With quotations, fragments of other parts can be inserted into a part
directly. Before a part can be quoted, it must be marked especially as
-quotable. This is done with the @code{\addquote} command.
+quotable. This is done with the @code{\addQuote} command.
@example
-\addquote @var{name} @var{music}
+\addQuote @var{name} @var{music}
@end example
@noindent
Here, @var{name} is an identifying string. The @var{music} is any kind
-of music. Here is an example of @code{\addquote}
+of music. Here is an example of @code{\addQuote}
@example
-\addquote clarinet \relative c' @{
+\addQuote clarinet \relative c' @{
f4 fis g gis
@}
@end example
This command must be entered at toplevel, i.e., outside any music
blocks.
-After calling @code{\addquote}, the quotation may then be done with
+After calling @code{\addQuote}, the quotation may then be done with
@code{\quoteDuring} or @code{\cueDuring},
@example
More precisely, it takes the current time-step of the part being
printed, and extracts the notes at the corresponding point of the
-@code{\addquote}d voice. Therefore, the argument to @code{\addquote}
+@code{\addQuote}d voice. Therefore, the argument to @code{\addQuote}
should be the entire part of the voice to be quoted, including any
rests at the beginning.
instruments, if they are specified using the @code{\transposition} command.
@lilypond[quote,ragged-right,verbatim]
-\addquote clarinet \relative c' {
+\addQuote clarinet \relative c' {
\transposition bes
f4 fis g gis
}
@refbugs
Only the contents of the first @internalsref{Voice} occurring in an
-@code{\addquote} command will be considered for quotation, so
+@code{\addQuote} command will be considered for quotation, so
@var{music} can not contain @code{\new} and @code{\context Voice}
statements that would switch to a different Voice.
\override Beam #'length-fraction = #0.8
}
-\addquote clarinet \relative {
+\addQuote clarinet \relative {
R1*20
r2 r8 c f f
}
c8 c c e g2 |
a4 g g2 |
}
-\addquote "picc" { \picc }
+\addQuote "picc" { \picc }
cbsn = \relative c, {
\clef "bass_8"