volume={17},
pages ={292-309},
- note = {Gourlay\cite{gourlay86} writes: A discussion of Smith's
+ note = {Gourlay [gourlay86] writes: A discussion of Smith's
music-printing system SCORE}
}
volume = 9,
number = 6,
pages = {291--298},
- note = {Gourlay\cite{gourlay86} writes: A discussion of the design
+ note = {Gourlay [gourlay86] writes: A discussion of the design
and potential uses of the DARMS music-description language.}
}
year = {1977},
pages = {63-80},
- note = {Gourlay \cite{gourlay86} writes: "A discussion of the
+ note = {Gourlay [gourlay86] writes: "A discussion of the
problems of representing the conventions of musical notation in
computer algorithms."}
}
note = {Describes the "parser" which converts {MusiCopy} MDL to
MusiCopy Simultaneities and columns.
-MDL is short for Music Description Language\cite{gourlay86}. It
+MDL is short for Music Description Language [gourlay86]. It
accepts music descriptions that are organised into measures filled
with voices, which are filled with notes. The measures can be arranged
simultaneously or sequentially. To address the 2-dimensionality,
the author tries to extract dimensions for characters, whereas the
rules of typesetting (in a particular font) follow from the dimensions
of the symbols. His symbols do not match (the stringent) constraints
-formulated by eg. \cite{wanske}} }
+formulated by eg. [wanske]} }
@TechReport{grover89-twovoices,
author = {John Gr\/over},
descriptions are long and verbose. The verbosity shows that
formulating specific rules is not the proper way to approach the
problem. Instead, the formulated rules should follow from more
-general rules, similar to\cite{parrish87-simultaneities}},
+general rules, similar to [parrish87-simultaneities]},
}
@TechReport{grover89-accidentals,
number = 135,
note = {Placement of accidentals crystallised in an enormous set of
-rules. Same remarks as for \cite{grover89-twovoices} applies} }
+rules. Same remarks as for [grover89-twovoices] applies} }
@PhdThesis{mueller90:_inter_bearb_musik,
isbn ={0793508479},
note={HWN writes: `Book' edition of lecture notes from XXX school of
music. The book looks like it is xeroxed from bad printouts. The
-content has nothing you won't find in other books like\cite{read} or
-\cite{heussenstamm}. }
+content has nothing you won't find in other books like [read] or
+[heussenstamm]. }
}
@Book{ross,
year = 1923,
note = {This patriotic book was an attempt to promote and help
British music engravers. It is somewhat similar to Hader's
- book\cite{hader48} in scope and style, but Gamble focuses more on
+ book [hader48] in scope and style, but Gamble focuses more on
technical details (Which French punch cutters are worth buying from,
etc.), and does not treat typographical details, such as optical
illusions. It is available as reprint from Da Capo Press, New York
author = {Glen Rosecrans},
publisher={Passantino},
address={New York},
- note={Heussenstamm writes: Limited in scope, similar to \cite{Roemer84}}
+ note={Heussenstamm writes: Limited in scope, similar to [Roemer84]}
}
@Book {donemus1982,