiedad @code{spacing-increment} de @code{Score.GraceSpacing}.
\version "2.13.42"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Este fragmento de código muestra cómo situar la línea de base de la
letra más cerca del pentagrama.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Puede ser necesario trucar la propiedad
@code{shortest-duration-space} para poder ajustar el tamaño de las
\header {
lsrtags = "text, paper-and-layout, titles"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La alineación horizontal de los nombres de instrumento se puede
trucar modificando la propiedad @code{Staff.InstrumentName
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los números de compás se alinean de forma predeterminada por la
\header {
lsrtags = "text"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Si están especificadas, las marcas de texto se pueden alinear con
objetos de notación distintos a las líneas divisorias. Entre estos
\header {
lsrtags = "editorial-annotations, fretted-strings, spacing"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Las cifras de digitación orientadas verticalmente se colocan de forma
\header {
lsrtags = "pitches, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede variar la longitud de las plicas de las figuras unidas por
una barra mediante la sobreescritura de la propiedad
-% Do not edit this file; it is automatically
+% DO NOT EDIT this file manually; it is automatically
% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
% This file is in the public domain.
+%% Note: this file works from version 2.13.36
\version "2.13.36"
\header {
+
+ texidocde = "Dieses Schnipsel zeigt, wie man die alternative Brevis mit zwei
+vertikalen Linien an jeder Seite des Notenkopfes benutzt."
+ doctitlede = "Alternative Brevis mit zwei vertiaklen Linien"
+
+
lsrtags = "rhythms,expressive-marks"
texidoc = "This code demonstrates how to use the alternative breve note
with two vertical lines on each side of the notehead instead of one line."
doctitle = "Alternative breve notehead with double vertical lines"
} % begin verbatim
+
\relative c'' {
\time 4/2
\override Staff.NoteHead #'style = #'altdefault
\header {
lsrtags = "pitches, vocal-music"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Ámbitos con varias voces"
texidoces = "
La adición del grabador @code{Ambitus_engraver} al contexto de
\header {
lsrtags = "editorial-annotations, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
De forma predeterminada se añaden corchetes de análisis sencillos
debajo del pentagrama. El ejemplo siguiente muestra una manera de
\header {
lsrtags = "ancient-notation"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Aquí se muestran muchos de (¿o quizá todos?) los símbolos que
están contemplados por la capacidad de LilyPond para la música
\header {
lsrtags = "vocal-music, ancient-notation, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Este ejemplo muestra cómo hacer una transcripción moderna de canto
gregoriano. El canto gregoriano no tiene compás ni plicas; utiliza
\header {
lsrtags = "ancient-notation, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Al transcribir música mensural, es útil un «incipit» al compienzo
de la pieza para indicar la tonalidad y el tempo
\header {
lsrtags = "ancient-notation"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Las indicaciones de compás también se pueden grabar en estilo antiguo.
\header {
lsrtags = "pitches, editorial-annotations"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Aplicar estilos de cabeza según la nota de la escala"
texidoces = "
La propiedad @code{shapeNoteStyles} se puede usar para definir varios
\header {
lsrtags = "world-music"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Para las improvisaciones o @emph{taqasim} que son libres durante unos
momentos, se puede omitir la indicación de compás y se puede usar
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede hacer que una ligadura de expresión sea asimétrica para
adaptarse mejor a un patrón asimétrico de notas.
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden subdividir las barras automáticamente. Estableciendo la
propiedad @code{subdivideBeams}, las barras se subdividen en
\header {
lsrtags = "rhythms, editorial-annotations, chords, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Las reglas de final de barra especificadas en el contexto
@code{Score} se aplican a todos los pentagramas, pero se pueden
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
No está especificada ninguna agrupación predeterminada automática
de las barras para el compás de 7/8, de forma que si se requieren
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Normalmente están prohibidos los saltos de línea si las barras
atraviesan las líneas divisorias. Se puede cambiar este
\header {
lsrtags = "editorial-annotations, text"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La instrucción @code{\\whiteout} intercala un rectángulo blanco
debajo de un elemento de marcado. Este rectángulo blanco no tapa
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Para hacer invisibles partes de un regulador de crescendo, se usa
el método de dibujar un rectángulo blanco encima de la parte
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
A veces se denota una «cesura» mediante una doble marca de respiración
parecida a las vías del tren, con un calderón encima. Este fragmento
\header {
lsrtags = "expressive-marks, text"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Este ejemplo proporciona una función para tipografiar un regulador con
texto por debajo, como @qq{molto} o @qq{poco}. El ejemplo ilustra
\header {
lsrtags = "expressive-marks, unfretted-strings"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Para hacer más pequeño el círculo de @code{\\flageolet} (armónico)
utilice la siguiente función de Scheme.
\header {
lsrtags = "simultaneous-notes, editorial-annotations, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden modificar notas individuales de un acorde con la instrucción
@code{\\tweak}, alterando la propiedad @code{font-size}.
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se insertan automáticamente barras en ángulo cuando se detecta un
intervalo muy grande entre las notas. Se puede hacer un ajuste
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede establecer el separador entre las distintas partes del
nombre de un acorde para que sea cualquier elemento de marcado.
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Cambiar la forma de los silencios multicompás"
texidoces = "
Si hay diez compases de silencio o menos, se imprime en el pentagrama
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
\header {
lsrtags = "contexts-and-engravers, midi"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Al producir una salida MIDI, el comportamiento predeterminado es
que cada pentagrama representa un canal MIDI, con todas las voces
When outputting MIDI, the default behavior is for each staff to
represent one MIDI channel, with all the voices on a staff amalgamated.
This minimizes the risk of running out of MIDI channels, since there
-are only 16 available per track.
+are only 16 available per MIDI port, and most devices support only one
+port.
However, by moving the @code{Staff_performer} to the @code{Voice}
context, each voice on a staff can have its own MIDI channel, as is
\header {
lsrtags = "simultaneous-notes"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Al utilizar la posibilidad de combinación automática de partes, se
puede modificar el texto que se imprime para las secciones de solo
\version "2.12.2"
\header {
- lsrtags = "expressive-marks"
+ lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede modificar el texto empleado para los crescendos y
decrescendos modificando las propiedades de contexto
texidoc = "
The text used for crescendos and decrescendos can be changed by
modifying the context properties @code{crescendoText} and
-@code{decrescendoText}. The style of the spanner line can be changed by
-modifying the @code{'style} property of @code{DynamicTextSpanner}. The
-default value is @code{'hairpin}, and other possible values include
-@code{'line}, @code{'dashed-line} and @code{'dotted-line}.
+@code{decrescendoText}.
+
+The style of the spanner line can be changed by modifying the
+@code{'style} property of @code{DynamicTextSpanner}. The default value
+is @code{'dashed-line}, and other possible values include @code{'line},
+@code{'dotted-line} and @code{'none}.
"
doctitle = "Changing text and spanner styles for text dynamics"
%% Note: this file works from version 2.13.36
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Es posible ajustar la separación en las indicaciones de tesitura.
\header {
lsrtags = "expressive-marks, editorial-annotations"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede cambiar el aspecto de las ligaduras de expresión de
continuas a punteadas o intermitentes.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
El glifo de la marca de respiración se puede ajustar
sobreescribiendo la propiedad de texto del objeto de presentación
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La nomenclatura inglesa (predeterminada) para los acordes del cifrado
americano se puede cambiar por la alemana (@code{\\germanChords}
%% Note: this file works from version 2.13.36
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Este código muestra cómo cambiar la cantidad de puntillos de una nota.
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Las alteraciones y los signos «más» pueden aparecer antes o
después de los números, según el valor de las propiedades
\version "2.13.36"
\header {
-%%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
\header {
lsrtags = "rhythms, tweaks-and-overrides, midi"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Para cambiar el tempo en la salida MIDI sin
imprimir nada, hacemos invisible la indicación metronómica:
\header {
lsrtags = "keyboards, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede usar @code{Staff.pedalSustainStrings} para fijar el texto de
las indicaciones de pisar pedal y levantar pedal. Observe que las
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La instrucción @code{\\time} establece las propiedades
@code{timeSignatureFraction}, @code{beatLength}, @code{beatGrouping} y
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Cambiar el número del grupo especial"
texidoces = "
\header {
lsrtags = "rhythms, contexts-and-engravers"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La propiedad @code{measureLength}, junto con
@code{measurePosition}, determina cuándo es necesario dibujar una
\header {
lsrtags = "rhythms, vocal-music, ancient-notation, contexts-and-engravers"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Este tipo de notación se utiliza para el canto de los Salmos, en
que las estrofas no siempre tienen la misma longitud.
\version "2.13.53"
\header {
-%% Translation of GIT committish: 69d7781c6ab26df02bc81ff1eb294d47fa673491
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los deslizamientos para acordes se pueden indicar tanto en el contexto
Staff como en TabStaff. Los números de cuerda son necesarios para
TabStaff porque los cálculos de cuerda automáticos son diferentes para
-los acordes y para notas sueltas, y @code{\\chordGlissando} traza
-líneas entre las notas individuales.
+los acordes y para notas sueltas.
"
doctitlees = "Glissando de acordes en tablatura"
+%% Translation of GIT committish: f86f00c1a8de0f034ba48506de2801c074bd5422
+ texidocde = "
+Gleiten von Akkorden kann sowohl im normalen Notensystem als auch in einer
+Tabulatur notiert werden. Saitennummern werden für Tabulaturen
+benötigt, weil die automatische Saitenberechnung unterschiedlich für
+Akkorde und einzelne Noten funktioniert.
+"
+ doctitlede = "Akkordglissando in Tabulaturen"
+
+
lsrtags = "fretted-strings"
texidoc = "
Slides for chords can be indicated in both Staff and TabStaff.
String numbers are necessary for TabStaff because automatic
-string calculations are different for chords and for single notes,
-and @code{\\chordGlissando} draws lines between single notes.
+string calculations are different for chords and for single notes.
"
doctitle = "Chord glissando in tablature"
} % begin verbatim
myMusic = \relative c' {
- \chordGlissando
- <c\3 e\2 g\1>8 <f\3 a\2 c\1>
+ <c\3 e\2 g\1>1 \glissando <f\3 a\2 c\1>
}
\score {
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede usar la propiedad @code{chordNameExceptions} para
almacenar una lista de notaciones espaciales para acordes
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La presentación del acorde de séptima mayor se
puede ajustar mediante majorSevenSymbol.
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede hacer que los diagramas de posiciones se muestren sólo
cuando el acorde cambia o al comienzo de una nueva línea.
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Este código muestra cómo recortar (extraer) fragmentos a partir de una
partitura completa.
\header {
lsrtags = "simultaneous-notes, chords, keyboards"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los «clusters» o racimos son un mecanismo para indicar la
interpretación de un ámbito de notas al mismo tiempo.
\header {
lsrtags = "expressive-marks, text"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Ciertas indicaciones dinámicas pueden llevar textos (como @qq{più
forte} o @qq{piano subito}). Se pueden producir usando un bloque
\header {
lsrtags = "simultaneous-notes, text"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La herramienta de combinación de partes (instrucción
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Indicaciones de compases compuestos"
texidoces = "
Las indicaciones de compás poco frecuentes como @qq{5/8} se pueden
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La agrupación de pulsos dentro de un compás está controlada por la
propiedad de contexto @code{beatStructure}. Hay establecidos valores
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede tipografiar un gissando contemporáneo sin nota final
utilizando una nota oculta y temporalización de cadenza.
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La visibilidad de los objetos de extensión que acaban en la primera
\header {
lsrtags = "editorial-annotations, chords, keyboards, fretted-strings"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede controlar con precisión la colocación de los números de
digitación. Para que se tenga en cuenta la orientación de las
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
El orden vertical que ocupan las inscripciones gráficas está
controlado con la propiedad @code{'script-priority}. Cuanto más
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
El comportamiento predeterminado de la visibilidad de los corchetes de
\header {
lsrtags = "expressive-marks, editorial-annotations, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La creación de un grupeto circular de anticipación entre dos notas,
donde la nota inferior del grupeto utiliza una alteración, requiere
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
En una música que tenga muchas apariciones de la
misma secuencia de notas a distintas alturas, podría ser de
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede trazar un símbolo de arpegio entre notas de distintas
voces que están sobre el mismo pentagrama si el grabador
\header {
lsrtags = "staff-notation, editorial-annotations, contexts-and-engravers, paper-and-layout"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Para crear pentagramas en blanco, genere compases vacíos y después
elimine el grabador de números de compás @code{Bar_number_engraver}
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Dentro de un @code{PianoStaff}, es posible hacer que un arpegio
cruce entre los pentagramas ajustando la propiedad
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden crear arpegios que se cruzan entre pentagramas dentro de
contextos distintos a @code{GrandStaff}, @code{PianoStaff} y
--- /dev/null
+%% DO NOT EDIT this file manually; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
+%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
+%% and then run scripts/auxiliar/makelsr.py
+%%
+%% This file is in the public domain.
+\version "2.12.2"
+
+\header {
+ lsrtags = "expressive-marks, staff-notation, editorial-annotations, tweaks-and-overrides"
+
+ texidoc = "
+By default you cannot make double-digit fingering notation (i.e.
+numbers larger than 9). This is a hard coded limitation.
+
+This snippet shows two methods of creating fingerings larger than 9.
+
+"
+ doctitle = "Creating double-digit fingerings"
+} % begin verbatim
+
+ten =
+#(make-music 'FingeringEvent
+ 'digit 10)
+
+fifty =
+#(make-music 'FingeringEvent
+ 'digit 50)
+
+finger =
+#(define-music-function (parser location digit) (integer?)
+ (make-music 'FingeringEvent
+ 'digit digit))
+
+#(define (calc-finger-without-warning grob)
+ (let* ((event (event-cause grob))
+ (digit (ly:event-property event 'digit)))
+ (number->string digit 10)))
+
+\relative c' {
+ % optional override to remove warnings for fingerings larger than 5
+ \override Fingering #'text = #calc-finger-without-warning
+ c1\ten
+ c1\fifty
+ c1-\finger #36
+ c1-\finger #29
+}
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden crear indicaciones metronómicas nuevas en modo de
marcado, pero no cambian el tempo en la salida MIDI.
\header {
lsrtags = "expressive-marks, text"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Aunque la manera más fácil de añadir paréntesis a una indicación
de dinámica es utilizar un bloque @code{\\markup}, este método
\header {
lsrtags = "expressive-marks, text, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
A diferencia de las inscripciones de texto, las lestras de ensayo
no se pueden apilar en un punto concreto de la partitura: sólo se
\header {
lsrtags = "expressive-marks, keyboards, unfretted-strings"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
En determinadas situaciones es necesario crear ligaduras de
expresión entre notas que están en voces distintas.
\header {
lsrtags = "expressive-marks, text, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Las instrucciones @code{\\startTextSpan} y @code{\\stopTextSpan}
permiten la creación de elementos de extensión textuales tan
\header {
lsrtags = "repeats, keyboards"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
\header {
lsrtags = "ancient-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden tipografiar «custos» en diferentes estilos.
\header {
lsrtags = "fretted-strings, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden establecer las propiedades de los diagramas de
posiciones de acordes por medio de @code{'fret-diagram-details}.
\header {
lsrtags = "fretted-strings, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden establecer las propiedades de los diagramas de
posiciones a través de @code{'fret-diagram-details}. Para los
\header {
lsrtags = "editorial-annotations"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La dirección predeterminada de las plicas sobre la tercera línea
del pentagrama está determinada por la propiedad
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Este ejemplo demuestra cómo se puede definir el grabador de ámbito en
\version "2.13.46"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden añadir diagramas de posiciones predefinidas para
\header {
lsrtags = "staff-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Si hay un solo pentagrama en un de los tipos de sistema
@code{ChoirStaff} o @code{StaffGroup}, el comportamiento
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
He aquí una forma de imprimir un acorde en el que suena la misma nota
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Al trabajar con los callbacks de un grob, puede ser de mucha ayuda
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Alteraciones de estilo dodecafónico para todas las notas incluidas las naturales"
texidoces = "
En las obras de principios del s.XX, empezando por Schoenberg, Berg y
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Funciones postfijas para la creación de objetos de extensión de texto
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los objetos de extensión \cresc, \dim y \decresc ahora se pueden
controlling-the-placement-of-chord-fingerings.ly
creating-a-delayed-turn.ly
creating-blank-staves.ly
+creating-double-digit-fingerings.ly
default-direction-of-stems-on-the-center-line-of-the-staff.ly
drawing-boxes-around-grobs.ly
drawing-circles-around-note-heads.ly
\header {
lsrtags = "editorial-annotations, text"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede insertar códico PostScript directamente dentro de un
bloque @code{\\markup}.
\version "2.13.52"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Del problema central de la notación, esto es, crear un determinado
símbolo, se encargan los «plugins» o complementos añadidos. Cada
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Grabado manual de las ligaduras"
texidoces = "
Se pueden grabar a mano las ligaduras modificando la propiedad
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Escribir varios grupos especiales usando una sola instrucción \\times"
texidoces = "
La propiedad @code{tupletSpannerDuration} establece cuánto debe durar
adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rhythms.ly
adding-parentheses-around-an-expressive-mark-or-chordal-note.ly
adjusting-the-shape-of-falls-and-doits.ly
+alternative-breve-note.ly
asymmetric-slurs.ly
breathing-signs.ly
broken-crescendo-hairpin.ly
creating-arpeggios-across-notes-in-different-voices.ly
creating-cross-staff-arpeggios-in-a-piano-staff.ly
creating-cross-staff-arpeggios-in-other-contexts.ly
+creating-double-digit-fingerings.ly
creating-real-parenthesized-dynamics.ly
creating-simultaneous-rehearsal-marks.ly
creating-slurs-across-voices.ly
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede simular un @qq{hammer} o ligado ascendente con ligaduras de
\header {
lsrtags = "winds"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden conseguir símbolos especiales combinando glifos existentes,
lo que es de utilidad para la notación de instrumentos de viento.
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
En este ejemplo se combinan las digitaciones de la mano izquierda,
indicaciones del número de cuerda y digitaciones de la mano
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Son posibles tanto los corchetes rectos sobre notas sueltas como
extremos de barra sueltos en figuras unidas, con una combinación de
\header {
lsrtags = "simultaneous-notes, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Forzar el desplazamiento horizontal de las notas"
\header {
lsrtags = "vocal-music"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Si LilyPond no cree que haya sitio suficiente para un guión separador
\header {
lsrtags = "text, vocal-music"
+%%% Translation of GIT committish: f86f00c1a8de0f034ba48506de2801c074bd5422
+ texidocde = "
+Textbeschriftungsmodus kann eingesetzt werden, um individuelle Silben im Gesangstext
+zu formatieren.
+
+"
+ doctitlede = "Silben im Gesangstext formatieren"
+
texidoc = "
Markup mode may be used to format individual syllables in lyrics.
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden crear tablas alternativas de diagramas de posiciones. Se
\version "2.13.49"
\header {
-%% Translation of GIT committish: 69d7781c6ab26df02bc81ff1eb294d47fa673491
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Armónicos sobre cuerdas pisadas (armónicos artificiales):
"
+%% Translation of GIT committish: f86f00c1a8de0f034ba48506de2801c074bd5422
+ texidocde = "
+Flageolett für Bundinstrumente:
+"
+ doctitlede = "Flageolett von Bundinstrumenten in einer Tabulatur"
+
lsrtags = "fretted-strings"
texidoc = "
Fretted-string harmonics:
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Este fragmento de código basado en Scheme genera
24 notas aleatorias (o tantas como se necesiten), basándose en la
\version "2.13.36"
\header {
-%%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
En muchos casos, las llaves que no están en la columna central se
\header {
lsrtags = "editorial-annotations"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede cambiar el aspecto de las líneas de rejilla
sobreescribiendo algunas de sus propiedades.
\header {
lsrtags = "editorial-annotations"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden trazar líneas verticales normales entre pentagramas para
mostrar la relación entre notas; sin embargo, en caso de música
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los patrones de barrado se pueden alterar con la propiedad
@code{beatGrouping}:
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
\header {
lsrtags = "rhythms, fretted-strings"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Para la música de guitarra, es posible mostrar los ritmos de rasgueo,
además de las notas de la melodía, acordes y diagramas de posiciones.
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los reguladores pueden imprimirse en uno cualquiera de los estilos de
@code{line-interface}: discontinuo, punteado, línea, trino o zig-zag.
%% Note: this file works from version 2.13.36
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Aquí se muestra la manera de ocultar las alteraciones de las notas
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los cambios de dinámica con estilo de texto (como cresc. y dim.)
se imprimen con una línea intermitente que muestra su alcance.
\header {
lsrtags = "vocal-music, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Este fragmento de código muestra una forma de preparar un himno cuando
cada línea comienza con un compás parcial. También muestra cómo
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los «incipit» se pueden escribir utilizando el grob del nombre del
instruemento, pero manteniendo independientes las definiciones del
\header {
lsrtags = "keyboards"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Un corchete de arpegio puede indicar que se tienen que tocar con la
misma mano notas que están en dos pentagramas distintos. Para hacerlo,
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Las marcas de cesura se pueden crear sobreescribiendo la propiedad
@code{'text} del objeto @code{BreathingSign}. También está disponible
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
También se pueden imprimir símbolos de porcentaje sueltos.
\header {
lsrtags = "keyboards, percussion, fretted-strings, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Ésta es una plantilla bastante avanzada, para un conjunto de
jazz. Observe que la notación de todos los instrumentos está en
\header {
lsrtags = "pitches, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Cuando se produce un cambio de clave, el símbolo de clave se imprime a
un tamaño menor que la clave inicial. Esto se puede ajustar con
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La tablatura se puede formatear utilizando letras en lugar de números.
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden aplicar puntas de flecha a los elementos de extensión de
texto y de línea (como el Glissando).
\header {
lsrtags = "text, vocal-music"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La alineación horizontal de la letra se puede ajustar sobreescribiendo
la propiedad @code{self-alignment-X} del objeto @code{LyricText}.
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
El «Makam» es un tipo de melodía de Turquía que
utiliza alteraciones microtonales de 1/9 de tono. Consulte el
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Las ligaduras de expresión se pueden construir con patrones de
\header {
lsrtags = "staff-notation, editorial-annotations"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede engrosar una línea del pentagrama con fines pedagógicos
(p.ej. la tercera línea o la de la clave de Sol). Esto se puede
\header {
lsrtags = "repeats, staff-notation, editorial-annotations"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Este fragmento de código proporciona una solución alternativa a la
producción de contadores de compás utilizando repeticiones
\header {
lsrtags = "staff-notation, ancient-notation, contexts-and-engravers, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La disposición «mensurstriche» en que las líneas divisorias no
están dibujadas sobre los pentagramas, sino entre ellos, se puede
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Utilice un texto de marcado para sustituir el glifo de clave (TAB) con
una fuente tipográfica moderna.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Las abreviaturas se encuentran definidas dentro del archivo
@file{ly/script-init.ly}, donde las variables @code{dashHat},
\header {
lsrtags = "rhythms, simultaneous-notes, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Cuando se puede una nota en la voz superior para evitar la colisión
con una nota de otra voz, el comportamiento predeterminado es
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede ajustar la posición vertical de una ligadura de
expresión utilizando la propiedad @code{positions} del objeto
\header {
lsrtags = "rhythms, text"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los elementos de marcado aplicados a un silencio multicompás se
centran encima o debajo de éste. Los elementos de marcado extensos
\header {
lsrtags = "staff-notation, contexts-and-engravers, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede utilizar la propiedad
@code{systemStartDelimiterHierarchy} para crear grupos de
texidoc = "
Slides for chords can be indicated in both Staff and TabStaff.
String numbers are necessary for TabStaff because automatic
-string calculations are different for chords and for single notes,
-and @code{\chordGlissando} draws lines between single notes.
+string calculations are different for chords and for single notes.
"
doctitle = "Chord glissando in tablature"
}
myMusic = \relative c' {
- \chordGlissando
- <c\3 e\2 g\1>8 <f\3 a\2 c\1>
+ <c\3 e\2 g\1>1 \glissando <f\3 a\2 c\1>
}
\score {
\tabFullNotation
g16 b d g b d g b
\stemDown
- \override Beam #'damping = #+inf.0
+ \override Beam #'concaveness = #10000
g,,16 b d g b d g b
}
}
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
LilyPond también proporciona funciones de formato para imprimir
números de grupo especial diferentes a la propia fracción, así
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Armaduras de tonalidad no tradicionales"
texidoces = "
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Las cabezas de nota de notación fácil utilizan la propiedad
\version "2.13.49"
\header {
-%% Translation of GIT committish: 69d7781c6ab26df02bc81ff1eb294d47fa673491
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Referencia para armónicos sobre cuerdas al aire (armónicos naturales):
"
doctitlees = "Referencia para armónicos sobre cuerdas al aire"
+%% Translation of GIT committish: f86f00c1a8de0f034ba48506de2801c074bd5422
+ texidocde = "
+Referenz für Flageolett von offenen Saiten:
+"
+ doctitlede = "Referenz für Flageolett von offenen Saiten"
+
lsrtags = "fretted-strings"
texidoc = "
Reference for open-string harmonics:
\header {
lsrtags = "pitches, staff-notation, vocal-music, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Esta plantilla muestra el uso de contextos @code{StaffGroup} y
@code{GrandStaff} anidados para sub-agrupar instrumentos del mismo
\header {
lsrtags = "pitches, text"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Internamente, @code{\\ottava} establece las propiedades
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
\header {
lsrtags = "repeats, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden mostrar los contadores de las repeticiones del tipo
porcentaje a intervalos regulares mediante el establecimiento de
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Las repeticiones de compases completos de más de dos repeticiones
pueden llevar un contador si se activa la propiedad adecuada, como se
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Permitir saltos de línea dentro de grupos especiales con barra"
texidoces = "
Este ejemplo artificial muestra cómo se pueden permitir tanto los
\header {
lsrtags = "keyboards, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Presentamos a continuación una plantilla de piano sencilla con algunas
notas.
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Muchas partituras de piano tienen las indicaciones dinámicas centradas
entre los dos pentagramas. El contexto @code{Dynamics}, si se sitúa
\header {
lsrtags = "text, keyboards, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
En lugar de tener un pentagrama dedicado a la melodía y la letra, ésta
se puede centrar entre los pentagramas de un sistema de piano.
\header {
lsrtags = "vocal-music, keyboards, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
He aquí el típico formato dde una canción: un pentagrama con la
melodía y la letra, y el acompañamiento de piano por debajo.
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Es posible ejercer un mayor control sobre la colocación de las
digitaciones de la mano derecha estableciendo el valor de una
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La polifonía se crea de la misma forma en un @code{TabStaff} que
en una pauta normal.
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Si necesitamos alargar o acortar un símbolo de arpegio, podemos
modificar independientemente los extremos superior e inferior.
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Cuando se colocan figuras sobre líneas adicionales, sus barras se
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Al establecer la propiedad @code{'strict-grace-spacing} hacemos que
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Posicionar los silencios multicompás"
texidoces = "
A diferencia de los silencios normales, no existe una instrucción
\header {
lsrtags = "expressive-marks, editorial-annotations, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los elementos de marcado de texto deben tener la propiedad
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Evitar que se añadan becuadros adicionales automáticamente"
texidoces = "
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Evitar que se impriman becuadros cuando cambia la armadura"
texidoces = "
\header {
lsrtags = "repeats, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede imprimir una línea divisoria de la forma @code{|:} al
principio de la pieza, sobreescribiendo la propiedad correspondiente:
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden imprimir los números de compás a intervalos regulares
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los números de compás también se pueden imprimir dentro de rectángulos o de circunferencias.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden imprimir reguladores con un círculo en la punta (notación
«al niente») estableciendo la propiedad @code{circled-tip} del objeto
\header {
lsrtags = "text"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
\header {
lsrtags = "text"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Aunque normalmente las marcas de texto sólo se imprimen sobre el
pentagrama superior, también se pueden imprimir en otro pentagrama
\header {
lsrtags = "rhythms, expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
De forma predeterminada, las indicaciones metronómicas y las
letras de ensayo se imprimen encima del pentagrama. Para
\header {
lsrtags = "tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede usar el contexto @code{NoteNames} para imprimir el valor
textual de las notas. La propiedad @code{printOctaveNames} activa o
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
De forma predeterminada se suprime el número del primer compás de una
<<
\new Staff <<
\new Voice = "voc" \relative c' { \stemDown a bes c8 b c4 }
->>
+ >>
\new Lyrics \with {
\override LyricText #'extra-offset = #'(0 . 8.6)
\override LyricExtender #'extra-offset = #'(0 . 8.6)
\header {
lsrtags = "pitches, staff-notation"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los pasajes citados tienen en cuenta la transposición de la fuente
tanto como la del destino. En este ejemplo, todos los
\header {
lsrtags = "staff-notation"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La propiedad @code{quotedEventTypes} determina los tipos de eventos
\header {
lsrtags = "winds"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
El ejemplo siguiente muestra cómo se pueden realizar diagramas de
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los valores predeterminados para las notas de adorno están
\header {
lsrtags = "rhythms, contexts-and-engravers"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden eliminar completamente los números de compás quitando el
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
De forma predeterminada, las líneas divisorias en los grupos
StaffGroup, PianoStaff o GrandStaff se conectan entre los pentagramas.
\header {
lsrtags = "staff-notation, tweaks-and-overrides, breaks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
El primer pentagrama vacío también se puede suprimir de la
partitura estableciendo la propiedad @code{remove-first} de
\header {
lsrtags = "rhythms, ancient-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Estilos de silencios"
texidoces = "
Los silencios se pueden imprimir en distintos estilos.
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Para tipografiar las barras agrupadas en la forma @code{3-4-3-2} sólo
es necesario modificar la estructura de pulsos:
adding-drum-parts.ly
adjusting-grace-note-spacing.ly
aligning-bar-numbers.ly
+alternative-breve-note.ly
automatic-beam-subdivisions.ly
avoiding-collisions-with-chord-fingerings.ly
beam-endings-in-score-context.ly
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Si la nota que da fin a un regulador cae sobre la primera parte de
un compás, el regulador se detiene en la línea divisoria
\header {
lsrtags = "staff-notation, tweaks-and-overrides, paper-and-layout"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden insertar separadores sistema entre los sistemas de una
página. Se puede usar cualquier elemento de marcado, pero
%% Note: this file works from version 2.13.36
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Si los reguladores son demasiado cortos, se pueden alargar
modificando la propiedad @code{minimum-length} del objeto
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
De forma predeterminada, los corchetes de primera y segunda vez se
trazan encima de los finales alternativos completos, pero es posible
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden imprimir los acordes exclusivamente al comienzo de las
líneas y cuando cambia el acorde.
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Al juntar nombres de acorde en cifrado americano, melodía y letra,
obtenemos una hoja guía de acordes o «lead sheet»:
\header {
lsrtags = "vocal-music, chords, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Esta plantilla facilita la preparación de una canción con melodía,
letra y acordes.
\header {
lsrtags = "vocal-music, chords, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Presentamos a continuación un ejemplo de plantilla para una hoja
guía de acordes con melodía, letra, acordes y diagramas de
\header {
lsrtags = "chords, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
¿Quiere preparar una hoja guía de acordes (o «lead sheet») con
melodía y acordes? ¡No busque más!
\header {
lsrtags = "vocal-music, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Esta pequeña plantilla muestra una melodía sencilla con letra. Córtela
y péguela, escriba las notas y luego la letra. Este ejemplo desactiva
\header {
lsrtags = "template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Esta plantilla simple prepara un pentagrama con notas, adecuado para
un instrumento solista o un fragmento melódico. Córtelo y péguelo en
\version "2.13.49"
\header {
-%% Translation of GIT committish: 69d7781c6ab26df02bc81ff1eb294d47fa673491
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los deslizamientos se pueden componer tipográficamente tanto en los
doctitlees = "Deslizamientos en tablatura"
+%% Translation of GIT committish: f86f00c1a8de0f034ba48506de2801c074bd5422
+ texidocde = "
+Gleiten kann sowohl in normalem Notensystem als auch in Tabulaturen notiert werden:
+"
+ doctitlede = "Gleiten (Glissando) in Tabulatur"
+
lsrtags = "fretted-strings"
texidoc = "
Slides can be typeset in both @code{Staff} and @code{TabStaff} contexts:
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Marca de pizzicato de chasquido (`pizzicato de Bartók')"
texidoces = "
El pizzicato de chasquido (también llamado @q{Pizzicato de Bartók}) es un
changing-the-number-of-lines-in-a-staff.ly
changing-the-staff-size.ly
creating-blank-staves.ly
+creating-double-digit-fingerings.ly
display-bracket-with-only-one-staff-in-a-system.ly
forcing-measure-width-to-adapt-to-metronomemarks-width.ly
how-to-print-two-rehearsal-marks-above-and-below-the-same-barline-method-1.ly
\header {
lsrtags = "text"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Los textos independientes se pueden disponer en varias columnas
utilizando instrucciones @code{\\markup}:
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La dirección de las plicas se contola de la misma forma en la
tablatura que en la notación tradicional. Las barras se pueden
\tabFullNotation
g16 b d g b d g b
\stemDown
- \override Beam #'damping = #+inf.0
+ \override Beam #'concaveness = #10000
g,,16 b d g b d g b
}
}
\header {
lsrtags = "unfretted-strings, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Esta plantilla muestra un cuarteto de cuerda normal. También utiliza
una sección @code{\\global} para el compás y la armadura
\header {
lsrtags = "unfretted-strings, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
El fragmento de código @qq{Plantilla de cuarteto de cuerda} produce un
resultado satisfactorio para el cuarteto, pero ¿y si tenemos que
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
A veces, la indicación de compás no debe imprimir la fracción completa
\header {
lsrtags = "ancient-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
A modo de alternativa para obtener auténticos «incipit»
independientes de la partitura principal, se incluyen como
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Transportar música con el menor número de alteraciones"
texidoces = "
Este ejemplo utiliza código de Scheme para forzar las
\header {
lsrtags = "pitches, staff-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Trucaje de las propiedades de clave"
texidoces = "
La instrucción @code{\\clef \"treble_8\"} equivale a un ajuste de
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
La disposición de las expresiones de adorno se puede cambiar a lo
changing-a-single-notes-size-in-a-chord.ly
changing-form-of-multi-measure-rests.ly
changing-properties-for-individual-grobs.ly
+changing-text-and-spanner-styles-for-text-dynamics.ly
changing-the-default-text-font-family.ly
changing-the-staff-size.ly
changing-the-tempo-without-a-metronome-mark.ly
controlling-the-vertical-ordering-of-scripts.ly
controlling-tuplet-bracket-visibility.ly
creating-a-delayed-turn.ly
+creating-double-digit-fingerings.ly
creating-simultaneous-rehearsal-marks.ly
creating-text-spanners.ly
custodes.ly
\header {
lsrtags = "staff-notation, contexts-and-engravers"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se puede usar el delimitador de comienzo de un sistema
@code{SystemStartSquare} estableciéndolo explícitamente dentro de
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Se pueden imprimir estilos alternativos del corchete o gancho de las
\header {
lsrtags = "expressive-marks, vocal-music"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
El corchete de arpegios @code{arpeggioBracket} se puede usar para
indicar la división de voces cuando no hay plicas que puedan ofrecer
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Algunos compositores escriben dos ligaduras cuando quieren acordes
legato. Esto se puede conseguir estableciendo @code{doubleSlurs}.
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Es posible aplicar la barrita que cruza la barra de las
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
doctitlees = "Uso de ligaduras en los arpegios"
texidoces = "
En ocasiones se usan ligaduras de unión para escribir los arpegios.
\header {
lsrtags = "tweaks-and-overrides, spacing"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Mediante el establecimiento de la propiedad @code{'Y-extent} a un valor
adecuado, todos los objetos @code{DynamicLineSpanner} (reguladores e
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Las expresiones dinámicas que se comienzan, terminan o se producen
en la misma nota se alinean verticalmente. Para asegurar que las
\header {
lsrtags = "vocal-music, tweaks-and-overrides, spacing"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Este fragmento de código muestra el uso de las propiedades de
contexto @code{alignBelowContext} y @code{alignAboveContext} para
\header {
lsrtags = "chords, tweaks-and-overrides"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Allí donde se utilicen líneas extensoras para el bajo cifrado mediante
el establecimiento de @code{useBassFigureExtenders} al valor
\version "2.13.47"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Esta plantilla añade una reducción de piano automática a la partitura
\header {
lsrtags = "text, vocal-music, contexts-and-engravers, template"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Esta plantilla es, básicamente, la misma que la sencilla plantilla
@qq{Conjunto vocal}, excepto que aquí todas las líneas de letra se
\version "2.13.36"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Esta plantilla crea una partitura que comienza con una estrofa para
\version "2.13.47"
\header {
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
He aquí una partitura vocal estándar para cuatro voces SATB. Con
grupos mayores, suele ser útil incluir una sección que aparezca en
\header {
lsrtags = "repeats, staff-notation, chords"
-%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
Mediante la adición del grabador @code{Volta_engraver} al
pentagrama pertinente, se pueden poner los corchetes de primera y
\version "2.13.36"
\header {
-%%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
\version "2.13.51"
\header {
-%%% Translation of GIT committish: 91eeed36c877fe625d957437d22081721c8c6345
+%%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
texidoces = "
El fragmento de música que aparece a continuación presenta todos los
diagramas de viento madera que se encuentran definidos en LilyPond por
@c used for news about the upcoming release; see CG 10.2
+@newsItem
+@subsubheading LilyPond 2.13.61 released! @emph{May 1, 2011}
+
+We are happy to announce the release of LilyPond 2.13.61. This
+release contains the usual number of bugfixes.
+
+Please note that this is @strong{not} the next release candidate,
+due to a few remaining Critical bugs.
+
+@newsEnd
+
+
@newsItem
@subsubheading LilyPond 2.13.60 released! @emph{April 16, 2011}
PACKAGE_NAME=LilyPond
MAJOR_VERSION=2
-MINOR_VERSION=13
-PATCH_LEVEL=61
+MINOR_VERSION=15
+PATCH_LEVEL=0
MY_PATCH_LEVEL=
VERSION_STABLE=2.12.3
-VERSION_DEVEL=2.13.60
+VERSION_DEVEL=2.13.61
--- /dev/null
+\version "2.15.0"
+
+\header {
+
+ texidoc = "
+ @code{\\noBeam} should terminate an autobeam, even if it's not a
+ recommended place for stopping a beam. In this example,
+ the first three eighth notes should be beamed.
+ "
+}
+
+\relative c'{
+ c8 d e f\noBeam g a b c
+}
--- /dev/null
+\version "2.15.0"
+
+\header {
+
+ texidoc = "
+A glissando between chords should not interfere with line breaks. In
+this case, the music should be in two lines and there should be no
+warning messages issued. Also, the glissando should be printed.
+"
+
+}
+
+theNotes = {
+ <c e>4 <c e> <c e>
+ \glissando
+ d
+}
+
+\score {
+ \new Staff {
+ \relative c'' {
+ \theNotes
+ \break
+ \theNotes
+ }
+ }
+}
--- /dev/null
+\version "2.15.0"
+
+\header {
+ texidoc = "LilyPond typesets glissandi between chords."
+}
+
+\relative c' {
+ c1 \glissando g'
+ c,1 \glissando s1 g'
+ <c, e>1 \glissando <g' b>
+ <c, e>1 \glissando s1 <g' b>
+ \set glissandoMap = #'((0 . 1) (1 . 0))
+ <c, g'>1 \glissando s1 <d a'>
+ \set glissandoMap = #'((0 . 0) (0 . 1) (0 . 2))
+ c1 \glissando s1 <d f a>
+ \set glissandoMap = #'((2 . 0) (1 . 0) (0 . 0))
+ <d f a>1 \glissando s1 c
+}
--- /dev/null
+\version "2.15.0"
+
+\header {
+
+ texidoc = "Lilypond prints consecutive glissandi."
+
+}
+
+\relative c' {
+ c1 \glissando d1 \glissando e1
+}
--- /dev/null
+\version "2.15.0"
+
+\header {
+ texidoc = "Individual glissandi within a chord can be tweaked."
+}
+
+\relative c' {
+ \once \override Voice . Glissando #'style =
+ #(lambda (grob)
+ (if (eq? 1 (ly:grob-property grob 'glissando-index)) 'zigzag 'default))
+ <d f a>1 \glissando s1 <f a c>
+}
--- /dev/null
+\header {
+
+ texidoc = "Rests avoid notes. Each rest is moved in the direction
+of the stems in its voice. Rests may overlap other rests in voices
+with the same stem direction, in which case a warning is given, but
+is supressed if the rest has a pitch."
+
+}
+
+\version "2.15.0"
+
+\new Staff <<
+ \relative c''' { g8 g g r r2 } \\
+ \relative c' { a4\rest c r2 } \\
+ \relative c'' { c4 c r2 } \\
+ \relative c'' { r2 g }
+>>
+
+
if (forbid_)
{
- consider_end (measure_position (context ()), shortest_mom_);
- junk_beam ();
+ if (stems_)
+ end_beam ();
+ else
+ junk_beam ();
}
}
#include "engraver.hh"
#include "international.hh"
+#include "pointer-group-interface.hh"
#include "rhythmic-head.hh"
#include "spanner.hh"
#include "stream-event.hh"
protected:
DECLARE_TRANSLATOR_LISTENER (glissando);
- DECLARE_ACKNOWLEDGER (rhythmic_head);
+ DECLARE_ACKNOWLEDGER (note_column);
virtual void finalize ();
void stop_translation_timestep ();
void process_music ();
+
private:
- Spanner *line_;
- Spanner *last_line_;
+ vector<Spanner *> lines_;
+ vector<Spanner *> kill_me_;
+ bool start_glissandi;
+ bool stop_glissandi;
+
Stream_event *event_;
+ vector<vsize> note_column_1;
+ vector<vsize> note_column_2;
};
Glissando_engraver::Glissando_engraver ()
{
- last_line_ = line_ = 0;
event_ = 0;
+ start_glissandi = false;
+ stop_glissandi = false;
}
IMPLEMENT_TRANSLATOR_LISTENER (Glissando_engraver, glissando);
Glissando_engraver::process_music ()
{
if (event_)
- line_ = make_spanner ("Glissando", event_->self_scm ());
+ start_glissandi = true;
}
void
-Glissando_engraver::acknowledge_rhythmic_head (Grob_info info)
+Glissando_engraver::acknowledge_note_column (Grob_info info)
{
Grob *g = info.grob ();
- if (line_)
- line_->set_bound (LEFT, g);
-
- if (last_line_)
+ if (stop_glissandi)
{
- last_line_->set_bound (RIGHT, g);
- announce_end_grob (last_line_, g->self_scm ());
+ extract_grob_set (g, "note-heads", note_heads);
+ int glissando_index = 0;
+ for (vsize i=0; i < note_column_1.size (); i++)
+ {
+ if (note_column_2[i] >= note_heads.size ())
+ {
+ kill_me_.push_back (lines_[i]);
+ announce_end_grob (lines_[i], SCM_EOL);
+ }
+ else
+ {
+ lines_[i]->set_bound (RIGHT, note_heads[note_column_2[i]]);
+ lines_[i]->set_property ("glissando-index", scm_from_int (glissando_index));
+ glissando_index++;
+ announce_end_grob (lines_[i], note_heads[note_column_2[i]]->self_scm ());
+ }
+ }
+ lines_.clear ();
+ note_column_1.clear ();
+ note_column_2.clear ();
+ stop_glissandi = false;
}
+
+ if (start_glissandi)
+ {
+ extract_grob_set (g, "note-heads", note_heads);
+ SCM map = get_property ("glissandoMap");
+ if (map == SCM_EOL)
+ for (vsize i = 0; i < note_heads.size (); i++)
+ {
+ note_column_1.push_back (i);
+ note_column_2.push_back (i);
+ }
+ else
+ for (SCM m = map; scm_is_pair (m); m = scm_cdr (m))
+ {
+ SCM candidate = scm_car (m);
+ if (!scm_is_pair (candidate))
+ continue;
+ int n1 = robust_scm2int (scm_car (candidate), -1);
+ int n2 = robust_scm2int (scm_cdr (candidate), -1);
+ if (n1 < 0 || n2 < 0 || n1 >= note_heads.size ())
+ continue;
+ note_column_1.push_back (vsize (n1));
+ note_column_2.push_back (vsize (n2));
+ }
+ for (vsize i=0; i < note_column_1.size (); i++)
+ {
+ lines_.push_back (make_spanner ("Glissando", event_->self_scm ()));
+ lines_.back ()->set_bound (LEFT, note_heads[note_column_1[i]]);
+ }
+ }
}
void
Glissando_engraver::stop_translation_timestep ()
{
- if (last_line_ && last_line_->get_bound (RIGHT))
- {
- last_line_ = 0;
- }
- if (line_)
+
+ if (start_glissandi)
{
- if (last_line_)
+ if (stop_glissandi)
programming_error ("overwriting glissando");
- last_line_ = line_;
+ stop_glissandi = true;
+ start_glissandi = false;
}
- line_ = 0;
event_ = 0;
}
void
Glissando_engraver::finalize ()
{
- if (line_)
+ if (!lines_.empty ())
{
string msg = _ ("unterminated glissando");
else
warning (msg);
- line_->suicide ();
- line_ = 0;
+ for (vsize i=0; i < lines_.size (); i++)
+ lines_[i]->suicide ();
}
+
+ for (vsize i=0; i < kill_me_.size (); i++)
+ kill_me_[i]->suicide ();
}
-ADD_ACKNOWLEDGER (Glissando_engraver, rhythmic_head);
+ADD_ACKNOWLEDGER (Glissando_engraver, note_column);
ADD_TRANSLATOR (Glissando_engraver,
/* doc */
"Engrave glissandi.",
"Glissando ",
/* read */
- "",
+ "glissandoMap ",
/* write */
""
{
Direction before_affinity = to_dir (before->get_maybe_pure_property ("staff-affinity", pure, start, end));
Direction after_affinity = to_dir (after->get_maybe_pure_property ("staff-affinity", pure, start, end));
- if (after_affinity > before_affinity)
+ static bool warned = false;
+ if (after_affinity > before_affinity
+ && !warned && !pure)
{
warning (_ ("staff-affinities should only decrease"));
- after_affinity = before_affinity;
+ warned = true;
}
if (before_affinity != UP)
return before->get_maybe_pure_property ("nonstaff-nonstaff-spacing", pure, start, end);
#include <glib.h>
using namespace std;
+#include "international.hh"
+#include "warn.hh"
#include "lily-guile.hh"
LY_DEFINE (ly_encode_string_for_pdf, "ly:encode-string-for-pdf",
1, 0, 0, (SCM str),
- "Check whether the string needs to be encoded for PDF output (Latin1,"
- " PDFDocEncoding or in the most general case UTF-16BE).")
+ "Encode the given string to either Latin1 (which is a subset of"
+ " the PDFDocEncoding) or if that's not possible to full UTF-16BE"
+ " with Byte-Order-Mark (BOM).")
{
LY_ASSERT_TYPE (scm_is_string, str, 1);
char *p = ly_scm2str0 (str);
char *g = NULL;
- const char *charset;
+ char const *charset="UTF-8"; // Input is ALWAYS UTF-8!
gsize bytes_written = 0;
- g_get_charset (&charset); /* The current locale */
- /* First, try to convert to ISO-8859-1 (no encodings required) */
+ /* First, try to convert to ISO-8859-1 (no encodings required). This will
+ * fail, if the string contains accented characters, so we do not check
+ * for errors. */
g = g_convert (p, -1, "ISO-8859-1", charset, 0, &bytes_written, 0);
/* If that fails, we have to resolve to full UTF-16BE */
- if (!g) {
- char *g_without_BOM = g_convert (p, -1, "UTF-16BE", charset, 0, &bytes_written, 0);
- /* prepend the BOM manually, g_convert doesn't do it! */
- g = new char[bytes_written+3];
- g[0] = (char)254;
- g[1] = (char)255;
- memcpy (&g[2], g_without_BOM, bytes_written+1); // Copy string + \0
- free (g_without_BOM);
- bytes_written += 2;
- }
+ if (!g)
+ {
+ GError *e = NULL;
+ char *g_without_BOM = g_convert (p, -1, "UTF-16BE", charset, 0, &bytes_written, &e);
+ if (e != NULL)
+ {
+ warning (_f("Conversion of string `%s' to UTF-16be failed: %s", p, e->message));
+ g_error_free (e);
+ }
+ /* UTF-16BE allows/recommends a byte-order-mark (BOM) of two bytes
+ * \xFE\xFF at the begin of the string. The pdfmark specification
+ * requires it and depends on it to distinguish PdfDocEncoding from
+ * UTF-16BE. As g_convert does not automatically prepend this BOM
+ * for UTF-16BE (only for UTF-16, which uses lower endian by default,
+ * though), we have to prepend it manually. */
+ if (g_without_BOM) // conversion to UTF-16be might have failed (shouldn't!)
+ {
+ g = new char[bytes_written+3];
+ char const *BOM = "\xFE\xFF";
+ strcpy (g, BOM);
+ memcpy (&g[2], g_without_BOM, bytes_written+1); // Copy string + \0
+ free (g_without_BOM);
+ bytes_written += 2;
+ }
+ }
free (p);
/* Convert back to SCM object and return it */
- if (g) {
- return scm_from_locale_stringn (g, bytes_written);
- } else {
+ /* FIXME guile-2.0: With guile 2.0 the internal representation of a string
+ * has changed (char vector rather than binary bytes in
+ * UTF-8). However, with guile 2.0, ly:encode-string-for-pdf
+ * is no longer needed and can be replaced by the new
+ * (string->utf16 str 'big)
+ */
+ if (g)
+ return scm_take_str (g, bytes_written); // scm_take_str eventually frees g!
+ else
return str;
- }
-
}
/*
Rests and notes.
*/
- if (rests.size () > 1)
- warning (_ ("too many colliding rests"));
- Grob *rcol = 0;
- Direction dir = CENTER;
+ // Count how many rests we move
+ Drul_array<int> rcount (0, 0);
- for (vsize i = rests.size (); !rcol && i--;)
- if (Note_column::dir (rests[i]))
- {
- rcol = rests[i];
- dir = Note_column::dir (rcol);
- }
-
- if (!rcol)
- return SCM_BOOL_T;
-
- Grob *rest = Note_column::get_rest (rcol);
- Grob *common = common_refpoint_of_array (notes, rcol, Y_AXIS);
-
- Interval restdim = rest->extent (common, Y_AXIS);
- if (restdim.is_empty ())
- return SCM_BOOL_T;
-
- Real staff_space = Staff_symbol_referencer::staff_space (rcol);
- Real minimum_dist = robust_scm2double (me->get_property ("minimum-distance"), 1.0) * staff_space;
-
- Interval notedim;
- for (vsize i = 0; i < notes.size (); i++)
+ for (vsize i = 0; i < rests.size (); i++)
{
- if (Note_column::dir (notes[i]) == -dir
- // If the note has already happened (but it has a long duration, so there is a collision),
- // don't look at the stem. If we do, the rest gets shifted down a lot and it looks bad.
- || dynamic_cast<Item*> (notes[i])->get_column () != dynamic_cast<Item*> (rest)->get_column ())
+ Grob *rcol = rests[i];
+ Direction dir = Note_column::dir (rcol);
+ if (!dir)
+ continue;
+
+ Grob *rest = Note_column::get_rest (rcol);
+ // Do not compute a translation for pre-positioned rests,
+ // nor count them for the "too many colliding rests" warning
+ if (scm_is_number (rest->get_property ("staff-position")))
+ continue;
+
+ Grob *common = common_refpoint_of_array (notes, rcol, Y_AXIS);
+ Interval restdim = rest->extent (common, Y_AXIS);
+ if (restdim.is_empty ())
+ continue;
+
+ Real staff_space = Staff_symbol_referencer::staff_space (rcol);
+ Real minimum_dist = robust_scm2double (me->get_property ("minimum-distance"), 1.0) * staff_space;
+
+ Interval notedim;
+ for (vsize i = 0; i < notes.size (); i++)
{
- /* try not to look at the stem, as looking at a beamed
- note may trigger beam positioning prematurely.
-
- This happens with dotted rests, which need Y
- positioning to compute X-positioning.
- */
- Grob *head = Note_column::first_head (notes[i]);
- if (head)
- notedim.unite (head->extent (common, Y_AXIS));
+ if (Note_column::dir (notes[i]) == -dir
+ // If the note has already happened (but it has a long
+ // duration, so there is a collision), don't look at the stem.
+ // If we do, the rest gets shifted down a lot and it looks bad.
+ || dynamic_cast<Item*> (notes[i])->get_column () != dynamic_cast<Item*> (rest)->get_column ())
+ {
+ /* try not to look at the stem, as looking at a beamed
+ note may trigger beam positioning prematurely.
+
+ This happens with dotted rests, which need Y
+ positioning to compute X-positioning.
+ */
+ Grob *head = Note_column::first_head (notes[i]);
+ if (head)
+ notedim.unite (head->extent (common, Y_AXIS));
+ else
+ programming_error ("Note_column without first_head()");
+ }
else
- programming_error ("Note_column without first_head()");
+ notedim.unite (notes[i]->extent (common, Y_AXIS));
}
- else
- notedim.unite (notes[i]->extent (common, Y_AXIS));
- }
- Real y = dir * max (0.0,
- -dir * restdim[-dir] + dir * notedim[dir] + minimum_dist);
-
- int stafflines = Staff_symbol_referencer::line_count (me);
- if (!stafflines)
- {
- programming_error ("no staff line count");
- stafflines = 5;
- }
+ Real y = dir * max (0.0,
+ -dir * restdim[-dir] + dir * notedim[dir] + minimum_dist);
- // move discretely by half spaces.
- int discrete_y = dir * int (ceil (y / (0.5 * dir * staff_space)));
+ int stafflines = Staff_symbol_referencer::line_count (me);
+ if (!stafflines)
+ {
+ programming_error ("no staff line count");
+ stafflines = 5;
+ }
- // move by whole spaces inside the staff.
- if (fabs (Staff_symbol_referencer::get_position (rest)
- + discrete_y) < stafflines + 1)
- {
- discrete_y = dir * int (ceil (dir * discrete_y / 2.0) * 2.0);
- }
+ // move discretely by half spaces.
+ int discrete_y = dir * int (ceil (y / (0.5 * dir * staff_space)));
- Rest::translate (rest, discrete_y);
+ // move by whole spaces inside the staff.
+ if (fabs (Staff_symbol_referencer::get_position (rest)
+ + discrete_y) < stafflines + 1)
+ {
+ discrete_y = dir * int (ceil (dir * discrete_y / 2.0) * 2.0);
+ }
+
+ Rest::translate (rest, discrete_y);
+ if (rcount[dir]++)
+ rest->warning (_ ("too many colliding rests"));
+ }
}
return SCM_BOOL_T;
}
ADD_INTERFACE (Rest_collision,
- "Move around ordinary rests (not multi-measure-rests) to avoid"
- " conflicts.",
+ "Move ordinary rests (not multi-measure nor pitched rests)"
+ " to avoid conflicts.",
/* properties */
"minimum-distance "
((BeamEvent) ; throw away beam events, or they'll be duplicated by turn or trill
(loop factor newelements tail actions))
- ((LineBreakEvent) ; pass through linebreak events.
- (loop (cons 1 1) (cons e newelements) tail actions))
- ((FingeringEvent) ; and fingering events too.
- (loop factor newelements tail actions))
-
- ((BreathingEvent) ; throw away BreathingEvent ---
- ; should really shorten previous note a little.
- (loop (cons 1 1) (cons e newelements) tail actions))
-
- ((TieEvent)
- (loop (cons 1 1) (cons e newelements) tail actions))
-
- ((SkipEvent)
- (loop (cons 1 1) (cons e newelements) tail actions))
- ((RestEvent)
+ ((LineBreakEvent FingeringEvent MarkEvent BreathingEvent TieEvent SkipEvent RestEvent) ; pass through some events.
(loop (cons 1 1) (cons e newelements) tail actions))
((ArticulationEvent)
(_i "Insert a breath mark.")
(make-music 'BreathingEvent))
-%% Make slide indication for chords
-chordGlissando =
-#(define-music-function (parser location mus1 mus2) (ly:music? ly:music?)
- "Make a glissando between the notes of triads @code{mus1} and @code{mus2}."
-
- (define (add-glissando musChord)
- (let ((els (ly:music-property musChord 'elements)))
- (ly:music-set-property! musChord 'elements (append els (list (make-music 'GlissandoEvent))))
- musChord))
-
- (define (get-notes musicChord)
- (filter (lambda(x) (eq? (ly:music-property x 'name) 'NoteEvent))
- (ly:music-property musicChord 'elements)))
-
- (define (select-note musChord index)
- (let* ((notes (get-notes musChord))
- (non-notes (filter (lambda (x)
- (not (eq? (ly:music-property x 'name)
- 'NoteEvent)))
- (ly:music-property musChord 'elements)))
- (selected-note (list-ref notes index))
- (new-els (cons selected-note non-notes))
- (new-mus (ly:music-deep-copy musChord)))
- (ly:music-set-property! new-mus 'elements new-els)
- new-mus))
-
- (define (add-glissando-line mus1 mus2 index)
- (context-spec-music
- (context-spec-music
- (make-sequential-music
- (list
- hideNotes
- (make-grob-property-set 'StringNumber 'transparent #t)
- (make-grob-property-set 'NoteColumn 'ignore-collision #t)
- ;; obviously, this isn't equivalent to \once,
- ;; so could be changed if required
- (make-grob-property-set 'Glissando 'thickness 2)
- (make-grob-property-set 'DynamicText 'transparent #t)
- (make-grob-property-set 'DynamicLineSpanner 'transparent #t)
- (make-grob-property-set 'DynamicTextSpanner 'transparent #t)
- (make-grob-property-set 'TextScript 'stencil #f)
- (add-glissando (select-note mus1 index))
- (select-note mus2 index)))
- 'Bottom (symbol->string (gensym)))
- 'Staff))
-
- (let* ((notes1 (get-notes mus1))
- (notes2 (get-notes mus2))
- (note-count (min (length notes1) (length notes2))))
-
- #{
- \once \override Glissando #'minimum-length = #4
- \once \override Glissando #'springs-and-rods = #ly:spanner::set-spacing-rods
- <<
- {
- $(add-glissando mus1)
- $mus2
- }
- $(make-simultaneous-music
- (map (lambda (x)
- (add-glissando-line mus1 mus2 x))
- (iota note-count)))
- >>
- \revert NoteColumn #'ignore-collision
- #}))
-
clef =
#(define-music-function (parser location type) (string?)
(_i "Set the current clef to @var{type}.")
%%%% You should have received a copy of the GNU General Public License
%%%% along with LilyPond. If not, see <http://www.gnu.org/licenses/>.
-\version "2.13.61"
+\version "2.15.0"
%%%% sources:
%%%% mandolincafe website (http://www.mandolincafe.com/),
frets in tablature.")
+ (glissandoMap ,list? "A map in the form of '((source1 . target1)
+(source2 . target2) (sourcen . targetn)) showing the glissandi to
+be drawn for note columns. The value '() will default to '((0 . 0)
+(1 . 1) (n . n)), where n is the minimal number of note-heads in
+the two note columns between which the glissandi occur.")
(gridInterval ,ly:moment? "Interval for which to generate
@code{GridPoint}s.")
(ly:add-interface
'glissando-interface
"A glissando."
- '())
+ '(glissando-index))
(ly:add-interface
'grace-spacing-interface
(figures ,ly:grob-array? "Figured bass objects for continuation line.")
+ (glissando-index ,integer? "The index of a glissando in its note
+column.")
(grace-spacing ,ly:grob? "A run of grace notes.")
(heads ,ly:grob-array? "An array of note heads.")
(define (metadata-encode val)
;; First, call ly:encode-string-for-pdf to encode the string (latin1 or
;; utf-16be), then escape all parentheses and backslashes
+ ;; FIXME guile-2.0: use (string->utf16 str 'big) instead
+
(ps-quote (ly:encode-string-for-pdf val)))
(define (metadata-lookup-output overridevar fallbackvar field)
(let* ((overrideval (ly:modules-lookup (list header) overridevar))
;; F4 used in southeast Asia and Australia
("f4" . (cons (* 210 mm) (* 330 mm)))
;; Used for very small @lilypond examples in the Documentation
- ;; based on c9 envelope size but landscape not portrait
- ("c9landscape" . (cons (* 57 mm) (* 40 mm)))
+ ;; based on a8 size but landscape not portrait
+ ("a8landscape" . (cons (* 74 mm) (* 52 mm)))
))
;; todo: take dimension arguments.
projects / lilypond.git / commitdiff