engraving and typical computer output, and the third picture shows how
LilyPond mimics the traditional look. The left picture shows a scan
of a flat symbol from an edition published in 2000. The center
-depicts a symbol from a hand-engraved B@"{a}renreiter edition of the
+depicts a symbol from a hand-engraved Bärenreiter edition of the
same music. The left scan illustrates typical flaws of computer
print: the staff lines are thin, the weight of the flat symbol matches
the light lines and it has a straight layout with sharp corners. By
-contrast, the B@"{a}renreiter flat has a bold, almost voluptuous
+contrast, the Bärenreiter flat has a bold, almost voluptuous
rounded look. Our flat symbol is designed after, among others, this
one. It is rounded, and its weight harmonizes with the thickness of
our staff lines, which are also much thicker than lines in the
@item @tab
Henle (2000)
@tab
-B@"{a}renreiter (1950)
+Bärenreiter (1950)
@tab
LilyPond Feta font (2003)
@table @cite
@item Ignatzek 1995
-Klaus Ignatzek, Die Jazzmethode f@"{u}r Klavier. Schott's S@"{o}hne
+Klaus Ignatzek, Die Jazzmethode für Klavier. Schott's Söhne
1995. Mainz, Germany ISBN 3-7957-5140-3.
A tutorial introduction to playing Jazz on the piano. One of the first
Original author of LilyPond glossary, Danish glossary,
@item David González
Spanish glossary,
-@item Fran@,{c}ois Pinard
+@item François Pinard
Original glossary of GNU music project, French glossary,
@item Han-Wen Nienhuys
Dutch glossary,
ES: calderón,
I: corona,
-F: point d'orgue, point d'arr@^et,
+F: point d'orgue, point d'arrêt,
D: Fermate,
NL: fermate,
DK: fermat,
ES: cabeza,
I: testa, testina, capocchia,
-F: t@^ete de la note,
+F: tête de la note,
D: Notenkopf,
NL: nootballetje,
DK: nodehovede,
@item @strong{Whitespace insensitive}:
it does not matter how many
spaces (or new lines) you add. @code{ @{ c d e @}} means the same thing
-as @code{ @{ c @ @ @ @ @ d e @} } and
+as @code{ @{ c @tie{} @tie{} @tie{} d e @} } and
@example
@{
c d